The Great War
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The Treaty of Versailles between the Allies and Germany was only one of the peace treaties that followed the defeat of the Central Powers. The new Austrian republic, one of the countries that emerged from the collapse of the Austro-Hungarian Empire, also tried to get a favorable deal with the Allies in Paris in 1919. Like Versailles, the The Treaty of Saint-Germain caused an outcry across the country.
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Motion Design: Christian Graef – GRAEFX
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2019
September 15, 2019
Worse Than Versailles? – The Treaty of Saint-Germain I THE GREAT WAR 1919
August 23, 2019
QotD: The ego of Salvador Dali
[Dali’s] aberrations are partly explicable. Perhaps they are a way of assuring himself that he is not commonplace. The two qualities that Dali unquestionably possesses are a gift for drawing and an atrocious egoism. “At seven”, he says in the first paragraph of his book, “I wanted to be Napoleon. And my ambition has been growing steadily ever since.” This is worded in a deliberately startling way, but no doubt it is substantially true. Such feelings are common enough. “I knew I was a genius”, somebody once said to me, “long before I knew what I was going to be a genius about.” And suppose that you have nothing in you except your egoism and a dexterity that goes no higher than the elbow; suppose that your real gift is for a detailed, academic, representational style of drawing, your real métier to be an illustrator of scientific textbooks. How then do you become Napoleon?
There is always one escape: into wickedness. Always do the thing that will shock and wound people. At five, throw a little boy off a bridge, strike an old doctor across the face with a whip and break his spectacles — or, at any rate, dream about doing such things. Twenty years later, gouge the eyes out of dead donkeys with a pair of scissors. Along those lines you can always feel yourself original. And after all, it pays! It is much less dangerous than crime. Making all allowance for the probable suppressions in Dali’s autobiography, it is clear that he had not had to suffer for his eccentricities as he would have done in an earlier age. He grew up into the corrupt world of the nineteen-twenties, when sophistication was immensely widespread and every European capital swarmed with aristocrats and rentiers who had given up sport and politics and taken to patronising the arts. If you threw dead donkeys at people, they threw money back. A phobia for grasshoppers — which a few decades back would merely have provoked a snigger — was now an interesting “complex” which could be profitably exploited. And when that particular world collapsed before the German Army, America was waiting. You could even top it all up with religious conversion, moving at one hop and without a shadow of repentance from the fashionable salons of Paris to Abraham’s bosom.
That, perhaps is the essential outline of Dali’s history. But why his aberrations should be the particular ones they were, and why it should be so easy to “sell” such horrors as rotting corpses to a sophisticated public — those are questions for the psychologist and the sociological critic. Marxist criticism has a short way with such phenomena as Surrealism. They are “bourgeois decadence” (much play is made with the phrases “corpse poisons” and “decaying rentiers class”), and that is that. But though this probably states a fact, it does not establish a connection. One would still like to know why Dali’s leaning was towards necrophilia (and not, say, homosexuality), and why the rentiers and the aristocrats would buy his pictures instead of hunting and making love like their grandfathers. Mere moral disapproval does not get one any further. But neither ought one to pretend, in the name of “detachment”, that such pictures as Mannequin rotting in a taxicab are morally neutral. They are diseased and disgusting, and any investigation ought to start out from that fact.
George Orwell, “Benefit of Clergy: Some Notes on Salvador Dali”, Saturday Book for 1944, 1944.
August 9, 2019
QotD: Early milestones in aviation
… on June 15th 1919 Captain John Alcock and Lieutenant Arthur Brown landed their Vickers Vimy airplane in a bog near Connemara, County Galway and thereby completed the first successful transatlantic flight: They had set off from St John’s, Newfoundland about fourteen hours earlier. What with having to get to the airport three hours early to shuffle through Homeland Security, we haven’t as a practical matter improved much on flight time over the last hundred years. It was also the first transatlantic air mail delivery, as, shortly before takeoff, the Royal Mail decided to give Alcock and Brown a couple of sacks of post for Britain.
A couple of weeks later, on July 6th 1919 the first east-west transatlantic flight landed at Mineola on Long Island. The RAF airship R34 had left East Fortune in Scotland four days earlier, having been hastily converted to hold passengers, and with a plate welded to an engine exhaust pipe to enable it to cook and serve hot food, which is more trouble than most airlines would go to today. A tabby kitten called Wopsie who served as the crew’s mascot stowed away on the flight, and because nobody at the Long Island end knew anything about landing large airships Major E M Pritchard parachuted out a little early, and became the first man to land on North American soil by air from Europe.
These briefly famous men did not get to savor their celebrity for long: Major Pritchard died in 1921 when the R38 airship exploded over the Humber estuary; his body was never found. Captain Alcock, just six months after his triumph and being knighted by George V, died at Rouen in Normandy in December 1919 when his new Vickers Viking crashed en route to the Paris air show.
Mark Steyn, “Come, Josephine, in My Flying Machine”, SteynOnline, 2019-07-07.
August 2, 2019
Polish-Ukrainian War 1919 – The Battle for Lemberg I The Great War July 1919
The Great War
Published on 1 Aug 2019Lviv or Lwów are two names for the same city that was known as Lemberg until 1919. The Poles considered it as one of their most important cultural and political centers, the Ukrainians too. And so, in the aftermath of the dissolution of the Austro-Hungarian Empire, the question of who would control this city led to conflict: The Polish-Ukrainian War.
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Merchandise: https://shop.spreadshirt.de/thegreatwar/» SOURCES
Smele, Jonathan. The “Russian” Civil Wars 1916-1926 (London: Hurst, 2015).Mawdsley, Evan. The Russian Civil War (New York: Pegasus Books, 2005).
Leonhard, Jörn. Der überforderte Frieden. Versailles und die Welt 1918-1923 (CH Beck, 2018).
Macmillan, Margaret. The Peacemakers: Six Months That Changed the World (London: John Murray, 2001)
Dudko, Oksana: “Polish-Ukrainian Conflict over Eastern Galicia”, in: 1914-1918-online. International Encyclopedia of the First World War, ed. by Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson, issued by Freie Universität Berlin, Berlin 2014-10-08 https://encyclopedia.1914-1918-online…
Kutschabsky, W. Die Westukraine im Kampfe mit Polen und dem Bolschewismus in den Jahren 1918–1923 (Berlin, 1934)
Davies, Norman. White Eagle Red Star (Random House, 2003 (1972))
Sharp, Alan. The Versailles Settlement. Peacemaking and the First World War, 1919-1923 (Basingstoke: Palgrave Macmillan, 2008)
Judson, Pieter. The Habsburg Empire: A New History (Belknap Press, 2016)
Böhler, Jochen. Civil War in Central Europe, 1918-1921 (Oxford University Press, 2019)
Timothy Snyder. The Reconstruction of Nations. (New Haven: Yale University Press, 2003)
»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Motion Design: Christian Graef – GRAEFX
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2019
July 9, 2019
Plan Red: Britain and America’s Planned Wars on Each Other
Historigraph
Published on 27 Jan 2019If you enjoyed this video and want to see more made, consider supporting my efforts on Patreon: https://www.patreon.com/historigraph
Check out my other videos here: https://www.youtube.com/playlist?list…
#WarPlanRed #Historigraph
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►Discord: https://discord.gg/f8JZw93
►My Gaming Channel: https://www.youtube.com/c/Addaway
►My Twitch: https://www.twitch.tv/addawaySources:
Christopher M. Bell, “Thinking the Unthinkable: British and American Naval Strategies for an Anglo-American War, 1918-1931”, The International History Review, Vol. 19, No. 4 (Nov. 1997).
Kevin Lippert, War Plan Red: The United States’ Plan to Invade Canada and Canada’s Secret Plan to Invade The United States (New York: Princeton Architectural Press, 2015)
Stephen Roskill, Churchill and the Admirals
Ben Wilson, Empire of the Deep: The Rise and Fall of the British Navy
July 2, 2019
QotD: Italy and the Nazi Final Solution
Surprisingly given the bad associations I have with the word “fascist”, Mussolini’s Italy may win third prize in the Righteous Among The Nations stakes. [Hannah] Arendt describes it [in Eichmann in Jerusalem] as “sabotaging” the Final Solution within its borders despite nominal alliance with Germany:
Colorized portrait of Italian Fascist leader Benito Mussolini in 1940.
Colorization by Roger Viollet via Wikimedia Commons.
The gentlemen of the Foreign Office could not do much about it, because they always met the same subtly veiled resistance, the same promises and the same failures to fulfill them. The sabotage was all the more infuriating as it was carried out openly, in an almost mocking manner. The promises were given by Mussolini himself or other high-ranking officials, and if the generals simply failed to fulfill them, Mussolini would make excuses for them on the ground of their “different intellectual formation”. Only occasionally would the Nazis be met with a flat refusal, as when General Roatta declared that it was “incompatible with the honor of the Italian Army” to deliver the Jews from Italian-occupied territory in Yugoslavia to the appropriate German authorities.
An element of farce had never been lacking even in Italy’s most serious efforts to adjust to its powerful friend and ally. When Mussolini, under German pressure, introduced anti-Jewish legislation in the late thirties he stipulated the usual exemptions – war veterans, Jews with high decorations, and the like – but he added one more category, namely, former members of the Fascist Party, together with their parents and grandparents, their wives and children and grandchildren. I know of no statistics relating to this matter, but the result must have been that the great majority of Italian Jews were exempted. There can hardly have been a Jewish family without at least one member in the Fascist Party, for this happened at a time when Jews, like other Italians, had been flocking for almost twenty years into the Fascist movement, since positions in the Civil Service were open only to members. And the few Jews who had objected to Fascism on principle, Socialists and Communists chiefly, were no longer in the country. Even convinced Italian anti-Semites seemed unable to take the thing seriously, and Roberto Farinacci, head of the Italian anti-Semitic movement, had a Jewish secretary in his employ…
What in Denmark was the result of an authentically political sense, an inbred comprehension of the requirements and responsibilities of citizenship and independence – “for the Danes … the Jewish question was a political and not a humanitarian question” (Leni Yahil) – was in Italy the outcome of the almost automatic general humanity of an old and civilized people.
Scott Alexander, “Book review: Eichmann in Jerusalem”, Slate Star Codex, 2017-01-30.
June 21, 2019
“Rise of Evil” – Adolf Hitler and the Nazi Party – Sabaton History 020 [Official]
Sabaton History
Published on 20 Jun 2019After the Great War, many different movements and parties tried to replace the by many despised Weimar Republic. One of them was the NSDAP, the National Socialist German Workers Party. Headed by Adolf Hitler, the NSDAP transformed Germany into a country that would once again bring war and destruction to Europe. The Sabaton Song “Rise of Evil” (on the Attero Dominatus album) is about Hitlers rise to power, and in this video we dive into the historical context behind the song.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Watch more videos on the Sabaton YouTube channel: https://www.youtube.com/user/Sabaton?…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Graphic: Liambaker98
– Jüdisches Museum Berlin
– United States Holocaust Memorial Museum
– Colorization of Goebbels: Marina AmaralAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
1 day ago (edited)
In hindsight, we can clearly see the path to power and war that Germany and many of its people chose to walk in the 1930s. In practice, history is never as deterministic as it later seems. Nothing what happened was “meant” to happen. With that in mind, let us walk you through the process of the Nazi rise to power. From a revolutionary movement in the ’20s to a political party in a democratic system.We encourage debate and discussion about this in the comment section. However, we don’t allow for any extreme, racist, anti-semitic, revisionist or apologist theories down here. These comments will be moderated by historians and, while keeping your freedom of speech in mind, we will enforce our rules with a ban if necessary. Please keep it civil.
Thats it for today!
Cheers!
June 3, 2019
May 18, 2019
The Maginot Line – WW2 on Location – France 1940 – 01
World War Two
Published on 16 May 2019The Maginot Line was not the failure many think — in fact it was quite a remarkable feat — find out more in this video.
Guest Experts in order of appearance:
Mark Halter – Fortress Schoenenbourg http://www.lignemaginot.com/accueil/i…
Richard Tucker – Maginot Line Tours http://maginotlinetours.co.uk or https://www.tripadvisor.nl/Attraction…
Roland Müller – L’Abri de Hatten http://www.abrihatten.fr/index-en.htmlJoin us on Patreon: https://www.patreon.com/TimeGhostHistory
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Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written and Directed by: Spartacus Olsson
Produced by: Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Research by: Spartacus Olsson
Edited by: Wieke KapteijnsEastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
In April, with the help of many of you fantastic people we went to France to visit some of the sites of the German invasion in 1940. This is the first of a series of specials that we recorded there. More will follow in May and June as the war in France proceeds. On Saturday we will come out with a double length episode about the German breakthrough in the West — we are exceedingly proud of that episode and we hope that you will enjoy it as much as we do. This video gives you some great background to that event. For us it was a revelation to visit the sites and talk to the experts you will meet in the video. Mark Halter of the amazingly well preserved Schoenenburg Fortress, Richard Tucker who gives fantastic tours around the Sedan area, and Roland Müller who has worked for decades to keep alive the memory of the men who served on the front. If you happen to be in the Alsace or Ardennes area, you need to go visit these places. Most of the Maginot museums are private initiatives that depend on their visitor income and financial contributions to continue existing — links are in the description.
May 15, 2019
Mussolini and D’Annunzio On The Rise – Allies in Crisis Over Italy I THE GREAT WAR April 1919
The Great War
Published on 14 May 2019» SUPPORT THE CHANNEL
Patreon: https://www.patreon.com/thegreatwar
Merchandise: https://shop.spreadshirt.de/thegreatwar/Italy joined World War 1 in 1915 after it had been promised territorial gains in the Treaty of London. Now that the Central Powers had been defeated, the Italian government and the Italians themselves expected that their contribution would be honored at the Paris Peace Conference. But France, Great Britain and the US had other plans and so the Italian government was caught between the new realities at Paris and the nationalists at home.
» SOURCES
Gerwarth, Robert. The Vanquished. Why the First World War Failed to End, 1917-1923 (Penguin, 2017).Leonhard, Jörn. Der überforderte Frieden. Versailles und die Welt 1918-1923 (CH Beck, 2018)
Macmillan, Margaret. The Peacemakers: Six Months that Changed the World (London: John Murray, 2001).
Report: Disorders Inquiry Committee 1919-1920 (Calcutta: Superintendent of Government Printing, India: 1920)
Sullivan, “Vittoria Mutilata” in 1914-1918 online. International Encyclopedia of the First World War https://encyclopedia.1914-1918-online…
Thompson, Mark. The White War: Life and Death on the Italian Front 1915-1919 (London: Faber, 2008).
» SOCIAL MEDIA
Twitter: https://twitter.com/WW1_Series
Reddit: https://reddit.com/r/TheGreatWarChannel»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Motion Design: Christian Graef – GRAEFX
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2019
May 2, 2019
The French Char B Tank – WORLD WAR TWO Special
World War Two
Published on 30 Apr 2019After the Great War was over, the French reconsidered their army’s function and the role that tanks would play in future warfare. On the brink of World War Two, the Char B tank is deeply embedded in the structure of the French armoured defences. David Willey from the Tank Museum in Bovington (UK) tells how French politics influenced how the Char B will be used if the Germans attack. To learn more about the technical details of the Char B, check out the Tank Chat that David Fletcher from the Tank Museum has done about the Char B-1 Bis: https://www.youtube.com/watch?v=tz8L1…
Check out the Tank Museum YouTube Channel right here: https://www.youtube.com/user/TheTankM…
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: David Willey and Indy Neidell
Produced and Directed by: Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post Production Director: Wieke Kapteijns
Research by: David Willey
Edited by: Wieke KapteijnsArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
44 minutes ago (edited)
David Willey from the Tank Museum in Bovington (UK) explains brilliantly what impact French politics in the 1920s and 1930s had on the development and use of French tanks leading up to World War Two. On their own channel, the Tank Museums own David Flecher dives into the technical ins and outs of the Char B-1 tank. You can find that right here: https://www.youtube.com/watch?v=tz8L1FU74Rs Make sure to subscribe to their YouTube channel too, as it perfectly compliments the content that we show here. Cheers!
May 1, 2019
Bavarian Soviet Republic – 1919 Economy and Reconstruction I BEYOND THE GREAT WAR
The Great War
Published on 30 Apr 2019» SUPPORT THE CHANNEL
Patreon: https://www.patreon.com/thegreatwar
Merchandise: https://shop.spreadshirt.de/thegreatwar/Jesse Alexander takes a look at the short lived but historically important Bavarian Soviet Republic that existed for 3 weeks in April 1919. He also takes a look at the post armistice economy and reconstruction in the west.
» SOURCES
Deperchin, Annie. “Des destructions aux reconstructions,” in Stéphane Audoin-Rouzeau and Jean-Jacques Becker, eds. Encyclopédie de la Grande guerre 1914-1918 (Paris : Bayard, 2013): 1063-1074.Gerwarth, Robert. The Vanquished. Why the First World War Failed to End, 1917-1923 (Penguin, 2017).
Jones, Mark. Am Anfang war Gewalt. Die Deutsche Revolution 1918/19 und der Beginn der Weimarer Republik (Berlin: Propyläen, 2017). English edition: Founding Weimar. Violence and the German Revolution of 1918-19 (Cambridge University Press, 2016).
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Motion Design: Christian Graef – GRAEFX
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian Wittig
Channel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2019
From the comments:
The Great War
28 minutes ago
As a small production announcement: This was the last episode in the classical format where we answer questions directly. From May onward, every video we publish every other week will have one main topic: an important event from exactly 100 years ago. This will make it much easier to follow the channel and it will be more in line with our mission statement to cover the war in real time 100 years later. Of course, you can still ask questions. We will answer some of the directly in our Patreon podcast and we will use them as inspiration for our episodes. As an example: A lot of fans asked if we will cover the American “Polar Bear Expedition” and so that will be exactly what we will cover in our episode in late May. On top of that, we will do a small “time jump” and starting with our episode in June we will have a synchronized timeline again meaning: The episodes coming out in June 2019 will cover June 1919 and so forth.
April 16, 2019
World War 2 British Armour Doctrine & Tactics with David Willey of the Tank Museum at Bovington
Military History Visualized
Published on 8 Dec 2017David Willey the Curator of the Tank Museum at Bovington explains British Interwar and World War 2 Armour Doctrine and Tactics. Especially, about the Infantry and Cruiser tank “concept”. Additionally, we talk a bit about the 2nd Battle of El Alamein, Montgomery and Rommel.
April 15, 2019
The Lenin Boys Go To War – Hungarian Soviet Republic I THE GREAT WAR 1919
The Great War
Published on 14 Apr 2019Like many European countries, Hungary experienced rapid political changes in the aftermath of the 1918 armistices. The Kingdom of Hungary used to rule big parts of South Eastern Europe and many peoples within its former boundaries are now gaining independence and expand their territory. The new Hungarian Republic is faced by external and internal pressures and after a coup becomes the Hungarian Soviet Republic, the 2nd Soviet State in Europe.
» SUPPORT THE CHANNEL
Patreon: https://www.patreon.com/thegreatwar
Merchandise: https://shop.spreadshirt.de/thegreatwar/» SOURCES
Böhler, Jochen. “Post War Military Action and Violence (East Central Europe,” in 1914-1918 online. International Encyclopedia of the First World War. https://encyclopedia.1914-1918-online…Borsanyi, György. The Life of a Communist Revolutionary, Bela Kun (New York: Columbia University Press, 1993).
Freud, Sigmund and Sándor Ferenczi. The Correspondence of Sigmund Freud and Sándor Ferenczi, Volume 2: 1914-1919. Eva Brabant, Ernst Falzeder, Patrizia Giampieri-Deutsch, eds. (Boston: Harvard University Press, 1993).
Gerwarth, Robert. The Vanquished. Why the First World War Failed to End, 1917-1923 (Penguin, 2017).
Gilley, Christopher. “Peasant Uprisings/Tambovshchina” in 1914-1918 online. International Encyclopedia of the First World War: https://encyclopedia.1914-1918-online…
Leidinger, Hannes. “Revolutions (Austria Hungary),” in 1914-1918 online. International Encyclopedia of the First World War https://encyclopedia.1914-1918-online…
Leonhard, Jörn. Der überforderte Frieden. Versailles und die Welt 1918-1923 (CH Beck, 2018).
Mawdsley, Evan. The Russian Civil War (New York: Pegasus Books, 2005).
Molnar, Miklos. From Bela Kun to Janos Kadar: 70 years of Hungarian Communism (New York: Berg, 1990).
Pastor, Peter. Hungary Between Wilson and Lenin (New York: Columbia University Press, 1976).
Pastor, Peter, ed. Revolutions and Interventions in Hungary and its Neighbor States, 1918-1919 (New York: Columbia University Press, 1988).
Vörös, Boldiszar. “Bela Kun,” in 1914-1918 online. International Encyclopedia of the First World War https://encyclopedia.1914-1918-online…
» SOCIAL MEDIA
Twitter: https://twitter.com/WW1_Series
Reddit: https://reddit.com/r/TheGreatWarChannel»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Motion Design: Christian Graef – GRAEFX
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian Wittig
Channel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel
Contains licenced material by getty images
All rights reserved – Real Time History GmbH 2019









