Quotulatiousness

February 15, 2019

“Blood of Bannockburn” – Sabaton History 002

Filed under: Britain, History, Media — Tags: , , , — Nicholas @ 06:00

Sabaton History
Published on 14 Feb 2019

Sabaton’s song “Blood of Bannockburn” is about the First War of Scottish Independence and one of its key figures, Robert the Bruce. He fought the English King Edward who invaded Scotland when Bruce’s revolutionary force forced all Scottish nobles to join his cause or lose their lands. Edward moved on Bruce’s army while they were besieging Stirling Castle, but his plans to overwhelm the Scottish was opposed by Bruce.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Watch the official lyric video for Blood of Bannockburn here: https://www.youtube.com/watch?v=Xp-Rk…

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Wieke Kapteijns
Sound Editing by: Marek Kaminski

Eastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton

‘Photo young Sabaton’ ©Dalarnas museum, foto: Susanne Nyhlén – The National Portrait Gallery https://www.npg.org.uk

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
1 day ago (edited)

Hey!! We’re leaving the modern times (which instantly that answers a frequently asked question about if we’re just sticking to WW2) and will enter the Medieval Era. The 3d animated maps are made and researched by Eastory (check his channel here: https://www.youtube.com/channel/UCElybFZ60Hk1NSjgCf7I2sg). As the battle took place long ago, there is little documentation about it and there are several possible reconstructions of the events of the battle available. We had to prefer one version and proponents of others may criticise it. The most risky decision was to add the effects of land rise and make the Forth river larger as a result. This is absent from most of reconstructions, but Eastory studied some old maps and according to them the sea level in 15th and 16th centuries was far higher in the region.

Enjoy and STAY AWESOME! 🤘🤘

Dune – Origins – Extra Sci Fi – #1

Filed under: Books, Media — Tags: , — Nicholas @ 04:00

Extra Credits
Published on 12 Feb 2019

Frank Herbert’s epic novel Dune began as a photograph of the Oregon coastline — literally, the dunes themselves. From there it grew into a poem, then three books, then a serial in John W. Campbell’s Analog magazine, and then at last… a car repair manual publisher?

If you’re curious, check out our earlier episode on John W. Campbell here, a notable magazine editor in the history of science fiction: https://www.youtube.com/watch?v=Ctpvd2VvukQ

Introducing the Baroque Theorbo

Filed under: Europe, History, Italy, Media — Tags: — Nicholas @ 02:00

Orchestra of the Age of Enlightenment
Published on Jan 11, 2019

“People complain a lot about the space that I take up”.

Lutenist Elizabeth Kenny explains how and why the theorbo was developed in the 17th century, what it was used for, and what it’s like to carry it around on the train.

Website: http://oae.co.uk
Twitter: https://twitter.com/theoae

QotD: The swordfight from The Princess Bride

Filed under: Media, Quotations — Tags: , , , — Nicholas @ 01:00

I cannot, however, pass by that period without noting one moment of excellence; The Princess Bride (1987). Yes, this is classic stagy Hollywood high-line, consciously referring back to precedents including the Flynn/Rathbone scene from fifty years earlier – but in this context there’s no sense of anachronism because the movie is so cheerfully vague about its time period. The swords are basket-hilted rapiers in an ornate Italo-French style that could date from 1550 to their last gasp in the Napoleonic Wars. The actors use them with joy and vigor – Elwes and Patinkin learned to fence (both left- and right-handed) for the film and other than the somersaults their fight scene was entirely them, not stunt doubles. It’s a bright, lovely contrast with the awfulness of most Hollywood sword choreography of the time and, I think, part of the reason the movie has become a cult classic.

Eric S. Raymond, “A martial artist looks at swordfighting in the movies”, Armed and Dangerous, 2019-01-13.

February 14, 2019

QotD: Knowing how to find out is an essential skill

Filed under: Education, Media, Quotations, Technology — Tags: , — Nicholas @ 01:00

The thing is, you don’t have to be an expert on everything. Simply knowing the basics and the relevance is enough in many cases. You have the entirety of human knowledge at your fingertips so knowing how to look things up is more important than memorization. Einstein allegedly said he had no reason to memorize how many feet were in a mile because he could find in any book. Today, you can find the details off your phone or laptop in seconds. What you need is an understanding of how to find it.

That’s the first thing a modern person needs to know. How to look things up on-line is an essential skill in the modern age. Working with young interns years ago, I was surprised to discover that none of them knew how to be curious. I had to teach them how to find things on-line. They had no idea how to discover the world by inference. What I ended up telling them is always ask what a thing is, not where a thing is. What is its nature, what does it do. Who thinks it is important. Enter those things in a search engine and you will get close to what you seek.

This is probably obvious to most reading this, but there is a reason browsers have bookmarks and there are services that let you synchronize your bookmarks on all of your devices. Most people store knowledge and then remember where they left it. That has its place, but when searching for things on-line, you may, whether you realize it or not, be looking for unknown unknowns. By thinking about what a thing or event is, you will find things like it or related to it that you never considered or simply did not know existed.

This will no doubt strike some as pedantic, but in the modern age, the ability to quickly acquire necessary information is probably the most valuable skill and therefore, the most essential of knowledge. All of us have at our fingertips the totality of human understanding. Knowing how to quickly dig through it to find what it is you need is vastly more useful and important than the ability to remember how many feet are in a mile or where the book you learned it is on your book shelf.

The Z Man, “Essential Knowledge Part I”, The Z Blog, 2017-01-13.

February 11, 2019

QotD: Gandhi’s conflicted views of war and pacifism

Filed under: History, India, Media, Quotations — Tags: , , , — Nicholas @ 01:00

… the real center and raison d’être of Gandhi is ahimsa, nonviolence, which principle when incorporated into vast campaigns of noncooperation with British rule the Mahatma called by an odd name he made up himself, satyagraha, which means something like “truth-striving.” During the key part of his life, Gandhi devoted a great deal of time explaining the moral and philosophical meanings of both ahimsa and satyagraha. But much as the film sanitizes Gandhi to the point where one would mistake him for a Christian saint, and sanitizes India to the point where one would take it for Shangri-la, it quite sweeps away Gandhi’s ethical and religious ponderings, his complexities, his qualifications, and certainly his vacillations, which simplifying process leaves us with our old European friend: pacifism. It is true that Gandhi was much impressed by the Sermon on the Mount, his favorite passage in the Bible, which he read over and over again. But for all the Sermon’s inspirational value, and its service as an ideal in relations among individual human beings, no Christian state which survived has ever based its policies on the Sermon on the Mount since Constantine declared Christianity the official religion of the Roman empire. And no modern Western state which survives can ever base its policies on pacifism. And no Hindu state will ever base its policies on ahimsa. Gandhi himself — although the film dishonestly conceals this from us — many times conceded that in dire circumstances “war may have to be resorted to as a necessary evil.”

It is something of an anomaly that Gandhi, held in popular myth to be a pure pacifist (a myth which governments of India have always been at great pains to sustain in the belief that it will reflect credit on India itself, and to which the present movie adheres slavishly), was until fifty not ill-disposed to war at all. As I have already noted, in three wars, no sooner had the bugles sounded than Gandhi not only gave his support, but was clamoring for arms. To form new regiments! To fight! To destroy the enemies of the empire. Regular Indian army units fought in both the Boer War and World War I, but this was not enough for Gandhi. He wanted to raise new troops, even, in the case of the Boer and Kaffir Wars, from the tiny Indian colony in South Africa. British military authorities thought it not really worth the trouble to train such a small body of Indians as soldiers, and were even resistant to training them as an auxiliary medical corps (“stretcher bearers”), but finally yielded to Gandhi’s relentless importuning. As first instructed, the Indian Volunteer Corps was not supposed actually to go into combat, but Gandhi, adamant, led his Indian volunteers into the thick of battle. When the British commanding officer was mortally wounded during an engagement in the Kaffir War, Gandhi — though his corps’ deputy commander — carried the officer’s stretcher himself from the battlefield and for miles over the sun-baked veldt. The British empire’s War Medal did not have its name for nothing, and it was generally earned.

Richard Grenier, “The Gandhi Nobody Knows”, Commentary, 1983-03-01.

February 9, 2019

40:1 – The Battle of Wizna – Sabaton History 001

Filed under: Europe, Germany, History, Media, Military, WW2 — Tags: , , — Nicholas @ 04:00

Sabaton History
Published on 7 Feb 2019

Sabaton wrote a song about the Battle of Wizna, called 40:1. When the Germans invaded Poland in 1939, they met determined and fierce resistance. Multiple battles show the steadiness of the Polish defenders, in contrast to the common narrative about the Polish defence. One of these Battles is the Battle of Wizna, where a Polish defensive force managed to hold off a much larger German army for several days.

Watch the official music video for 40:1 in full here: https://www.youtube.com/watch?v=epeQw…

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski

Eastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com

Music by Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production
© Raging Beaver Publishing AB, 2019 – all rights reserved.

February 7, 2019

Lord of the Rings – The Return of the King – Extra Sci Fi – #3

Filed under: Books, Media, Religion — Tags: , , — Nicholas @ 04:00

Extra Credits
Published on 5 Feb 2019

Tolkien lived in a dark time in history, but he believed not only in having hope, but in sacrifice as a means to redemption, which is why we get such a satisfyingly bittersweet ending in the Lord of the Rings.

Cultural nationalism versus cultural imperialism at the CBC

Filed under: Bureaucracy, Cancon, Media — Tags: , , , — Nicholas @ 03:00

Andrew Coyne reflects on the odd musings of CBC president Catherine Tait:

“There was a time,” Catherine Tait was saying, “when cultural imperialism was absolutely accepted.”

The CBC president was musing, at an industry conference in Ottawa last week, about the heyday of the British and French Empires, when if “you were the viceroy of India you would feel that you were doing only good for the people of India.” Or, “if you were in French Africa, you would think ‘I’m educating them, I’m bringing their resources to the world, and I’m helping them.’ ”

The comments have since come back to bite her, not because many people have a kind word for imperialism these days but because she was comparing those colonial empires, which invaded and conquered territory by force of arms, to the “new empire” of Netflix. As more than one commentator has objected, none of the six million Canadians who subscribe to Netflix was made to do so at the point of a gun.

Neither is it evident what comparable “damage” is done by a service that gives willing viewers in this country access to well-made television programs from around the world. It was, in short, an altogether silly line of argument.

And yet it seems wrong to heap such particular scorn on Tait. For in truth she was only giving voice to the sort of thinking typical of her generation and class: middle-aged cultural bureaucrat/subsidized private producer, of a kind found in particular abundance in the Montreal-Toronto corridor. The same defensive attitudes, what is more, have for decades formed the foundation of much government policy on culture, even if they are largely incomprehensible to a generation raised on Netflix and YouTube.

There was a time, that is, when cultural nationalism was absolutely accepted — when it was taken as a given among the educated classes that it was the responsibility of government to protect and defend Canadian culture, if necessary from Canadians themselves. Hence the whole apparatus of CanCon, most of which is still with us today.

Dunkirk (2017) | Based on a True Story

Filed under: Britain, Europe, History, Media, Military, WW2 — Tags: , , , — Nicholas @ 02:00

The Cynical Historian
Published on 25 Jan 2018

Dunkirk is a 2017 war film written, directed, and produced by Christopher Nolan that depicts the Dunkirk evacuation of World War II. Its ensemble cast includes Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, Harry Styles, Aneurin Barnard, James D’Arcy, Barry Keoghan, Kenneth Branagh, Cillian Murphy, Mark Rylance, and Tom Hardy. The film is a British, American, French, and Dutch co-production, and was distributed by Warner Bros.
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Wiki:
Dunkirk portrays the evacuation from three perspectives: land, sea, and air. It has little dialogue, as Nolan sought instead to create suspense from cinematography and music. Filming began in May 2016 in Dunkirk and ended that September in Los Angeles, when post-production began. Cinematographer Hoyte van Hoytema shot the film on IMAX 65 mm and 65 mm large-format film stock. Dunkirk has extensive practical effects, and employed thousands of extras as well as historic boats from the evacuation, and period aeroplanes.
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Hashtags: #History #Dunkirk #WWII #Review #BasedOnATrueStory #PhoneyWar

QotD: Generation Z begins to hit adulthood

Filed under: Media, Quotations, USA — Tags: , , , — Nicholas @ 01:00

Those born after 1998 are currently (and quite unimaginatively) being called Generation Z. And, by Pew’s math, the eldest members of this nascent generation are turning 18 this year [2017].

Welcome to adulthood, Gen Z!

As one of the oldest members of your immediate ancestors in American youth, I’d like to officially transfer the think-piece mantle your way. As millennials’ misadventures in youthful entitlement and narcissism dwindle, may your place as a scapegoat for societal fears about sex, technology, and general change shine bright. May Gen X prove as much a collective nemesis for you as boomers have so generously done for my generation. And, perhaps most importantly, may you please be patient in a few years when you’re trying to explain to us how to upload a hologram snap to Mind Twitter.

Also, for what it’s worth, millennials may have spawned Facebook, but don’t blame us if Americans are more politically polarized these days. According to another recent generational study, it’s the oldest Americans who have grown the most polarized within their own generation in recent decades. While many people attribute political polarization to social media or the internet more broadly, the study’s authors found that, between 1996 and 2012, the increase in polarization was “largest among the groups least likely to use the internet and social media.” On a nine-point measure of different sorts of polarization, the gap grew by 0.38 index points for respondents ages 75 and older, but just 0.05 index points for adults ages 39 and below.

Lastly, don’t get too comfortable, kids — your generational predecessors are already arriving. Going by Pew’s parameters, the typical generation spans about 17 years … which means that the last of Gen Z babies were likely born in 2016. A new generation starts being born this year.

Welcome to the world, post-Gen Z generation! What a weird, absurdist time to be starting your lives. May we course correct a bit here before you hit adulthood. (Alternately, tell your kids to give President Ivanka’s reanimated corpse and V.P. Chelsea Clinton’s cryogenically frozen head my love, and sorry about the Kardashians. That one really is our fault.)

Elizabeth Nolan Brown, “Welcome to Adulthood, Gen Z: The post-millennial generation starts turning 18 this year, while the eldest members of the post-Gen Z cohort are starting to be born.”, Reason, 2017-03-22.

February 3, 2019

The CBC, Netflix, and the questionable role of mandatory “CanCon”

Filed under: Cancon, Government, Media — Tags: , , , , — Nicholas @ 03:00

Chris Selley explains why the CBC’s own shows are appearing on Netflix and how this undermines the raison d’être for government-funded CBC television:

To the vast majority of Canadians, including those who support the CBC, the idea that Netflix represents any kind of threat — and should thus be taxed or forced to carry minimum amounts of Canadian content or otherwise regulated, as various groups urge — will just seem irretrievably bizarre. Whether or not it’s a good idea, CanCon only works in a restricted market where channels broadcast specific things at specific times. Back in the day you might just find yourself bored enough to watch or listen to something you didn’t really want to, and it might just be Canadian.

No one watches anything on Netflix that they don’t want to — no one single, anyway — so there’s no earthly reason to put stuff there if people don’t want it. The irony, though, is that there’s a ton of Canadian content on Netflix, precisely because people want to watch it. And as University of Ottawa professor Michael Geist explained in a blog post on Friday, Netflix makes it very easy to find: Not only are there direct links to Canadian TV shows and films, but it algorithmically detects a user’s preference for CanCon and recommends other titles.

Goodness, just look at all the Canuck shows: Baroness Von Sketch Show, Workin’ Moms, Mr. D, Kim’s Convenience, Schitt’s Creek, Intelligence … hang on a tic, those are all CBC shows! How did those imperialist Silicon Valley pigdogs get their filthy hands on it? Because as more and more Canadians cut the cord, Netflix is a perfectly logical place for CBC and the production companies it works with to showcase their work — not just to Canada but to the world. In short, there doesn’t seem to be any problem or threat here at all, to anyone — just success, and the opportunity for more.

We cut the cord about six months ago, and haven’t missed broadcast TV in the slightest (so I hear … I wasn’t watching much TV even before then). I watch Minnesota Vikings games on DAZN and The Grand Tour on Amazon Prime, and that’s just about all my screen time (YouTube and other online video sources more than compensate).

January 31, 2019

Lord of the Rings – The Two Towers – Extra Sci Fi – #2

Filed under: Books, Environment, Media — Tags: , — Nicholas @ 04:00

Extra Credits
Published on 29 Jan 2019

Tolkien’s writing was majorly influenced by the world he lived in — the concerns of World War II and the aftermath thereof were reflected in the themes of industrialization, more highly nuanced good-and-evil, and “questing” that The Two Towers emphasizes.

The Two Towers presents one big theme that impacted science fiction: industrialization. Isengard really brought into popularity the whole idea of “if you don’t treat nature with respect, you’ll be doomed by nature’s wrath.”

Coming soon for Canadians – mandatory maple-flavoured search results

Filed under: Business, Cancon, Government, Media, Technology — Tags: , , , , — Nicholas @ 03:00

Michael Geist relates the ongoing efforts of ACTRA to get the federal government to mandate high visibility for Canadian content in search engines:

The escalating battle being waged for new Internet taxes to fund Canadian content does not stop with proposals for new fees on Internet access and online video services. Cultural groups also want to increase the “discoverability” of Canadian content by mandating its inclusion in search results. According to the ACTRA submission to the broadcast and telecom legislative review panel, it has been calling for search engine regulation for the past 20 years:

    ACTRA stated during the 1999 CRTC process that Internet search engines would become the gateway for consumers to access the vast array of entertainment and information now available from around the world. We argued then the CRTC should regulate them.

It now argues for mandated inclusion of Canadian content in search results for cultural content under threat of economic sanction:

    Regulating search engines would be difficult, but ACTRA recommends the government approach search engines like Google, Bing and others, and request they ensure Canadians are offered some Canadian choices in their search results. While it is neither possible nor appropriate to interfere in the final selection made by individuals, Canadian consumers should have a real choice, including Canadian films, television programs and music. We expect companies would concur with the government’s reasonable request to be seen as good corporate citizens. If a particular search engine does not agree to this request, the government should impose an appropriate regulatory constraint or burden, such as amending the Income Tax Act to discourage Canadians from advertising on search engines that fail to comply.

January 27, 2019

Some reasons to be bearish on Tesla’s future

Filed under: Business, Media, Technology, USA — Tags: , , , , — Nicholas @ 05:00

At Coyote Blog, Warren Meyer climbs back onto one of his favourite hobby horses:

Yes, I am like an addict on Tesla but I find the company absolutely fascinating. Books and HBS case studies will be written on this saga some day (a couple are being written right now but seem to be headed for Musk hagiography rather than a real accounting ala business classics like Barbarians at the Gate or Bad Blood).

I still stand by my past thoughts here, where I predicted in advance of results that 3Q2018 was probably going to be Tesla’s high water mark, and explained the reasons why. I won’t go into them all. There are more than one. But I do want to give an update on one of them, which is the growth and investment story.

First, I want to explain that I have nothing against electric vehicles. I actually have solar panels on my roof and a deposit down on an EV, though it is months away from being available. What Tesla bulls don’t really understand about the short position on Tesla is that most of us don’t hate on the concept — I respect them for really bootstrapping the mass EV market into existence. If they were valued in the market at five or even ten billion dollars, you would not hear a peep out of me. But they are valued (depending on the day, it is a volatile stock) between $55 to $65 billion.

The difference in valuation is entirely due to the charisma and relentless promotion by the 21st century’s PT Barnum — Elon Musk. I used to get super excited by Musk as well, until two things happened. One, he committed what I consider outright fraud in bailing out friends and family by getting Tesla to buy out SolarCity when SolarCity was days or weeks from falling apart. And two, he started talking about things I know about and I realized he was totally full of sh*t. That is a common reaction from people I read about Musk — “I found him totally spellbinding until he was discussing something I am an expert in, and I then realized he was a fraud.”

Elon Musk spins great technology visions. Like Popular Mechanics magazine covers from the sixties and seventies (e.g. a flying RV! a mile long blimp will change logging!) he spins exciting visions that geeky males in particular resonate with. Long time readers will know I identify as one of this tribe — my most lamented two lost products in the marketplace are Omni Magazine and the Firefly TV series. So I see his appeal, but I have also seen his BS — something I think a lot more people have caught on to after his embarrassing Boring Company tunnel reveal.

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