Published on 26 May 2016
The age of the solitary flying Ace is coming to end this week as the French are demonstrating what an Air Force can do. Equipped with Nieuport 11 fighters, they give the Germans a hard time above Verdun. On the ground, the Germans still obliterate whole battalions with their artillery but cannot gain any ground themselves. The Austrian offensive in Italy is still advancing and Luigi Cadorna is quickly scraping together troops for a defence.
May 27, 2016
Cutting Germany’s Wings- The Dawn Of The Air Force I THE GREAT WAR Week 96
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May 26, 2016
Terry Teachout on silent movies
Ten years ago, Terry Teachout finally got around to watching D.W. Griffith’s The Birth of a Nation, and found (to his relief) that it was just as offensively racist as everyone had always said. He also discovered that silent movies are becoming terra incognita even to those who love old movies:
None of this, however, interested me half so much as the fact that The Birth of a Nation progresses with the slow-motion solemnity of a funeral march. Even the title cards stay on the screen for three times as long as it takes to read them. Five minutes after the film started, I was squirming with impatience, and after another five minutes passed, I decided out of desperation to try an experiment: I cranked the film up to four times its normal playing speed and watched it that way. It was overly brisk in two or three spots, most notably the re-enactment of Lincoln’s assassination (which turned out to be quite effective – it’s the best scene in the whole film). For the most part, though, I found nearly all of The Birth of a Nation to be perfectly intelligible at the faster speed.
Putting aside for a moment the insurmountable problem of its content, it was the agonizingly slow pace of The Birth of a Nation that proved to be the biggest obstacle to my experiencing it as an objet d’art. Even after I sped it up, my mind continued to wander, and one of the things to which it wandered was my similar inability to extract aesthetic pleasure out of medieval art. With a few exceptions, medieval and early Renaissance art and music don’t speak to me. The gap of sensibility is too wide for me to cross. I have a feeling that silent film – not just just The Birth of a Nation, but all of it – is no more accessible to most modern sensibilities. (The only silent movies I can watch with more than merely antiquarian interest are the comedies of Buster Keaton.) Nor do I think the problem is solely, or even primarily, that it’s silent: I have no problem with plotless dance, for instance. It’s that silent film “speaks” to me in an alien tongue, one I can only master in an intellectual way. That’s not good enough for me when it comes to art, whose immediate appeal is not intellectual but visceral (though the intellect naturally enters into it).
As for The Birth of a Nation, I’m glad I saw it once. My card is now officially punched. On the other hand, I can’t imagine voluntarily seeing it again, any more than I’d attend the premiere of an opera by Philip Glass other than at gunpoint. It is the quintessential example of a work of art that has fulfilled its historical purpose and can now be put aside permanently – and I don’t give a damn about history, at least not in my capacity as an aesthete. I care only for the validity of the immediate experience.
[…] Thrill me and all is forgiven. Bore me and you’ve lost me. That’s why I think it’s now safe to file and forget The Birth of a Nation. Yes, it’s still historically significant, and yes, it tells us something important about the way we once were. But it’s boring — and thank God for that.
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May 25, 2016
WW2: The Resource War – I: Arsenal of Democracy – Extra History
Published on 5 Apr 2016
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To understand nations at war, you have to look at how their economies function. With World War II on the horizon, Europe and Asia dug themselves in for a fight – and a look at each other’s resources told them what to expect.
____________European economies were so closely connected that some people expected they have to avoid another world war or destroy their finances, but in fact World War I had taught them how to prepare for just such a scenario. Germany, France, and Great Britain all invested in their military before war broke out. When evaluating these economies to see how war would affect them, we look at four main factors: GDP, population, territorial extent, and per capita income. Broadly, this helps us determine how resilient, expansive, self-sufficient, and developed a nation is. All of those factors determine how a nation must conduct its war. For example, the vast territorial holdings of the British Empire meant that they had vast resources to draw upon but needed a long time to mobilize them, which helped Germany determine that they needed to strike fast and win big if they hoped to win the war before Britain’s full resources came into play. Japan also estimated that they could win a war in the Pacific if they managed to win before the US had been involved for more than 6 months. These calculations drove the early strategies of the Axis powers, but the participation of the US would later prove to be a crucial factor.
____________BONUS! Economies of Japan and China before WWII:
GDP (Bn USD-1990)
Japan – 169.4
Japanese Colonies – 62.9
China (exc. Manchuria): 320.5POPULATION (mil)
Japan – 71.9
Japanese Colonies: 59.8
China (exc. Manchuria): 411.7TERRITORY (thous sq.km)
Japan – 382
Japanese Colonies – 1602
China (exc. Manchuria): 9800AVG ANNUAL WAGE (USD-1990)
Japan – 2,356
Japanese Colonies – 1,052
China (exc. Manchuria) – 778From: The Economics of World War II: Six Great Powers in International Comparison by Mark Harrison
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May 24, 2016
The Age Of Warlords – China in WW1 I THE GREAT WAR Special
Published on 23 May 2016
China was in a constant period of unrest and turmoil after the Opium Wars and the Boxer Rebellion. None of the new leaders and presidents could really consolidate their power in China and a struggle between the different warlords. broke out. At the same time, China was eyeing a more prominent role within the international community and sent 150,000 workers to the Western Front as part of the Chinese Labour Corps.
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The Great Enrichment
In the Wall Street Journal, economist Deirdre McCloskey pinpoints the launch point of the greatest increase in global human wealth ever seen:
In the 18th century, liberal thinkers such as Voltaire and Benjamin Franklin courageously advocated liberty in trade. By the 1830s and 1840s, a much enlarged intelligentsia, mostly the sons of bourgeois fathers, commenced sneering loftily at the liberties that had enriched their elders and made possible their own leisure. The sons advocated the vigorous use of the state’s monopoly of violence to achieve one or another utopia, soon.
Intellectuals on the political right, for instance, looked back with nostalgia to an imagined Middle Ages, free from the vulgarity of trade, a nonmarket golden age in which rents and hierarchy ruled. Such a conservative and Romantic vision of olden times fit well with the right’s perch in the ruling class. Later in the 19th century, under the influence of a version of science, the right seized upon social Darwinism and eugenics to devalue the liberty and dignity of ordinary people and to elevate the nation’s mission above the mere individual person, recommending colonialism and compulsory sterilization and the cleansing power of war.
On the left, meanwhile, a different cadre of intellectuals developed the illiberal idea that ideas don’t matter. What matters to progress, the left declared, was the unstoppable tide of history, aided by protest or strike or revolution directed at the evil bourgeoisie — such thrilling actions to be led, naturally, by themselves. Later, in European socialism and American Progressivism, the left proposed to defeat bourgeois monopolies in meat and sugar and steel by gathering under regulation or syndicalism or central planning or collectivization all the monopolies into one supreme monopoly called the state.
While all this deep thinking was roiling the intelligentsia of Europe, the commercial bourgeoisie — despised by the right and the left, and by many in the middle, too — created the Great Enrichment and the modern world. The Enrichment gigantically improved our lives. In doing so, it proved that both social Darwinism and economic Marxism were mistaken. The supposedly inferior races and classes and ethnicities proved not to be so. The exploited proletariat was not driven into misery; it was enriched. It turned out that ordinary men and women didn’t need to be directed from above, and when honored and left alone, became immensely creative.
The Great Enrichment is the most important secular event since human beings first domesticated wheat and horses. It has been and will continue to be more important historically than the rise and fall of empires or the class struggle in all hitherto existing societies. Empire did not enrich Britain. America’s success did not depend on slavery. Power did not lead to plenty, and exploitation was not plenty’s engine. Progress toward French-style equality of outcome was achieved not by taxation and redistribution but by the Scots’ very different notion of equality. The real engine was the expanding ideology of classical liberalism.
The Great Enrichment has restarted history. It will end poverty. For a good part of humankind, it already has. China and India, which have adopted some of economic liberalism, have exploded in growth. Brazil, Russia and South Africa, not to speak of the European Union — all of them fond of planning and protectionism and level playing fields — have stagnated.
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May 23, 2016
History Buffs: Zulu
Published on 4 Jul 2015
First ever episode of History Buffs. A film review show dedicated only to reviewing Historical movies
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May 22, 2016
Point Of No Return – Anti-War-Movements I OUT OF THE TRENCHES
Published on 21 May 2016
Macklemore’s uncle sits in the chair of wisdom again to answer your questions about World War 1. This time we talk about anti war movements, the point of no return and how our team copes with the horrors of war.
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May 21, 2016
Suleiman the Magnificent – Lies – Extra History
Published on 23 Apr 2016
Suleiman lost faith in those who surrounded him, fearing that they schemed to replace him. Why do we so rarely see such destructive suspicion in our governments today? We also need to talk about what made the West dub Suleiman “Magnificent,” and the flourishing of arts and education which took place under his reign.
Towards the end of his reign, Suleiman saw his once trusted advisor, Ibrahim Pasha, and his own son, Mustafa, as enemies rather than allies. He feared that they would displace him to put Mustafa on the throne. Why don’t we see such distrust turn into murder in our governments today, when it was such a common trope in the ancient world? Perhaps it’s because our modern governments provide a regular means of succession, so that anyone with ambition is usually better served waiting for their turn rather than trying to take on the entire government.
The series was too short to allow us to give Suleiman’s reign the coverage it really deserved, but we want to take advantage of this opportunity to talk about why the West dubbed him “Suleiman the Magnificent” and his people called him “The Lawgiver.” The laws he put so much effort into rewriting improved equality in the society, including creating additional protections for Christians and Jews within his Muslim empire. He was also a patron of the arts, and even a poet himself, under whose reign a distinctive Ottoman style developed and many beautiful buildings were constructed. Finally, as a leader of armies, he took many cities that were considered the bulwark of European defense against the Ottomans, and though he had huge armies to do it, many huge armies had failed at those tasks before since the cities were heavily fortified and actually had the odds stacked in their own favor.
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QotD: Teaching Shakespeare
I have the grimmest memories of being taught Shakespeare. It happened in a high school in Ontario in the ’sixties. I’m sure that my teacher meant well. It was on the curriculum, and what could she do? It started with Romeo and Juliet, in connexion with which we were taken to see a movie. This was also called “Romeo and Juliet,” directed by Franco Zeffirelli, and starring Leonard Whiting and Olivia Hussey. Tell the truth, I fell in love with the actress — for hours; days maybe. But then I’ve always been a fool for women. We were taught not the play, but the movie; then as we moved on to The Merchant of Venice (I think it was, I wasn’t paying much attention) we were taught not the play, but “what it all means.” I can only bear that when the teacher has some notion of what it all might mean, herself.
My interest focused curiously enough not on Romeo, nor Juliet, nor any of the powers at play in Verona, but on Friar Laurence, and his charitable if somewhat naive efforts to prevent bad things from happening. Shakespeare here and elsewhere had the nerve to present Catholic monks and nuns in a good light, after they’d been scoured from the English landscape. Pay attention, and know anything at all about his times, and one will see that he has consistently reversed the “stereotypes” promoted in Elizabethan England. There, as here today, the traditional practitioners of religion were satirized for corruption and hypocrisy. In Shakespeare, instead, the monks and nuns scramble about trying to fix one mess or another that the worldlings have created for themselves, and somehow reconcile them with Our Lord. We see plainly who the real Christians are, and who are not. And if we want real hypocrisy and corruption — we find for instance Angelo, in Measure for Measure, with his parade of fake asceticism, and lines to echo those of contemporary “reformers.”
I mention that play as extremely topical, in light of recent events at Rome. Also, because it was once taught to me as an exposé of religious life, when it is — shriekingly — the opposite.
But by that point in my life (age fourteen) I was already a Shakespeare votary, and no high school teacher could kill my enthusiasm for him, much as she might (unwittingly) kill it in everyone else, by making a drudgery of the subject. The basic clew was missing among the pedagogues, as it still is: that this subject teaches itself. It needs only a stage, only to be pronounced, for the “music” in verse and prose to begin explaining all the words. The less prepared a student is to resist Shakespeare, the faster he will succumb to the charm. This has been tested: even before audiences in India with little knowledge of English in any dialect; or in Germany a long time ago, where English strolling players took Shakespeare when London theatres had been closed. The story of Shakespeare’s conquests, in English and a hundred other languages, is one the English themselves have hardly understood, and exhibits to my mind the truth of Kipling’s: “What do they know of England, who only England know?”
David Warren, “Teaching Shakespeare”, Essays in Idleness, 2015-01-19.
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May 20, 2016
Conrad’s Cunning Plan – Hiding In Plain Sight I THE GREAT WAR Week 95
Published on 19 May 2016
Austro-Hungarian Chief of Staff Conrad von Hötzendorf had a plan to finally force a decision against the Italians. He massed troops and artillery in a different sector of the front planning a surprise offensive. And even though everybody knew about his cunning plan, Italian Chief of Staff Luigi Cadorna believed everything was a ruse and fired a general instead of preparing against the attack.
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May 19, 2016
Suleiman the Magnificent – VI: Custodian of the Two Holy Mosques – Extra History
Published on 16 Apr 2016
Suleiman’s decisions came back to haunt him, starting with the Knights of Malta (once Rhodes). He tried to kick them off their island again, but failed. He launched a new campaign to take Vienna and prove the might of his empire. But he was so old…
A messenger disrupted Suleiman in his reverie. He brought news from Malta…
Suleiman had outlived both his friends and his rivals. Charles V had passed, but his throne had passed to a son who proved just as vexing. An ardent Catholic, Philip II set his ships to harass Ottoman fleets in the Mediterranean and emboldened others to dispute Suleiman’s mastery of the sea. The Knights of Malta, whom Suleiman had defeated at Rhodes and allowed to leave peacefully, once again gave safe habor to these Christian ships. Suleiman sent a force to take their island, but his commanders argued with each other and Christian Europe united against him in a way that it could not when he’d been a younger man. The Knights Hospitallier withdrew into their forts. His army struggled for three weeks to take just one of them, and although they succeeded, Suleiman’s commander died and the Christian reinforcements had time to join the remaining two forts. At last, faced with yet another fleet of reinforcements, Suleiman’s commanders decided to withdraw.
Back in his garden, Suleiman knew that this defeat would destroy the invincible image of his empire. He resolved to prove that the Turks were still a force to be feared, and organized a campaign to take Vienna. He would lead them himself. They left in 1566 with great fanfare, but they were immediately greeted by torrential rains that slowed their advance and cost them materiel. Suleiman spent the whole trip confined to a carriage, and when they finally arrived to siege Szeged, he had to retreat a sickbed in his tent. He died while the battle still raged outside, never to know his empire’s fate.
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May 17, 2016
Josip Broz Tito in World War 1 I WHO DID WHAT IN WW1?
Published on 16 May 2016
Josip Broz, later known as Tito, was one of the most controversial and important people of the 20th century. His political identity and his determination were built during his military service in the Austro-Hungarian Army where he had to fight in Serbia and in Galicia.
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May 15, 2016
The Importance Of Oil – Ethiopian Empire I OUT OF THE TRENCHES
Published on 14 May 2016
Chair of Wisdom Time again. And this week Indy talks about the importance of oil and that big battle in the Ethiopian Empire you never heard of.
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May 14, 2016
Battlefield 1 Historical Trailer Analysis I THE GREAT WAR Special
Published on 13 May 2016
SORRY FOR THE SOUND QUALITY, WE WERE IMPROVISING A BIT.
Thousands of people decided to watch our show since the Battlefield 1 trailer made its debut last week, so we decided to welcome all the new fans with a trailer analysis.
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May 13, 2016
The British Death March in Mesopotamia I THE GREAT WAR Week 94
Published on 12 May 2016
After the Ottoman victory at Kut, the suffering for the British and Indian prisoners is not over. They embark on a death march towards their prison camps. Sick, hungry and with no protection from the blazing sun, the soldiers have to suffer again and again. Meanwhile, the Eastern Front is still drowning in spring thaws and in Verdun, the French rotation system proofs its strategical advantage.
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