In another of a series of book reviews by Astral Codex Ten readers, Scott Alexander posted this review of Double Fold by Nicholson Baker, which helps to indicate just when libraries — and librarians — lost their mojo:
“Nottingham central library” by JuliaC2006 is licensed under CC BY 2.0
If you enter a major research library in the US today and request to see a century-old issue of a major American newspaper, such as Chicago Tribune, The Wall Street Journal, or major-but-defunct newspapers such as the New York “World”, odds are that you will be directed to a computer or a microfilm reader. There, you’ll get to see black-and-white images of the desired issue, with individual numbers of the newspaper often missing and much of the text, let alone pictures, barely decipherable.
The libraries in question mostly once had bound issues of these newspapers, but between the 1950s and the 1990s, one after another, they ditched the originals in favor of expensive microfilmed copies of inferior quality. They continued doing this even while the originals became perilously rare; the newspapers themselves were mostly trashed, or occasionally sold to dealers who cut them up and dispersed them. As a consequence, many of these publications are now rarer than the Gutenberg Bible, and some 19th and 20th century newspapers have ceased to exist in a physical copy anywhere in the world.
When Double Fold by Nicholson Baker came out in 2001, it was described as The Jungle of the American library system. After 20 years, the book remains universally known, sometimes admired but often despised, among librarians. The reason for their belligerence is that Baker publicly revealed a decades-long policy of destruction of primary materials from the 19th and 20th centuries, based on a pseudoscientific notion that books on wood-pulp paper are quickly turning to dust, coupled with a misguided futuristic desire to do away with outdated paper-based media. As a consequence, perfectly well preserved books with centuries of life still ahead of them were hastily replaced with an inferior medium which has, at the moment that I am writing this review, already mostly gone the way of the dodo. Despite its notoriety among librarians, however, Double Fold is little-known among the general public, even compared to Baker’s other non-fiction and his novels.
This is a shame, since the mass destruction of books and newspapers by libraries in the post-war era deserves to be better known as one of the most egregious failures of High Modernism, comparable with the wackiest plans of Le Corbusier. The story combines an excessive reliance on simplistic mathematical models, wilful ignorance to the desires of actual library-users and scholars, embracement of miniaturization and modernization as terminal values, and an almost complete disregard of 19th century books as historical artefacts. Unlike industrial farms, which can be broken up, and Brasília-style skyscrapers, which can be torn down and replaced with something else, the losses caused by the mass deaccessioning of books and newspapers from libraries were often irreplaceable.
As part of the uproar that followed the book’s publication, the Association of Research Libraries published an online anti-Baker FAQ, and in 2002, the book Vandals in the Stacks? by Richard J. Cox came out, presenting an attempted refutation of Baker’s theses. I have read both of these and discuss Cox’s arguments later on, but I must admit in advance that I was mostly convinced by Baker’s argumentation much more than by that of his opponents. Nonetheless, it is uncommon to have a polemical book receive a book-length response, and anyone interested in Baker’s thesis is advised to check out Cox as well.
