Last time, we sought to assess some of the assumed weaknesses of the Hellenistic phalanx in facing rough terrain and horse archer-centered armies and concluded, fundamentally, that the Hellenistic military system was one that fundamentally worked in a wide variety of environments and against a wide range of opponents.
This week, we’re going to look at Rome’s first experience of that military system, delivered at the hands of Pyrrhus, King of Epirus (r. 297-272). The Pyrrhic Wars (280-275) are always a sticking point in these discussions, because they fit so incongruously with the rest. From 214 to 148, Rome will fight four “Macedonian Wars” and one “Syrian War” and utterly demolish every major Hellenistic army it encounters, winning every single major pitched battle and most of them profoundly lopsidedly. Yet Pyrrhus, fighting the Romans some 65 years earlier manages to defeat Roman armies twice and fight a third to a messy draw, a remarkably better battle record than any other Hellenistic monarch will come anywhere close to achieving. At the same time, Pyrrhus, quite famously, fails to get anywhere with his victories, taking losses he can ill-afford each time (thus the notion of a “Pyrrhic victory”), while the Roman armies he fights are never entirely destroyed either.
So we’re going to take a more in-depth look at the Pyrrhic Wars, going year-by-year through the campaigns and the three major battles at Heraclea (280), Ausculum (279) and Beneventum (275) and try to see both how Pyrrhus gets a much better result than effectively everyone else with a Hellenistic army and also why it isn’t enough to actually defeat the Romans (or the Carthaginians, who he also fights). As I noted last time, I am going to lean a bit in this reconstruction on P.A. Kent, A History of the Pyrrhic War (2020), which does an admirable job of untangling our deeply tangled and honestly quite rubbish sources for this important conflict.
Believe it or not, we are actually going to believe Plutarch in a fair bit of this. So, you know, brace yourself for that.
Now, Pyrrhus’ campaigns wouldn’t have been possible, as we’ll note, without financial support from Ptolemy II Philadelphus, Antigonus II Gonatus and Ptolemy Keraunos. So, as always, if you want to help me raise an Epirote army to invade Italy (NATO really complicates this plan, as compared to the third century, I’ll admit), you can support this project on Patreon.
Bret Devereaux, “Collections: Phalanx’s Twilight, Legion’s Triumph, Part IIIb: Pyrrhus”, A Collection of Unmitigated Pedantry, 2024-03-08.
September 29, 2024
QotD: Pyrrhus, King of Epirus
September 23, 2024
QotD: On Roman Values
I wanted to use this week’s fireside to muse a bit on a topic I think I may give a fuller treatment to later this year, which is the disconnect between what it seems many “radical traditionalists” imagine traditional Roman values to be and actual Roman cultural values.
Now, of course it isn’t surprising to see Roman exemplars mobilized in support of this or that value system, as people have been doing that since the Romans. But I think the disconnect between how the Romans actually thought and the way they are imagined to have thought by some of their boosters is revealing, both of the roman worldview and often the intellectual and moral poverty of their would-be-imitators.
In particular, the Romans are sometimes adduced by the “RETVRN” traditionalist crowd as fundamentally masculine, “manly men” – “high testosterone” fellows for whom “manliness” was the chief virtue. Romans (and Greeks) are supposed to be super-buff, great big fellows who most of all value strength. One fellow on Twitter even insisted that the chief Roman value was VIRILITAS, which was quite funny, because virilitas (“manhood, manliness”) is an uncommon word in Latin, but when it appears it is mostly as a polite euphemism for “penis”. Simply put, this vision bears little relation to actual Roman values. Roman encomia or laudationes (speeches in praise of something or someone) don’t usually highlight physical strength, “high testosterone” (a concept the Romans, of course, did not have) or even general “manliness”. Roman statues of emperors and politicians may show them as reasonably fit, but they are not ultra-ripped body-builders or Hollywood heart-throbs.
Bret Devereaux, “Fireside Friday, March 29, 2024 (On Roman Values)”, A Collection of Unmitigated Pedantry, 2024-03-29.
September 17, 2024
QotD: “Megacorporations” in history and fiction
I think it is worth stressing here, even in our age of massive mergers and (at least, before the pandemic) huge corporate profits, just how vast the gap in resources is between large states and the largest companies. The largest company by raw revenue in the world is Walmart; its gross revenue (before expenses) is around $525bn. Which sounds like a lot! Except that the tax revenue of its parent country, the United States, was $3.46 trillion (in 2019). Moreover, companies have to go through all sorts of expenses to generate that revenue (states, of course, have to go about collecting taxes, but that’s far cheaper; the IRS’s operating budget is $11.3bn, generating a staggering 300-fold return on investment); Walmart’s net income after the expenses of making that money is “only” $14.88bn. If Walmart focused every last penny of those returns into building a private army then after a few years of build-up, it might be able to retain a military force roughly on par with … the Netherlands ($12.1bn); the military behemoth that is Canada ($22.2bn US) would still be solidly out of reach. And that’s the largest company in the world!
And that data point brings us to our last point – and the one I think is most relevantly applicable for speculative fiction megacorporations – historical megacorporations (by which I mean “true” megacorps that took on major state functions over considerable territory, which is almost always what is meant in speculative fiction) are products of imperialism, produced by imperial states with limited state capacity “outsourcing” key functions of imperial rule to private entities. And that explains why it seems that, historically, megacorporations don’t dominate the states that spawn them: they are almost always products and administrative arms of those states and thus still strongly subordinate to them.
I think that incorporating that historical reality might actually create storytelling opportunities if authors are willing to break out of the (I think quite less plausible) paradigm of megacorporations dominating the largest and most powerful communities that appear so often in science fiction. What if, instead of a corporate-dominated Earth (or even a corp-dominated Near-Future USA), you set a story in a near-future developing country which finds itself under the heel of a megacorporation that is essentially an arm of a foreign government, much like the EIC and VOC? Of course that would mean leavening the anti-capitalist message implicit in the dystopian megacorporation with an equally skeptical take about the utility of state power (it has always struck me that while speculative fiction has spent decades warning about the dangers of capitalist-corporate-power, the destructive potential of state power continues to utterly dwarf the damage companies do. Which is not to say that corporations do no damage of course, only that they have orders of magnitude less capability – and proven track record – to do damage compared to strong states).
(And as an aside, I know you can make an argument that Cyberpunk 2077 does actually adopt this megacorporation-as-colonialism framing, but that’s simply not how the characters in the game world think about or describe Arasoka – the biggest megacorp – which, in any event, appears to have effectively absorbed its home-state anyway. Arasoka isn’t an agent of the Japanese government, it is rather a global state in its own right and according to the lore has effectively controlled its home government for almost a century by the time of the game.)
In any event, it seems worth noting that the megacorporation is not some strange entity that might emerge in the far future with some sort of odd and unpredictable structure, but instead is a historical model of imperial governance that has existed in the past and (one may quibble here with definitions) continues to exist in the present. And, frankly, the historical version of this unusual institution is both quite different from the dystopian warnings of speculative fiction, but also – I think – rather more interesting.
Bret Devereaux, “Fireside Friday: January 1, 2021”, A Collection of Unmitigated Pedantry, 2021-01-01.
September 11, 2024
QotD: The preposterous tactics of George R.R. Martin’s Dothraki nomads
We do not see the Dothraki engage in large-scale warfare in the books; we see the aftermath of such fighting (AGoT, 555ff) or it occurs “off-screen” (ASoS, 487), but we do not see it. The closest we get is Jorah’s description of them, that they are “utterly fearless … [they] fire from horseback, charging or retreating, it makes no matter, they are full as deadly … and there are so many of them” AGoT, 325-6). Evidently they also scream on the attack, since their warriors are repeatedly called “screamers”.
As a description, it is hard for this to be very much wrong because it is so very vague, but the attentive reader will note that Jorah’s assertion that there are “so many” must be wrong for either Eurasian Steppe Nomads or Great Plains Native Americans, both of whom were routinely outnumbered by settled enemies, often dramatically so. Let’s put a pin in that, though, because of course while Martin gives only vague description of Dothraki warfare, the show, Game of Thrones, shows it to us on screen quite vividly.
We see a bit of Dothraki warfare in S6E9 when Daenerys’ Dothraki charge down the Sons of the Harpy at Mereen, but the really sustained look at how they fight has to wait for S7E4 and the Loot Train Battle and S8E3 and the Battle of Winterfell, both of which, happily, we have already discussed! In all three cases, the Dothraki do exactly the same thing. They charge, in a pell-mell rush, while giving high-pitched war-calls. While some of the Dothraki may fire arrows on the approach (they have them stand up to do this, which is not how actual Mongols or Native Americans fired from horseback; it looks cool and is stupid, like most of Game of Thrones season 7 and 8), they otherwise charge directly into contact and begin fighting from horseback with their arakhs as the primary weapon.
This is not how horse-borne nomads fought.
As we’ve discussed repeatedly before, the key weapon for Steppe nomads was the bow, shot from horseback at high speed (on this, note May, “The Training of an Inner Asian Nomad Army” JMH 70 (2006) and Mongol Art of War (2007)). Thus the crucial maneuver was the caracole, where the rider approaches the target at high speed, firing arrows as he goes, before making an abrupt turn (it is actually the turn that is technically called a caracole, but the whole tactic goes by this name) and retreating, before trying again. Pulling this tactic off en masse required a great deal of both individual skill at horsemanship and archery, but also quite a lot of group cohesion and coordination, since a collision of horses at speed is very likely to be fatal for everyone – humans and horses – involved.
This tactic can then be repeated – charge and retreat, charge and retreat – until the psychological toll on the defender becomes too great and they either break and retreat or else charge out to try to catch “retreating” nomads. In either case, it was at that moment when the Steppe nomads could press home and destroy the disorganized enemy. These tactics were brutally effective, but they were also a necessary casualty control measure. Shock combat – that is massed melee combat in close quarters – is simply far too lethal for low-population nomadic societies to sustain in the long-term on the regular (a hoplite battle might result normally in c. 10% casualties for instance (but note this discussion of that figure) – think of what that would mean in a society where 100% of adult males participate in each battle – you’d run out of men pretty quickly!).
And fascinatingly, we can actually see that calculus play out in North America, where the arrival of firearms, which suddenly make pitched “missile exchange” battles (especially on foot) as lethal as shock combat (it seems notable that the introduction of musketry into Old World warfare did not come with a significant increase or decrease in battlefield lethality, at least until the rifled musket – on that, see B. Gibbs, The Destroying Angel (2019), but also note E.J. Hess, The Rifle Musket in Civil War Combat: Reality and Myth (2008)), the pitched battle vanishes. It was simply too lethal to be a viable option in the long term for societies with low population density and very high military participation rates.
Instead, the raid came to dominate warfare on the Great Plains, with mass-casualty events generally being restricted to situations where a raiding party caught an enemy group unawares (McGinnis, op. cit., 45-6, 57-9). To be clear, that’s not to say the Great Plains Native Americans were peaceful, after all the goal of all of this raiding was to cause one of those rare mass-casualty surprise attacks and – as McGinnis notes again and again, warfare was part of the Plains Native American way of life, as the social status of males was directly and powerfully tied to success in war.
In short, the need to keep lethality relatively low is one of the most important factors which shaped nomadic horse-borne warfare, both on the Steppe and on the Great Plains. And here is where I think that even Martin’s description – which could, if read with friendly eyes, be taken as a description of the Steppe caracole described above – falls short: the Dothraki are dangerous because they are so many. But actual nomadic warfare was fundamentally conditioned by the shortage of men created by the low population density of the Steppe or the Great Plains. This weakness could be somewhat made up for by making every male into a warrior, but only if casualty rates remained low. A war of attrition with settled peoples would wear the nomads out quickly, which is why such attritional warfare was avoided (unless you are the Mongols, who use the sedentary armies of conquered states, notably using the armies of Northern China to conquer Southern China; that said, Drogo is clearly not Chinggis Khan or any such sort of Khal-of-Khals)
So where does this model of warfare come from? Well, when it comes to the show, we needn’t actually look far, because the creators tell us. The director of the episode, Matt Shakman, noted in an interview that his primary reference for the Dothraki charge was John Ford’s Apache attack in his 1939 film Stagecoach (you can see the scene he means here). And in the S7 special feature, “Anatomy of a Scene: The Loot Train Attack”, David Benioff notes that the charge “definitely got a bit of that western feel” while VFX producer Steve Kullback says, of the battle, it’s “sort of like Cowboys and Indians”.
In Stagecoach (1939), the Apache aren’t a real humanized culture, but an elemental force of destruction. Their charge at the titular stagecoach is essentially mad and heedless of all losses (in the same featurette, Camilla Naprous, Game of Thrones‘ horse master, describes the Dothraki as “they’re just these absolute mad men on horses”, in case you thought that connection was only subtext). The position of “Indians” as particularly “rapey” is also explicit in Stagecoach, where the one of the white male defenders of the coach saves his last bullet to spare the one woman, Mrs. Mallory, from being captured and raped by the approaching cavalry [NR: I think Dr. Devereaux means “Indians” here, but given the historic reputation of the cavalry …] (the concern about white women being raped by non-white men being a paramount fixation of early American film; see also The Birth of a Nation (1915); or, you know, don’t.) And the tactics (or lack thereof) of the Dothraki, charging madly forward with no order or concern for safety, also map neatly on to Stagecoach‘s Apache attack (and not on to actual Apache attacks).
I don’t think this lazy use of old Western tropes is limited to merely the show, however. Having written this far, I find myself convinced that there is a longer article or perhaps a video-essay waiting to be written by a different sort of scholar than myself – that is, a film historian – on how Martin’s depiction of the Dothraki and their world is fundamentally rooted in the racist tropes of the Hollywood Western and its portrayal of Native Americans in a frontier environment where, as Sergio Leone put it, “life has no value“. Quite a lot of parallels with Martin’s Dothraki emerge after even a brief overview of the representation of Native Americans in film. The emphasis on taking captives (especially white women) to no apparent purpose besides sexual violence, the distinctive “screaming” of Dothraki warfare (which, yes, Native Americans used a range of intimidating war cries, but so did basically everyone else in the pre-modern world, so why are the Dothraki the only ones who do it in Westeros?), its lack of tactics or order, and – as we’ve discussed already – the grossly simplified form of dress all seem to have their roots in racist Hollywood depictions of Native Americans. The Dothraki Sea is, essentially a “Cavalry and Indian Story” with the cavalry removed.
That is not a pure creation of Benioff and Weiss. The show simply takes that subtext and makes it text.
Bret Devereaux, “Collections: That Dothraki Horde, Part IV: Screamers and Howlers”, A Collection of Unmitigated Pedantry, 2021-01-08.
September 5, 2024
QotD: Common misunderstandings about the title of “Dictator” in the Roman Republic
The first important clarification we need to make is that there are, in a sense, two Roman dictatorships. Between 501 and 202 BC, the Romans appointed roughly 70 different men as dictator for about 85 terms (some dictators served more than once) through a regular customary process. Then, between 201 and 83 BC, a period of 118 years, the Romans appoint no dictators; the office dies out. Then, from 82-79 and from 49 to 44, two dictators are appointed, decidedly not in keeping with the old customary process (but taking the old customary name of dictator) and exercising a level of power not traditionally associated with the older dictators. It is effectively a new office, wearing the name of an old office.
The nearest equivalent to this I can think of would be if Olaf Scholz suddenly announced that he was reviving the position of Deutscher Kaiser (German Emperor) for himself, except without the legal structure of that title (e.g. the Prussian crown acting as the permanent president of a federation of monarchs) or the constitutional limits it used to have. We would rightly regard that as a new office, using the title of the old one.
This point is often missed in teaching Roman history because Roman history is very long and so gets very compressed in a classroom environment. Even in a college course focused entirely on the history of Rome, the gap between the end of the old dictatorship and the start of the new one might just be a couple of weeks, so it is easy for students to accept the new dictators as direct continuations of the old ones, unless the instructor goes out of their way to stress the century-long discontinuity. This is, of course, all the more true if the treatment is in a broader European History (or “Western Civ”) course or in a High school World History course – which might be able to give the Roman Republic as a whole only a week of class time, if even that much. In that kind of compressed space, everything gets mushed together. Which in turn leads to a popular view of the Roman dictatorship that this office was always a time-bomb, ready to inevitably “go off” as soon as it fell into the hands of someone suitably ambitious, because the differences and chronological gap between the old, customary dictatorship and the new irregular one are blurred out of vision by the speed of the treatment.
Just as a side note, this is generally a problem with the Roman Republic. Popular treatments of how the Republic worked – much less pop-culture representations of it – are almost always badly flawed […] The opening minutes, for instance, of the Crash Course video on the Romans is a series of clear errors, one after another, in describing how the Republic functioned as a matter of law and practice. If for some reason you want to not be wrong about the structure of Roman government, the book to read – though it is more than a bit dry and quite pricey – is A. Lintott, The Constitution of the Roman Republic (1999). I keep thinking that, as a future series, I might take a look at the basic structures of Greek and Roman civic government (“How to Polis, 101″ and “How to Res Publica, 101″) – especially if I can talk a colleague into providing a companion treatment of medieval Italian commune government – both as a historical exercise but also for the world builders out there who want to design more realistic-feeling fictional pre-modern governments that aren’t vassalage/manorialism systems.
Bret Devereaux, “Collections: The Roman Dictatorship: How Did It Work? Did It Work?”, A Collection of Unmitigated Pedantry, 2022-03-18.
August 30, 2024
QotD: The stalemate in the trenches, 1914-1918
Last time, we introduced the factors that created the trench stalemate in the First World War and we also laid out why the popular “easy answer” of simply going on the defensive and letting the enemy attack themselves to death was not only not a viable strategy in theory but in fact a strategy which had been tried and had, in the event, failed. But in discussing the problem the trench stalemate created on the Western Front, I made a larger claim: not merely that the problem wasn’t solved but that it was unsolvable, at least within the constraints of the time. This week we’re going to pick up that analysis to begin looking at other options which were candidates for breaking the trench stalemate, from new technologies and machines to new doctrines and tactics. Because it turns out that quite to the contrary of the (sometimes well-earned) dismal reputation of WWI generals as being incurious and uncreative, a great many possible solutions to the trench stalemate were tried. Let’s see how they fared.
Before that, it is worth recapping the core problem of the trench stalemate laid out last time. While the popular conception was that the main problem was machine-gun fire making trench assaults over open ground simply impossible, the actual dynamic was more complex. In particular, it was possible to create the conditions for a successful assault on enemy forward positions – often with a neutral or favorable casualty ratio – through the use of heavy artillery barrages. The trap this created, however, was that the barrages themselves tore up the terrain and infrastructure the army would need to bring up reinforcements to secure, expand and then exploit any initial success. Defenders responded to artillery with defense-in-depth, meaning that while a well-planned assault, preceded by a barrage, might overrun the forward positions, the main battle position was already placed further back and well-prepared to retake the lost ground in counter-attacks. It was simply impossible for the attacker to bring fresh troops (and move up his artillery) over the shattered, broken ground faster than the defender could do the same over intact railroad networks. The more artillery the attacker used to get the advantage in that first attack, the worse the ground his reserves had to move over became as a result of the shelling, but one couldn’t dispense with the barrage because without it, taking that first line was impossible and so the trap was sprung.
(I should note I am using “railroad networks” as a catch-all for a lot of different kinds of communications and logistics networks. The key technologies here are railroads, regular roads (which might speed along either leg infantry, horse-mobile troops and logistics, or trucks), and telegraph lines. That last element is important: the telegraph enabled instant, secure communications in war, an extremely valuable advantage, but required actual physical wires to work. Speed of communication was essential in order for an attack to be supported, so that command could know where reserves were needed or where artillery needed to go. Radio was also an option at this point, but it was very much a new technology and importantly not secure. Transmissions could be encoded (but often weren’t) and radios were expensive, finicky high technology. Telegraphs were older and more reliable technology, but of course after a barrage the attacker would need to be stringing new wire along behind them connecting back to their own telegraph systems in order to keep communications up. A counter-attack, supported by its own barrage, was bound to cut these lines strung over no man’s land, while of course the defender’s lines in their rear remained intact.)
Bret Devereaux, “Collections: No Man’s Land, Part II: Breaking the Stalemate”, A Collection of Unmitigated Pedantry, 2021-09-24.
August 24, 2024
QotD: How did the Romans themselves view the change from Republic to Empire?
The Romans themselves had a lot of thoughts about the collapse of the republic. First, we should note that they were aware that something was going very wrong and we have a fair bit of evidence that at least some Romans were trying to figure out how to fix it. Sulla’s reforms (enforced at the point of a much-used sword) in 82-80 BC were an effort to fix what he saw as the progressive destabilization of the the republic going back to the tribunate of Tiberius Gracchus (133). Sulla’s solutions were hamfisted though – he assumed that if he annihilated the opposing faction, crippled the tribunate and strengthened the Senate that this would resolve all of the problems. Cicero likewise considered reforms during the 50s BCE which come out in his De re publica and De legibus. The 50s were a time of political tumult in Rome while at the same time the last years of the decade must have been loomed over by the knowledge of an impending crisis to come in 49. Cicero was never in a position to enact his idealized republic.
Overall the various Romans who contemplated reform were in a way hindered by the tendency of Roman elites to think in terms of the virtue of individuals rather than the tendency of systems. You can see this very clearly in the writings of Sallust – another Roman writing with considerable concern as the republic comes apart – who places the fault on the collapse of Roman morals rather than on any systemic problem.
We also get a sense of these feelings from the literature that emerges after Augustus takes power in 31, and here there is a lot of complexity. There is quite a lot of praise for Augustus of course – it would have been profoundly unwise to do otherwise – but also quite a lot of deep discomfort with the recent past, revealed in places like Livy’s deeply morally compromised legends of the founding of Rome or the sharp moral ambiguity in the final books of Vergil’s Aeneid. On the other hand, some of the praise for Augustus seems to have been genuine. There was clearly an awful lot of exhaustion after so many years of disruption and civil war and so a general openness to Augustus’ “restored republic”. Still, some Romans were clearly bothered by the collapse of the republic even much later; Lucan’s Pharsalia (65 AD) casts Pompey and Cato as heroes and views Caesar far more grimly.
We have less evidence for feeling in the provinces, but of course for many provincials, little would have changed. Few of Augustus’ changes would have done much to change much for people living in the provinces, whose taxes, laws and lives remained the same. They were clearly aware of what was going on and among the elite there was clearly a scramble to try to get on the right side of whoever was going to win; being on the wrong side of the eventual winner could be a very dangerous place to be. But for most regular provincials, the collapse of the Roman Republic only mattered if some rogue Roman general’s army happened to march through their part of the world.
Bret Devereaux, “Referenda ad Senatum: August 6, 2021: Feelings at the Fall of the Republic, Ancient and Medieval Living Standards, and Zombies!”, A Collection of Unmitigated Pedantry, 2021-08-06.
August 19, 2024
Bret Devereaux on Nathan Rosenstein’s Rome at War (2004)
Although Dr. Devereaux is taking a bit of time away from the more typical blogging topics he usually covers on A Collection of Unmitigated Pedantry, he still discusses books related to his area of specialty:
For this week’s book recommendation, I want to recommend N. Rosenstein, Rome at War: Farms, Families and Death in the Middle Republic (2004). This is something of a variation from my normal recommendations, so I want to lead with a necessary caveat: this book is not a light or easy read. It was written for specialists and expects the reader to do some work to fully understand its arguments. That said, it isn’t written in impenetrable “academese” – indeed, the ideas here are very concrete, dealing with food production, family formation, mortality and military service. But they’re also fairly technical and Rosenstein doesn’t always stop to recap what he has said and draw fully the conclusions he has reached and so a bit of that work is left to the reader.
That said, this is probably in the top ten or so books that have shaped me as a scholar and influenced my own thinking – as attentive readers can no doubt recall seeing this book show up a lot in my footnotes and citations. And much like another book I’ve recommended, Landers, The Field and the Forge: Population, Production and Power in the Pre-Industrial West (2003), this is the sort of book that moves you beyond the generalizations about ancient societies you might get in a more general treatment (“low productivity, high mortality, youth-shifted age profile, etc.”) down to the actual evidence and methods we have to estimate and understand that.
Fundamentally, Rome at War is an exercise in “modeling” – creating (fairly simple) statistical models to simulate things for which we do not have vast amounts of hard data, but for which we can more or less estimate. For instance, we do not have the complete financial records for a statistically significant sample of Roman small farmers; indeed, we do not have such for any Roman small farmers. So instead, Rosenstein begins with some evidence-informed estimates about typical family size and construction and combines them with some equally evidence-informed estimates about the productivity of ancient farms and their size and then “simulates” that household. That sort of approach informs the entire book.
Fundamentally, Rosenstein is seeking to examine the causes of a key Roman political event: the agrarian land-reform program of Tiberius Gracchus in 133, but the road he takes getting there is equally interesting. He begins by demonstrating that based on what we know the issue with the structure of agriculture in Roman Italy was not, strictly speaking “low productivity” so much as inefficient labor allocation (a note you will have seen me come back to a lot): farms too small for the families – as units of labor – which farmed them. That is a very interesting observation generally, but his point in reaching it is to show that this is why Roman can conscript these fellows so aggressively: this is mostly surplus labor so pulling it out of the countryside does not undermine these households (usually). But that pulls a major pillar – that heavy Roman conscription undermined small freeholders in Italy in the Second Century – out of the traditional reading of the land reforms.
Instead, Rosenstein then moves on to modeling Roman military mortality, arguing that, based on what we know, the real problem is that Rome spends the second century winning a lot. As a result, lots of young men who normally might have died in war – certainly in the massive wars of the third century (Pyrrhic and Punic) – survived their military service, but remained surplus to the labor needs of the countryside and thus a strain on their small households. These fellows then started to accumulate. Meanwhile, the nature of the Roman census (self-reported on the honor system) and late second century Roman military service (often unprofitable and dangerous in Spain, but not with the sort of massive armies of the previous centuries which might cause demographically significant losses) meant that more Romans might have been dodging the draft by under-reporting in the census. Which leads to his conclusion: when Tiberius Gracchus looks out, he sees both large numbers of landless Romans accumulating in Rome (and angry) and also falling census rolls for the Roman smallholder class and assumes that the Roman peasantry is being economically devastated by expanding slave estates and his solution is land reform. But what is actually happening is population growth combined with falling census registration, which in turn explains why the land reform program doesn’t produce nearly as much change as you’d expect, despite being more or less implemented.
Those conclusions remain both important and contested. What I think will be more valuable for most readers is instead the path Rosenstein takes to reach them, which walks through so much of the nuts-and-bolts of Roman life: marriage patterns, childbearing patterns, agricultural productivity, military service rates, mortality rates and so on. These are, invariably, estimates built on estimates of estimates and so exist with fairly large “error bars” and uncertainty, but they are, for the most part, the best the evidence will support and serve to put meat on the bones of those standard generalizing descriptions of ancient society.
August 17, 2024
QotD: Sheep and wool in the ancient and medieval world
Our second fiber, wool, as readers may already be aware, comes from sheep (although goat and horse-hair were used rarely for some applications; we’re going to stick to sheep’s wool here). The coat of a sheep (its fleece) has three kinds of fibers in it: wool, kemp and medullated fibers. Kemp fibers are fairly weak and brittle and won’t accept dye and so are generally undesirable, although some amount of kemp may end up in wool yarn. Likewise, medullated fibers are essentially hair (rather than wool) and lack elasticity. But the wool itself, composed mostly of the protein keratin along with some lipids, is crimped (meaning the fibers are not straight but very bendy, which is very valuable for making fine yarns) and it is also elastic. There are reasons for certain applications to want to leave some of the kemp in a wool yarn that we’ll get to later, but for the most part it is the actual wool fibers that are desirable.
Sheep themselves probably descend from the wild mouflon (Ovis orientalis) native to a belt of uplands bending over the northern edge of the fertile crescent from eastern Turkey through Armenia and Azerbaijan to Iran. The fleeces of these early sheep would have been mostly hair and kemp rather than wool, but by the 4th millennium BC (as early as c. 3700 BC), we see substantial evidence that selective breeding for more wool and thicker coats has begun to produce sheep as we know them. Domestication of course will have taken place quite a bit earlier (selective breeding is slow to produce such changes), perhaps around 10,000 BC in Mesopotamia, spreading to the Indus river valley by 7,000 BC and to southern France by 6,000 BC, while the replacement of many hair breeds of sheep with woolly sheep selectively bred for wool production in Northern Mesopotamia dates to the third century BC.1 That process of selective breeding has produced a wide variety of local breeds of sheep, which can vary based on the sort of wool they produce, but also fitness for local topography and conditions.
As we’ve already seen in our discussion on Steppe logistics, sheep are incredibly useful animals to raise as a herd of sheep can produce meat, milk, wool, hides and (in places where trees are scarce) dung for fuel. They also only require grass to survive and reproduce quickly; sheep gestate for just five months and then reach sexual maturity in just six months, allowing herds of sheep to reproduce to fill a pasture quickly, which is important especially if the intent is not merely to raise the sheep for wool but also for meat and hides. Since we’ve already been over the role that sheep fill in a nomadic, Eurasian context, I am instead going to focus on how sheep are raised in the agrarian context.
While it is possible to raise sheep via ranching (that is, by keeping them on a very large farm with enough pastureland to support them in that one expansive location) and indeed sheep are raised this way today (mostly in the Americas), this isn’t the dominant model for raising sheep in the pre-modern world or even in the modern world. Pre-modern societies generally operated under conditions where good farmland was scarce, so flat expanses of fertile land were likely to already be in use for traditional agriculture and thus unavailable for expansive ranching (though there does seem to be some exception to this in Britain in the late 1300s after the Black Death; the sudden increase in the cost of labor – due to so many of the laborers dying – seems to have incentivized turning farmland over to pasture since raising sheep was more labor efficient even if it was less land efficient and there was suddenly a shortage of labor and a surplus of land). Instead, for reasons we’ve already discussed, pastoralism tends to get pushed out of the best farmland and the areas nearest to towns by more intensive uses of the land like agriculture and horticulture, leaving most of the raising and herding of sheep to be done in the rougher more marginal lands, often in upland regions too rugged for farming but with enough grass to grow. The most common subsistence strategy for using this land is called transhumance.
Transhumant pastoralists are not “true” nomads; they maintain permanent dwellings. However, as the seasons change, the transhumant pastoralists will herd their flocks seasonally between different fixed pastures (typically a summer pasture and a winter pasture). Transhumance can be either vertical (going up or down hills or mountains) or horizontal (pastures at the same altitude are shifted between, to avoid exhausting the grass and sometimes to bring the herds closer to key markets at the appropriate time). In the settled, agrarian zone, vertical transhumance seems to be the most common by far, so that’s what we’re going to focus on, though much of what we’re going to talk about here is also applicable to systems of horizontal transhumance. This strategy could be practiced both over relatively short distances (often with relatively smaller flocks) and over large areas with significant transits (see the maps in this section; often very significant transits) between pastures; my impression is that the latter tends to also involve larger flocks and more workers in the operation. It generally seems to be the case that wool production tended towards the larger scale transhumance. The great advantage of this system is that it allows for disparate marginal (for agriculture) lands to be productively used to raise livestock.
This pattern of transhumant pastoralism has been dominant for a long time – long enough to leave permanent imprints on language. For instance, the Alps got that name from the Old High German alpa, alba meaning which indicated a mountain pasturage. And I should note that the success of this model of pastoralism is clearly conveyed by its durability; transhumant pastoralism is still practiced all over the world today, often in much the same way as it was centuries or millennia ago, with a dash of modern technology to make it a bit easier. That thought may seem strange to many Americans (for whom transhumance tends to seem very odd) but probably much less strange to readers almost anywhere else (including Europe) who may well have observed the continuing cycles of transhumant pastoralism (now often accomplished by moving the flocks by rail or truck rather than on the hoof) in their own countries.
For these pastoralists, home is a permanent dwelling, typically in a village in the valley or low-land area at the foot of the higher ground. That low-land will generally be where the winter pastures are. During the summer season, some of the shepherds – it does not generally require all of them as herds can be moved and watched with relatively few people – will drive the flocks of sheep up to the higher pastures, while the bulk of the population remains in the village below. This process of moving the sheep (or any livestock) over fairly long distances is called droving and such livestock is said to be moved “on the hoof” (assuming it isn’t, as in the modern world, transported by truck or rail). Sheep are fairly docile animals which herd together naturally and so a skilled drover can keep large flock of sheep together on their own, sometimes with the assistance of dogs bred and trained for the purpose, but just as frequently not. While cattle droving, especially in the United States, is often done from horseback, sheep and goats are generally moved with the drovers on foot.
Bret Devereaux, “Collections: Clothing, How Did They Make It? Part I: High Fiber”, A Collection of Unmitigated Pedantry, 2021-03-05.
1. On this, note E. Vila and D. Helmer, “The Expansion of Sheep Herding and the Development of Wool Production in the Ancient Near East” in Wool Economy in the Ancient Near East and the Aegean, eds. C. Breniquet and C. Michel (2014), which has the archaeozoological data).
August 11, 2024
QotD: Greek and Roman notions of courage
That understanding of courage [of First Nations tribes of the Great Plains] was itself almost utterly alien to, for instance, the classical Greeks. While Greek notions of military excellence had their roots in Homer (on this, see J.E. Lendon, Soldiers and Ghosts: A History of Battle in Classical Antiquity (2005)) and an ethic of individual combat where honor was gained by killing notable enemies, by the fifth century this had been replaced by an ethic almost entirely focused on holding position in a formation. As Tyrtaeus, a Spartan poet, writes (trans. M.L. West):
I would not rate a man worth mention or account
either for speed of foot or wrestling skill,
not even if he had a Cyclops’ size and strength
or could outrun the fierce north wind of Thrace;
I would not care if he surpassed Tithonus’ looks,
or Cinyras’ or Midas’ famous wealth,
or were more royal than Pelops son of Tantalus,
or had Adrastus’ smooth persuasive tongue,
or fame for everything save only valour: no,
no man’s of high regard in time of war
unless he can endure the sight of blood and death,
and stand close to the enemy and fight.
This is the highest worth, the finest human prize
and fairest for a bold young man to win.
It benefits the whole community and state,
when with a firm stance in the foremost rank
a man bides steadfast, with no thought of shameful flight,
laying his life and stout heart on the line,
and standing by the next man speaks encouragement
This is the man of worth in time of war.This is not a daring courage, but a stoic (in the general sense) courage – the courage of standing a place in the line. And note for Tyrtaeus, that courage is more important than skill, or strength or speed; it matters not how well he fights, only that he “bides steadfast” “with a firm stance”. There is no place for individual exploits here. Indeed, when Aristodemus (another Spartan), eager to regain his honor lost by having survived the Battle of Thermopylae, recklessly charged out of the phalanx to meet the Persian advance at the Battle of Plataea, Herodotus pointedly notes that he was not given the award for bravery by the Spartans who instead recognized those who had held their place in line (Hdt. 9.71; Herodotus does not entirely concur with the Spartan judgement).
This was a form of courage that was evolving alongside the hoplite phalanx, where either shameful retreat or a reckless charge exposed one’s comrades to danger by removing a shield from the line. While, as Lendon is quick to note, there was still a very important aspect of personal competition (seeking to show that you, personally, had more bravery to hold your position than others), this is a fundamentally collective, not individual style of combat and it has values and virtues to match. Indeed, the Greeks frequently disparaged the fighting style of “barbarians” who would advance bravely but retreat quickly as cowardly.
And so the man who holds his place in the group and does not advance recklessly is the bravest of Greeks, but among the Crow Native Americans would seem a coward, while the bravest Crow who cleverly and daringly attacked, raided and got away before the enemy could respond would in turn be regarded by the Greeks as a reckless coward, unworthy of honor. These notions of courage aren’t merely different, they are diametrically opposed demanding entirely different actions in analogous circumstances!
The translator will call both of these ideas “courage”, but clearly when one gets down to it, they demand very different things. And these are just two examples. As Lendon notes (op. cit.), the virtus of the Roman was not the same as the andreia of the Greek, though both words might well be translated as “courage” or “valor” (and both words, etymologically mean “manliness”, lest we forget that these are very gender-stratified societies). Roman virtus was often expressed in taking individual initiative, but always restrained by Roman disciplina (discipline), making that system of military values still different from either the Crow or the Greek system.
Bret Devereaux, “Collections: The Universal Warrior, Part IIa: The Many Faces of Battle”, A Collection of Unmitigated Pedantry, 2021-02-05.
August 5, 2024
QotD: George R.R. Martin’s Dothraki rank with the lazy racial sterotypes of Hollywood’s “Golden Age” westerns
As I’ve noted in each of these posts, the fundamental claim we are evaluating here is this one, made baldly by George R.R. Martin:
The Dothraki were actually fashioned as an amalgam of a number of steppe and plains cultures … Mongols and Huns, certainly, but also Alans, Sioux, Cheyenne, and various other Amerindian tribes … seasoned with a dash of pure fantasy.
We may, I think, now safely dismiss this statement as false. What we have found is that the Dothraki do not meaningfully mirror either Steppe or Plains cultures. They do not mirror them in dress, nor in systems of subsistence, nor in diet, nor in housing, nor in music, nor in art, nor in social structures, nor in leadership structures, nor in family structures, nor in demographics, nor in economics, nor in trade practices, nor in laws, nor in marriage customs, nor in attitudes towards violence, nor in weapons, nor in armor, nor in strategic way of war, nor in battle tactics.
We might say he has added “dashes” of pure fantasy until the “dash” is the entire soup, but the truth is clearly the reverse: Martin has sprinkled a little bit of water on a barrel of salt and called it just a dash of salt. There is no historical root source here, but instead pure fantasy which – because racist stereotypes sometimes connect, in thin and useless ways, to actual history – occasionally, in broken-clock fashion, manages to resemble the real thing.
It seems as though the best we might say of what Martin has right is that these are people who are nomads that ride horses and occasionally shoot bows. The rest – which as you can see from the list above there, is the overwhelming majority – has functionally no connection to the actual historical people. And stunningly, somehow, the show – despite its absolutely massive budget, despite the legions of scrutiny and oversight such a massive venture brings – somehow is even worse, while being just as explicit in tying its bald collection of 1930s racist stereotypes to real people who really exist today.
Instead, the primary inspiration for George R.R. Martin’s Dothraki seems to come from deeply flawed Hollywood depictions of nomadic peoples, rather than any real knowledge about the peoples themselves. The Dothraki are not an amalgam of the Sioux or the Mongols, but rather an amalgam of Stagecoach (1939) and The Conqueror (1956). When it comes to the major attributes of the Dothraki – their singular focus on violent, especially sexual violence, their lack of art or expression, their position as a culture we primarily see “from the outside” as almost uniformly brutal (and in need of literally the whitest of all women to tame and reform it) – what we see is not reflected in the historical people at all but is absolutely of a piece with this Hollywood legacy.
But Martin has done more damage than simply watching The Mongols (1961) would today. He has taken those old, inaccurate, racially tinged stereotypes and repackaged them, with an extra dash of contemporary cynicism to lend them the feeling of “reality” and then used his reputation as a writer of more historically grounded fantasy (a reputation, I think we may say at this point, which ought to be discarded; Martin is an engaging writer but a poor historian) to give those old stereotypes the air of “real history” and how things “really were”. And so, just as Westeros became the vision of the Middle Ages that inhabits the mind of so many people (including quite a few of my students), the Dothraki become the mental model for the Generic Nomad: brutal, sexually violent, uncreative, unartistic, uncivilized.
And as I noted at the beginning of this series, Martin’s fans have understood that framing perfectly well. The argument given by both the creators themselves, often parroted by fans and even repeated by journalists is that A Song of Ice and Fire‘s historical basis is both a strike in favor of the book because they present a “more real” vision of the past but also a flawless defense against any qualms anyone might have over the way that the fiction presents violence (especially its voyeuristic take on sexual violence) or its cultures. No doubt part of you are tired of seeing that same “amalgam” quote over and over again at the beginning of every single one of these essays, but I did that for a reason, because it was essential to note that this assertion is not merely part of the subtext of how Martin presents his work (although it is that too), but part of the actual text of his promotion of his work.
And it is a lie. And I want to be clear here, it is not a misunderstanding. It is not a regrettable implication. It is not an unfortunate blind-spot of ignorance. It is a lie, made repeatedly, now by many people in both the promotion of the books and the show who ought to have known better. And it is a lie that has been believed by millions of fans.
One thing that I hope is clear from this treatment is just how trivial the amount of research I’ve done here was. Certainly, it helped that I was familiar with Steppe nomads already and that I knew who to ask to be pointed in the direction of information. Nevertheless, everything I’ve cited here is available in English and it is all relatively affordable (I actually own all of the books cited here; thanks to my Patrons for making that possible, especially since getting materials from the library is slower in the days of COVID-19; nevertheless, the point here is that they are not obscure tomes). Much of it – Ratchnevsky on Chinggis Khan, Secoy and McGinnis on Great Plains warfare – were already available well before the 1996 publication of A Game of Thrones. 1996 was not some wasteland of ignorance that might have made it impossible for Martin to get good information! For an easy sense of what a dedicated amateur with film connections might have learned in 1996, you could simply watch Ken Burns’ The West, which came out the same year. I am not asking Martin to become a historian (though I am asking him to stop representing himself as something like one), I am asking him to read a historian.
Instead of doing that basic amount of research, or simply saying that the peoples of Essos were made up cultures unconnected with the real thing, Martin and the vast promotional apparatus at HBO opted to lie about some real cultures and then to put hundreds of millions of dollars into promoting that lie.
And I want to be clear, these are real people! I know, depending on where you live, “Mongols” and “Sioux” and “Cheyenne” may feel as distant and fanciful as “Rohirrim” or “Hobbits” or else they may feel like “long-lost” peoples. But these were real people, whose real descendants are alive today. And almost all of them face discrimination and abuse, sometimes informally, sometimes through state action, often as a result of these very lingering racist stereotypes.
In that context, declaring that the Dothraki really do reflect the real world (I cannot stress that enough) cultures of the Plains Native Americans or Eurasian Steppe Nomads is not merely a lie, but it is an irresponsible lie that can do real harm to real people in the real world. And that irresponsible lie has been accepted by Martin’s fans; he has done a grave disservice to his own fans by lying to them in this way. And of course the worst of it is that the lie – backed by the vast apparatus that is HBO prestige television – will have more reach and more enduring influence than this or any number of historical “debunking” essays. It will befuddle the valiant efforts of teachers in their classrooms (and yes, I frequently encounter students hindered by bad pop-pseudo-history they believe to be true; it is often devilishly hard to get students to leave those preconceptions behind), it will plague efforts to educate the public about these cultures of their histories. And it will probably, in the long run, hurt the real descendants of nomads.
But this is exactly why I think it is important for historians to engage with the culture and to engage with depictions like this. Because these lies have consequences and someone ought to at least try to tell the truth. With luck, even with my only rudimentary knowledge, I have done some of that here, by presenting a bit more of the richness and variety of historical (and in some cases, present-day) horse-borne nomadic life, in both North America and Eurasia.
Because there is and was a lot more to nomads than just “that Dothraki horde”.
Bret Devereaux, “Collections: That Dothraki Horde, Part IV: Screamers and Howlers”, A Collection of Unmitigated Pedantry, 2021-01-08.
July 30, 2024
QotD: The Roman Republic and the Social War
Rome’s tremendous run of victories from 264 to 168 (and beyond) fundamentally changed the nature of the Roman state. The end of the First Punic War (in 241) brought Rome its first overseas province, Sicily which wasn’t integrated into the socii-system that prevailed in Italy. Part of what made the socii-system work is that while Etruscans, Romans, Latins, Samnites, Sabines, S. Italian Greeks and so on had very different languages, religions and cultures, centuries of Italian conflict (and then decades of service in Rome’s armies) had left them with fairly similar military systems, making it relatively easy to plug them in to the Roman army. Moreover, being in Rome’s Italian neighborhood meant that Rome could simply inform the socii of how many troops they were expected to supply that year and the socii could simply show up at the muster at the appointed time (which is how it worked, Plb. 6.21.4). Communities on Sicily (or other far-away places) couldn’t simply walk to the point of muster and might be more difficult to integrate into core Roman army. Moreover, because they were far away and information moves slowly in antiquity, Rome was going to need some sort of permanent representative present in these places anyway, in a way that was simply unnecessary for Italian communities.
Consequently, instead of being added to the system of the socii, these new territories were organized as provinces (which is to say they were assigned to the oversight of a magistrate, that’s what a provincia is, a job, not a place). Instead of contributing troops, they contributed taxes (in money and grain) and the subordination of these communities was much more direct, since communities within a province were still under the command of a magistrate.
We’ll get to the provinces and their role in shaping Roman attitudes towards identity and culture a bit later, but for the various peoples of Roman Italy, the main impact of this shift was to change the balance of rewards for military service. Whereas before most of the gains of conquest were in loot and land – which the socii shared in – now Roman conquests outside of Italy created permanent revenue streams (taxes!) which flowed to Rome only. Roman politicians began attempting to use those revenue streams to provide public goods to the people – land distribution, free military equipment, cheap grain – but these benefits, provided by Rome to its citizens, were unavailable to the socii.
At the same time, as the close of the second century approached, it became clear that the opportunity to march up the ladder of status was breaking down, consumed by the increasingly tense maelstrom of the politics of the Republic. In essence while it was obvious as early as the 120s (and perhaps earlier) that a major citizenship overhaul was needed which would extend some form of Roman citizenship to many of the socii, it seems that everyone in Rome’s political class was conscious that whoever actually did it would – by virtue of consolidating all of those new citizens behind them as a political bloc – gain immensely in the political system. Consequently, repeated efforts in the 120s, the 100s and the 90s failed, caught up in the intensifying gridlock and political dysfunction of Rome in the period.
Consequently, just as Rome’s expanding empire had made citizenship increasingly valuable, actually getting that citizenship was made almost impossible by the gridlock of Rome’s political system gumming up the works of the traditional stepwise march up the ladder of statuses in the Roman alliance.
Finally in 91, after one last effort by Livius Drusus, a tribune of the plebs, failed, the socii finally got fed up and decided to demand with force what decades of politics had denied them. It should be stressed that the motivations behind the resulting conflict, the Social War (91-87), were complex; some Italians revolted for citizenship, some to get rid of the Romans entirely. The sudden uprising by roughly half of the socii at last prompted Rome to act – in 90, the Romans offered citizenship to all of the communities of socii who had stayed loyal (as a way of keeping them so). That offer was quickly extended to rebellious socii who laid down arms and rejoined the Romans. The following year, the citizenship grant was extended to communities which had missed the first one. The willingness to finally extend citizenship won Rome the war, as the socii who had only wanted equality with the Romans, being offered it, switched sides to get it, leaving only a handful of the hardest cases (particularly the Samnites, who never missed an opportunity to rebel against Rome) isolated and vulnerable.
The consequence of the Social War was that the slow process of minting new citizens or of Italian communities slowly moving up the ladder of status was radically accelerated in just a few years. In 95 BC, out of perhaps five million Italians, perhaps one million were Roman citizens (including here men, women and children). By 85 BC, perhaps four million were (with the remainder being almost entirely enslaved persons); the number of Roman citizens had essentially quadrupled overnight. Over time, that momentous decision would lead to a steady cultural drift which would largely erase the differences in languages, religion and culture between the various Italic peoples, but that had not happened yet and so confronted with brutal military necessity, the Romans had once again chose victory through diversity, rather than defeat through homogeneity. The result was a Roman citizen body that was bewilderingly diverse, even by Roman standards.
(Please note that the demographic numbers here are very approximate and rounded. There is a robust debate about the population of Roman Italy, which it isn’t worth getting in to here. For anyone wanting the a recent survey of the questions, L. de Ligt, Peasants, Citizens and Soldiers: Studies in the Demographic History of Roman Italy 225 BC – AD 100 (2012) is the place to start, but be warned that Roman demography is pretty technical and detail oriented and functionally impossible to make beginner-friendly.)
Bret Devereaux, “Collections: The Queen’s Latin or Who Were the Romans, Part II: Citizens and Allies”, A Collection of Unmitigated Pedantry, 2021-06-25.
July 24, 2024
QotD: The “strategic defensive” approach to the attrition battles of WW1
Well, perhaps you say, that is a bit simplistic; what if we go on a strategic defensive – adopting a strategy of attrition? Note we are fairly far now from the idea that the easy solution to trench warfare was “don’t attack”, but this is the first time we reach what appears on its face to be a workable strategy: accept that this is a pure war of attrition and thus attempt to win the attrition.
And here is where I, the frustrated historian, let out the primal cry: “They did that! Those ‘idiot’ generals you were bashing on a moment ago did exactly this thing, they did it in 1916 and it didn’t work.”
As Robert Doughty (op. cit.) notes quite effectively, after the desperate search in 1915 for ways either around the trench stalemate or through it (either way trying to restore a war of maneuver), Joseph Joffre, French chief of the army staff, settled on a strategic plan coordinating British, Italian, French and Russian actions designed around a strategy of “rupture” by which what was meant was that if all of the allies focused on attrition in each of their various theaters, eventually one theater would break for lack of resources (that’s the rupture). He was pretty damn explicit about this, writing about the war as a “struggle of attrition” in May, 1915 and setting a plan of action in December of 1915 to “do everything they can to attrit the adversary”.
Joffre’s plan did not go perfectly (the German offensive at Verdun upset the time-tables) but it did, in fact mean lower French losses in 1916 than in 1915 or 1914 and more severe German losses. Meanwhile, the German commander, Erich von Falkenhayn would at least subsequently claim to have been trying to do the same thing: achieve favorable casualty ratios in a war of attrition, with his set piece being the Battle of Verdun, designed to draw the French into bloody and useless repeated counter-attacks on ground that favored the Germans (there remains a lot of argument and uncertainty as to if that attritional strategy was the original plan, or merely Falkenhayn’s excuse for the failure to achieve meaningful strategic objectives at Verdun). In the end, the Verdun strategy, if that was the strategy, failed because while the Germans could get their favorable ratio on the attack, it slipped away from them in the inevitable French counter-attacks.
But as Clausewitz reminds us (drink!) will – both political and popular – is a factor in war too (indeed, it is one of the factors as part of the Clausewitzian trinity!). Both Joffre and Falkenhayn had to an extent seen that the war was going to run until one side ran out of soldiers and material and aimed to win that long, gruelling war; for which they were both promptly fired! The solution to the war which said that all one needed to do was sacrifice a few more million soldiers and wait 2, or perhaps 3 or maybe even 4 more years for the enemy to run out first was unacceptable to either the political leaders or the public. 1917 came around and both sides entrusted the war to generals who claimed to be able to produce victories faster than that: to Robert Nivelle and Erich Ludendorff, with their plans of bold offensives.
And to be clear, from a pure perspective of “how do we win the war” that political calculation is not entirely wrong. Going to the public, asking them to send their sons to fight, to endure more rationing, more shortages, more long casualty lists with the explanation that you had no plans to win the war beyond running Germany out of sons slightly faster than you ran France out of sons would have led to the collapse of public morale (and subsequent defeat). Telling your army that would hardly be good for their morale either (the French army would mutiny in 1917 in any event). Remember that in each battle, casualties were high on both sides so there was no avoiding that adopting an attrition strategy towards the enemy meant also accepting that same attrition on your own troops.
And, as we’ve discussed endlessly, morale matters in war! “Wait for the British blockade to win the war by starving millions of central Europeans to death” was probably, in a cold calculus, the best strategy (after the true winning strategy of “don’t have a World War I”), but it was also, from a political perspective, an unworkable one. And a strategy which is the best except for being politically unworkable is not the best because generals must operate in the real world, not in a war game where they may cheerfully disregard questions of will. In short, both sides attempted a strategy of pure attrition on the Western Front and in both cases, the strategy exhausted political will years before it could have borne fruit.
And so none of these easy solutions work; in most cases (except for “recruit a lost Greek demi-god”) they were actually tried and failed either due to the dynamics (or perhaps, more truthfully, the statics) of trench warfare or because they proved impossible implement from a morale-and-politics perspective, violating the fundamental human need to see an end to the war that didn’t involve getting nearly everyone killed first.
Bret Devereaux, “Collections: No Man’s Land, Part I: The Trench Stalemate”, A Collection of Unmitigated Pedantry, 2021-09-17.
July 18, 2024
QotD: Culture in the late western Roman Empire
This vision of the collapse of Roman political authority in the West may seem a bit strange to readers who grew up on the popular narrative which still imagines the “Fall of Rome” as a great tide of “barbarians” sweeping over the empire destroying everything in their wake. It’s a vision that remains dominant in popular culture (indulged, for instance, in games like Total War: Attila; we’ve already talked about how strategy games in particular tend to embrace this a-historical annihilation-and-replacement model of conquest). But actually culture is one of the areas where the “change and continuity” crowd have their strongest arguments: finding evidence for continuity in late Roman culture into the early Middle Ages is almost trivially easy. The collapse of Roman authority did not mark a clean cultural break from the past, but rather another stage in a process of cultural fusion and assimilation which had been in process for some time.
The first thing to remember, as we’ve already discussed, is that the population of the Roman Empire itself was hardly uniform. Rather the Roman empire as it violently expanded, had absorbed numerous peoples – Celtiberians, Iberians, Greeks, Gauls, Syrians, Egyptians, and on and on. Centuries of subsequent Roman rule had led to a process of cultural fusion, whereby those people began to think of themselves as Romani – Romans – as they both adopted previously Roman cultural elements and their Roman counterparts adopted provincial culture elements (like trousers!).
In particular, by the fifth century, the majority of these self-described Romani, including the overwhelming majority of elites, had already adopted a provincial religion: Christianity, which had in turn become the Roman religion and a core marker of Roman identity by the fifth century. Indeed, the word paganus, increasingly used in this period to refer to the remaining non-Christian population, had a root-meaning of something like “country bumpkin”, reflecting the degree to which for Roman elites and indeed many non-elites, the last fading vestiges of the old Greek and Roman religions were seen as out of touch. Of course Christianity itself came from the fringes of the Empire – a strange mystery cult from the troubled frontier province of Judaea in the Levant which had slowly grown until it had become the dominant religion of the empire, receiving official imperial favor and preference.
The arrival of the “barbarians” didn’t wipe away that fusion culture. With the exception of the Angles, Saxons and Jutes who eventually ended up in England, the new-comers almost uniformly learned the language of the Roman west – Latin – such that their descendants living in those lands, in a sense still speak it, in its modern forms: Spanish, French, Italian, Portuguese, etc. alongside more than a dozen local regional dialects. All are derived from Latin (and not, one might note, from the Germanic languages that the Goths, Vandals, Franks and so on would have been speaking when they crossed the Roman frontier).
They also adopted the Roman religion, Christianity. I suspect sometimes the popular imagination – especially the one that comes with those extraordinarily dumb “Christian dark age” graphs – is that when the “barbarians invade” the Romans were still chilling in their Greco-Roman temples, which the “barbarians” burned down. But quite to the contrary – the Romans were the ones shutting down the old pagan temples at the behest of the now Christian Roman emperors, who busied themselves building beautiful and marvelous churches (a point The Bright Ages makes very well in its first chapter).
The “barbarians” didn’t tear down those churches – they built more of them. There was some conflict here – many of the Germanic peoples who moved into the Roman Empire had been converted to Christianity before they did so (again, the Angles and Saxons are the exception here, converting after arrival), but many of them had been converted through a bishop, Ulfilias, from Constantinople who held to a branch of Christian belief called “Arianism” which was regarded as heretical by the Roman authorities. The “barbarians” were thus, at least initially, the wrong sort of Christian and this did cause friction in the fifth century, but by the end of the sixth century nearly all of these new kingdoms created in the wake of the collapse of Roman authority were not only Christian, but had converted to the officially accepted Roman “Chalcedonian” Christianity. We’ll come back later to the idea of the Church as an institution, but for now as a cultural marker, it was adopted by the “barbarians” with aplomb.
Artwork also sees the clear impact of cultural fusion. Often this transition is, I think, misunderstood by students whose knowledge of artwork essentially “skips” Late Antiquity, instead jumping directly from the veristic Roman artwork of the late republic and the idealizing artwork of the early empire directly to the heavily stylized artwork of Carolingian period and leads some to conclude that the fall of Rome made the artists “bad”. There are two problems: the decline here isn’t in quality and moreover the change didn’t happen with the fall of the Roman Empire but quite a bit earlier. […]
Late Roman artwork shows a clear shift into stylization, the representation of objects in a simplified, conventional way. You are likely familiar with many modern, highly developed stylized art forms; the example I use with my students is anime. Anime makes no effort at direct realism – the lines and shading of characters are intentionally simplified, but also bodies are intentionally drawn at the wrong proportions, with oversized faces and eyes and sometimes exaggerated facial expressions. That doesn’t mean it is bad art – all of that stylization is purposeful and requires considerable skill – the large faces, simple lines and big expressions allow animated characters to convey more emotion (at a minimum of animation budget).
Late Roman artwork moves the same way, shifting from efforts to portray individuals as real-to-life as possible (to the point where one can recognize early emperors by their facial features in sculpture, a task I had to be able to perform in some of my art-and-archaeology graduate courses) to efforts to portray an idealized version of a figure. No longer a specific emperor – though some identifying features might remain – but the idea of an emperor. Imperial bearing rendered into a person. That trend towards stylization continues into religious art in the early Middle Ages for the same reason: the figures – Jesus, Mary, saints, and so on – represent ideas as much as they do actual people and so they are drawn in a stylized way to serve as the pure expressions of their idealized nature. Not a person, but holiness, sainthood, charity, and so on.
And it really only takes a casual glance at the artwork I’ve been sprinkling through this section to see how early medieval artwork, even out through the Carolingians (c. 800 AD) owes a lot to late Roman artwork, but also builds on that artwork, particularly by bringing in artistic themes that seem to come from the new arrivals – the decorative twisting patterns and scroll-work which often display the considerable technical skill of an artist (seriously, try drawing some of that free-hand and you suddenly realize that graceful flowing lines in clear symmetrical patterns are actually really hard to render well).
All of the cultural fusion was effectively unavoidable. While we can’t know their population with any certainty, the “barbarians” migrating into the faltering western Empire who would eventually make up the ruling class of the new kingdoms emerging from its collapse seem fairly clearly to have been minorities in the lands they settled into (with the notable exception, again, of the Angles, Saxons and Jutes – as we’re going to see this pattern again and again, Britain has an unusual and rather more traumatic path through this period than much of the rest of Roman Europe). They were, to a significant degree, as Guy Halsall (op. cit.) notes, melting into a sea of Gallo-Romans, or Italo-Romans, or Ibero-Romans.
Even Bryan Ward-Perkins, one of the most vociferous members of the decline-and-fall camp, in his explosively titled The Fall of Rome and the End of Civilization (2005) – this is a book whose arguments we will come back to in some detail – is forced to concede that “even in Britain the incomers [sic] had not dispossessed everyone” of their land, but rather “the invaders entered the empire in groups that were small enough to leave plenty to share with the locals” (66-7). No vast replacement wave this, instead the new and old ended up side by side. Indeed, Odoacer, seizing control of Italy in 476, we are told, redistributed a third of the land; it’s unclear if this meant the land itself or the tax revenue on it, but in either case clearly the majority of the land remained in the hands of the locals which, by this point in the development of the Roman countryside, will have mostly meant in the hands of the local aristocracy.
Instead, as Ralph Mathisen documents in Roman aristocrats in barbarian Gaul: strategies for survival in an age of transition (1993), most of the old Roman aristocracy seems to have adapted to their changing rulers. As we’ll discuss next week, the vibrant local government of the early Roman empire had already substantially atrophied before the “barbarians” had even arrived, so for local notables who were rich but nevertheless lived below the sort of mega-wealth that could make one a player on the imperial stage, little real voice in government was lost when they traded a distant, unaccountable imperial government for a close-by, unaccountable “barbarian” one. Instead, as Mathisen notes, some of the Gallo-Roman elite retreat into their books and estates, while more are co-opted into the administration of these new breakaway kingdoms, who after all need literate administrators beyond what the “barbarians” can provide. Mathisen notes that in other cases, Gallo-Roman aristocrats with ambitions simply transferred those ambitions from the older imperial hierarchy to the newer ecclesiastical one; we’ll talk more about the church as an institution next week. Distinct in the fifth century, by the end of the sixth century in Gaul, the two aristocracies: the barbarian warrior-aristocracy and the Gallo-Roman civic aristocracy had melded into one, intermarried and sharing the same religion, values and culture.
In this sense there really is a very strong argument to be made that the “Romans” and indeed Roman culture never left Rome’s lost western provinces – the collapse of the political order did not bring with it the collapse of the Roman linguistic or cultural sphere, even if it did fragment it.
Bret Devereaux, “Collections: Rome: Decline and Fall? Part I: Words”, A Collection of Unmitigated Pedantry, 2022-01-14.
July 12, 2024
QotD: Membership in the Senate during the Roman Republic
This week, we’re looking at the Roman Senate, an institution so important that it is included alongside the people of Rome in the SPQR formulation that the Romans used to represent the republic, and yet also paradoxically it is an institution that lacks any kind of formal legal powers.
Despite that lack of formal powers, the Senate of the Roman Republic largely directed the overall actions of the republic, coordinating its strategic policy (both military and diplomatic), setting priorities for legislation, handling Rome’s finances and assigning and directing the actions of the various magistrates. The Senate – not the Pontifex Maximus1 – was also the final authority for questions of religion. The paradox exists because the Senate’s power is almost entirely based in its auctoritas and the strong set of political norms and cultural assumptions which push Romans to defer to that auctoritas [the Mos maiorum].
[…]
We should start with who is in the Senate. Now what you will generally hear in survey courses is this neat summary: the Senate had 300 members (600 after Sulla) and included all Romans who had obtained the office of the quaestorship or higher and its members were selected by the censors. And for a basic summary, that actually serves pretty well, but thinking about it for a few minutes one quickly realizes that there must be quite a bit of uncertainty and complexity underneath those neat easy rules. And indeed, there is!
First we can start with eligibility by holding office. We know that in the Sullan constitution, holding the quaestorship entitled one into entrance into the Senate. Lintott notes that the lex repetundarum of 123/4 lumped every office aedile-and-above together in a phrasing “anyone who has or shall have been in the Senate” when setting eligibility for the juries for the repetundae courts (the aim being to exclude the magistrate class from judging itself on corruption charges), and so assumes that prior to Sulla, it was aediles and up (but not quaestors) who were entitled to be in the Senate.2 The problem immediately occurs: these higher offices don’t provide enough members to reach the frequently attested 300-Senator size of the Senate with any reasonable set of life expectancies.
By contrast, if we assume that the quaestors were enrolled in the Senate, as we know them to have been post-Sulla (Cicero is a senator for sure in 73, having been quaestor in 75), we have eight quaestors a year elected around age 30 each with roughly 30 years of life expectancy3 we get a much more reasonable 240, to which we might add some holders of senior priesthoods who didn’t go into politics and the ten sitting tribunes and perhaps a few reputable scions of important families selected by the censors to reach 300 without too much difficulty. The alternative is to assume the core membership of the Senate was aediles and up, which would provide only around 150 members, in which case the censors would have to supplement that number with important, reputable Romans.
To which we may then ask: who might they choose? The obvious candidates would be … current and former quaestors and plebeian tribunes. And so we end up with a six-of-one, half-dozen of the other situation, where it is possible that quaestors were not automatically enrolled before Sulla, but were customarily chosen by the censors to “fill out” the Senate. Notably, when Sulla wants to expand the Senate, he radically expands (to twenty) the number of quaestors, which in turn provides roughly enough Senators for his reported 600-person Senate.
That leads us to the role of the censors: if holding a sufficiently high office (be it the quaestorship or aedileship) entitles one to membership for life in the Senate, what on earth is the role of the censors in selecting the Senate’s membership? Here the answer is in the sources for us: we repeatedly see the formula that the meetings of the Senate were attended by two groups: the Senators themselves and “those who are permitted to state their opinion in the Senate”. Presumably the distinction here is between men designated as senators by the censors and men not yet so designated who nevertheless, by virtue of office-holding, have a right to speak in the Senate. It’s also plausible that men who were still iuniores might not yet be Senators (whose very name, after all, implies old age; Senator has at its root senex, “old man”) or perhaps men still under the potestas of a living father (who thus could hardly be one of the patres conscripti, a standard term for Senators) might be included in the latter group.
In any case, the censors seem to have three roles here. First, they confirm the membership in the Senate of individuals entitled to it by having held high office. Second, they can fill out an incomplete Senate with additional Roman aristocrats so that it reaches the appropriate size. Finally, they can remove a Senator for moral turpitude, though this is rare and it is clear that the conduct generally needed to be egregious.
In this way, we get a Senate that is as our sources describe: roughly 300 members at any given time (brought to the right number every five years by the censors), consisting mostly of former office holders (with some add-ons) who have held offices at or above the quaestorship and whose membership has been approved by the censors, though office holders might enter the Senate – provisionally, as it were – immediately pending censorial confirmation at a later date. If it seems like I am giving short shrift to the “filling the rank” add-ons the censors might provide, it is because – as we’ll see in a moment – Senate procedure combined with Roman cultural norms was likely to render them quite unimportant. The role of senior ex-magistrates in the Senate was to speak, the role of junior ex-magistrates (and certainly of any senator who had not held high office!) was to listen and indicate concurrence with a previously expressed opinion, as we’re going to see when we get to procedure.
Bret Devereaux, “Collections: How to Roman Republic 101, Part IV: The Senate”, A Collection of Unmitigated Pedantry, 2023-09-22.
1. I stress this point because this is a common mistake: assuming that the Pontifex Maximus as Rome’s highest priest was in some way the “boss” of all of Rome’s other priests. He was not; he was the presiding officer of the college of Pontiffs and the manager of the calendar (this was a very significant role), but the Pontifex Maximus was not the head of some priestly hierarchy and his power over the other pontifices was limited. Moreover his power over other religious officials (the augures, haruspices, the quindecimviri sacris faciundis and so on) was very limited. Instead, these figures report to the Senate, though the Senate will generally defer to the judgment of the pontifices.
2. With sitting tribunes able to attend meetings of the Senate, but not being granted lifelong membership.
3. A touch higher than the 24 years a L3 Model West life table (what we generally use to simulate Roman populations) leads us to expect, but then these are elites who are likely to be well nourished and not in hazardous occupations, so they might live a bit longer.