Feral Historian
Published 7 Nov 2025Star Trek: Deep Space Nine introduced a dark undertone to the optimistic vision of the Federation with Section 31, a secretive organization doing dirty deeds behind the scenes. For some its a much-needed dose of Realpolitik to Trek, for others its a cynical ploy that has no place in Roddenberry’s vision. Either way, Section 31 is one of the most interesting pieces of Star Trek lore.
00:00 Intro
02:20 Backstories
04:09 DS9
06:30 Existential Threats
08:08 In The Pale Moonlight
10:43 Limits of Idealism
12:54 Enterprise
March 8, 2026
Star Trek – Section 31
February 27, 2026
Footfall and Cultural Blindspots
Feral Historian
Published 24 Oct 2025Niven and Pournelle’s tale is one of the classics of the alien invasion genre and is deserving of more attention these days than it gets. Space elephants, asteroid strikes, and Orion battleships. Let’s get to it.
This one has been sitting in the WiP folder since early spring. There’s not much Footfall art out there and for whatever reason … I can’t seem to draw elephants.
00:00 Intro
03:25 The Herd(s)
07:13 The Foot and Michael
10:13 Flushing the Story
12:33 Launch and Negotiations
15:50 Takeaways
18:06 Rounding Corners
(more…)
February 20, 2026
Sci-Fi, Satire, and the Post-WWII Mythos
Feral Historian
Published 17 Oct 2025The caricature of fascism as the arch-evil, born in WWII propaganda and endlessly re-imagined in popular entertainment ever since, has served both as an inoculation against that particular brand of tyranny and blinders to many others. Is it still relevant? Or has it become one of our culture’s foundational archetypes that will live on for centuries disconnected from its roots? Let’s explore a bunch of facets and ask some odd, sometimes difficult questions along the way.
00:00 Intro
03:02 Myth of Singular Evil
06:06 Andor and Now
09:18 Fading Narratives
12:01 Iron Sky
16:21 What Comes Next?
(more…)
February 7, 2026
The Probability Broach: L. Neil Smith’s libertarian fever-dream
Feral Historian
Published 6 Feb 2026Equal parts political manifesto and wacky adventure story, The Probability Broach is usually not the first title people think of when they hear “libertarian sci-fi” but it almost always makes the list after further reflection. While ideologically-motivated fiction tends to preach more than entertain, L. Neil Smith makes his world so bonkers and whimsical that we almost can’t help seeing our own in a similar light, and in so doing reminds us that things are as they are ultimately because we chose to make it this way.
There’s some jumpcuts in this due to lack of good b-roll, but I suspect that most people who make it past the half-way point on this one are just listening anyway.
The artwork is from the graphic novel adaptation from Big Head Press https://www.bigheadpress.com/tpbtgn
I ordered a copy but the government-run postal system didn’t get it to me in time to use its illustrations of later chapters.00:00 Intro
01:05 The Setup
03:15 Whiskey Rebellion
05:36 Confederacy
07:50 Property, Culture, and Capitalism
15:01 Cultural Assumptions
19:20 Interventionism
21:04 Choices, not Systems
(more…)
February 6, 2026
Star Trek: The Maquis
Feral Historian
Published 3 Oct 2025Whether you see the Maquis as a great story thread, a break from Roddenberry’s vision for Star Trek, or a missed opportunity; the story of Federation colonists cut loose for political expediency is one of the most interesting elements of 1990s Trek both for what it shows and what it merely implies.
00:00 Intro
02:19 Learning Curve
09:11 Self-Image
16:00 Turning Point
(more…)
February 5, 2026
The Mote in God’s Eye: A No-Win Scenario
Feral Historian
Published 26 Sept 2025For whatever reason books by [Larry] Niven and [Jerry] Pournelle always end up being a lot harder to cover than I expect. It’s not that the core ideas are buried in dense convoluted storytelling or unusually compelling characters (often quite the opposite) but rather I think that the core ideas are always a little uncomfortable to face head-on. And Mote is great example.
Niven and Pournelle create a scenario not only of the cyclical rise and fall of a civilization, but one that through a combination of biological and cultural factors points to the impossibility of long-term coexistence between Humanity and the Moties.
00:00 Intro
01:26 Aristocracy and Contact
04:11 The Moties
08:48 Crazy Eddie
10:18 The Middle Path?
12:53 The Gripping Hand
(more…)
February 2, 2026
January 31, 2026
“… nations are what Kurt Vonnegut would call a ‘granfalloon'”
On the social media site formerly known as Twitter, Devon Eriksen responds to an older tweet about the replacement of “original” Romans during the Republic with other ethnicities over the course of the Empire:
Any time a nation allows slavery, de jure or de facto, the business owning class immediately tries to replace the working class with slaves.
If they succeed, the nation collapses and everyone dies. A nation cannot survive if it’s populated by slaves.
Why?
Because nations are what Kurt Vonnegut would call a “granfalloon” … his word for an association that only exists because people believe in it.
Now Vonnegut, who was a liberal and therefore wrong about everything important, meant to mock the concept of nations and tribes by coining this term. He believed them to be unnecessary throwbacks to humanity’s primitive past … a delusion he was able to sustain because he never had to try existing without one.
Granfalloons are indeed arbitrary — you could base them on anything — but humans cannot survive without them. Because humans are a pack animal.
If you drop your cat off somewhere in the woods at night, assuming he is a healthy and physically fit cat, he will likely survive, regardless of his unhappiness at the sudden deficiency of chin scratches and clean laundry to sleep on.
Try that experiment with your dog, and he’ll die.
Why? It’s not because cats are smarter than dogs. They’re about the same.
It’s because cats are not a pack animal. A cat doesn’t need other cats to survive. The basic unit required to execute all cat survival strategies is one cat.
Dog survival strategies work just fine, too, but they require multiple dogs. A lone dog will die because he cannot execute his survival strategies by himself.
And so it is with humans.
The great error of the classical liberal worldview is that, because history is full of tribes fighting wars over scarce resources, that it was the tribes, not the scarcity, that caused conflict.
So they decided they were going to get rids of tribes, and nations, and religions, all the granfalloons, and just glue everything together with economics. And there would somehow be world peace.
Kurt Vonnegut was a dreamer.
Unfortunately for all of us, he was not the only one.
So the experiment was carried out, and in every single place it was carried out, things got observably, obviously worse. Sometimes “gosh the boomers had it way easier than us” worse, and sometimes “what shall we do these corpses, Comrade Commissar” worse, but always worse.
Because economic incentives alone cannot hold a society together.
Economic incentives, without ethnic or cultural solidarity, get you nothing but massive robbery and fraud.
It’s why the Biden Administration let millions of third world savages into America. It’s why Proctor and Gamble sells you poison food, and why the American Heart Association takes their money to lie to you and say it’s healthy. It’s why every product you buy, from your Tesla to your laptop to your security camera system, tries to spy on you and control how you use the thing you paid for and theoretically own. It’s why you’ve never held the same job for more than three years, because they either laid you off or gave you two percent raises every year until you had to find a new company to pay you what you’re actually worth.
When there is no granfalloon, there is no incentive not to cheat. And no, fear of punishment doesn’t work. The police cannot arrest, try and convict everyone. And when there is no granfalloon, the enforcers themselves have no incentive to actually perform, instead of looking just busy enough to get paid, or taking bribes to look the other way.
An atomized group of individuals, unconnected by a granfalloon, have no morality, because morality isn’t something an individual has. It’s something a tribe has, because what the word “morality” actually means is the system of behavior that tribe members display towards each other.
A slave has no morality. He has no sense of responsibility, not only for the nation, not only for his masters, but even for his fellow slave. He is homo economicus, the man who responds purely to incentives of reward and punishment.
A slave has no granfalloon.
Kurt Vonnegut famously wrote “If you wish to examine a granfalloon, just remove the skin of a toy balloon.” By which he meant that such associations are nothing but a puff of air, and therefore unimportant.
But having been surrounded by air all his life, in abundant supply, Kurt had forgotten that air is important.
You need it for breathing.
Try removing the skin of a SCUBA tank.
January 29, 2026
Starship Troopers: Service Isn’t The Point
Feral Historian
Published 5 Sept 2025There’s a long-running argument over whether Heinlein’s book describes military service as the exclusive path to citizenship, or if “federal service” is a much broader basket of enfranchisement. While a close read of the book makes it unquestionably clear which is correct, it misses the greater point. Heinlein was writing about the role of civic virtue in the stability of a republic, his citizenship-through-service framing is the literary conceit for discussing that larger question.
For a more detailed examination of the nature of Federal Service, I recommend James Gifford’s essay on the subject: https://www.nitrosyncretic.com/rah/ft…
00:00 Intro
00:45 What is Federal Service?
02:18 An Exploration of Enfranchisement
03:13 Expanded Universe
05:38 But Why?
06:59 Starside R&D
09:07 “Unreasonable Facsimile”
10:54 Filtering Civic Virtue
(more…)
January 22, 2026
D’Joan, C’Mell, and the Rediscovery of Man
Feral Historian
Published 29 Aug 2025Cordwainer Smith, through short stories and novellas, tells a sprawling history spanning thousands of years and an entire galaxy. In this one, I’m looking at a single narrative thread of that world, the gulf between man and animal and the partnerships that make humanity whole again after a long span of cultural stagnation and loss of vitality.
00:00 Intro
02:19 Partners and Divisions
05:15 Heading Down to Clown Town
15:53 Mans’ Other Friend
19:22 NorstriliaThe first month’s ad revenue from this video will be donated to 2 animal rescues. https://pauseforpawsaz.com/ and https://sites.google.com/site/catalli…
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January 14, 2026
January 9, 2026
QotD: “My goal is to get paid for having fun”
My critics consider me a pulp hack, but I’ve proven I can do the deep, dark, and serious better than they can. I’ve demonstrated that I can hop into whatever genre I feel like and do well there. But mostly I just like to have fun and entertain my fans.
True multi genre authors are rare. I’ve done really well in a bunch of different genres because I’m good at recognizing what people enjoy about those, and then giving them what they want, with my own spin on it. I can tweak it, but I shouldn’t break it.
“What if your childhood heroes are really losers and here’s a new girl boss? OOOOH SO EDGY.” That kind of shit bores me.
Far too many authors are pretentious shit heads who climb up their own ass thinking they need to “subvert” expectations, but they’re really not brilliant enough to pull that off. They’re just crapping on the stuff that made people like those genres to begin with. They’re not nearly as clever as they think they are.
Me? I’m happy to be a pulp hack. If I’m writing epic fantasy, I’m going to do the big, deep, thematic, emotional, stuff (and Saga of the Forgotten Warrior rocks) and if I’m doing progression fantasy then it’s going to be fun and adventure and scrappy nobodies trying to make it in the world and becoming heroes along the way. American Paladin is a dark and gritty vigilante story (with monsters in it). And Monster Hunter is urban fantasy soaked in testosterone and gun oil (that’s next for 2026). I’ve done sci-fi. I’ve done horror. I’ve done comedy. I’ve done thrillers. Hell, I’ve done stuff like Hard Magic where good luck pinning down what the hell genre that is … alternate history, hard boiled, pulp noir, super heroes? Hell if I know.
My goal is to get paid for having fun. 😀
Larry Correia, The social media site formerly known as Twitter, 2025-10-08.
January 7, 2026
Red Star: The Dawn of Soviet Sci-Fi
Feral Historian
Published 15 Aug 2025Soviet science fiction is a long winding road and it starts with Alexander Bogdanov’s Red Star. Let’s start down that road.
00:00 Intro
03:15 Introducing Martian Socialism
06:35 Tektology
10:03 Crafting Communism
15:08 Mars Has Problems
19:06 Old Man of the Mountain
20:32 The Engineer Menni
(more…)
December 30, 2025
Childhood’s End (Youtube Copyright Edit)
Feral Historian
Published 30 Jul 2024The 2015 adaptation of Arthur C. Clarke’s Childhood’s End has a lot going on. But Youtube won’t let me use clips from it, so here’s a stills-only recut covering the major points. A far superior cut is available at my Patreon page, along with a few other exclusives in what will surely be a growing collection of Youtube no-nos.
🔹 Patreon | patreon.com/FeralHistorian
December 14, 2025
A Fire Upon The Deep and the Identity Gradient
Feral Historian
Published 8 Aug 2025Vernor Vinge’s A Fire Upon The Deep would take a two-hour video to completely dissect. This is not that video. Instead, I’m looking just at the recurring ideas of collective identity and distributed consciousness. And all without a single mention of Skroderiders.
This one has been sitting around for about a year, due to lack of b-roll to cover the numerous jumpcuts due to my rambling and the rather persistent flies on that particular day. It’s a little rough, but let’s just roll with it.
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