Quotulatiousness

March 11, 2021

Women’s Vote Leads to Bolshevism and Welfare | B2W: ZEITGEIST! I E.13 – Harvest 1921

Filed under: Health, History, Politics, USA — Tags: , , , , , , — Nicholas @ 04:00

TimeGhost History
Published 10 Mar 2021

This season not only marks the birth of the American welfare state, but it will also see women make great strides towards universal suffrage. But as you can imagine, none of these things come without significant opposition.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory​

Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Michał Zbojna
Sound design: Marek Kamiński

Colorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…​
Mikołaj Uchman
Klimbim

Sources:
Some images from the Library of Congress

Icons from The Noun Project:
Birth by Adrien Coquet
dead by AomAm
mother by Fahmihorizon
United States Capitol by József Balázs-Hegedüs
noun_House of Representatives
House of Representatives Full by Sarah Lawrence

Soundtracks from Epidemic Sound:
“Epic Adventure Theme 3” – Håkan Eriksson
“You’re Trouble” – Rich in Rags
“I’d Rather Be Alone” – Franz Gordon
“Redefine” – Megan Wofford
“Age Of Men” – Jo Wandrini

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
2 days ago
America has so far been a pretty big topic in this season, and it again takes center stage in this episode. Considering its monumental role in twentieth-century history, this is only natural. Still, we like to give an international history as possible, so it’s exciting to also introduce Sweden here. It is a small country but historically significant for a number of reasons. It is a pioneer in social democracy, a country that has consistently stayed neutral in world affairs since 1814, and last but not least, the home of Indy Neidell.

March 3, 2021

Geishas: World War Two Prostitutes or Entertainers? – WW2 – On the Homefront 007

Filed under: History, Japan, WW2 — Tags: , , , — Nicholas @ 04:00

World War Two
Published 2 Mar 2021

The geisha class has long been a feature of Japanese society. In the 1920s, they were caught between the struggle for women’s liberation and the rising sexual demand of powerful men. This crossfire only becomes more intense as war sweeps the Pacific.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Anna Deinhard
Written by: Spartacus Olsson and Fiona Rachel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński

Portrait Colorizations by:
Mikołaj Uchmann

Sources:
– Metropolitan Museum of Art
– Rijksmuseum
– Narodowe Archiwum Cyfrowe
– Library of Congress
– National Archives NARA
– Nationaal Archief
– The Burns Archive
– Woman and Child in Kimono courtesy of Vintage Japan-esque from Flickr
– Five musicians courtesy of Adolfo Farsari

Soundtracks from Epidemic Sound:
– “Paths of a Samurai” – Mandala Dreams
– “Across the Sea of Japan” – Mandala Dreams
– “Secrets Of A Geisha” – Mandala Dreams
– “Watchman” – Yi Nantiro
– “The Unexplored” – Philip Ayers
– “Heavenly Feathers” – Deskant
– “Ode To The Moon” – Joseph Beg
– “Moving to Disturbia” – Experia

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
17 hours ago (edited)
With this rather dramatic topic, we are happy to revive the On the Homefront series! Considering the popular opinion on geisha in America after the Second World War, it is not surprising at all, that the first association with the word is sex. But when we looked a little further into the topic, it got clearer and clearer that originally the job of a geisha meant no such thing. Still, with the social and political tension of the early 20th century, the job of the geisha evolved further and further to prostitution. This shows once again how the war influenced many different aspects of life and how important it is to shed light on these side stages of the war in order to understand its full impact. What would interest you to know about the different Homefronts of World War II?

Cheers, Fiona

March 2, 2021

QotD: “The List”

Filed under: Humour, Quotations — Tags: — Nicholas @ 01:00

“The List” is the bane of testosterone-driven humans. “The List” is kept in the secret mental lock-box of human beings of the estrogen persuasion. Some believe that “The List” is a social construct, while others believe that “The List” is hard-wired into the DNA of the human female. I favor the latter theory since it seems to me that “The List” is merely a subset of “The Plan” — and “The Plan” is not only part and parcel of the basic makeup of the human female regardless of race, color, creed, national origin, or historical epoch, it is also the reason that — over time — women triumph over men. Women, in short, always have a life plan while men are stuck with something that looks like a cross between a spreadsheet without a recalc button and a really slick marketing idea.

In short, men might have a plan for making a rocket-propelled street luge, but they have none at all when it comes to human activities that stretch across decades — unless it involves such trifles as national defense or energy policy. Men seem to see items like this as actually important, but women know that what is really important is the command and control of male behavior. Hence, “Your Permanent Conduct Record” aka “The List.”

Women reading this essay are, of course, not the type to ever keep an indelible list of male transgressions, large and teeny-tiny. But trust me, there are many that do. Why? Because it works.

“The List” is a means of male-control through negative feedback. Positive male actions towards a woman are expected, perhaps noted at the time, perhaps not — but always in pencil. A brief pat and nod of encouragement and then the woman goes back into the default mode of “what have you done for me lately?” “Lately” is, as all men know, but a small subset of a single day.

Failings of the male — such as lapses in mental telepathy — are kept on “The List” in indelible ink, preferably blood-red. “The List” also includes transgressions, large and small, against the woman from previous relationships with previous males. The ownership of all these transgressions is automatically transferred to the male of the current relationship at the moment of inception or conception, whichever comes first. This is the reason men sometimes feel they are expected to pay an overdue bill for a meal they did not eat in a restaurant that no longer exists. Plus a 20% tip.

Gerard Vanderleun, “The List”, American Digest, 2018-10-21.

February 17, 2021

Communist Amazons – Women of the Red Army – WW2 Special

Filed under: History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 16 Feb 2021

Hundreds of thousands of Soviet Women were deployed in the Red Army and Red Navy during World War Two. They served in a multitude of functions, from traditional roles like nurses to roles previously associated with men. They were pilots, snipers, tank-crews, and fought on the very front of the lines.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński

Colorizations by:
– Klimbim
– Daniel Weiss

Sources:
– National Archives NARA
– Woman and Man in 1930s Soviet Propaganda Poster courtesy of Adam Jones from Flickr
– Yad Vashem: 953
– Library of Congress
– RIA Novosti archive
– Bundesarchiv

Soundtracks from Epidemic Sound:
– “The Inspector 4” – Johannes Bornlöf
– “London” – Howard Harper-Barnes
– “Dark Beginning” – Johan Hynynen
– “Other Sides of Glory” – Fabien Tell
– “Break Free” – Fabien Tell
– “Deviation In Time” – Johannes Bornlof
– “Ominous” – Philip Ayers
– “Moving to Disturbia” – Experia

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
5 hours ago (edited)
Because of the pandemic, we have not been able to publish episodes of On the Homefront for a while. But don’t worry, we’re working on a new episode, which should arrive in your subscription box this spring. Now, we have made an On the Homefront episode which offers some great context to this episode on Women in the Soviet Armies. It is about (the myth of) Soviet Gender Equality, and you can watch it right here: https://youtu.be/zLcHbUrnl6Q

February 14, 2021

QotD: Pauline Réage’s Story of O

Filed under: Books, France, Quotations — Tags: , , , , , — Nicholas @ 01:00

I’m sitting on a plane and I’m feeling increasingly excited. I’m flushed. My heart rate is up, and I can’t seem to find a comfortable way to sit. My agitation isn’t caused by any nervousness about flying, nor by any fears of contracting COVID-19 during the flight. My disquiet has been triggered by the book I’m reading. The sensations it arouses almost overwhelm me. I find I have to pause every few paragraphs, close the slim volume, and rest it on my lap in order to regain some sense of personal composure. Fiction usually transports my imagination away from myself, but this book is accomplishing the opposite: I feel increasingly aware of my body as I read it, as though being immersed in fiction has drawn me into a moment of privacy with myself. It feels somehow unseemly for the public world of the airplane to intrude on my private sensations. I have to put the book down frequently in order to remind myself that it is no act of indecency for the happy family sitting down the aisle from me to be talking casually, but rather that it is my own sense of secrecy that must be reconciled to the ordinary world around me.

I am reading Story of O, a novel written in 1954 that recounts the titular character’s journey into sexual bondage, violent penetrations, beatings, whippings, burnings, chains, gags, and dungeons. Readers only familiar with the pedestrian 1975 adaption are advised not to be put off — director Just Jaeckin’s film benefits from the lovely Corinne Cléry’s beguiling performance in the title role, but his soft-focus softcore aesthetic (gauzy white linen dresses and a smooth classical guitar soundtrack) miss the tenderness, the elegance, and the literary grace of the source. Graham Greene described Story of O as a “rare thing, a pornographic book well written and without a trace of obscenity”; Brian Aldiss remarked that O makes “pornography (if that is what it is) an art”; even JK Rowling has offered praise for the book, observing that, “If you’ve read Story of O you’ve kind of read the ultimate.” But it is JG Ballard’s description of the novel as “a deeply moral homily … touched by the magic of love” that resonates most powerfully with me. O is a radical instruction in morals (the book has a clear sense of feminine virtue, for one thing), and yet this sexual morality is unlike any I can find in our contemporary expression of sexual ethics, where self-expression is valued more than self-giving.

O is the story of a woman objectified and humiliated, of a woman who submits to being violated by the countless tongues and phalluses and fingers which enter her. The novel is more sensual than suspenseful — although there is a clear narrative, it is not a story driven by plot, but rather by a series of erotic episodes (Geraldine Bedell writing for the Observer described them as written with “a hallucinatory, erotic intensity”). It is a psychologically as well as sexually penetrative story of surrender, of being mastered and of becoming enslaved, especially its first chapter which describes the elegant sexual tortures of the Chateau at Roissy, a kind of playboy mansion with fewer grottos and more dungeons.

It is here that, at the request of her lover René, O acquiesces in her complete submission. The cast of characters is sparse: O and René; Jacqueline, a young model whom O seduces, and Jacqueline’s 16-year-old sister, Natalie, a virgin eager to be initiated into the sexual rites of Roissy; Anne-Marie, an older and more ruthless mistress than are the many men at the Chateau; sundry blondes, brunettes, and redheads arranged alluringly throughout the text; and finally O’s ultimate lover, the sophisticated Sir Stephen, a kind of father-figure to René who ends up laying claim to O, flogging her, shackling her labia with an iron ring, and branding her with his initials as his slave, “a condition,” the narrator tells us, “of which O herself was proud.” As I read of the many exquisite ways O gives herself for men’s uses, I begin to wonder if the book was presenting me not with a picture of masculine sexual fantasies, but with a vision of my own.

The novel was written by the mysterious Pauline Réage, a pseudonym. In what is arguably one of the most successful literary secrets, Réage’s identity was kept hidden for decades. It wasn’t until 40 years after the novel’s publication that the then 86-year-old Dominique Aury, a respected editor and French intellectual, revealed that she was the author. It seems fitting that in a novel of sexual submission, Aury — Dominique, dominance, dominatrix — maintained such strict control over her own identity. Even Dominique Aury was not her “real” name: she was born Anne Desclos, but legally changed it in 1940. Aury’s nested names and identities are like a meta-fictitious exercise in un-making and making the self, for questions of self-identity and self-integrity lie at the heart of her novel.

Marilyn Simon, “My Own Private Chateau — Pauline Réage’s Story of O Revisited”, Quillete, 2020-10-18.

February 7, 2021

Former Liberal MP dishes on Justin Trudeau in her new book

Filed under: Books, Cancon, Politics — Tags: , , , , , , — Nicholas @ 03:00

When I moved out of Whitby, the local Member of Parliament was Liberal Celina Caesar-Chavannes. She was, we thought, a high-profile person who’d probably be quickly moved into a junior cabinet position, as Justin Trudeau sets a very high value on being seen to be supportive of women and minorities. As she quickly discovered, however, with Trudeau it’s very much the “being seen” part that matters to him and almost nothing in the way of actually being supportive:

[After a kerfuffle with opposition MP Maxime Bernier] she said she didn’t hear from most of her Liberal colleagues or the prime minister until a #hereforCelina hashtag campaign started weeks later, in response to a column that accused her of “seeing racism everywhere.” When she later confronted Trudeau about the lack of support, she said he told her, “As a strong Black woman, I didn’t think you needed help.” She said Conservative MP Michelle Rempel Garner was more supportive to her during that period than Trudeau.

The incident is one of many allegations of racism, tokenizing, and microaggressions Caesar-Chavannes wrote about in her new memoir Can You Hear Me Now?, which came out February 2.

[…]

Caesar-Chavannes told VICE World News her experiences of being tokenized, excluded, and undervalued led her to resign from the Liberal caucus and not run again in the 2019 election. Her decision culminated in an explosive conversation with Trudeau in February 2019, during which she alleges he complained to her about being confronted about his privilege. She said he was angry that she wanted to resign on the same day then Minister of Veterans Affairs Jody Wilson-Raybould quit her cabinet role, in the midst of the SNC-Lavalin scandal, the biggest crisis the governing Liberals had faced since Trudeau’s election in 2015.

“I was met with an earful that I needed to appreciate him, that everybody talked to him about his privilege, that he’s so tired of everybody talking to him about this stuff, and that I cannot make this announcement right now,” she said. She alleges he told her “he couldn’t have two powerful women of colour leave at the same time.”

After listening to his “rant” for a while, Caesar-Chavannes said she cussed out the prime minister.

“I had to ask him, ‘Motherfucker, who the fuck do you think you’re talking to?'” she said. “I was so angry.”

She said she didn’t make out what Trudeau said after that, but it “sounded like he was crying.” She ended up delaying her resignation announcement until March 2019.

Caesar-Chavannes said the Liberal party’s treatment of Wilson-Raybould — an Indigenous woman and whistleblower — made her feel like many of her colleagues were “fake as fuck” and cemented her desire to sit as an independent.

January 15, 2021

The Lady Juliana | The 18th-Century All-Women Prison Ship

Filed under: Australia, Britain, History, Law — Tags: , , , — Nicholas @ 02:00

Weird History
Published 13 Nov 2019

A tale as wild as the Seven Seas, the story of the Lady Juliana, a special convict ship full of prisoners sent to Australia, is one of the strangest in the continent’s history. The Lady Juliana had a specific mission: carrying a cargo of female prisoners the British government hoped would help reform the struggling convict colony in New South Wales. This motley crew of British women ultimately had a lasting impact on the history of Australia.

#prisonship #australia #weirdhistory

January 10, 2021

QotD: Sexual equality and the risk of demographic collapse

Filed under: Health, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

I like living in a society where women are, generally speaking, as free to choose their own path in life as I am. I like strong women, women who are confident and look me in the eye and see themselves as my equals. But I wonder, sometimes, if sexual equality isn’t doomed by biology. The relevant facts are (a) men and women have different optimal reproductive strategies because of the asymmetry in energy investment – being pregnant and giving birth is a lot more costly and risky than ejaculating, and (b) a woman’s fertile period is a relatively short portion of her lifetime. Following the logic out, it may be that the consequence of sexual equality is demographic collapse — nasty cultures which treat women like brood mares are the future simply because the nice cultures that don’t do that stop breeding at replacement rates.

Eric S. Raymond, “Fearing what might be true”, Armed and Dangerous, 2009-10-23.

December 23, 2020

Our “systemically racist and patriarchal society” which oppresses “people of color, women, and LGBT”

Filed under: Economics, Education, USA — Tags: , , , , , — Nicholas @ 05:00

To hear some people (especially on social media in these locked-down pandemic days), there has never been a human society that more greatly benefits white heterosexual men and oppresses everyone else like the modern west. Here are some stats from Rav Arora to challenge that claim:

We are frequently told by commentators and theorists on the progressive and liberal Left that we live in a systemically racist and patriarchal society. The belief that Western societies privilege white men and oppress people of color, women, and LGBT citizens is especially popular within academic institutions, legacy media, the entertainment industry, and even sports. However, newly released statistics from the US Department of Labor for the third quarter of 2020 undermine this narrative. Asian women have now surpassed white men in weekly earnings. That trend has been consistent throughout this past year — an unprecedented outcome. Full-time working Asian women earned $1,224 in median weekly earnings in the third quarter of this year compared to $1,122 earned by their white male counterparts. Furthermore, the income gap between both black and Latino men and Asian women is wider than it has ever been. The income gap between white and black women, meanwhile, is much narrower than the gap between their male counterparts.

These outcomes cannot exist in a society suffused with misogyny and racism. As confounding to conventional progressive wisdom as these new figures appear to be, copious research finds that ethnic minorities and women frequently eclipse their white and male counterparts, even when these identities intersect. Several ethnic minority groups consistently out-perform whites in a variety of categories — higher test scores, lower incarceration rates, and longer life expectancies. According to the latest data from the US Census Bureau, over the 12 months covered by the survey, the median household incomes of Syrian Americans ($74,047), Korean Americans ($76,674), Indonesian Americans ($93,501), Taiwanese Americans ($102,405), and Filipino Americans ($100,273) are all significantly higher than that of whites ($69,823). The report also finds substantial economic gains among minority groups. Valerie Wilson at the Economic Policy Institute reports that from 2018 to 2019, Asian and black households had the highest rate of median income growth (10.6 percent and 8.5 percent, respectively) of all main racial groups (although she cautions that overall disparities remain “largely unchanged”). On a longitudinal scale, Hispanics, not whites, had the highest income growth in 2019 relative to the start of the Great Recession in 2007 (although many of these gains have been reversed by the pandemic).

Rapidly rising female economic success is partly a product of higher academic representation. 2019 was the 11th consecutive year in which women earned the majority of doctoral degrees. Women accounted for 57 percent of all students across American colleges in 2018 according to the latest US Department of Education figures and earned the majority of associate’s, bachelor’s, and master’s degrees. According to University of Michigan economist Mark J. Perry, “By overall enrollment in higher education men have been an under-represented minority for the last 40 years.” Sex differences in cognition can help to explain differential performance along gender lines — although men typically perform better on quantitative and visuospatial tasks, several studies have found that on average women perform better in verbal and memory tasks and on reading and writing tests.

December 15, 2020

QotD: TedX

Filed under: Britain, Humour, Politics, Quotations — Tags: , , , , , — Nicholas @ 01:00

TedX, a non-official version of the sanctimonious ubiquitous Ted Talks programme, is more inclusive than official Ted because they have added a random letter ‘X’ into the word. On an unrelated note, TedX London have decided to start using the totally real and not at all just made-up word “Womxn” when they talk about members of the female persuasion, chapettes, fillies, gels, y’know, charming, delightful, non-men – them. They told a normal person bigot on Twitter who asked why they were using the word “womxn”: “No, that’s not a typo: ‘womxn’ is a spelling of ‘women’ that’s more inclusive and progressive. The term sheds light on the prejudice, discrimination, and institutional barriers womxn have faced, and explicitly includes non-cisgender women.” But are TedX really the inclusive group they claim to be? Trans Media Watch, a pro-trans lobby group told the BBC it would never use the word Womxn: “because we feel it’s important for people to recognise that trans women are women. Trans women aren’t a special, separate category.” So it turns out “women” is the most inclusive term after all. If TedX London hasn’t been cancelled by the end of the week then Twitter’s not what it was.

David Scullion, “UN-Believable”, The Critic, 2020-09-09.

December 3, 2020

Modern narcissism

Filed under: Media, USA — Tags: , , , , , — Nicholas @ 03:00

In Quillette, Marilyn Simon discusses a song her daughters learned in school and what it reveals about modern thought:

There is a pop song by Canadian artist Alessia Cara that my daughters have learned to sing in their school choir. The song is “Scars to Your Beautiful.” It is a catchy, simple song. Many readers probably know it. The message it promotes is, by all accounts, a positive one, which is presumably why it’s being taught to children at school. The chorus goes like this:

There’s a hope that’s waiting for you in the dark,
You should know you’re beautiful just the way you are,
And you don’t have to change a thing,
The world could change its heart,
No scars to your beautiful,
We’re stars and we’re beautiful.

In spite of my girls’ sweet singing voices, and the intention of the lyrics, I think it is one of the most disturbing songs my kids have ever learned in school (right up there with Lennon’s insipid and juvenile “Imagine”). It is a narcissistic anthem painfully unaware of its hypocrisy. It reinforces the notion that beauty is rightfully a girl’s desirable goal, and that her aspiration to be “a star” is not only attainable — without any corresponding effort or talent on her part, naturally — but also the world’s ethical responsibility to ensure. In other words, there are no standards, ideals, nor any objectivity; instead the world needs to change its heart in order to conform to an individual’s subjective self-desiring.

Narcissism isn’t merely an issue of having an inflated ego. It is the condition of being enamored with one’s idealized projection of oneself to the exclusion of reality and of one’s real self. This occurs not because one is vain, but because one is too fragile to admit failings or fault. It has nothing to do with self-love, but rather with being locked in a solipsistic gaze with a fantasy of one’s self. Contemporary culture has taken classic narcissism and turned it into a new moralism. What we deem goodness now is that everyone else affirms the delusions of one’s wishful thinking as objective truth. Cara’s song, for instance, first reinforces the fantasy that each one of us is equally beautiful, and then makes the claim that the world must “change its heart” and endorse the image of oneself that is, in the first place, a self-interested desire. In other words, the mythology of “Scars to Your Beautiful,” and of our self-positive, identity-affirming culture as a whole, would suggest that not only is Narcissus correct in falling in love with a projection, an unreal and unreachable image of himself in a pond — something the Greeks thought was quite bad enough — but also that the rest of world must affirm his reflection as the real thing and celebrate his dead-end obsession with it.

So, positive reinforcement of self delusion is now a social good. The individual and society reject what is objectively real and instead embrace infantile narcissism, where the self’s fantasy of its own perfection is reaffirmed by the uncritical and unconditional love of a universal parent. Cara’s song intends to be encouraging, and in some ways it is (I’m not entirely deaf to my pre-teens’ rebuttals of “Mommm! You’re so depressing. It’s just a song to make us feel good!” and I will assent to the wisdom of my 12-year-old that healthy self-esteem is a good thing). But at its core, the song is self-delusion dressed in the garb of pop psychology. This is an accurate picture of our contemporary moral code: Everyone’s ideal projection of her or himself must be coddled and adored by a soft and nurturing world. Only a bad person would suggest that not everyone is equally beautiful, that not everyone is the “star” she imagines herself to be. (And only a monster would suggest that some people don’t even have inner beauty, either.)

“Competitive individualism,” writes Christopher Lasch, has channeled “the pursuit of happiness to the dead end of a narcissistic preoccupation with the self. Strategies of narcissistic survival now present themselves as emancipation from the repressive conditions of the past, thus giving rise to a ‘cultural revolution’ that reproduces the worst features of the collapsing civilization it claims to criticize.” Lasch’s words, written in 1979, predict so much of our contemporary upheaval — in our efforts to overcome racism, we have fallen into the trap of making (almost) everything about race. In our efforts to end sexual harassment, we have traded natural, often playful, interactions between women and men for institutional policies, while simultaneously treating women as somehow less than fully human, incapable of deceit and of misreading situations, and incapable of deftly handling sexual innuendo and sexual tension. The same thing has occurred with our culture’s criticism of our esteem for idealized physical beauty, particularly female beauty, while we make the contradictory insistence that we are all ideally beautiful, and should be admired accordingly. Beauty, we say, shouldn’t be venerated. That’s shallow. But we should also all believe that “we’re stars, and we’re beautiful.” That’s virtue.

QotD: Presidential droit du seigneur

Filed under: Government, Politics, Quotations, USA — Tags: , , , , , , — Nicholas @ 01:00

For a party that toots its own horn about how it’s all-in for the ladies, the Democrat Party sure has a weird way of showing it. The fact is that when the check comes for its dangerous and degenerate policies, every single time the Dem dudes dine and dash and stick the chicks with the bill.

Let’s look at some of the Dem dudes who do it, starting with the aptly named Bill Clinton. Mr. Felonia Milhous von Pantsuit was all too happy to use women as his personal playthings with varying degrees of consent, ranging from none to “I always wanted to do it in the Oval Office!” And the feminists, the media and the rest of the Democrat Party adjuncts gave him a pass. Some were willing to give him even more. The message was simple: if you are called upon to be a Clinton sex toy, kneel down then shut up for the cause.

This is a Democrat tradition. JFK, when he wasn’t tapping the help he was pimping them out to his buddies in the White House pool. His dalliance with Marilyn Monroe was one thing – she was a consenting adult who could have told him to pound sand (or something else). It’s his serial preying upon the interns and secretaries and other assorted Dem doxies in his orbit that really demonstrates the essential contempt for women that drove his satyriasis – and that (which along with its traditional racism) still drives the Democrat Party.

Oh, and speaking of driving, no discussion of the chronic Democrat abuse of women would be complete without observing that the Lion of the Senate left his booty call du jour to drown in an Oldsmobile at the bottom of a pond. And the same message we hear over and over again to protect Democrat exploiters protected Teddy Kennedy – hey Mary Jo, take one for the team.

She didn’t have much choice about taking one for the team since, in those last agonizing minutes, she couldn’t take a breath.

But hey, Teddy saved abortion, and his ceaseless campaign for a perpetual open season on troublesome fetuses makes it all worthwhile. Abortion is another of those Democrat policies that women get to pay for. The idea that it is somehow empowering or liberating for women is so much garbage. It’s empowering and liberating for men who don’t want to reap the result of their sowing.

Kurt Schlichter, “Women Always Have To Pick Up The Check For Democrats”, Townhall.com, 2020-08-30.

November 26, 2020

Deport All Anarchists! – The Palmer Raids | BETWEEN 2 WARS: ZEITGEIST! | E.05 – Harvest 1919

Filed under: Britain, Government, History, Media, Politics, USA — Tags: , , , , , , — Nicholas @ 04:00

TimeGhost History
Published 25 Nov 2020

The First World War has been over for a year, and the modern era plows ahead. But so does fear and paranoia. In America, the Red Scare goes into overdrive.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Written by: Indy Neidell and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell and Francis van Berkel
Image Research by: Daniel Weiss and Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek Kamiński

Colorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…

Sources:
Some images from the Library of Congress

Some Soundtracks from Epidemic Sound, ODJB, Edward Elgar, Richard Strauss and Pietro Mascagni:
– “One More for the Road” – Golden Age Radio
– “Dawn Of Civilization” – Jo Wandrini
– “Deviation In Time” – Johannes Bornlof
– “Easy Target” – Rannar Sillard
– “Dark Beginning” – Johan Hynynen
– “Steps in Time” – Golden Age Radio
– “Tiger Rag” – ODJB
– “Cello Concerto” – Edward Elgar
– “Pomp and Circumstance” – Edward Elgar
– “Die Frau ohne Schatten: Act III” – Richard Strauss
– “Cavalleria Rusticana” – Pietro Mascagni
– “What Now” – Golden Age Radio

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

November 18, 2020

QotD: Feminism and gender equality

Filed under: Politics, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

It takes one’s breath away to watch feminist women at work. At the same time that they denounce traditional stereotypes they conform to them. If at the back of your sexist mind you think that women are emotional, you listen agape as professor Nancy Hopkins of MIT comes out with the threat that she will be sick if she has to hear too much of what she doesn’t agree with. If you think women are suggestible, you hear it said that the mere suggestion of an innate inequality in women will keep them from stirring themselves to excel. While denouncing the feminine mystique, feminists behave as if they were devoted to it. They are women who assert their independence but still depend on men to keep women secure and comfortable while admiring their independence. Even in the gender-neutral society, men are expected by feminists to open doors for women. If men do not, they are intimidating women.

Thus the issue of Summers’s supposedly intimidating style of governance is really the issue of the political correctness by which Summers has been intimidated. Political correctness is the leading form of intimidation in all of American education today, and this incident at Harvard is a pure case of it. The phrase has been around since the 1980s, and the media have become bored with it. But the fact of political correctness is before us in the refusal of feminist women professors even to consider the possibility that women might be at any natural disadvantage in mathematics as compared with men. No, more than that: They refuse to allow that possibility to be entertained even in a private meeting. And still more: They are not ashamed to be seen as suppressing any inquiry into such a possibility. For the demand that Summers be more “responsible” in what he says applies to any inquiry that he or anyone else might cite.

Harvey Mansfield, “Fear and Intimidation at Harvard”, Weekly Standard, 2005-03-07.

November 15, 2020

London’s wool and cloth trade fuelled massive growth in the city’s population after 1550

In the latest Age of Invention newsletter, Anton Howes traces the rise and fall of the late Medieval wool trade and its rebirth largely thanks to an influx of Dutch and Flemish clothmakers fleeing the wars in the Low Countries after 1550:

The Coat of Arms of The Worshipful Company of Woolmen — On a red background, a silver woolpack, with the addition of a crest on a wreath of red and silver bearing two gold flaxed distaffs crossed like a saltire and the wheel of a gold spinning wheel.
The Worshipful Company of Woolmen is one of the Livery Companies in the City of London. It is known to have existed in 1180, making it one of the older Livery Companies of the City. It was officially incorporated in 1522. The Company’s original members were concerned with the winding and selling of wool; presently, a connection is retained by the Company’s support of the wool industry. However, the Company is now primarily a charitable institution.
The Company ranks forty-third in the order of precedence of the Livery Companies. Its motto is Lana Spes Nostra, Latin for Wool Is Our Hope.
Wikipedia.

… it was one thing to be able to reach these new southern markets, and another thing to have something to sell in them. For the shift in the markets for wool cloth exports also required major changes in the kinds of cloth produced. In this regard, London may well have been a direct beneficiary of the 1560s-80s troubles in the Low Countries that had caused Antwerp’s fall, because thousands of skilled Flemish and Dutch clothmakers fled to England. In particular, these refugees brought with them techniques for making much lighter cloths than those generally produced by the English — the so-called “new draperies”, which could find a ready market in the much warmer Mediterranean climes than the traditional, heavy woollen broadcloths.

The introduction of the new draperies was no mere change in style, however. They were almost a completely different kind of product, involving different processes and raw materials. The traditional broadcloths were “woollens”. That is, they were made from especially fine, short, and curly wool fibres — the type that English sheep were especially famous for growing — which were then heavily greased in butter or oil in preparation for carding, whereby the fibres were straightened out and any knots removed (because of all the oil, in the Low Countries the cloths were known as the wet, or greased draperies). The oily, carded wool was then spun into yarn, and typically woven into a broad cloth about four metres wide and over thirty metres long. But it was still far from ready. The cloth had to be put in a large vat of warm water, along with some urine and a particular kind of clay, and was then trodden by foot for a few days, or else repeatedly compacted by water-powered machinery. This process, known as fulling, scoured the cloth of all the grease and shrunk it, compacting the fibres so that they began to interlock and enmesh. Any sign of the cloth being woven thus disappeared, leaving a strong, heavy, and felt-like material that was, as one textile historian puts it, “virtually indestructible”. To finish, it was then stretched with hooks on a frame, to remove any wrinkles and even it out, and then pricked with teasels — napped — to raise any loose fibres, which were then shorn off to leave it with a soft, smooth, sometimes almost silky texture. Woollens may have been made of wool, but they were no woolly jumpers. They were the sort of cloth you might use today to make a thick, heavy and luxuriant jacket, which would last for generations.

Yet this was not the sort of cloth that would sell in the much warmer south. The new draperies, introduced to England by the Flemish and Dutch clothworkers in the mid-sixteenth century, used much lower-quality, coarser, and longer wool. Later generally classed as “worsteds”, after the village of Worstead in Norfolk, they were known in the Low Countries as the dry, or light draperies. They needed no oil, and the long fibres could be combed rather than carded. Nor did they need any fulling, tentering, napping, or shearing. Once woven, the cloth was already strong enough that it could immediately be used. The end product was coarser, and much more prone to wear and tear, but it was also much lighter — just a quarter the weight of a high-quality woollen. And the fact that the weave was still visible provided an avenue for design, with beautiful diamond, lozenge, and other kinds of patterns. The new draperies, which included worsteds and various kinds of slightly heavier worsted-woollen hybrids, as well as mixes with other kinds of fibre like silk, linen, Syrian cotton, or goat hair, thus came in a dazzling number of varieties and names: from tammies or stammets, to rasses, bays, says, stuffs, grograms, hounscots, serges, mockadoes, camlets, buffins, shalloons, sagathies, frisadoes, and bombazines. To escape the charge that the new draperies were too flimsy and would not last, some varieties were even marketed as durances, or perpetuanas.

Curiously, however, while the shift from woollens to worsted saved on the costs of oiling, fulling, and finishing, it was significantly more labour-intensive when it came to spinning — even resulting in a sort of technological reversion. Given the lack of fulling, the strength of the thread mattered a lot more for the cloth’s durability, and the yarn had to be much finer if the cloth was to be light. The spinning thus had to be done with much greater care, which made it slower. Spinners typically gave up using spinning wheels, instead reverting to the old method of using a rock and distaff — a technique that has been used since time immemorial. Albeit slower, the rock and distaff gave them more control over the consistency and strength of the ever-thinner yarn. For the old, woollen drapery, processing a pack of wool into cloth in a week would employ an estimated 35 spinners. For the new, lighter worsted drapery it would take 250. As spinning was almost exclusively done by women, the new draperies provided a massive new source of income for households, as well as allowing many spinsters or widows to support themselves on their own. Indeed, an estimated 75% of all women over the age of 14 might have been employed in spinning to produce the amounts of cloth that England exported and consumed. Some historians even speculate that by allowing women to support themselves without marrying, it may have lowered the national fertility rate.

This spinning, of course, was not done in London. It was largely concentrated in Norfolk, Devon, and the West Riding of Yorkshire. But the new draperies provided employment of another, indirect kind. As a product that was saleable in warmer climes it could be exchanged for direct imports of all sorts of different luxuries, from Moroccan sugar, to Greek currants, American tobacco (imported via Spain), and Asian silks and spices (initially largely imported via the eastern Mediterranean). The English merchants who worked these luxury import trades were overwhelmingly based in London, and had often funded the voyages of exploration and embassies to establish the trades in the first place, putting them in a position to obtain monopoly privileges from the Crown so that they could restrict domestic competition and protect their profits. Unsurprisingly, as they imported everything to London, it also made sense for them to export the new draperies from London too.

Thus, despite losing the concentrating influence of nearby Antwerp, London came to be the principal beneficiary of England’s new and growing import trades, allowing it to grow still further. The city began to carve out a role for itself as Europe’s entrepôt, replacing Antwerp, and competing with Amsterdam, as the place in which all the world’s rarities could be bought (and from which they could increasingly be re-exported). Indeed, English merchants were apparently happy to sell wool cloth at below cost-price in markets like Spain or Turkey — anything to buy the luxury wares that they could monopolise back home.

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