Extra Credits
Published on 6 Feb 2018The second half of Ray Bradbury’s Martian Chronicles can be described as “the human cycle” — a reflection on humanity’s seemingly insatiable need to conquer and consume every last bit of our own culture.
February 7, 2018
The Martian Chronicles – Too Human – Extra Sci Fi – #12
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February 2, 2018
Trump Diminishes the Power of the State in Our Heads: Wired Co-Founder Louis Rossetto
ReasonTV
Published on 1 Feb 2018Louis Rossetto, co-founder of Wired magazine, on politics, the dot-com bubble, and his new novel, Change Is Good: A Story of the Heroic Era of the Internet.
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“Trump is a refreshing reminder that the guy that’s in the White House is another human being,” says Louis Rossetto, the co-founder of Wired and author of the new book Change Is Good: A Story of the Heroic Era of the Internet. “The power of the state is way too exalted [and] bringing that power back to human scale is an important part of what needs to be done to correct the insanity that’s been going on in the post-war era.”In 2013, Rossetto was the co-recipient of Reason‘s very first Lanny Friedlander Prize, an award named after the magazine’s founder that’s handed out annually to an individual or group who has created a publication, medium, or distribution platform that vastly expands human freedom. Rossetto is also a longtime libertarian who knew Friedlander personally.
While still an undergraduate at Columbia University, Rossetto co-authored a 1971 cover story in the New York Times Magazine titled “The New Right Credo — Libertarianism,” writing that “[l]iberalism, conservatism, and leftist radicalism are all bankrupt philosophies,” and “refugees from the Old Right, the Old Left and the New Left, they are organizing independently under the New Right banner of libertarianism.”
Reason‘s Nick Gillespie sat down with Rossetto to talk about his new book (the paper version was lavishly designed and crowdfunded on Kickstarter), the 1990s tech boom, and why Trump “diminishes the power of the state” in our heads.
Interview by Nick Gillespie. Edited by Ian Keyser. Cameras by Paul Detrick, Justin Monticello, Zach Weissmueller.
Machinery by Kai Engel is used under a Creative Commons license.
Photo Credits: Chris Kleponis/ZUMA Press/Newscom – Jonathan Ernst/Reuters/Newscom – Abaca Press/Douliery Olivier/Abaca/Sipa USA/Newscom
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February 1, 2018
The Martian Chronicles – A Dying Race – Extra Sci Fi – #11
Extra Credits
Published on 30 Jan 2018We’re diving into Ray Bradbury’s short stories about life on Mars — and how that life reacts when it encounters human life, and what *their* reaction says about American society in the Cold War era.
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January 29, 2018
A new collection of H.L. Mencken’s “The Free Lance” columns
In Reason, Bill Kauffman reviews S.T. Joshi’s new selection from H.L. Mencken’s Baltimore Evening Sun essays:
The longtime Baltimore Evening Sun columnist, American Mercury editor, and rumbustiously splenetic critic, who graced this orb from 1880 to 1956, would not be published in any major newspaper today. The reasons he foresaw over a century ago, when he decried the “cheap bullying and cheaper moralizing” whose purpose was the extirpation, the annihilation, of anything resembling a robust exchange of ideas. Two beliefs puffed up the righteous censor, according to Mencken: first, “that any man who dissents from the prevailing platitudes is a hireling of the devil,” and second, “that he should be silenced and destroyed forthwith. Down with free speech; up with the uplift!”
Plus ça change and all that.
S.T. Joshi, who has chosen his primary scholarly interests — Mencken, H.P. Lovecraft, and Ambrose Bierce — with a fine eye for readability over reputation, has assembled a selection of Mencken’s Evening Sun “Free Lance” columns of 1911–1915 into a book called A Saturnalia of Bunk and contributed an informative introduction to it.
Henry Louis Mencken churned out six of these 1,200-word meringues every week, a vertiginous pace that makes Joyce Carol Oates look like Harper Lee.
Logorrheic bloggers aside, does anyone really have that much to say about the controversies of the day? Mencken once nicked Bierce for reprinting his early work, which was “filled with epigrams against frauds long dead and forgotten, and echoes of old and puerile newspaper controversies.” Is A Saturnalia of Bunk similarly irrelevant?
Happily, no. Although Mencken’s fusillades against, say, blue laws have grown fusty, his rousing conclusions — “the militant moralist tries to steal liberty and self-respect, and the man who has lost both is a man who has lost everything that separates a civilized freeman from a convict in a chain-gang” — have lost none of their punch.
These columns, composed while their author was on the shy side of middle age, afford, says Joshi, “a nearly complete view of Mencken’s political, religious, social, and cultural philosophy as it had evolved up to this point” — and this philosophy would largely remain constant for the rest of his rooted life. (Mencken, a dyed-in-the-wool third-generation Baltimorean, a sardonic citizen of his place, made his home in the house in which he grew up.)
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QotD: Churchill’s drinking habits
In the not so distant past around the sodden precincts of Westminster you were as likely to spot a yeti as a sober politician. The level of drinking that went on among MPs and their leeches for most of the last century was prodigious and was by and large expected. It was, as Ben Wright describes in his breezy, anecdote-rich and instructive survey of booze and politics, part of a culture which was tolerated and, to a degree, encouraged.
It was not without justification, for instance, that Adolf Hitler, who might have been a nicer fellow had he not been a teetotaller, described Winston Churchill as an “insane drunkard”, a “garrulous drunkard”, and “whisky-happy”.
If Order, Order! has a star it is undoubtedly Churchill who rarely let a day go by able to pass a breathalyser test. On occasion he would have a glass of wine at breakfast followed by a liquid lunch which invariably included Champagne and brandy. At tea-time he would progress to whisky. Then he would wash down dinner with more Champagne and brandy after which he had at least another whisky. According to one loyal aide who may have been sight impaired he was never the worse for wear for this intake and he “never felt the slightest ill-effects in the morning”.
Alan Taylor, “Lush tales of our political classes’ drinking exploits”, The National, 2016-06-20.
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January 26, 2018
Ursula K. Le Guin, RIP
I’m sorry to say that I’ve never read any of her work, but this obituary by Jude Karabus (especially this section) makes me think I missed out:
A lot of her work – like that of all the literary greats – had to do with thought experiments: What if the relationship between power and gender were different; what if you didn’t – for good or for bad – have to think about whether you wanted to have sex with someone when you interacted with them? What of the profit motive and humankind’s uneasy relationship with war, the environment and its own nature. Her work was, of course, unflinchingly feminist, humanist also.
There is a yellowed, slightly dog-eared copy of 1974’s The Dispossessed, complete with art nouveau-style illustration, on the shelf of the William Morris Gallery in London. It has a placard beneath it that reads something like: “This is the type of thing Morris was banging on about”. (Morris was a 19th-century English textile designer and social activist who brought art to the ‘lower’ classes by mass-producing tiles, wallpaper and other fine furnishings.)
It seems an odd choice by the curator; it’s the only book in the display that wasn’t literally written by a Morris compatriot or a known influence on him, and she was born years after he died. They were certainly of similar political bent, wanted to make art affordable etc, but only if you squint a little. The book was also written before I was born. There’s probably a connection I didn’t understand; perhaps the cover art was “a Morris” (he also painted and wrote poetry) – the terse note propped up against it doesn’t make it clear. But I like to think the curator was grabbed by the throat by her prose, like I was, and was simply looking for any excuse to say: “Here. Sit down. Read this! No really. Read this.”
A quick overview of the life and work of William Morris here.
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QotD: Britain’s boozy parliamentarians
It is Wright’s contention [in his book Order! Order!] that alcohol has as many benefits as it does drawbacks. Not only does it help loosen ties and tongues it also boosts confidence and dilutes stress. Most prime ministers drank, many to excess. Herbert Asquith went by the nickname “Squiffy Asquith” and regularly appeared in the Commons three sheets to the wind. Margaret Thatcher did her best to promote the whisky industry, the uncapping of a bottle of Bell’s marking the end of the working day. She believed that whisky rather than gin was good for you because “it will give you energy”, which I fear could be a hard fact to prove scientifically.
Tony Blair, whose reign ushered in an era of 24-hour drinking, thought his relatively modest drinking was getting out of control because he calculated it exceeded the government’s weekly recommended limit. This did not impress Dr John Reid, Bellshill’s finest, who once drank like a navvy. “Where I come from,” Reid told GMTV, “a gin and tonic, two glasses of wine, you wouldn’t give that to a budgie.” Blair, of course, did not have to look further than next door to find an explanation why his consumption increased over the years. Gordon Brown, his nemesis, was fond of Champagne – Möet & Chandon no less – which he did not nurse but washed down in a gulp. “He was like the cookie monster,” recalled one aide. “Down in one, whoosh!” Drinking is of course one of those areas in which we Scots have long punched above our weight and Wright’s pages are replete with examples of intoxicated Jocks carousing nights away and causing mayhem. Former Labour leader John Smith was one such. Occasionally I encountered him on the overnight train that carried Scottish MPs home from Westminster on a Thursday night. Known as “the sleeper of death”, it was a mobile pub that never closed until it reached Waverley, whereupon politicians were disgorged red-eyed and pie-eyed among bemused early morning commuters.
Alan Taylor, “Lush tales of our political classes’ drinking exploits”, The National, 2016-06-20.
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January 25, 2018
The Canals of Mars – Eye of the Beholder – Extra Sci Fi – #10
Extra Credits
Published on 23 Jan 2018The Canals of Mars ignited so many imaginations, especially in science fiction stories, but they never really existed. What made us believe in them? And why did so many writers keep dreaming about them even after the theory had been disproved?
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January 24, 2018
Charles Stross on Heinlein’s “Crazy Years” notion
Heinlein called it, back in the 1940s, and Charles Stross provides a few more data points to prove he was quite right:
Many, many years ago, in the introduction to my first short story collection, I kvetched about how science fictional futures obsolesce, and the futures we expect look quaint and dated by the time the reality rolls round.
Around the time I published “Toast” (the title an ironic reference to the way near-future SF gets burned by reality) I was writing the stories that later became Accelerando. I hadn’t really mastered the full repertoire of fiction techniques at that point (arguably, I still haven’t: I’ll stop learning when I die), but I played to my strengths — and one technique that suited me well back then was to take a fire-hose of ideas and spray them at the reader until they drowned. Nothing gives you a sense of an immersive future like having the entire world dumped on your head simultaneously, after all.
Now we are living in 2018, round the time I envisaged “Lobsters” taking place when I was writing that novelette, and the joke’s on me: reality is outstripping my own ability to keep coming up with insane shit to provide texture to my fiction.
Just in the past 24 hours, the breaking news from Saudi Arabia is that twelve camels have been disqualified from a beauty pageant because their handlers used Botox to make them more handsome. (The street finds its uses for tech, including medicine, but come on, camel beauty pageant botox should not be a viable Google search term in any plausible time line.) Meanwhile, home in Edinburgh, eight vehicles have been discovered trapped in an abandoned robot car park during demolition work. This is pure J. G. Ballard/William Gibson mashup territory, and it’s about half a kilometre from my front door. The world’s top 1% earned 82% of all wealth generated in 2017 — I’m fairly sure this wasn’t what Adam Smith had in mind — and South Korea has such a high suicide rate that the government intends to make organising a suicide pact a criminal offence.
Go home, 2018, you’re drunk. (Or, as Robert Heinlein might have put it: these are the crazy years, and they’re not over yet.)
January 21, 2018
Sun Tzu – The Art of War l HISTORY OF CHINA
IT’S HISTORY
Published on 8 Aug 2015Sun Tzu’s The Art of War is a book on military strategies written around 500 BC, between the collapse of the Zhou dynasty and the rise of the first emperor of imperial China. Today Tzu’s guidelines are still as applicable as ever. They are still being read by military commanders, politicians and businesspeople all over the world. Also known as “Master Sun’s Military Methods”, the book explains basics like the “Strategy of Attack”, “Moving the Army” and even “Employing Spies” in 13 short chapters, restricting itself to general principles rather than detailed instructions of strategy and tactics. Learn all about this timeless and influential military masterpiece on IT’S HISTORY.
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January 11, 2018
William Gibson: The Gernsback Continuum – Semiotic Ghosts – #8
Extra Credits
Published on Jan 9, 2018Ways that we dream about the world sometimes create a shared vision that we start to believe is real. When William Gibson first explored these “semiotic ghosts” of a pristine American future in the Gernsback Continuum, he showed how these visions of modern technology can separate us from our own reality and the personal meaning our world should hold for us.
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QotD: Regime uncertainty
Washington’s destructive policies have been dubbed “regime uncertainty” in a strand of innovative analyses pioneered by Robert Higgs of the Independent Institute. Regime uncertainty relates to the likelihood that an investor’s private property — namely, the flows of income and services it yields — will be attenuated by government action. As regime uncertainty is elevated, private investment is notched down from where it would have been. This can result in a business-cycle bust and even economic stagnation. I recommend Higgs’ most recent book for evidence on the negative effects of regime uncertainty: Robert Higgs. Taking a Stand: Reflections on Life Liberty, and the Economy. Oakland, CA: The Independent Institute, 2015.
Steve Hanke, “What’s Killing U.S. Growth?”, Huffington Post, 2016-04-12.
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January 2, 2018
What I was reading in 2017
I read a fair number of books, magazines, and other printed publications, but I read far more online these days than “dead tree” stuff. These were the new (or new-to-me) books I got through last year:
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December 28, 2017
QotD: The 1960s cultural revolution
The entire political and cultural trajectory of the decades following World War II in the U.S. was a movement away from the repressions of the Cold War standoff with the Soviet Union, when the House Un-American Activities Committee of the U.S. House of Representatives searched for signs of Communist subversion in every area of American life. A conspicuous target was the Hollywood film industry, where many liberals had indeed been drawn to the Communist Party in the 1930s, before the atrocities of the Stalinist regime were known. To fend off further federal investigation, the major studios blacklisted many actors, screenwriters, and directors, some of whom, like a favorite director of mine, Joseph Losey, fled the country to find work in Europe. Pete Seeger, the leader of the politicized folk music movement whose roots were in the social activism of Appalachian coal-miners in the 1930s, was banned from performing on network TV in the U.S. in the 1950s and ‘60s.
There were sporadic landmark victories for free speech in the literary realm. In 1957, local police raided the City Lights Bookshop in San Francisco and arrested the manager and owner, Beat poet Lawrence Ferlinghetti, for selling an obscene book, Allen Ginsberg’s epic protest poem, Howl. After a long, highly publicized trial, Howl was declared not obscene, and the charges were dropped. The Grove Press publishing house, owned by Barney Rosset, played a heroic role in the battle against censorship in the U.S. In 1953, Grove Press began publishing affordable, accessible paperbacks of the voluminous banned works of the Marquis de Sade, a major thinker about sex and society at the close of the Enlightenment. In 1959, the Grove Press edition of D.H. Lawrence’s 1928 novel, Lady Chatterly’s Lover, then banned in the U.S., was confiscated as obscene by the U.S. Postal Service. Rosset sued and won the case on federal appeal. In 1961, the publication by Grove Press of another banned book, Henry Miller’s 1934 novel, Tropic of Cancer, led to 60 obscenity trials in the U.S. until in 1964 it was declared not obscene and its publication permitted.
One of the supreme symbols of newly militant free speech was Lenny Bruce, who with Mort Sahl transformed stand-up comedy from its innocuous vaudevillian roots into a medium of biting social and political commentary. Bruce’s flaunting of profanity and scatology in his improvisational onstage act led to his arrest for obscenity in San Francisco in 1961, in Chicago in 1962, and in New York in 1964, where he and Howard Solomon, owner of the Café Au Go Go in Greenwich Village, were found guilty of obscenity and sentenced to jail. Two years later, while his conviction was still under appeal, Bruce died of a drug overdose at age 40.
This steady liberalizing trend was given huge impetus by the sexual revolution, which was launched in 1959 by the marketing of the first birth control pill. In Hollywood, the puritanical studio production code, which had been adopted in the early 1930s under pressure from conservative groups like the Legion of Decency and the United States Conference of Catholic Bishops, was gradually breaking down and was finally abandoned by the late 1960s. The new standard of sexual expression was defined by European art films, with their sophisticated scripts and frank nudity. Pop music pushed against community norms: in 1956, Elvis Presley’s hip-swiveling gyrations were cut off by the TV camera as too sexual for the Ed Sullivan Show, which was then a national institution. As late as 1967, the Ed Sullivan Show was trying to censor the song lyrics of major bands like the Doors and the Rolling Stones, who were imitating the sexual explicitness of rural and urban African-American blues. (The Stones capitulated to Sullivan, but the Doors fought back — and were never invited on his show again.) Middle-class college students in the 1960s, including women, began freely using four-letter words that had rarely been heard in polite company, except briefly during the flapper fad of the 1920s. In the early 1970s, women for the first time boldly entered theaters showing pornography and helped make huge hits out of X-rated films like Deep Throat, Behind the Green Door, and The Devil in Miss Jones.
In short, free speech and free expression, no matter how offensive or shocking, were at the heart of the 1960s cultural revolution. Free speech was a primary weapon of the Left against the moralism and conformism of the Right.
Camille Paglia, “The Modern Campus Has Declared War on Free Speech”, Heat Street, 2016-05-09.
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December 23, 2017
QotD: Charles Dickens’ ability to portray happiness
The thought of Christmas raises almost automatically the thought of Charles Dickens, and for two very good reasons. To begin with, Dickens is one of the few English writers who have actually written about Christmas. Christmas is the most popular of English festivals, and yet it has produced astonishingly little literature. There are the carols, mostly medieval in origin; there is a tiny handful of poems by Robert Bridges, T.S. Eliot, and some others, and there is Dickens; but there is very little else. Secondly, Dickens is remarkable, indeed almost unique, among modern writers in being able to give a convincing picture of happiness.
Dickens dealt successfully with Christmas twice in a chapter of The Pickwick Papers and in A Christmas Carol. The latter story was read to Lenin on his deathbed and according to his wife, he found its ‘bourgeois sentimentality’ completely intolerable. Now in a sense Lenin was right: but if he had been in better health he would perhaps have noticed that the story has interesting sociological implications. To begin with, however thick Dickens may lay on the paint, however disgusting the ‘pathos’ of Tiny Tim may be, the Cratchit family give the impression of enjoying themselves. They sound happy as, for instance, the citizens of William Morris’s News From Nowhere don’t sound happy. Moreover and Dickens’s understanding of this is one of the secrets of his power their happiness derives mainly from contrast. They are in high spirits because for once in a way they have enough to eat. The wolf is at the door, but he is wagging his tail. The steam of the Christmas pudding drifts across a background of pawnshops and sweated labour, and in a double sense the ghost of Scrooge stands beside the dinner table. Bob Cratchit even wants to drink to Scrooge’s health, which Mrs Cratchit rightly refuses. The Cratchits are able to enjoy Christmas precisely because it only comes once a year. Their happiness is convincing just because Christmas only comes once a year. Their happiness is convincing just because it is described as incomplete.
George Orwell (writing as “John Freeman”), “Can Socialists Be Happy?”, Tribune, 1943-12-20.
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