Quotulatiousness

February 21, 2012

UK Catholic sex-ed includes materials plagiarized from John Norman’s Gor series

Filed under: Books, Britain, Education, Humour, Media — Tags: , , — Nicholas @ 10:33

Really, it’s another of those stories that are “so weird that it’s too good to verify“:

As The Guardian reports today, Catholic faith schools in Lancashire have been handing out copies of a booklet called “Pure Manhood: How to become the man God wants you to be”, written by an American fundamentalist preacher. The booklet includes statements like this: “the homosexual act is disordered, much like contraceptive sex between heterosexuals. Both acts are directed against God’s natural purpose for sex — babies and bonding.” It also insists that, “scientifically speaking, safe sex is a joke”.

[. . .]

Weird ideas about sex, however, are not the only strange things in the booklet. All sorts of aspects of macho-ness are explored, including the need for real men to kill animals to prove their virility. There is a particularly bizarre passage about how to kill a wolf by sacrificing a goat. I won’t go into the gory details. The important point is that, as this blog post reveals, that piece of text was lifted from the book Beasts of Gor by John Norman.

February 11, 2012

Alan Moore: “Without wishing to overstate my case, everything in the observable universe definitely has its origins in Northamptonshire”

Filed under: Books, Britain, History, Liberty, Media, Politics — Tags: , , , , — Nicholas @ 11:51

Alan Moore on the origins of the Guy Fawkes mask and its role in the Anonymous protests:

When parents explained to their offspring about Guy Fawkes and his attempt to blow up Parliament, there always seemed to be an undertone of admiration in their voices, or at least there did in Northampton.

While that era’s children perhaps didn’t see Fawkes as a hero, they certainly didn’t see him as the villainous scapegoat he’d originally been intended as.

At the start of the 1980s when the ideas that would coalesce into V for Vendetta were springing up from a summer of anti-Thatcher riots across the UK coupled with a worrying surge from the far-right National Front, Guy Fawkes’ status as a potential revolutionary hero seemed to be oddly confirmed by circumstances surrounding the comic strip’s creation: it was the strip’s artist, David Lloyd, who had initially suggested using the Guy Fawkes mask as an emblem for our one-man-against-a-fascist-state lead character.

When this notion was enthusiastically received, he decided to buy one of the commonplace cardboard Guy Fawkes masks that were always readily available from mid-autumn, just to use as convenient reference.

To our great surprise, it turned out that this was the year (perhaps understandably after such an incendiary summer) when the Guy Fawkes mask was to be phased out in favour of green plastic Frankenstein monsters geared to the incoming celebration of an American Halloween.

It was also the year in which the term “Guy Fawkes Night” seemingly disappeared from common usage, to be replaced by the less provocative ‘bonfire night’.

At the time, we both remarked upon how interesting it was that we should have taken up the image right at the point where it was apparently being purged from the annals of English iconography. It seemed that you couldn’t keep a good symbol down.

February 10, 2012

Willpower, for good or evil

Filed under: Books, Media, Science — Tags: , , — Nicholas @ 11:52

In the Guardian, Jon Henley reviews the new book by Roy F Baumeister and John Tierney:

Willpower: Rediscovering Our Greatest Strength distills three decades of academic research (Baumeister’s contribution) into self-control and willpower, which the Florida State University social psychologist bluntly identifies as “the key to success and a happy life”.

The result is also (Tierney’s contribution) readable, accessible and practical. It’s an unusual self-help book, in fact, in that it offers not just advice, tips and insights to help develop, conserve and boost willpower, but grounds them in some science.

Willpower is, Baumeister argues over lunch, “what separates us from the animals. It’s the capacity to restrain our impulses, resist temptation — do what’s right and good for us in the long run, not what we want to do right now. It’s central, in fact, to civilisation.”

The disciplined and dutiful Victorians, all stiff upper lip and lashings of moral fibre, had willpower in spades; as, sadly, did the Nazis, who referred to their evil adventure as the “triumph of will”. In the 60s we thought otherwise: let it all hang out; if it feels good, do it; I’m OK, you’re OK.

But without willpower, it seems, we’re actually rarely OK. In the 60s a sociologist called Walter Mischel was interested in how young children resist instant gratification; he offered them the choice of a marshmallow now, or two if they could wait 15 minutes. Years later, he tracked some of the kids down, and made a startling discovery.

[. . .]

What they found was that, even taking into account differences of intelligence, race and social class, those with high self-control — those who, in Mischel’s experiment, held out for two marshmallows later — grew into healthier, happier and wealthier adults.

February 6, 2012

America’s boom in “Moocher Culture”

Filed under: Books, Economics, Government, Politics, USA — Tags: , , , , — Nicholas @ 00:08

Glenn Harlan Reynolds in the Washington Examiner explains why the growth in something-for-nothing attitudes can and will come to grief:

“Fifty thousand for what you didn’t plant, for what didn’t grow. That’s modern farming — reap what you don’t sow.”

That’s a line from a song about farm subsidies, “Farming The Government,” by the Nebraska Guitar Militia.

But these days it applies to more and more of the U.S. economy, as Charles Sykes points out in his new book, A Nation Of Moochers: America’s Addiction To Getting Something For Nothing.

The problem, Sykes points out, is that you can’t run an economy like that. If you tried to hold a series of potluck dinners where a majority brought nothing to the table, but felt entitled to eat their fill, it would probably work out badly. Yet that’s essentially what we’re doing.

[. . .]

But the damage goes deeper. Sykes writes, “In contemporary America, we now have two parallel cultures: An anachronistic culture of independence and responsibility, and the emerging moocher culture.

“We continually draw on the reserves of that older culture, with the unspoken assumption that it will always be there to mooch from and that responsibility and hard work are simply givens. But to sustain deadbeats, others have to pay their bills on time.”

And, after a while, people who pay their bills on time start to feel like suckers. I think we’ve reached that point now:

  • People who pay their mortgages — often at considerable personal sacrifice — see others who didn’t bother get special assistance.
  • People who took jobs they didn’t particularly want just to pay the bills see others who didn’t getting extended unemployment benefits.
  • People who took risks to build their businesses and succeeded see others, who failed, getting bailouts. It rankles at all levels.

And an important point of Sykes’ book is that moocher-culture isn’t limited to farmers or welfare queens. The moocher-vs-sucker divide isn’t between the rich and poor, but between those who support themselves and those nursing at the government teat.

February 5, 2012

I didn’t realize the President also inherited the droit de seigneur

Filed under: Books, History, Media, Politics, USA — Tags: , , , — Nicholas @ 11:30

After all this time, I doubt that anyone is particularly surprised by yet another revelation from the “Camelot” days of JFK’s presidency:

She always called him “Mr. President” — not Jack. He refused to kiss her on the lips when they made love. But Mimi Alford, a White House intern from New Jersey, was smitten nonetheless.

She was in the midst of an 18-month affair with the most powerful man in the world, sharing not only John F. Kennedy’s bed but also some of his darkest and most intimate moments.

In her explosive new tell-all, Once Upon a Secret: My Affair with President John F. Kennedy and Its Aftermath, Alford, now a 69-year-old grandmother and retired New York City church administrator, sets the record straight in searingly candid detail. The book, out Wednesday was bought by The Post at a Manhattan bookstore.

February 2, 2012

A textbook case of how PR should not be conducted

Filed under: Books, Media, Politics, USA — Tags: , — Nicholas @ 09:32

Ben Smith recounts the public relations moves the Obama White House used in an unsuccessful attempt to kill Jodi Kantor’s not-particularly damaging book The Obamas:

One can argue that the once-dominant writing exercise known as the book — a collection of words roughly 4,000 tweets long — is increasingly difficult for the modern media to digest.

But a skillful promotional campaign can help such a weighty work get traction even in today’s blink-and-you-miss-it news cycle. The White House recently showed how it’s done; the problem is, the Obama administration had hoped to bury this book, not praise it.

[. . .]

But now that the dust has settled and the shooting war between Kantor and the White House has waned, it’s clear that the decision to go to DEFCON 3 may well have been a tactical goof for the White House, which wound up largely validating — in caricature — the very themes of the book that it wanted to discredit: Michelle Obama’s continuing adjustment to her role as first lady and the reactive and sometimes hair-trigger political operation around her.

The White House air war also may have been good for sales: Kantor’s title remains on the best seller lists. The book, which is deeply reported and nuanced, also has been well-reviewed.

“What was so surreal was watching what looked like a classic political attack play out — except that some of it was directed at me,” Kantor, a reporter for The New York Times, said in an interview. “I got a lot of support from other reporters who felt they had been attacked or treated harshly by this White House. It’s not like this came out of nowhere.”

January 22, 2012

Paulo Coelho: Pirate my work!

Filed under: Books, Law, Liberty, Media, Technology — Tags: , , , — Nicholas @ 11:48

Paulo Coelho finds himself on the opposite side of an issue from where he “should be”:

As an author, I should be defending ‘intellectual property’, but I’m not.

Pirates of the world, unite and pirate everything I’ve ever written!

The good old days, when each idea had an owner, are gone forever. First, because all anyone ever does is recycle the same four themes: a love story between two people, a love triangle, the struggle for power, and the story of a journey. Second, because all writers want what they write to be read, whether in a newspaper, blog, pamphlet, or on a wall.

The more often we hear a song on the radio, the keener we are to buy the CD. It’s the same with literature.

The more people ‘pirate’ a book, the better. If they like the beginning, they’ll buy the whole book the next day, because there’s nothing more tiring than reading long screeds of text on a computer screen.

H/T to Cory Doctorow for the link.

January 16, 2012

Cory Doctorow recommends a book on English libel law

Filed under: Books, Britain, Law, Media — Tags: , , , , — Nicholas @ 10:17

There’s a reason that individuals and organizations try to sue for libel under English law, rather than their own national legal system:

The Guardian published a long excerpt from Nick Cohen’s forthcoming You Can’t Read This Book: Censorship in an Age of Freedom, a fantastic-looking book that reveals the dirty truth of English libel law, where “money buys silence” for some of the world’s most notorious dictators, thieves, and bad guys. English libel law is so broad that it allows, for example, Russian oligarchs to sue Russian newspapers for punitive sums (“the cost of libel actions in England and Wales is 140 times higher than the European average”) in an English court, merely by demonstrating that someone, somewhere in England looked at the paper’s website. And yet, the libel law in England and Wales doesn’t actually protect people from the most common forms of libelous publication: false declarations of criminal suspicion by the police, false claims of financial irregularities from credit reporting bureaux and false statements in former employers’ reference letters are protected unless they can be shown to have been malicious and negligent.

January 13, 2012

Continuators: heroes or villains?

Filed under: Books, Media — Tags: , , , — Nicholas @ 09:58

“What’s a continuator?” I pretend to hear you ask. Those are the folks who pick up the fallen pen of other (almost always greater) authors to write endings for unfinished works:

There’s a long list of great authors who have left work unfinished, often because of illness or death. Jane Austen, the Bronte sisters, Albert Camus, Franz Kafka, to name but a few. An industry has grown up around them, of so-called “continuators” — writers eager to finish the stories that they began.

There have been a number of continuations of Austen’s Sanditon, including efforts by Juliette Shapiro and Reginald Hill, author of the Dalziel and Pascoe series. Austen had only got 11 chapters in when she stopped, enough to establish the characters, but leaving the continuators plenty of room for manoeuvre.

But why would a writer choose to finish the work of another author, rather than create original work? Surely that leads to pastiche?

It’s dangerous territory, suggests Prof John Mullan, who is currently writing a book on Austen. “What we expect when we read the work of Austen, or Dickens, or Laurence Sterne, is a particular voice, and that’s terribly difficult to bring off.”

It’s a risky strategy for an author, but perhaps it speaks to a profound need in all of us. The literary critic Frank Kermode wrote in his book Sense of an Ending about our deep-rooted need to be rewarded with conclusions.

John Sutherland, emeritus professor at University College London, agrees. “Kermode famously observed that when we hear a clock go tick tick tick, what we hear is tick tock tick tock, because we like beginnings and endings. We’re hardwired, like lemmings going over a cliff.”

My experiences with continuators has been quite mixed. I’ve never been able to read anything by Spider Robinson since he “finished” a novel from Robert A. Heinlein’s very early period. I hated it so much that it actually diminished my admiration for Heinlein’s entire body of work (I eventually recovered). On the other hand, I quite enjoyed Great King’s War which was a sequel to H. Beam Piper’s Kalvan of Otherwhen. John F. Carr and Roland J. Green did an excellent job of writing in the same voice as Piper and took his characters in believable directions.

Do you write fan fiction? You might want to check for plagiarists re-using your work

Filed under: Books, Law, Media — Tags: , , , , , — Nicholas @ 08:49

Plagiarism is a problem, but how do you react when someone takes your (erotic) fan fiction work without permission and packages and re-sells it?

After checking the author page for Maria Cruz, who that day had the top-selling erotica book in Amazon’s U.K. Kindle store, she counted 40 erotica ebook titles, including Sister Pretty Little Mouth, My Step Mom and Me, Wicked Desires Steamy Stories and Domenating [sic] Her, plus one called Dracula’s Amazing Adventure. Most erotica authors stay within the genre, so Sharazade was surprised Cruz had ventured into horror. Amazon lets customers click inside a book for a sample of text and Sharazade was impressed with how literate it was. She extracted a sentence fragment, googled it, and found that Cruz had copy and pasted the text from Bram Stoker’s Dracula. Curious, Sharazade keyed in phrases from other Cruz ebooks and discovered that every book she checked was stolen.

[. . .]

It turns out Cruz isn’t the only self-published plagiarist. Amazon is rife with fake authors selling erotica ripped word-for-word from stories posted on Literotica, a popular and free erotic fiction site that according to Quantcast attracts more than 4.5 million users a month, as well as from other free online story troves. As recently as early January, Robin Scott had 31 books in the Kindle store, and a down-and-dirty textual analysis revealed that each one was plagiarized. Rachel M. Haven, a purveyor of incest, group sex, and cheating bride stories, was selling 11 pilfered tales from a variety of story sites. Eve Welliver had eight titles in the Kindle store copied from Literotica and elsewhere, and she had even thought to plagiarize some five-star reviews. Luke Ethan’s author page listed four works with titles like My Step Mom Loves Me and OMG My Step-Brother in Bisexual, and it doesn’t appear he wrote any of them. Maria Cruz had 19 ebooks and two paperbacks, all of which were created by other authors and republished without their consent, while her typo-addled alter ego Mariz Cruz was hawking Wicked Desire: Steamy bondage picture volume 1. 



January 8, 2012

The Joyce Estate provides useful ammunition to those opposed to longer copyright terms

Filed under: Books, Economics, Law, Media — Tags: , — Nicholas @ 10:42

The works of James Joyce have finally (re-)entered the public domain:

On the last day of 2011, the 70th anniversary year of his death, James Joyce’s work finally passed out of copyright. It was the dawn of a new age for Joyce scholars, publishers and biographers who are now free to quote or publish him without the permission of the ferociously prohibitive Joyce estate.

Over the past 20 years the right to quote from or publish Joyce’s work has been a matter of increasingly heated debate. The estate’s most vocal trustee, Stephen Joyce, the author’s grandson, earned himself the reputation as the most intractable defender of any copyright in modern times. His truculence (often verbal and colourful) towards those wishing to quote or publish his grandfather’s words dated from the mid-1970s, when biographer Richard Ellmann published some of Joyce’s “pornographic” letters to his wife Nora and some suggestive ones to a clandestine lover in Zurich. On becoming a trustee, Stephen was determined to prevent any further such revelations.

He outraged a meeting of Joyce scholars in Venice in 1988 by announcing that he had destroyed around a thousand letters to Joyce from his troubled daughter Lucia, as well as some to her from Samuel Beckett, the love of her young life. The following year he forced Brenda Maddox to delete a postscript concerning Lucia from her biography Nora: The Real Life of Molly Bloom. However, in 1991, the 50th anniversary of his death, Joyce’s copyright lapsed and for a time he could be quoted freely without permission. But in 1995 copyright in Europe was extended to 70 years, so the rights reverted to the estate.

[. . .]

The intention of the literary guardian is often not just to protect the reputation and prestige of an individual or family but also to safeguard the integrity of a work against experimentation, revision or trivialisation. Samuel Beckett, for example, refused to allow women to take the leading roles in Waiting for Godot, an indignant Orwell stopped his publisher publicising Nineteen Eighty-Four as a romantic thriller and the Joyce estate refused Kate Bush permission to include the final, seductive words of Molly Bloom from Ulysses in a song.

But there is also a certain power and prestige in being the literary executor of a famous writer. People pay heed to one’s words, come cap-in-hand to one’s door with requests, and the trustee of manuscripts is free to grant or deny favours with a lordly nod or dismissive gesture. It is a power jealously guarded and sometimes remorselessly implemented.

The complete knowledge fallacy

Filed under: Books, Education, History, Media, Technology — Tags: — Nicholas @ 10:29

Another thumb-sucker about how we’re been overwhelmed with data and it’s all Google’s fault (well, not really):

Today, any young reader of JK Rowling’s The Philosopher’s Stone would be bound to ask, turning the pages with bated-breath expectation as Harry Potter comes close to being discovered in the out-of-bounds section of the library: “Why didn’t he just Google it?”

As so often, however, our sense of living in an age which is particularly vulnerable to being overwhelmed by too much information turns out to be misplaced.

Even before the invention of the printing press — when the distribution of information depended upon teams of scribes working with pen and ink in monastery libraries — the fear of too much to know, too much material too widely and swiftly disseminated, was already threatening to overwhelm our orderly sense of understanding.

Once books proliferated in printed form from the 16th Century onwards — “too many books, too little time” was the complaint of scholars like Erasmus and Descartes. Knowledge-gatherers scrambled to develop ever more-complicated ways of assembling, organising and distributing knowledge drawn from as wide as possible a range of erudite and unfamiliar sources for easy retrieval.

[. . .]

Of course I am labouring the point here to remind us that there has never been a time when mastering the sum of human knowledge has not been felt to be an impossible task. And historically there was the additional fear that the precious store of knowledge accumulating as the world grew in wisdom might be lost by natural or man-made disaster. Early modern compilers of information feared that without care for its safekeeping, information might run through their fingers like sand, lost forever.

A strong theme in the surprisingly large early modern literature bewailing the effect of too many books is not just worry at not being able to keep hold of everything a person is required to know, but this fear of loss. To 15th and 16th Century scholars, the period following antiquity — the so-called “dark ages” — had almost succeeded in obliterating classical learning forever. In the 17th Century, Europe-wide wars, civil wars and unrest had resulted in the destruction of entire archives of precious administrative documents.

Hence the potent theme of knowledge rescued from near-oblivion, which runs through early modern discussions of how to store and retrieve information reliably.

January 6, 2012

Michael Geist: help save Canada’s liberal public domain rules

Filed under: Books, Cancon, Law, Liberty, Media — Tags: , , — Nicholas @ 11:56

Canada’s standards for when works enter the public domain are more liberal than those in the US and Europe (that is, we provide shorter — but still generous — periods of copyright protection). Michael Geist says that these standards may be at risk soon:

Canada celebrated New Year’s Day this year by welcoming the likes of Ernest Hemingway and Carl Jung into the public domain just as European countries were celebrating the arrival of James Joyce and Virginia Woolf, 20 years after both entered the Canadian public domain. Canada’s term of copyright meets the international standard of life of the author plus 50 years, which has now become a competitive advantage when compared to the United States, Australia, and Europe, which have copyright terms that extend an additional 20 years (without any evidence of additional public benefits).

In an interesting coincidence, the Canadian government filed notice of a public consultation on December 31, 2011 on the possible Canadian entry into the Trans Pacific Partnership negotiations, trade talks that could result in an extension in the term of copyright that would mean nothing new would enter the Canadian public domain until 2032 or beyond. The TPP covers a wide range of issues, but its intellectual property rules as contemplated by leaked U.S. drafts would extend the term of copyright, require even stricter digital lock rules, restrict trade in parallel imports, and increase various infringement penalties. As I noted last month, if Canada were to ratify the TPP, it would require another copyright bill to undo much of what the government is about to enact with Bill C-11.

December 26, 2011

The Tough Guide to Fantasy Cities

Filed under: Books, Humour, Media — Tags: — Nicholas @ 11:20

Charles Stross linked to this guide, suggesting that it is worth reading:

Introduction
If you are not attracted by the promise of an extended trek over rough terrain, with little access to hot showers or decent restaurants, the classic Tour of Fantasyland is probably not for you.

That is why the Management now offers separate Fantasy City Tours, available to tour groups as well as single individuals. The cities on offer have been carefully selected: they are relatively modern, if not downright futuristic, and offer seasoned travellers the comforts they have come to expect. You will not encounter any rustic taverns, bards, or bowls of stew on these tours! Instead, expect nightclubs, rock singers, and lots of gourmet coffee.

In the Toughpick section, you will find details on the people, places and things you are likely to encounter in your chosen Fantasy City. Please note that while you will not encounter all of them, you will inevitably encounter some of them before the conclusion of your Tour, and it is best to be prepared.

As always, we have carefully marked certain words as Official Management Terms. You are advised to commit these to memory, as you will certainly encounter them everywhere in your Tour.

[. . .]

Civic Pride
When you visit a Tainted City, you will likely encounter a large variety of refugees, wanderers, outlaws, and criminals. Occasionally, if you are very lucky, you may even meet some honest Workers.

Given the nightmarish and unhealthy environment, you may be tempted to ask a few of these people why they choose to stay in a city that is chock-full of Zombies or Mysterious Blight. Do not bother. They will not be able to produce a reason, at least not one that makes sense to you; you may recall the ancient anecdote about the man who cleaned up after the elephants in the circus.

Demons
Demons are often almost indistinguishable from mere humans. This goes especially for male demons, who for some reason greatly outnumber female demons in Undead Cities.

Watch out for strange eyes (ebony OMT, fathomless OMT, unearthly blue OMT), a cruel mouth, and a general tendency towards boorish sarcasm. Admittedly nine tenths of the men you are likely to meet in Undead Cities will fit this description, so it does not really narrow things down much.

[. . .]

Goggles
They do nothing. However, they look cool. In a Steam-driven City, you will find these indispensable if you wish to look like a native.

December 22, 2011

Why Nazis?

Filed under: Books, Britain, Education, Europe, Germany, History, Media, WW2 — Tags: , — Nicholas @ 09:56

A British MP is being investigated for attending a “Nazi-themed” party. A member of the royal family is photographed wearing Nazi regalia to a costume party. World War 2 fiction about Nazi Germany vastly outsells similar fiction about Fascist Italy or Imperial Japan. What is it about the Nazis that Brits find so fascinating? In a Spectator article from 2002, Guy Walters tracks the onset of the Nazi fascination in young Brits:

In some Englishmen this interest has mutated into a not-so-guilty admiration for the Nazis and their uniforms, their pageantry, their military brilliance and — this is the really terrible part — their brutality. It is emphatically not a condoning of the Holocaust; rather, a fetish that exists despite it. In its advanced state the fetish will have evolved into a secret yearning to march up and down a bedroom in the togs of a Hauptsturmführer, riding-boots shining, the red swastika armband set smartly against the blackness of the tunic, the silver death’s-head badge glinting on the peaked cap. Of course, the Beevor reader is a far cry from a Nazi fetishist; but I wonder whether Beevor would enjoy such staggering sales figures if he had written only about the war in the Far East.

[. . .]

At the end of term, the flu now conveniently in remission, Mr Priestley unearths the projector and makes a selection from the school’s extensive range of films. The product of a broad mind, the library consists of just two works, The Guns of Navarone and Force 10 from Navarone. Our nascent fetishist will be particularly drawn by the stylish ease with which David Niven carries off the wearing of an SS officer’s uniform. He will be less than impressed, however, with Edward Fox’s absurdly pukka sergeant in the latter film.

His small head brimming with Nazis, our subject goes home for four solid weeks of constructing Airfix Messerschmitts, Stukas, Heinkels and Dorniers. He will know that the correct colour of the underside of most Luftwaffe aircraft corresponds to Humbrol’s ‘duck-egg blue’. If his condition is particularly advanced, the subject’s mother will be asked to purchase a Tamiya Jagdpanther tank, which he will place in a ‘diorama’, a word he will use in no other context. By now, he should be showing further classic early symptoms of a Nazi fetish: Allied aircraft and armour will hold little or no interest. Most of the young fetishist’s exercise books will be adorned with thousands of tiny swastikas.

[. . .]

By puberty, the fetishist will have repeatedly watched every war film available, including A Bridge Too Far, The Night of the Generals, The Dirty Dozen, The Eagle Has Landed, The Boys from Brazil, Cross of Iron and, for a younger generation, Saving Private Ryan and Band of Brothers. He will have read Pat Reid’s Escape from Colditz and Airey Neave’s They Have Their Exits.

When our subject starts in the sixth form, it is here that the fetish can be incorporated into, and disguised by, his academic studies. Naturally he chooses modern history for one of his A-levels, and his special topic will, of course, be Nazi Germany. He will now be introduced to the diaries of Nazi bigwigs such as Albert Speer, which will breathe life into sinister figures such as Himmler and Goering. In fact, the widespread predilection for Nazi Germany as an A-level subject has angered many university tutors, who have complained recently that it is the only period of history about which undergraduates have any real knowledge.

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