Quotulatiousness

October 30, 2020

Halloween Special: H. P. Lovecraft

Overly Sarcastic Productions
Published 31 Oct 2018

HAPPY HALLOWEEN IT’S TIME TO GET SPOOKY WITH HISTORY’S MOST PROBLEMATIC HORROR WRITER LET’S GOOOOO

While there’s something to be said for separating the art from the artist, I think there’s a lot of merit in CONTEXTUALIZING the art WITH the artist. Did Lovecraft write some pretty incredible horror? Sure! Was he also a raging xenophobe? Absolutely! Are his perspectives on life connected with the stories he felt compelled to tell? Duh! If you look at Lovecraft’s writing through the lens of his life, clear patterns emerge that allow us to pin down what exactly he built his horror cosmology out of. It’s an invaluable analytical tool that allows us to take apart his writings by getting inside his head. So before you yell at me for Not Separating The Artist From The Art, know that it was completely intentional and I’m not sorry.

3:20 – THE CALL OF CTHULHU
8:40 – COOL AIR
10:36 – THE COLOR OUT OF SPACE
14:38 – THE DUNWICH HORROR
19:32 – THE SHADOW OVER INNSMOUTH

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From the comments:

Overly Sarcastic Productions
1 year ago
Hey gang! Can’t help but notice the comment section is a little bit on fire. That’s all good with me, but one recurring complaint I’ve noticed has started to get under my skin – namely that my explanation of non-euclidean geometry was insufficient, or even – dare I say – inaccurate. Now this is a fair complaint, because after a lifetime of experience finding that people’s eyes glaze over when I talk math at them, I concluded that interrupting a half-hour horror video with a long-winded explanation of a mathematical concept wouldn’t go over too well. I put it in layman’s terms and used a simple example to illustrate the point. However, since some of the more mathematically-inclined of you took offense, I now present in full a short (but comprehensive) explanation of what exactly non-euclidean geometry is.

First, we axiomatically establish euclidean geometry. Euclidean geometry has five axioms:
1. We can draw a straight line between any two points.
2. We can infinitely extend a finite straight line.
3. We can draw a circle with any center and radius.
4. All right angles are equal to one another.
5. If two lines intersect with a third line, and the sum of the inner angles of those intersections is less than 180º, then those two lines must intersect if extended far enough.

Axiom #5 is known as the PARALLEL POSTULATE. It has many equivalent statements, including the Triangle Postulate (“the sum of the angles in every triangle is 180º”) and Playfair’s Axiom (“given a line and a point not on that line, there exists ONE line parallel to the given line that intersects the given point”).

Euclidean geometry is, broadly, how geometry works on a flat plane.

However, there are geometries where the parallel postulate DOES NOT hold. These geometries are called “non-euclidean geometries”. There are, in fact, an infinite number of these geometries, and because the only defining characteristic is “the parallel postulate does not hold”, they can be all kinds of crazy shapes. (As you can see, my explanation of “this is just how geometry works on a curved surface” is quite reductive, but at the same time serves to get the general impression across without going into too much detail.)

An example of a non-euclidean geometry is “Elliptic geometry”, geometry on n-dimensional ellipses, which includes “Spherical geometry” as a subset. Spherical geometry is, predictably enough, how geometry works on the two-dimensional surface of a three-dimensional sphere.

In spherical geometry, “points” are defined the same as in euclidean geometry, but “line” is redefined to be “the shortest distance between two points over the surface of the sphere”, since there is no such thing as a “straight line” on a curved surface. All “lines” in spherical geometry are segments of “great circles” (which is defined as the set of points that exist at the intersection between the sphere and a plane passing through the center of that sphere).

The axiom that separates spherical geometry from euclidean geometry and replaces the parallel postulate is “5. There are NO parallel lines”. In spherical geometry, every line is a segment of a great circle, and any two great circles intersect at exactly two points. If two lines intersect when extended, they cannot be parallel, and thus there are no parallel lines in spherical geometry.

Since the Parallel Postulate is equivalent to Playfair’s Axiom, the fact that no parallel lines exist in spherical geometry negates Playfair’s Axiom, which thus negates the Parallel Postulate and defines spherical geometry as a non-euclidean geometry. Also, since the Triangle Postulate is another equivalent property to the Parallel Postulate, it is thus negated in spherical geometry. Hence, my use in-video of an example of a triangle drawn on the surface of a sphere whose inner angles sum greater than 180º.

Hope that cleared things up (and helped explain why I didn’t want to say “see, non-euclidean geometry is just a geometry where Euclid’s Parallel Postulate doesn’t hold – hold on, let me get the chalkboard to explain what THAT is-” in the video)

Peace!

-R ✌️

September 18, 2020

QotD: Heinlein’s “Crazy Years”

It’s become a thing among Heinlein fans, writers and readers alike. We get together for a good talk, and a glass of wine, and one of us will mention something nuts and the others will go “Well, these are the crazy years.”

Things like the girl who had to remove a decoration from her purse before boarding a plane because the decoration was in the shape of a revolver, though about finger sized and evidently cut in half lengthwise. The TSA thought the ban on guns applied to this too. (Of course, she’d flown with it before, so it was just this TSA station, but nonetheless its rulings were absolute.)

Things like the little deaf boy who can’t sign his name because one of the letters looks like a gun.

Things like kids getting in trouble because of a fictional story they wrote. Things like my younger son – it’s a theme, yes. The boy is lightning rod on his mother’s side. More on that later – getting sent to the school psychiatrist because he used the following sentence in an essay “Some people think I’m crazy.”

[…]

There’s half (half?) of our literature and movies, which glorify behaviors that in real life get you killed or make you a bum. There’s the fact that being thrifty, hard working and honoring your contracts makes you “uncool.” There the fact our women are taught to hate all men and men are finally learning to avoid women. There’s …

You say it in groups of Heinlein fans, and people go “Well, these ARE the crazy years.” And you move on.

Sarah Hoyt, “These Are The Crazy Years”, According to Hoyt, 2013-07-17.

August 3, 2020

The Magic of Terry Pratchett by Marc Burrows

Filed under: Books, Britain — Tags: , , , — Nicholas @ 03:00

Rachel Cunliffe looks at a recent biography of the great science fiction/fantasy author Terry Pratchett by Marc Burrows:

A satirical sci-fi/fantasy writer might not seem the obvious choice to dissect the world-changing magnitude of an unforeseen pandemic — or so you might think if you’ve never read any of his books. But anyone familiar with the Pratchett’s oeuvre will know that the scouring wit and the unflinching grasp of humanity at its best and worst found within his pages would be the only true way to understand what has happened to our world since the start of the year.

Alas, we will never know how Sir Terry would have woven the government’s dysfunctional pandemic response, the etiquette of social distancing, mask and anti-mask culture or the mass shift to remote working into the realm of the Discworld (although we can be fairly confident that he would have done). But glimpses can be found in The Magic Of Terry Pratchett, a new biography by writer and comedian Marc Burrows.

This is the first full biography of the great man, from his upbringing in the quintessentially English hamlet of Forty Green, Buckinghamshire, to his battle with Alzheimer’s (which Pratchett dubbed “the Embuggerance”) and ferocious campaign for a law change to allow assisted dying — and featuring a whistle-stop tour of his 60-odd books.

It is, as Burrows admits from the start, the project of a committed fanboy. The author never actually got to speak to his literary hero (“This book is my chance to meet Terry Pratchett. It’s yours as well,” he explains early on), and has instead pieced together his life story through old interviews, archives, and conversations with friends and contemporaries.

The result is an engaging quest to get to know the man that both explores and adds to the mythology surrounding him. Pratchett was, as Burrows makes clear, a storyteller first and foremost, and some of his oft-repeated anecdotes — such as encountering a dead body age 17 on his first day as a junior reporter, or filing his copy from a shed on the roof — may have been based more on fantasy than reality. Where he cannot verify, Burrows sticks to the strategy taken by Tony Wilson in the film 24 Hour Party People: “When you have to choose between the truth and the legend, print the legend”.

As such, while this book will no doubt be of greatest interest to Pratchett fans, even those who have never opened a Discworld novel will find themselves entertained by its numerous detours — encompassing the educational apartheid of the 1950s, a surreal stint doing PR for Britain’s nuclear industry, and the once vibrant, now sadly endangered local journalism ecosystem.

July 8, 2020

Harry Potter fandom, Millennials, and the continued decline of traditional religious beliefs

Filed under: Books, Britain, Religion, USA — Tags: , , , , , , , , — Nicholas @ 05:00

In The Critic, Oliver Wiseman talks to Tara Isabella Burton about her book Strange Rites:

J.K. Rowling’s Harry Potter books have been pivotal for many Millennials in encouraging them to move away from traditional religious beliefs.

I want to start with Harry Potter, which is — perhaps surprisingly — central to the argument you make in the book, so, as an introduction to your broader thesis, what does Harry Potter have to do with America’s new religions?

It’s funny. When Harry Potter first came out in the nineties, there was a flurry American Christian voices saying “This book promotes witchcraft. There’s going to be a whole new religious movement devoted to Harry Potter books.” In the way they meant it, that was absolutely not true. But I think that there was something to it in terms of an inadvertent change to the religious landscape.

What Harry Potter did, or, more accurately, what it was the canary in the coal mine for, was a transformation, linked to the rise of at-home internet access, in how we talk about cultural properties andhow we relate to cultural properties. The transition to an internet space defined by user-generated content and what is often called participatory culture coincided with the publication of the Harry Potter books.

Between the first Harry Potter book’s release in 1997 and the fourth book’s publication in 2000 we went from 19 million Americans with internet access to more than 100 million. It’s that backdrop that really explains the shift. You did have fan cultures before. There were Star Wars conventions, for example, but there was quite a high bar to entry. You had to get on the right mailing list and it was done via post. It was quite a lot of work. You couldn’t just log on and enter a community, which is really what could happen with Harry Potter fandom.

J.K. Rowling was also one of the first major writers to openly accept and embrace fan fiction. So what you ended up seeing was something that started with Harry Potter fandom that then became an element of fandom online more broadly which in turn, I would argue, shaped millennial-and-younger culture. It was this idea that you weren’t just a reader of consumer of texts. It wasn’t just a top down hierarchical thing. Instead, mediated through the anonymity of the internet, you a kind of tribalism from talking to people in different geographical areas as well as things like fan fiction and later meme culture that meant you could change, shift, reimagine a text in your own way. And what’s so interesting about that is that sensibility — the sensibility that we have not only the right but the responsibility, the authority as consumers to also be creators, to rework ideas outside of existing texts — has spilled over into all aspects of our political life and of our religious life. And that is really something that is the product of user generated content and the internet.

To bring this to religion more specifically, 36 per cent of Americans born after 1985 are religiously unaffiliated, compared to about 23 per cent of the national average. That’s a huge generational shift in religious affiliation and organisation. That is not the same thing as saying that these are atheists or that these people are not religious. Some 72 per cent of them say they believe in some sort of higher power. About 17 per cent say they believe in the Judaeo-Christian God.

We’re in a religious or spiritual landscape that privileges mixing and matching, and unbundling — a bit of tarot here, a bit of meditation there. And a resistance to institutional and authoritative declarations in terms of how religion should be practised is very much something that has its roots in internet culture, of which Harry Potter was a forerunner.

H.G. Wells, fortunately for his reputation, is mostly remembered for his science fiction writings

Filed under: Books, Britain, History, Politics, WW2 — Tags: , , , , , , — Nicholas @ 03:00

I was well into my twenties before I found out that H.G. Wells the science fiction writer was only a small slice of his career. I picked up a one-volume edition of his Outline of History, but it didn’t seem to have the same interest for me that The War of the Worlds or The Time Machine had done (and honestly, it was Jeff Wayne’s musical interpretation of War of the Worlds that pushed me to read any of his writing). His analysis of the events of his day fell well short of his reputation, as George Orwell pointed out:

In March or April, say the wiseacres, there is to be a stupendous knockout blow at Britain … What Hitler has to do it with, I cannot imagine. His ebbing and dispersed military resources are now probably not so very much greater than the Italians’ before they were put to the test in Greece and Africa.

    The German air power has been largely spent. It is behind the times and its first-rate men are mostly dead or disheartened or worn out.

    In 1914 the Hohenzollern army was the best in the world. Behind that screaming little defective in Berlin there is nothing of the sort … Yet our military “experts” discuss the waiting phantom. In their imaginations it is perfect in its equipment and invincible in its discipline. Sometimes it is to strike a decisive “blow” through Spain and North Africa and on, or march through the Balkans, march from the Danube to Ankara, to Persia, to India, or “crush Russia”, or “pour” over the Brenner into Italy. The weeks pass and the phantom does none of these things — for one excellent reason. It does not exist to that extent. Most of such inadequate guns and munitions as it possessed must have been taken away form it and fooled away in Hitler’s silly feints to invade Britain. And its raw jerry-built discipline is wilting under the creeping realisation that the Blitzkrieg is spent, and the war is coming home to roost.

These quotations are not taken from The Cavalry Quarterly but from a series of newspaper articles by Mr. H. G. Wells, written at the beginning of this year and now reprinted in a book entitled Guide to the New World. Since they were written, the German Army has overrun the Balkans and reconquered Cyrenaica, it can march through Turkey or Spain at such time as may suit it, and it has undertaken the invasion of Russia. How that campaign will turn out I do not know, but it is worth noticing that the German general staff, whose opinion is probably worth something, would not have begun it if they had not felt fairly certain of finishing it within three months. So much for the idea that the German Army is a bogey, its equipment inadequate, its morale breaking down, etc. etc.

What has Wells to set against the “screaming little defective in Berlin”? The usual rigmarole about a World State, plus the Sankey Declaration, which is an attempted definition of fundamental human rights, of anti-totalitarian tendency. Except that he is now especially concerned with federal world control of air power, it is the same gospel as he has been preaching almost without interruption for the past forty years, always with an air of angry surprise at the human beings who can fail to grasp anything so obvious.

[…]

Mr. Wells, like Dickens, belongs to the non-military middle class. The thunder of guns, the jingle of spurs, the catch in the throat when the old flag goes by, leave him manifestly cold. He has an invincible hatred of the fighting, hunting, swashbuckling side of life, symbolised in all his early books by a violent propaganda against horses. The principal villain of his Outline of History is the military adventurer, Napoleon. If one looks through nearly any book that he has written in the last forty years one finds the same idea constantly recurring: the supposed antithesis between the man of science who is working towards a planned World State and the reactionary who is trying to restore a disorderly past. In novels, Utopias, essays, films, pamphlets, the antithesis crops up, always more or less the same. On the one side science, order, progress, internationalism, aeroplanes, steel, concrete, hygiene: on the other side war, nationalism, religion, monarchy, peasants, Greek professors, poets, horses. History as he sees it is a series of victories won by the scientific man over the romantic man.

In addition to being a surprisingly consistent one-note proponent of the same solution to every problem, he was, as Michael Coren relates, a nasty piece of work in his personal life:

There’s an anecdote concerning H.G. Wells that rather exemplifies his character. A London theatre in the 1920s. Wells was approached by a nervous, eager young fan. “Mr. Wells, you probably don’t remember me”, he said, holding out his hand. “Yes, I bloody do!” replied Wells, and rudely turned his back. Personality aside, Wells also embraced anti-Semitism, racism, and social engineering, and in this atmosphere of outrage and iconoclasm it’s surprising that he hasn’t been more targeted for symbolic removal. Then again, perhaps not. Because while the undoubtedly gifted author said and believed some dreadful things he was also a man of the left. And when it comes to cancel culture, socialism is the ultimate prophylactic.

George Bernard Shaw said of his nastiness and his ugly views, “Multiply the total by ten; square the result. Raise it again to the millionth power and square it again; and you will still fall short of the truth about Wells — yet the worse he behaved the more he was indulged; and the more he was indulged the worse he behaved.”

In fact, for much of the 20th-century eugenics was a creature of the left as much if not more than the right. Shaw himself, Sydney and Beatrice Webb and many other left-wing intellectuals were convinced that for the lives of the majority to improve there had to be a harsh control of the minority.

Wells argued that the existing social and economic structure would collapse and a new order would emerge, led by “people throughout the world whose minds were adapted to the demands of the big-scale conditions of the new time … a naturally and informally organized educated class, an unprecedented sort of people.” The “base,” the class at the bottom of the scale, “people who had given evidence of a strong anti-social disposition,” would be in trouble. “This thing, this euthanasia of the weak and the sensual, is possible. I have little or no doubt that in the future it will be planned and achieved.” He wrote of, “boys and girls and youth and maidens, full of zest and new life, full of an abundant joyful receptivity … helpers behind us in the struggle.” Then chillingly, “And for the rest, these swarms of black and brown and dingy white and yellow people who do not come into the needs of efficiency … I take it they will have to go.”

June 13, 2020

Is Invisibility Possible? | James May’s Q&A (Ep 1) | Head Squeeze

Filed under: Science, Technology — Tags: , , — Nicholas @ 02:00

BBC Earth Lab
Published 10 Jan 2013

James May answers the question as to whether or not invisibility is possible. James draws upon quite a few interesting theories during this discussion.

Outtakes from this video: https://www.youtube.com/watch?v=6Fy1Xkx5VFc

James May’s Q&A:
With his own unique spin, James May asks and answers the oddball questions that we’ve all wondered about from ‘What exactly is one second?’ to ‘Is invisibility possible?’

May 12, 2020

QotD: A jaundiced view of science fiction conventions

Filed under: Gaming, Media, Quotations — Tags: , , — Nicholas @ 01:00

When I went to my first science fiction convention […] I noticed a couple of things.

The first was that nobody at these gatherings, at least as far as I could tell, actually read science fiction, or much of anything else.

There were plenty of board gamers. (This was long before computer gaming or even Dungeons and Dragons; the hottest item on CRT was Pong, or early versions of Star Trek eating up mainframe time across the country.) There were plenty of self-proclaimed artists of one kind or another, and hordes of kids — of all ages — who loved to dress up in costumes.

Another thing I noticed was that these conventions, or “cons” as they were called, seemed to be the only social life most of their attendees had, a sort of portable soap opera migrating from city to city throughout the year. The atmosphere was heavy with prehistoric rivalries and hatreds, grudges and vendettas, sometimes going back decades.

Actually, the first thing I noticed — although I was too polite to put it first here — was that the vast bulk (and I use the term advisedly) of female attendees could have used a carload of deodorant and long-term memberships in Weight Watchers. Which, of course, was why events like these were the only social life they had. Nobody else wanted them hanging around.

L. Neil Smith, “The Security Syndrome”, The Libertarian Enterprise, 2005-01-15

May 4, 2020

A very different reading of Tolkien’s Tom Bombadil

Filed under: Books — Tags: , , , — Nicholas @ 03:00

Colby Cosh retweeted this link that is certainly an interesting look at one of the more obscure characters in J.R.R. Tolkien’s Middle Earth:

Consider: By his own account (and by Elrond’s surprisingly sketchy knowledge) Bombadil has lived in the Old Forest since before the hobbits came to the Shire. Since before Elrond was born. Since the earliest days of the First Age.

And yet no hobbit has ever heard of him.

The guise in which Bombadil appears to Frodo and his companions is much like a hobbit writ large. He loves food and songs and nonsense rhymes and drink and company. Any hobbit who saw such a person would tell tales of him. Any hobbit who was rescued by Tom would sing songs about him and tell everyone else. Yet Merry – who knows all the history of Buckland and has ventured into the Old Forest many times – has never heard of Tom Bombadil. Frodo and Sam – avid readers of old Bilbo’s lore – have no idea that any such being exists, until he appears to them. All the hobbits of the Shire think of the Old Forest as a place of horror – not as the abode of a jolly fat man who is surprisingly generous with his food.

If Bombadil has indeed lived in the Old Forest all this time – in a house less than twenty miles from Buckland – then it stands to reason that he has never appeared to a single hobbit traveller before, and has certainly never rescued one from death. In the 1400 years since the Shire was settled.

What do we know about Tom Bombadil? He is not what he seems.

Elrond, the greatest lore-master of the Third Age, has never heard of Tom Bombadil. Elrond is only vaguely aware that there was once someone called Iarwain Ben-Adar (“Oldest and Fatherless”) who might be the same as Bombadil. And yet, the main road between Rivendell and the Grey Havens passes not 20 miles from Bombadil’s house, which stands beside the most ancient forest in Middle Earth. Has no elf ever wandered in the Old Forest or encountered Bombadil in all these thousands of years? Apparently not.

Gandalf seems to know more, but he keeps his knowledge to himself. At the Council of Elrond, when people suggest sending the Ring to Bombadil, Gandalf comes up with a surprisingly varied list of reasons why that should not be done. It is not clear that any of the reasons that he gives are the true one.

Now, in his conversation with Frodo, Bombadil implies (but avoids directly stating) that he had heard of their coming from Farmer Maggot and from Gildor’s elves (both of whom Frodo had recently described). But that also makes no sense. Maggot lives west of the Brandywine, remained there when Frodo left, and never even knew that Frodo would be leaving the Shire. And if Elrond knows nothing of Bombadil, how can he be a friend of Gildor’s?

What do we know about Tom Bombadil? He lies.

A question: what is the most dangerous place in Middle Earth? First place goes to the Mines of Moria, home of the Balrog, but what is the second most dangerous place? Tom Bombadil’s country.

By comparison, Mordor is a safe and well-run land, where two lightly-armed hobbits can wander for days without meeting anything more dangerous than themselves. Yet the Old Forest and the Barrow Downs, all part of Tom’s country, are filled with perils that would tax anyone in the Fellowship except perhaps Gandalf.

Now, it is canonical in Tolkein that powerful magical beings imprint their nature on their homes. Lorien under Galadriel is a place of peace and light. Moria, after the Balrog awoke, was a place of terror to which lesser evil creatures were drawn. Likewise, when Sauron lived in Mirkwood, it became blighted with evil and a home to monsters.

And then, there’s Tom Bombadil’s Country.

The hobbits can sense the hatred within all the trees in the Old Forest. Every tree in that place is a malevolent huorn, hating humankind. Every single tree. And the barrows of the ancient kings that lie nearby are defiled and inhabited by Barrow-Wights. Bombadil has the power to control or banish all these creatures, but he does not do so. Instead, he provides a refuge for them against men and other powers. Evil things – and only evil things – flourish in his domain. “Tom Bombadil is the master” Goldberry says. And his subjects are black huorns and barrow wights.

What do we know about Tom Bombadil? He is not the benevolent figure that he pretends to be.

March 21, 2020

Modern Classics Summarized: Stranger In A Strange Land

Filed under: Books, Humour, Religion — Tags: , , , , , , — Nicholas @ 04:00

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Published 20 Mar 2020

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March 10, 2020

The Hitchhiker’s Guide to the Galaxy turns 42

Filed under: Britain, History, Humour, Media — Tags: , — Nicholas @ 05:00

In The Register, Richard Speed notes a significant anniversary:

The weekend marked the 42nd anniversary of the first broadcast of The Hitchhiker’s Guide to the Galaxy, the hugely influential BBC radio show.

42 is a significant number for fans of the innovative series by Douglas Adams so (carefully) pour yourself a Pan Galactic Gargle Blaster, wrap yourself in a towel and join The Register for a trip back to 1978, when the BBC decided to do something quite different.

Writing in the introduction to the Pan Books’ 1985 publication of the radio scripts (which differ from the books, which differ from the television series, which differ from the film …), series producer Geoffrey Perkins described his first meeting with the author. Adams was giving a speech despite being aggressively heckled by the cast members of the Cambridge Footlights show he’d just directed.

He’d also elected to stand on a rickety chair to deliver the speech.

“Here,” recalled Perkins, “was someone prepared to stick his neck out further than most people, someone who would carry on in the face of adversity, and someone who would shortly fall off a chair.

“I was right on all three counts.”

Perkins went on to join the BBC, while Adams worked with the Monty Python team as well as contributing to Doctor Who as the 1970s went on. He pitched the idea for a science-fiction comedy radio series to radio producer Simon Brett. Brett recommended Perkins to the BBC as a potential producer and the series was given the go-ahead on 31 August 1977 (after the first episode was commissioned on 1 March 1977).

“We both owe him an enormous debt,” said Perkins of Brett.

February 21, 2020

QotD: Thought experiment

Filed under: Britain, Cancon, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

If you were hovering above Earth looking to be born randomly into any time period in human history, you’d pick now if you had any brains. And if you could pick a place, you’d pick a Western liberal democracy, and probably the United States of America (though as much as it pains me to say it, you wouldn’t be crazy to pick Canada or the U.K. or Holland). Sure, if you could pick being rich, white, and male — and didn’t really care too much about the plight of others — you might take the 1950s. But even then, your choices for food, entertainment, etc. would be terribly curtailed compared to today. If you chose to be a billionaire in 1917, you could still die from a minor infection, and good Thai food would be entirely unknown to you. You’d certainly never enjoy watching a Star Wars movie on an IMAX screen in air conditioning. In other words, while your homes would be bigger and cooler if you were a billionaire in 1917, a typical orthodontist in Peoria in 2017 is in many respects much richer than a billionaire a century earlier.

Still, that’s not the deal on offer. You have to buy an incarnation lottery ticket, and the results would be random.

I’m not big on dividing people up by abstract categories, and I certainly don’t mean them to be pejorative. But as a historical matter, being born poor, gay, black, Jewish, ugly, weird, handicapped, etc. today may certainly come with some problems or challenges, but on the whole those traits are less of a shackle or barrier than at any time in the past. The only trait where I think it might be a closer call is dumbness. All other things being equal, a not-terribly-intelligent person with a good work ethic and some decent values might have had more opportunities before machines replaced strong backs. But even here, I can think of lots of exceptions.

Jonah Goldberg, “America and the ‘Original Position'”, National Review, 2017-12-22.

January 19, 2020

QotD: Bad fiction writers often know little or no economic theory

Filed under: Books, Economics, Education, Quotations — Tags: , , , , — Nicholas @ 01:00

This poor woman has everything backward in her head. It makes it very difficult for me to believe that she can create any kind of sane or believable world. Why? Because she doesn’t understand the laws of supply and demand, which means she doesn’t understand reality.

It is clear that she comes from an academic background, since she thinks that shelves are allotted by order of “importance.”

This is a problem for me as a reader often because I run into a lot of writers like her. It’s less important in things like romance, though even there it can get weird, like when some authors assume that the best thing possible in the Regency would be being a duke AND a doctor. (Head>desk, repeat.) This is because they misunderstand the relative wealth and importance of earning a living in the professions.

But there are a ton of books in mystery that hit the wall. Those that require understanding of how the world worked. So the economics these writers write are what you expect from exquisitely maleducated people. They learned sociology and various grievance studies. So you know, factories are bad places where people are forced to work in terrible conditions — for the 21st century. None of these darlings has the slightest idea what actual conditions were like at farms in the Regency, say — and do not even get health care or counseling, and are probably totally deprived of free ice cream.

I have now walled mysteries, some romances and a few fantasies, because they assume people who build and run factories are “evil exploiters” and villains. (As opposed to you know not building anything and letting the peasants starve.)

I’ve walled even more of them when the villain becomes “reformed” and just gives his whole fortune away to people who probably drink it away within a week and, presumably, dies in a gutter shortly thereafter.

In science fiction and fantasy this is even more painful. You’ll have entire worlds getting paid for things, without it making any sense, since there is no galactic agreement on money, no universally agreed upon standard, nothing that makes whatever they hand you worth anything. We have entire worlds paid for things that make no sense to transport inter-world with the money existent at that time. You have “exploited” groups, that you can’t figure out why anyone would exploit or what sense it makes.

Then there is the soc jus in these worlds, which often consists of upending historic injustices by creating worse injustices and, oh, yeah, incidentally making it impossible for the economics to function and starving everyone in the world. If you’re going to do that call it Planet Venezuela already, okay?

And don’t get me started on the economics of worlds with magic, where monetizing magic is somehow either wrong or no one ever thought of doing it (because everyone in that world is born mentally impaired.)

Sarah Hoyt, “A Fundamental Misunderstanding of Supply and Demand”, According to Hoyt, 2019-11-06.

January 12, 2020

Neil Peart, RIP

Filed under: Cancon, Liberty, Media — Tags: , , , , , — Nicholas @ 03:00

I was very saddened to see the news, but it explains why the band retired:

Rush in concert, Milan 2004.
Photo by Enrico Frangi, via Wikimedia Commons

Neil Peart, the virtuoso drummer and lyricist for Rush, died Tuesday, January 7th, in Santa Monica, California, at age 67, according to Elliot Mintz, a family spokesperson. The cause was brain cancer, which Peart had been quietly battling for three-and-a-half years. A representative for the band confirmed the news to Rolling Stone.

Peart was one of rock’s greatest drummers, with a flamboyant yet precise style that paid homage to his hero, the Who’s Keith Moon, while expanding the technical and imaginative possibilities of his instrument. He joined singer-bassist Geddy Lee and guitarist Alex Lifeson in Rush in 1974, and his musicianship and literate, philosophical lyrics — which initially drew on Ayn Rand and science fiction, and later became more personal and emotive — helped make the trio one of the classic-rock era’s essential bands. His drum fills on songs like “Tom Sawyer” were pop hooks in their own right, each one an indelible mini-composition; his lengthy drum solos, carefully constructed and packed with drama, were highlights of every Rush concert.

In a statement released Friday afternoon, Lee and Lifeson called Peart their “friend, soul brother and bandmate over 45 years,” and said he had been “incredibly brave” in his battle with glioblastoma, an aggressive form of brain cancer. “We ask that friends, fans, and media alike understandably respect the family’s need for privacy and peace at this extremely painful and difficult time,” Lee and Lifeson wrote. “Those wishing to express their condolences can choose a cancer research group or charity of their choice and make a donation in Neil Peart’s name. Rest in peace, brother.”

A rigorous autodidact, Peart was also the author of numerous books, beginning with 1996’s The Masked Rider: Cycling in West Africa, which chronicled a 1988 bicycle tour in Cameroon — in that memoir, he recalled an impromptu hand-drum performance that drew an entire village to watch.

Peart never stopped believing in the possibilities of rock (“a gift beyond price,” he called it in Rush’s 1980 track “The Spirit of Radio”) and despised what he saw as over-commercialization of the music industry and dumbed-down artists he saw as “panderers.” “It’s about being your own hero,” he told Rolling Stone in 2015. “I set out to never betray the values that 16-year-old had, to never sell out, to never bow to the man. A compromise is what I can never accept.”

Update: At AIER Peter C. Earle pays tribute to Peart’s life and work.

The announcement of the death of Rush drummer Neil Peart came as a tremendous shock. Having only retired about four years ago, so many fans of Rush (myself included) had convinced ourselves that this was a temporary hiatus, and that in a year or two – eventually, at any rate – there would be an announcement of a new album, a short tour, or some other project. Surely musicians of their virtuosity and passion couldn’t stay away from the studio or stage for long. But now we know we were wrong, and we know why.

It was revealed that Neil had been battling a brain tumor for over three years. Characteristically, he, his family, and friends (among the closest of whom, Rush vocalist/bass player Geddy Lee and guitarist Alex Lifeson) upheld his desire for privacy. I haven’t done the math as to whether Neil’s illness was likely a causative factor in the decision to retire, or whether it seems to have come along not long after the decision to retire.

[…]

In his role as the lyricist of Rush, Peart took on such topics as pernicious nationalism (“Territories”), mass hysteria (“Witch Hunt”), the division between constructive and destructive belief (“Faithless”), the fall of Communism (“Heresy”), conflict and power (“The Trees”), the horrors of totalitarian rule (“2112,” “Red Sector A”) and many allusions to individual liberty (“Tom Sawyer,” “Anthem,” “The Analog Kid,” “Finding My Way,” “Caravan”). He did so via lyrics which artfully and passionately evinced those sentiments; sentiments which early on suggested Objectivist perspectives, but over time developed into what he called “Bleeding Heart” libertarianism:

    I call myself a bleeding heart libertarian. Because I do believe in the principles of Libertarianism as an ideal – because I’m an idealist. Paul Theroux’s definition of a cynic is a disappointed idealist. So as you go through past your twenties, your idealism is going to be disappointed many many times. And so, I’ve brought my view and also – I’ve just realized this – Libertarianism as I understood it was very good and pure and we’re all going to be successful and generous to the less fortunate and it was, to me, not dark or cynical. But then I soon saw, of course, the way that it gets twisted by the flaws of humanity. And that’s when I evolve now into … a bleeding heart Libertarian. That’ll do.

Neil, through his lyrics, managed to do what so many lyricists and writers – even, perhaps especially, so many libertarian intellectuals – fail to do: make liberty neither an alien fixture, a flat slogan, or a utopian slog. It is a way of thinking and living, and one which not only doesn’t ignore, but embraces the flaws and frailty of humanity, tempering realism with hope and optimism.

January 7, 2020

Isaac Asimov at 100 … ish

Filed under: Books, History, Media, Russia — Tags: , , , — Nicholas @ 03:00

It’s probably the centenary year for the late Isaac Asimov, but the date is only approximately correct:

Robert Heinlein, L. Sprague de Camp and Isaac Asimov at the Philadelphia Navy Yard in 1944.
US government photo via Wikimedia Commons.

In actual fact the centenary is a bit of a fudge because Asimov never knew his actual birthday and picked January 2 as a likely date, and one that allowed for an extra holiday after the Christmas festivities. He was born around the turn of the year in 1920, three years after the Russian revolution, in the Soviet town of Petrovichi, although he emigrated to the US at the age of three.

Like many Russian Jews the family moved to Brooklyn in New York, and Asimov’s father ended up running a confectionery store and newsagent. Asimov taught himself to read at the age of five and taught his sister too, and consumed the pulp science fiction magazine stocked in his father’s shop.

At the age of 15 he applied to Columbia but was rejected, ostensibly on age grounds but, as he wrote in his autobiography I, Asimov, he recounted that the university had filled its quota of Jews for the year. After multiple rejections he eventually earned his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in chemistry in 1948, serving as a civilian in the US Army in the Second World War.

An academic career beckoned and in 1949 he joined the Boston University School of Medicine as a biochemistry teacher. But by then he had already been getting science fiction short stories published for nearly ten years. In 1950 he wrote his first book and largely abandoned his teaching career, finding writing more lucrative and enjoyable.

[…]

Some thought Asimov had peaked as a science fiction writer by the mid 1960s, as he spent the next few years writing a lot of popular science books, non-fiction and school textbooks. He was even asked by Paul McCartney to write a science fiction musical for his then-band Wings, although the idea was eventually dropped.

But in the 1970s he came back into the SF fold with a series of books and short stories, winning two Hugo and two Nebula awards in the decade. He was also involved in some television and film work, having acted as a consultant on Star Trek in the 1960s.

In 1981 he was approached by a publisher to return to the Foundation series and add more to the canon. Foundation’s Edge was published the next year year, to wide acclaim. This was followed by Foundation and Earth in 1986, Prelude to Foundation in 1988, and finally Forward the Foundation, which was published in 1993, one year after Asimov’s death.

October 26, 2019

QotD: Pulp fantasy writers

Filed under: Books, Quotations — Tags: , , , — Nicholas @ 01:00

All the great fantasies, I suppose, have been written by emotionally crippled men. [Robert E.] Howard was a recluse and a man so morbidly attached to his mother that when she died he committed suicide; Lovecraft had enough phobias and eccentricities for nine; Merritt was chinless, bald and shaped like a shmoo. The trouble with Conan is that the human race never has produced and never could produce such a man, and sane writers know it; therefore the sick writers have a monopoly of him.

Damon Knight, quoted by John C. Wright, “Conan and the Critic”, John C. Wright’s Journal, 2017-11-01.

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