The title of the Pope in Rome today is Pontifex Maximus. “Pontifex Maximus” was originally the title of the chief high priest of the College of Pontiffs in ancient Rome, not specifically the Emperor, though several Emperors did hold the title. This title indicated both religious and secular authority within the Republic and the Empire, responsible for overseeing sacred rites to Jupiter/Zeus at the Temple on Capitoline Hill. The College of Pontiffs was established around 300 BCE, an organization of high priests overseeing public religious services. Sound familiar? That’s because the College of Cardinals directly descends from it.
The Protestants might be happy to hear Misanthrope claim this would make you sick, because they’d correctly state that absolutely none of this is in the Bible. The entire liturgical structure of the Catholic Church is pagan, an inherited but corrupted structure from classical antiquity. Thus, a great majority of historic Christianity is syncretic. You might even say haphazardly pagan. The very idea of a high priest who would oversee the spiritual and religious duties is copped by the Pope’s role in Catholicism. The vestments worn by Catholic clergy, the use of incense (especially frankincense, the main herb used by invocations in Hellenism), chants, the sanctification of holy spaces, and the very architecture of Catholic cathedrals are derived from religious practices of pagan Rome. Let’s not get into art. The processions, the veneration of saints (akin to the Roman household gods or Lares), ancestor worship (which Catholics pretend they don’t do), and the hierarchical structure all reflect a continuity from Rome’s Hellenic pagan past. The Catholic Church’s liturgy, with its detailed rituals and sacraments is a direct continuation of the Greco-Roman pagan way of embedding religious practice into every aspect of public and private life. The transformation of its pantheon of gods into a multitude of saints, each with specific roles and domains is indistinguishable from how they interacted with their deities.
Fortissax, “Spiteful Mutant Christians”, Fortissax is Typing, 2024-07-19.
[NR: Glossary links added.]
October 24, 2024
QotD: From the OG Pontifex Maximus to the Pope
August 13, 2024
QotD: The weird world of the Iliad
Homer (“Homer“) presents the gods as having unified identities, desires, and attributes, which of course you have to have in order to have any kind of coherent story but which is not at all the way the Greeks understood their gods before him (or even mostly after). The Greeks didn’t have a priestly caste with hereditary knowledge, or Vedas, or anything like that, so their religion is even more chaotic than most primitive religions. “The god” is a combination of the local cult with its rituals, the name, the myths, and the cultic image, and these could (and often did) spread separately from one another. The goddess with attributes reminiscent of the ancient Near Eastern “Potnia Theron” figure is Hera, Artemis, Aphrodite, Demeter, or Athena, depending on where you are. Aphrodite is born from the severed testicles of Ouranos but is also the daughter of Zeus and Dione. “Zeus” is the god worshipped with human sacrifice on an ash altar at Mt. Lykaion but also the god of the Bouphonia but also a chthonic snake deity. Eventually these all get linked together, much later, primarily by Homer and Hesiod, but even after the stories are codified — okay, this is the king of the gods, he’s got these kids and this shrewish wife, he’s mostly a weather deity — the ritual substrate remains. We still murder the ox and then try the axe for the crime, which has absolutely nothing to do with celestial kingship but it’s what you do. If you’re Athenian. Somewhere else they do something completely different.
I also really enjoyed this book, and I think for similar reasons to you. Because you’re right, at the end of the classical world it wasn’t just the philosophers. One major theme in Athenian drama is the conscious attempt to impose rationality/democracy/citizenship/freedom (all tied together in the Greek imagination) in place of the bloody, chthonic, archaic world of heredity.1 It’s an attempt at a transition, and one which gets a lot of attention I think in part because people read the Enlightenment back into it. But my favorite part of the The Ancient City is Fustel de Coulanges’s exploration of the other end of the process: where did all the weird inherited ritual came from in the first place?!
The short version of the answer is “the heroön“. Or as he puts it: “According to the oldest belief of the Italians and Greeks, the soul did not go into a foreign world to pass its second existence; it remained near men, and continued to live underground.” Everything else follows from here: the tomb is required to confine the dead man, the burial rituals are to please him and bind him to the place, the grave goods and regular libations are for his use, and he is the object of prayers. Fustel de Coulanges is incredibly well-read (that one sentence I quoted above cites Cicero’s Tusculan Disputations, “sub terra censebant reliquam vitam agi mortuorum“, plus Euripides’ Alcestis and Hecuba), and he references plenty of Vedic and later Hindu texts and practices too. I also immediately thought of the Rus’ funeral described by ibn Fadlan and retold in every single book about the Vikings, in which, after all the exciting sex and human sacrifice is over, the dead man’s nearest kinsman circles the funerary ship naked with his face carefully averted from it and his free hand covering his anus. This seems like precautions: there’s something in the ship-pyre that might be able, until the rites are completed, to get out.2 And obviously we now recognize tombs and burial as being very important to the common ancestors of the classical and Vedic worlds — from Marija Gimbutas’s kurgan hypothesis to the identification of the Proto-Indo-Europeans with the Yamnaya culture (Ямная = pit, as in pit-grave) — their funerary practices have always been core to how we understand them. But I’m really curious how any of this would have worked, practically, for pastoral nomads! Fustel de Coulanges makes it sound like you have your ancestor’s tomb in your back yard, more or less, which obviously isn’t entirely accurate when you’re rolling around the steppe in your wagon.
I’d also be interested to see an archeological perspective on his next section, about the sacred hearth. This is the precursor of Vesta/Hestia and also Vedic Agni, the reconstructed *H₁n̥gʷnis (fire as animating entity and active force) as opposed to *péh₂ur (fire as naturally occurring substance). I looked back through my copy of The Wheel, the Horse, and Language and (aside from a passing suggestion that the hearth-spirit’s genderswap might be due to the western Yamnaya’s generally having more female-inclusive ritual practices, possibly from the influence of the neighboring Tripolye culture), I didn’t find anything. I suppose this makes sense — you can’t really differentiate between the material remains of a ritual hearth and a “we’re cold and hungry” hearth, especially if people are also cooking on the ritual hearth so there’s not a clear division anyway. But if anyone has done it I’d like to see.
I don’t know enough of the historiography to know whether Fustel de Coulanges was saying something novel or contentious in the mid-19th century, but he seems to be basically in line with more recent scholarship even if he’s not trendy. But The Ancient City can be read as a work of political philosophy as well as ancient history!
Jane and John Psmith, “JOINT REVIEW: The Ancient City, by Numa Denis Fustel de Coulanges”, Mr. and Mrs. Psmith’s Bookshelf, 2023-02-20.
1. And of course that tension is extra intriguing because the dramas are always performed at one of these inherited rituals, in this case the city-wide Great Dionysia festival, although it was a relatively late addition to the ritual calendar. Incidentally it’s way less bizarre than the Attic “rustic” Dionysia which is all goat sacrifices and phallus processions. (There’s also the Agrionia in Boeotia which is about dissolution and inversion and nighttime madness, and another example of “the god” being a rather fluid concept.)
2. Neil Price, in his excellent Children of Ash and Elm, says that the archaeological evidence seems to confirm this:
“Most of the objects [in the Oseberg ship burial] were deposited with great care and attention, but at the very end most of the larger wooden items — the wagons, sleds, and so on — were literally thrown onto the foredeck, beautiful things just heaved over the side from ground level and being damaged in the process. The accessible end of the burial chamber was then sealed shut by hammering planks across the open gable, but using any old piece of wood that seems to have been at hand. The planks were just laid across at random — anything to fill the opening into the chamber where the dead lay. The nails were hammered in so fast one can see where the workers missed, denting the wood and bending or breaking off the nail heads.”
July 18, 2024
QotD: Culture in the late western Roman Empire
The first thing to remember, as we’ve already discussed, is that the population of the Roman Empire itself was hardly uniform. Rather the Roman empire as it violently expanded, had absorbed numerous peoples – Celtiberians, Iberians, Greeks, Gauls, Syrians, Egyptians, and on and on. Centuries of subsequent Roman rule had led to a process of cultural fusion, whereby those people began to think of themselves as Romani – Romans – as they both adopted previously Roman cultural elements and their Roman counterparts adopted provincial culture elements (like trousers!).
In particular, by the fifth century, the majority of these self-described Romani, including the overwhelming majority of elites, had already adopted a provincial religion: Christianity, which had in turn become the Roman religion and a core marker of Roman identity by the fifth century. Indeed, the word paganus, increasingly used in this period to refer to the remaining non-Christian population, had a root-meaning of something like “country bumpkin”, reflecting the degree to which for Roman elites and indeed many non-elites, the last fading vestiges of the old Greek and Roman religions were seen as out of touch. Of course Christianity itself came from the fringes of the Empire – a strange mystery cult from the troubled frontier province of Judaea in the Levant which had slowly grown until it had become the dominant religion of the empire, receiving official imperial favor and preference.
The arrival of the “barbarians” didn’t wipe away that fusion culture. With the exception of the Angles, Saxons and Jutes who eventually ended up in England, the new-comers almost uniformly learned the language of the Roman west – Latin – such that their descendants living in those lands, in a sense still speak it, in its modern forms: Spanish, French, Italian, Portuguese, etc. alongside more than a dozen local regional dialects. All are derived from Latin (and not, one might note, from the Germanic languages that the Goths, Vandals, Franks and so on would have been speaking when they crossed the Roman frontier).
They also adopted the Roman religion, Christianity. I suspect sometimes the popular imagination – especially the one that comes with those extraordinarily dumb “Christian dark age” graphs – is that when the “barbarians invade” the Romans were still chilling in their Greco-Roman temples, which the “barbarians” burned down. But quite to the contrary – the Romans were the ones shutting down the old pagan temples at the behest of the now Christian Roman emperors, who busied themselves building beautiful and marvelous churches (a point The Bright Ages makes very well in its first chapter).
The “barbarians” didn’t tear down those churches – they built more of them. There was some conflict here – many of the Germanic peoples who moved into the Roman Empire had been converted to Christianity before they did so (again, the Angles and Saxons are the exception here, converting after arrival), but many of them had been converted through a bishop, Ulfilias, from Constantinople who held to a branch of Christian belief called “Arianism” which was regarded as heretical by the Roman authorities. The “barbarians” were thus, at least initially, the wrong sort of Christian and this did cause friction in the fifth century, but by the end of the sixth century nearly all of these new kingdoms created in the wake of the collapse of Roman authority were not only Christian, but had converted to the officially accepted Roman “Chalcedonian” Christianity. We’ll come back later to the idea of the Church as an institution, but for now as a cultural marker, it was adopted by the “barbarians” with aplomb.
Artwork also sees the clear impact of cultural fusion. Often this transition is, I think, misunderstood by students whose knowledge of artwork essentially “skips” Late Antiquity, instead jumping directly from the veristic Roman artwork of the late republic and the idealizing artwork of the early empire directly to the heavily stylized artwork of Carolingian period and leads some to conclude that the fall of Rome made the artists “bad”. There are two problems: the decline here isn’t in quality and moreover the change didn’t happen with the fall of the Roman Empire but quite a bit earlier. […]
Late Roman artwork shows a clear shift into stylization, the representation of objects in a simplified, conventional way. You are likely familiar with many modern, highly developed stylized art forms; the example I use with my students is anime. Anime makes no effort at direct realism – the lines and shading of characters are intentionally simplified, but also bodies are intentionally drawn at the wrong proportions, with oversized faces and eyes and sometimes exaggerated facial expressions. That doesn’t mean it is bad art – all of that stylization is purposeful and requires considerable skill – the large faces, simple lines and big expressions allow animated characters to convey more emotion (at a minimum of animation budget).
Late Roman artwork moves the same way, shifting from efforts to portray individuals as real-to-life as possible (to the point where one can recognize early emperors by their facial features in sculpture, a task I had to be able to perform in some of my art-and-archaeology graduate courses) to efforts to portray an idealized version of a figure. No longer a specific emperor – though some identifying features might remain – but the idea of an emperor. Imperial bearing rendered into a person. That trend towards stylization continues into religious art in the early Middle Ages for the same reason: the figures – Jesus, Mary, saints, and so on – represent ideas as much as they do actual people and so they are drawn in a stylized way to serve as the pure expressions of their idealized nature. Not a person, but holiness, sainthood, charity, and so on.
And it really only takes a casual glance at the artwork I’ve been sprinkling through this section to see how early medieval artwork, even out through the Carolingians (c. 800 AD) owes a lot to late Roman artwork, but also builds on that artwork, particularly by bringing in artistic themes that seem to come from the new arrivals – the decorative twisting patterns and scroll-work which often display the considerable technical skill of an artist (seriously, try drawing some of that free-hand and you suddenly realize that graceful flowing lines in clear symmetrical patterns are actually really hard to render well).
All of the cultural fusion was effectively unavoidable. While we can’t know their population with any certainty, the “barbarians” migrating into the faltering western Empire who would eventually make up the ruling class of the new kingdoms emerging from its collapse seem fairly clearly to have been minorities in the lands they settled into (with the notable exception, again, of the Angles, Saxons and Jutes – as we’re going to see this pattern again and again, Britain has an unusual and rather more traumatic path through this period than much of the rest of Roman Europe). They were, to a significant degree, as Guy Halsall (op. cit.) notes, melting into a sea of Gallo-Romans, or Italo-Romans, or Ibero-Romans.
Even Bryan Ward-Perkins, one of the most vociferous members of the decline-and-fall camp, in his explosively titled The Fall of Rome and the End of Civilization (2005) – this is a book whose arguments we will come back to in some detail – is forced to concede that “even in Britain the incomers [sic] had not dispossessed everyone” of their land, but rather “the invaders entered the empire in groups that were small enough to leave plenty to share with the locals” (66-7). No vast replacement wave this, instead the new and old ended up side by side. Indeed, Odoacer, seizing control of Italy in 476, we are told, redistributed a third of the land; it’s unclear if this meant the land itself or the tax revenue on it, but in either case clearly the majority of the land remained in the hands of the locals which, by this point in the development of the Roman countryside, will have mostly meant in the hands of the local aristocracy.
Instead, as Ralph Mathisen documents in Roman aristocrats in barbarian Gaul: strategies for survival in an age of transition (1993), most of the old Roman aristocracy seems to have adapted to their changing rulers. As we’ll discuss next week, the vibrant local government of the early Roman empire had already substantially atrophied before the “barbarians” had even arrived, so for local notables who were rich but nevertheless lived below the sort of mega-wealth that could make one a player on the imperial stage, little real voice in government was lost when they traded a distant, unaccountable imperial government for a close-by, unaccountable “barbarian” one. Instead, as Mathisen notes, some of the Gallo-Roman elite retreat into their books and estates, while more are co-opted into the administration of these new breakaway kingdoms, who after all need literate administrators beyond what the “barbarians” can provide. Mathisen notes that in other cases, Gallo-Roman aristocrats with ambitions simply transferred those ambitions from the older imperial hierarchy to the newer ecclesiastical one; we’ll talk more about the church as an institution next week. Distinct in the fifth century, by the end of the sixth century in Gaul, the two aristocracies: the barbarian warrior-aristocracy and the Gallo-Roman civic aristocracy had melded into one, intermarried and sharing the same religion, values and culture.
In this sense there really is a very strong argument to be made that the “Romans” and indeed Roman culture never left Rome’s lost western provinces – the collapse of the political order did not bring with it the collapse of the Roman linguistic or cultural sphere, even if it did fragment it.
Bret Devereaux, “Collections: Rome: Decline and Fall? Part I: Words”, A Collection of Unmitigated Pedantry, 2022-01-14.
May 2, 2024
Rome’s Biggest Construction Projects
toldinstone
Published Jan 26, 2024Chapters:
0:00 Introduction
3:06 Domitian’s Temple of Jupiter
4:45 Aura
5:48 The Forum of Trajan
7:16 Nero’s Golden HouseMy new book, Insane Emperors, Sunken Cities, and Earthquake Machines is now available! Check it out here: https://www.amazon.com/Insane-Emperor…
March 22, 2024
Rome conquered Greece … militarily, anyway
In The Critic, Gavin McCormick reviews Charles Freeman’s new book The Children of Athena: Greek writers and thinkers in the age of Rome, 150BC – 400AD:
“To a wise man,” said the first-century wonderworker Apollonius of Tyana, “everywhere is Greece.” That is to say, Greece is not a mere place, but a special state of mind. For Apollonius, on his extensive travels around the Greco-Roman world, the purported truth of this maxim is seldom open to doubt.
The author of Apollonius’s colourful biography, Philostratus, depicts his hero as not just a philosopher but also an impossibly accomplished champion of culture — a confounder of logic and expectations who could vanish in plain sight, now fascinating Roman emperors and foreign sages, now inspiring whole towns into acts of celebration and renewal. The guiding ideology that drove this hero is a heady mix of philosophy, religion, magic and political insouciance — or, to give it another name, Hellenism.
In the context of the third-century world, where Christianity was an increasingly noteworthy presence in the towns and cities of the Roman empire, pagans such as Philostratus were keen to highlight what their own tradition had to offer.
In fact, he seems almost to present his hero as a pagan rival to Jesus. And, in turn, Apollonius — in his successful renewal of the shrines and local cults of Hellas — seems to hint at what Philostratus would like to see happen in his own contemporary context.
Despite living under Rome, Apollonius (and Philostratus) wants to celebrate an emphatically Greek form of culture. The celebration of Greek culture in the Roman world was, of course, nothing new, and it was something the Romans themselves had long enjoyed.
Alongside their admiration for Greek literature, philosophy, art and architecture, there was the successful movement known as the “Second Sophistic” — whose parade of Greek-speaking intellectuals left a heavy imprint on the public life of the High Roman Empire.
But it is striking nonetheless that the virtues of Hellas — not Rome itself — were what many educated citizens of the empire turned to when they thought of cultural renewal. Indeed his was precisely the route taken later in the fourth century by the last pagan emperor of Rome, himself a champion of all things Greek, Julian the so-called Apostate.
Charles Freeman’s latest book, Children of Athena, is a highly readable tour through the lives and accomplishments of some of the great exponents of Greek culture under Rome. He introduces readers to a bracingly varied and energetic cast of characters — the geographers, doctors, polymaths, botanists, satirists, and orators are just part of the repertoire. In an early chapter, we meet the brilliant Greek historian Polybius, who wrote in the tradition of Herodotus and Thucydides, while training his sights on the rise of Rome in his own time.
February 6, 2024
Greek History and Civilisation, Part 1 – What Makes the Greeks Special?
seangabb
Published Feb 1, 2024This first lecture in the course makes a case for the Greeks as the exceptional people of the Ancient World. They were not saints: they were at least as willing as anyone else to engage in aggressive wars, enslavement, and sometimes human sacrifice. At the same time, working without any strong outside inspiration, they provided at least the foundations for the science, mathematics, philosophy, art and secular literature of later peoples.
(more…)
January 26, 2024
QotD: How an oath worked in pre-modern cultures
That assurance comes from the presumption that the oath will be enforced by the divine third party. The god is called – literally – to witness the oath and to lay down the appropriate curses if the oath is violated. Knowing that horrible divine punishment awaits forswearing, the oath-taker, it is assumed, is less likely to make the oath. Interestingly, in the literature of classical antiquity, it was also fairly common for the gods to prevent the swearing of false oaths – characters would find themselves incapable of pronouncing the words or swearing the oath properly.
And that brings us to a second, crucial point – these are legalistic proceedings, in the sense that getting the details right matters a great deal. The god is going to enforce the oath based on its exact wording (what you said, not what you meant to say!), so the exact wording must be correct. It was very, very common to add that oaths were sworn “without guile or deceit” or some such formulation, precisely to head off this potential trick (this is also, interestingly, true of ancient votives – a Roman or a Greek really could try to bargain with a god, “I’ll give X if you give Y, but only if I get by Z date, in ABC form.” – but that’s vows, and we’re talking oaths).
Thus for instance, runs an oath of homage from the Chronicle of the Death of Charles the Good from 1127:
“I promise on my faith that I will in future be faithful to count William, and will observe my homage to him completely against all persons in good faith and without deceit.”
Not all oaths are made in full, with the entire formal structure, of course. Short forms are made. In Greek, it was common to transform a statement into an oath by adding something like τὸν Δία (by Zeus!). Those sorts of phrases could serve to make a compact oath – e.g. μὰ τὸν Δία! (yes, [I swear] by Zeus!) as an answer to the question is essentially swearing to the answer – grammatically speaking, the verb of swearing is necessary, but left implied. We do the same thing, (“I’ll get up this hill, by God!”). And, I should note, exactly like in English, these forms became standard exclamations, as in Latin comedy, this is often hercule! (by Hercules!), edepol! (by Pollux!) or ecastor! (By Castor! – oddly only used by women). One wonders in these cases if Plautus chooses semi-divine heroes rather than full on gods to lessen the intensity of the exclamation (“shoot!” rather than “shit!” as it were). Aristophanes, writing in Greek, has no such compunction, and uses “by Zeus!” quite a bit, often quite frivolously.
Nevertheless, serious oaths are generally made in full, often in quite specific and formal language. Remember that an oath is essentially a contract, cosigned by a god – when you are dealing with that kind of power, you absolutely want to be sure you have dotted all of the “i”‘s and crossed all of the “t”‘s. Most pre-modern religions are very concerned with what we sometimes call “orthopraxy” (“right practice” – compare orthodoxy, “right doctrine”). Intent doesn’t matter nearly as much as getting the exact form or the ritual precisely correct (for comparison, ancient paganisms tend to care almost exclusively about orthopraxy, whereas medieval Christianity balances concern between orthodoxy and orthopraxy (but with orthodoxy being the more important)).
Bret Devereaux, “Collections: Oaths! How do they Work?”, A Collection of Unmitigated Pedantry, 2019-06-28.
December 11, 2023
Roman glossary
As I continue to post QotD entries drawn from Bret Devereaux’s fascinating historical blog A Collection of Unmitigated Pedantry (with Dr. Devereaux’s kind permission, I hasten to add), the number of specialized terms from the Roman Republic and Empire also expands. As some of these terms pop up in my shorter excerpts without immediate context, I think that a glossary for Rome is called for (similar to the Spartan glossary, as there’s a lot more Roman content coming up, it being Dr. Devereaux’s area of academic specialization) to help explain the terms that I think may need expansion in these excerpts from his longer posts. As usual, most of the information is drawn directly from ACOUP (often from more than one original post) and where I’ve felt the need to interpolate any additional information it will be enclosed in square brackets. Errors and misinterpretations of his original work are purely mine.
October 4, 2023
QotD: The Witchburning and the “Mandate of Heaven”
So they burned witches. The “European Witch Craze” of the 15th century has been a feminist bugbear for a long time, and one must naturally assume that pretty much all modern scholarship on it is uber-politicized hooey1, but it’s clear that there really were a lot of witch burnings in Germany in the 1400s. All that free-floating anxiety has to land somewhere, and since it’s pointless to blame the Margrave — he of the one decrepit castle and three square miles of territory — “witches” are a prime target. See also “the Period of the Wars of Religion” — is it any surprise that the most famous witchcraft stuff came from Germany just before the Reformation, or France in the depths of the religious wars, or England around the Civil War?
Clearly something is wrong with the universe – the Mandate of Heaven has been lost, not by any individual ruler necessarily, but by society. “Purity spirals” are also characteristic of these periods, and they quickly spiral out of control — see e.g. the Anabaptist Commune at Munster, or of course the Puritans.
Speaking of, the most famous-to-Americans example is the Salem Trials, and here we see all the trends converge. Not that the Puritans of Plymouth Bay would be so hubristic as to claim the Mantle of Heaven for themselves — Puritans were nothing if not ostentatiously self-effacing — but claim it they did, in deed if not in word, since Plymouth Bay was the closest thing one will ever get to a theocracy this side of Calvin’s Geneva (they burned their “witches”, too). And they just as clearly lost the Mandate — economic dislocations, a devastating Indian war brought about largely by their own hubristic incompetence, even a plague.
The aftermath of all this is fascinating. COVID, of course, is our new witch panic, and feel free to prognosticate on our current situation based on the life of Cotton Mather. The colony’s hottest young intellectual superstar in 1693, he went all-in on “spectral evidence” and the like, and by 1700 he was a joke on both sides of the Atlantic. So, too, with “critical race theory” and all the rest. There’s a racial awakening happening, kameraden, no doubt about that, but it has nothing to do with the eggheads’ fantasies. Those are just witch panics, and while witch panics are devastating to those caught in them, the wheel always turns sooner than later …
Severian, “Witch Trial Syndrome”, Rotten Chestnuts, 2021-01-27.
1. Which was also true of earlier scholarship, most famously Miss Murray’s The Witch-Cult in Western Europe, which is Marxist economics-level disproven, but still fervently believed by “Wiccans” everywhere.
July 9, 2023
Imperial Rome
In UnHerd, Freddie Sayers talks to historian and podcaster Tom Holland about his latest book, Pax:
To his army of ardent followers, Tom Holland has a unique ability to bring antiquity alive. An award-winning British historian, biographer and broadcaster, his thrilling accounts offer more than a mere snapshot of life in Ancient Greece and Rome. In Pax — the third in his encyclopaedic trilogy of best-sellers narrating the rise of the Roman Empire — Holland establishes how peace was finally achieved during the Golden Age, with a forensic recreation of key lives within the civilisation, from emperors to slaves.
This week, Holland came to the UnHerd club to talk about Roman sex lives, Christian morality, and the rise and fall of empires. Below is an edited transcript of the conversation.
Freddie Sayers: Let’s kick off with the very first year in your book.
Tom Holland: It opens in AD 68, which is the year that Nero committed suicide: a key moment in Roman history, and a very, very obvious crisis point. Nero is the last living descendant of Augustus, and Augustus is a god. To be descended from Augustus is to have his divine blood in your veins. And there is a feeling among the Roman people that this is what qualifies you to rule as a Caesar, to rule as an emperor. And so the question that then hangs over Rome in the wake of Nero’s death is: what do we do now? We no longer have a descendant of the divine Augustus treading this mortal earth of ours. How is Rome, how is its empire, going to cohere?
FS: It seemed to me, when I was reading Pax, that there was a recurring theme: a movement between what’s considered decadence, and then a reassertion of either a more manly, martial atmosphere, or a return to how things used to be — to the good old days. With each new emperor in this amazing narrative, it often feels like there’s that same kind of mood, which is: things have gotten a bit soft. We’re going to return to proper Rome.
TH: It’s absolutely a dynamic that runs throughout this period. And it reflects a moral anxiety on the part of the Romans that has been characteristic of them, really, from the time that they start conquering massively wealthy cities in the East — the cities in Asia Minor or Syria or, most of all, Egypt. There’s this anxiety that this wealth is feminising them, that it’s making them weak, it’s making them soft — even as it is felt that the spectacular array of seafood, the gold, the splendid marble with which Rome can be beautified, is what Romans should have, because they are the rulers of the world.
That incredible tension is heightened by class anxieties. There’s no snob like a senatorial snob. They want to distinguish themselves from the masses. But at the same time, there’s the anxiety that if they do this in too Greek a way, in too effeminate a way, then are they really Romans? And so the whole way through this period, the issue of how you can enjoy your wealth, if you are a wealthy Roman, without seeming “unRoman”, is an endearing tension. And of course, there is no figure in the empire who has to wrestle with that tension more significantly than Caesar himself.
FS: The 100-odd years that you’re covering in this volume is a period of great peace and prosperity and power, and yet at each juncture, it feels like there’s this anxiety. That’s what surprised me as a reader. There’s this sense of the precariousness of the empire — maybe it’s become softer, maybe it’s decadent, or maybe it needs to rediscover how it used to be.
TH: And, you see, this is the significance of AD 69, “the Year of the Four Emperors”, because the question is, are the cycles of civil war expressive of faults? Of a kind of dry rot in the fabric of the Empire that is terminal? Of the anger of the gods? And whether, therefore, the Romans need to find a way to appease the gods so that the whole Empire doesn’t collapse. This is an anxiety that lingers for several decades. It looks to us like this is the heyday of the Empire. They’re building the Colosseum, they’re building great temples everywhere. But they’re worrying: “Have the gods turned against us?”
And of course, there is a very famous incident, 10 years after the Year of the Four Emperors, which is the explosion of Vesuvius. And this is definitely seen as another warning from the gods, because it coincides with a terrible plague in Rome, and it coincides with the incineration (for the second time in a decade) of the most significant temple in Rome — the great temple to Jupiter on the Capitol, the most sacred of the seven hills of Rome.
Romans offer sacrifice to the gods or you pay dues to the gods rather in the way that we take out an insurance policy. And if the gods are busy burying famous towns on the Bay of Naples beneath pyroclastic flows, or sending plagues, or burning down temples, then this, to most, is evidence that the Roman people have not been paying their dues. So a lot of what is going on — certainly in the imperial centre — in this period, is an attempt to try and get the Roman Empire back on a stable moral footing.
June 20, 2023
QotD: When kings and emperors become gods
Divine rulership was not universal however – it was subject to cultural context. In Egypt, the Pharaoh was the Living Horus, a physical incarnation of the divine; when he died he became Osiris, the ruler over the underworld. The mystery of the duality whereby a Pharaoh was both a specific person (and might be a different person in the future) but also the same god each time seems to owe something to the multipart Egyptian conception of the soul. Naram-Sin, an Akkadian King (2254-2218 B.C.) represents himself as divine (shown by his having horns) on his victory stele; future kings of Akkad followed suit in claiming a form of divinity, albeit a lesser one than the big-time great gods.
But in Mesopotamia, the rulers of Akkad were the exception; other Mesopotamian kings (Sumerian, Babylonian, etc) did not claim to be gods – even very great kings (at least while alive – declaring a legendary ruler a god is rather more like a divine founder figure). Hammurabi (king of Babylon, c.1810-c.1750 B.C.) is shown in his royal artwork very much a man – albeit one who receives his mandate to rule from the gods Shamash and Marduk. Crucially, and I want to stress this, the Achaemenid kings of Persia were not considered gods (except inasmuch as some of them also occupied the position of Pharaoh of Egypt; it’s not clear how seriously they took this – less seriously than Alexander and Ptolemy, quite clearly). The assumption that the Persians practiced a divine kingship is mostly a product of Greek misunderstandings of Persian court ritual, magnified in the popular culture by centuries of using the Persian “other” as a mirror and (usually false) contrast for European cultures.
But the practice that my students often find most confusing is that of the Roman emperors. To be clear, Roman emperors were not divinized while they were alive. Augustus had his adoptive father, Julius Caesar divinized (this practice would repeat for future emperors divinizing their predecessors), but not himself; the emperor Vespasian, on his deathbed, famously made fun of this by declaring as a joke, “Alas! I think I’m becoming a god” (Suet. Vesp. 23.4). And yet, at the same time, outside of Rome, even Augustus – the first emperor – received cult and divine honors, either to his person or to his genius (remember, that’s not how smart he is, but the divine spirit that protects him and his family).
I think it is common for us, sitting outside of these systems, to view this sort of two-step dance, “I’m not a god, but you can give me divine honors in the provinces and call me a god, just don’t do it too loudly” as fundamentally cynical – and to some degree it might have been; Augustus was capable of immense cynicism. But I think it is possible to view this relationship outside of that cynicism through the lens of the ideas and rules we’ve laid out.
Bret Devereaux, “Collections: Practical Polytheism, Part IV: Little Gods and Big People”, A Collection of Unmitigated Pedantry, 2019-11-15.
June 8, 2023
QotD: Heroes, demi-gods and gods in the ancient Greek world
These figures – complete with tales of being swept up into divinity while still alive or at the moment of their death – are in some way atypical of hero worship in the Greek world. More typical is a figure like Achilles, who very definitely was mortal and very definitely died and whose spirit is very much in the Underworld in the Odyssey (and neatly contrasted with Heracles – only Heracles’ shade is in the underworld, for his soul was divine; but cf. Pindar on Achilles, Olympia 2.75-85). Our sources (e.g. Plin. Nat. 4.26) continue to speak of Achilles as a man, with a physical tomb. And yet Alexander pays him honors (Arr. Anab. 1.12.1) and we have ample evidence for cult observances of Achilles in the Greek world. it was possible to be a man in life, and yet have enough influence to be worthy of cult in death.
This sounds strange, but its worth noting that some of the most common mortal figures to receive this kind of cult worship were founder figures – people (often legendary or mythical in nature) credited with the foundation of a community. We’ve actually discussed that here before in Lycurgus and Theseus, but as you might imagine, such figures were very common. It is not entirely crazy to assume that these figures have some power to shape your world or life, because they already have – you live in the city they founded! They deeds in life continue to shape the confines of your experience – why wouldn’t that influence, in some way, carry with them?
(And while I’m here, I should note that the American architectural veneration of our founder figures on the National Mall is explicitly framed in terms of Mediterranean cult observance. The Lincoln and Jefferson memorials both borrow their forms from Roman temples and contain super-life-sized cult statues exactly as and where a Roman temple would has the cult statue of the god, while the Washington Monument – as an Egyptian style obelisk – mimics Egyptian practice quite intentionally. We even have our monuments to the di manes [the divine shades of your dead ancestors who watch over you] in our war memorials, framed around collective veneration. A Roman time-traveler would have no problem interpreting the display, and might think the many millions of visitors coming from all corners quite pious in their observance.)
Bret Devereaux, “Collections: Practical Polytheism, Part IV: Little Gods and Big People”, A Collection of Unmitigated Pedantry, 2019-11-15.
May 13, 2023
The original cargo cults
Theophilus Chilton on the origins of the term “cargo cult” and how it mirrors the thinking of so many progressives about “white privilege”:
Ceremonial cross of John Frum cargo cult, Tanna island, New Hebrides (now Vanuatu), 1967.
Photo by Tim Ross via Wikimedia Commons.
Many of us are familiar with the metaphor of the “cargo cult”. The term itself was coined by the famous physicist Richard Feynman (who, ironically, didn’t actually use the term the way he had described it) in a speech he gave about transparency and integrity in science. Briefly, the phenomenon of the cargo cult was observed in the South Pacific during World War II. Pacific Islanders would observe the Americans building runways and control towers, and soon after airplanes full of supplies would land and disgorge their contents of goodies. The islanders would build their own bamboo mockups – runways, towers, even bamboo headsets for the “controllers” – expecting that planes full of food and medicines would come to them as well. Of course, none ever did.
Ultimately, cargo cults rested on a form of magical thinking, on the failure to understand the fundamental reasons for why a phenomenon was taking place. This led to a miscomprehension about how one could obtained the desired benefits. It’s essentially a crude form of philosophical nominalism, where the form and appearance exist without grasping any of the underlying fundamental reality.
This misunderstanding is almost predictable when dealing with a culture that practices some form of primitive polytheism. In most cultures, the ritual — the outward performance of gesture/action/song to petition the gods — must be done exactly the same way as the last time … or the magic doesn’t work. For the islanders whose lives were thrown into utter chaos by the arrival of allied troops on their island, because they could see for themselves that the foreigners’ rituals worked: the food, clothing, trade goods, unfamiliar artifacts just poured on to the island once the ritual airfield was constructed. This is a vastly powerful magic that the islanders would be willing — and were willing — to devote vast efforts to learn for themselves. I quoted Bret Devereaux at length on this point.
In many ways, the current progressive obsession with “white privilege” is essentially the same kind of thinking. For progs and professional PoCs, white “privilege” – access to the benefits of high civilisation obtained through high trust civil society, philosophy, science, technology, and all the rest – is just something that happened, something which white people lucked into without any merit or ability on their part. It could just as easily have happened to anyone else, hence it’s “unfair” that whites get all the benefits of what their ancestors laboured to build.
The cargo cult aspect is essentially what the leftist appropriation of Western history and the invasion of our societies is about – because anyone could have done the West, anyone can keep the West going. White, western Europeans and Anglos aren’t really necessary and since people (like runways and bamboo control towers) seem superficially similar, they can be considered interchangeable so that more pliable replacement populations can be brought in to keep the lights on while yet going along with the globalist program.
The plight of Africa in post-colonial times was discussed here.
May 11, 2023
QotD: Divination
But that distinction is crucial, because what you are actually doing in a ritual involving divination is not asking questions about the future, but asking questions of the gods. Divination is not an exercise in seeing, but in hearing – that is, it is a communication, a conversation, with the divine. […]
Many current religions – especially monotheistic ones – tend to view God or the gods as a fundamentally distant, even alien being, decidedly outside of creation. The common metaphor is one where God is like a painter or an architect who creates a painting or a building, but cannot be in or part of that creation; the painter can paint himself, but cannot himself be in the painting and the architect may walk in the building but she cannot be a wall. Indeed, one of the mysteries – in the theological sense […] – of the Christian faith is how exactly a transcendent God made Himself part of creation, because this ought otherwise be inconceivable.
Polytheistic gods do not work this way. They exist within the world, and are typically created with it (as an aside: this is one point where, to get a sense of the religion, one must break with the philosophers; Plato waxes philosophic about his eternal demiurge, an ultimate creator-god, but no one in Greece actually practiced any kind of religion to the demiurge. Fundamentally, the demiurge, like so much fine Greek writing about the gods, was a philosophical construct rather than a religious reality). As we’ll get to next week, this makes the line between humans and gods a lot more fuzzy in really interesting ways. But for now, I want to focus on this basic idea: that the gods exist within creation and consequently can exist within communities of humans.
(Terminology sidenote: we’ve actually approached this distinction before, when we talked about polytheistic gods being immanent, meaning that they were active in shaping creation in a direct, observable way. In contrast, monotheistic God is often portrayed as transcendent, meaning that He sits fundamentally outside of creation, even if He still shapes it. Now, I don’t want to drive down the rabbit hole of the theological implications of these terms for modern faith (though I should note that while transcendence and immanence are typically presented as being opposed qualities, some gods are both transcendent and immanent; the resolution of an apparent contradiction of this sort in a divine act or being like this is what we call a mystery in the religious sense – “this should be impossible, but it becomes possible because of divine action”). But I do want to note the broad contrast between gods that exist within creation and the more common modern conception of a God whose existence supersedes the universe we know.)
Thus, to the polytheistic practitioner, the gods don’t exist outside of creation, or even outside of the community, but as very powerful – and sometimes inscrutable – members of the community. The exact nature of that membership varies culture to culture (for instance, the Roman view of the gods tends towards temperamental but generally benevolent guardians and partners of the state, whereas the Mesopotamian gods seem to have been more the harsh rulers set above human society; that distinction is reflected in the religious structure: in Rome, the final deciding body on religious matters was the Senate, whereas Mesopotamian cities had established, professional priesthoods). But gods do a lot of the things other powerful members of the community do: they own land (and even enslaved persons) within the community, they have homes in the community (this is how temples are typically imagined, as literal homes-away-from-home for the gods, when they’re not chilling in their normal digs), they may take part in civic or political life in their own unique way. […] some of these gods are even more tightly bound to a specific place within the community – a river, stream, hill, field.
And, like any other full member of the community (however “full membership” is defined by a society), the gods expect to be consulted about important decisions.
Bret Devereaux, “Collections: Practical Polytheism, Part III: Polling the Gods”, A Collection of Unmitigated Pedantry, 2019-11-08.
March 29, 2023
QotD: Sacrifice
There is some concern for the place and directionality of the gods in question. Sacrifices for gods that live above are often burnt so that the smoke wafts up to where the gods are (you see this in Greek and Roman practice, as well in Mesopotamian religion, e.g. in Atrahasis, where the gods “gather like flies” about a sacrifice; it seems worth noting that in Temple Judaism, YHWH (generally thought to dwell “up”) gets burnt offerings too), while sacrifices to gods in the earth (often gods of death) often go down, through things like libations (a sacrifice of liquid poured out).
There is also concern for the right animals and the time of day. Most gods receive ritual during the day, but there are variations – Roman underworld and childbirth deities (oddly connected) seem to have received sacrifices by night. Different animals might be offered, in accordance with what the god preferred, the scale of the request, and the scale of the god. Big gods, like Jupiter, tend to demand prestige, high value animals (Jupiter’s normal sacrifice in Rome was a white ox). The color of the animal would also matter – in Roman practice, while the gods above typically received white colored victims, the gods below (the di inferi but also the di Manes) darkly colored animals. That knowledge we talked about was important in knowing what to sacrifice and how.
Now, why do the gods want these things? That differs, religion to religion. In some polytheistic systems, it is made clear that the gods require sacrifice and might be diminished, or even perish, without it. That seems to have been true of Aztec religion, particularly sacrifices to Quetzalcoatl; it is also suggested for Mesopotamian religion in the Atrahasis where the gods become hungry and diminished when they wipe out most of humans and thus most of the sacrifices taking place. Unlike Mesopotamian gods, who can be killed, Greek and Roman gods are truly immortal – no more capable of dying than I am able to spontaneously become a potted plant – but the implication instead is that they enjoy sacrifices, possibly the taste or even simply the honor it brings them (e.g. Homeric Hymn to Demeter 310-315).
We’ll come back to this idea later, but I want to note it here: the thing being sacrificed becomes sacred. That means it doesn’t belong to people anymore, but to the god themselves. That can impose special rules for handling, depositing and storing, since the item in question doesn’t belong to you anymore – you have to be extra-special-careful with things that belong to a god. But I do want to note the basic idea here: gods can own property, including things and even land – the temple belongs not to the city but to the god, for instance. Interestingly, living things, including people can also belong to a god, but that is a topic for a later post. We’re still working on the basics here.
Bret Devereaux, “Collections: Practical Polytheism, Part II: Practice”, A Collection of Unmitigated Pedantry, 2019-11-01.
