Historia Civilis
Published 16 May 2020Patreon | http://patreon.com/HistoriaCivilis
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Merch | teespring.com/stores/historiacivilis
Twitter | http://twitter.com/HistoriaCivilis
Website | http://historiacivilis.comSources:
Cicero, “Letters to Atticus” | https://amzn.to/3b8EQby
Cicero, “The Philippics” | https://amzn.to/35EHcOe
Suetonius, “The Life of Julius Caesar” | https://amzn.to/2xJesHH
Plutarch, “The Life of Julius Caesar” | https://amzn.to/35DG6lZ
Plutarch, “The Life of Cicero” | https://amzn.to/2Laca7w
Plutarch, “The Life of Brutus” | https://amzn.to/2SLaWUC
Nicolaus of Damascus, “The Life of Augustus” | https://amzn.to/3dlQeCg
Appian, “The Civil Wars: Book 3” | https://amzn.to/2WbJXU4
Cassius Dio, “Roman History: Book 44” | https://amzn.to/35HC4ce
Cassius Dio, “Roman History: Book 45” | https://amzn.to/35HC4ce
Cassius Dio, “Roman History: Book 46” | https://amzn.to/2WDNIka
—
Barry Strauss, “The Death of Caesar: The Story of History’s Most Famous Assassination” | https://amzn.to/2WAUxTD
Tom Holland, “Dynasty: The Rise and Fall of the House of Caesar” | https://amzn.to/2zjG4n4
Adrian Goldsworthy, “Antony and Cleopatra” | https://amzn.to/2L8MQ1F
Anthony Everitt, “Cicero: The Life and Times of Rome’s Greatest Politician” | https://amzn.to/3bbrKKM
Tom Holland, “Rubicon” | https://amzn.to/3dombKn
Adrian Goldsworthy, “Augustus” | https://amzn.to/3fAInmD
Anthony Everitt, “Augustus: The Life of Rome’s First Emperor” | https://amzn.to/2Wf9CLH
Adrian Goldsworthy, “Caesar: Life of a Colossus” | https://amzn.to/3cfFQvUMusic:
“Moving Forward,” by Adi Goldstein
“Blonde,” by Nctrnm
“Heliograph,” by Chris Zabriskie
“The House Glows (With Almost No Help),” by Chris Zabriskie
“Hallon,” by Christian BjoerklundWe are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.
May 17, 2020
Cicero’s Finest Hour (44 to 43 B.C.E.)
British World War One SMLE Sniper Rifle
Forgotten Weapons
Published 17 Nov 2018https://www.forgottenweapons.com/brit…
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The British started World War One without a sniper program, but were quick to develop one once faced with the threat of well-trained German snipers. The initial equipment used by the British was a motley collection of commercial hunting rifles, but by 1915 the government was issuing contract to mount mostly 3x and 4x telescopes on SMLE and Pattern 1914 rifles. About 10,000 scoped sniper rifles were issued in total during the war using a variety of scopes and mount types (a standardized pattern would not be adopted until 1918). The example we have here today is the most common type; an SMLE with an offset Periscopic Prism Company scope using a 5-screw mount assembled by the same company. Later in the war the offset mounts would slowly fall out of favor to the center-mounted scopes, which allowed better shooting at the cost of being able to use stripper clips.
Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754
May 16, 2020
Polish-Soviet War – First Phase 1919 – May 1920 I THE GREAT WAR 1920
The Great War
Published 15 May 2020Sign up for Curiosity Stream and Nebula – and get 40% off annual plans right now: https://curiositystream.com/thegreatwar
The Polish-Soviet War was one of the biggest conflicts after the armistice of 1918 and the culmination point of the many sub-conflicts that made up the Western Front of the Russian Civil War. The question about the Polish-Russian border was decided with armored trains, cavalry charges and also on the negotiating table.
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Centek, Jarosław: “Polish-Soviet War 1920-1921”, in: 1914-1918-online. International Encyclopedia of the First World War, ed. by Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson, issued by Freie Universität Berlin, Berlin 2014-10-08Leonhard, Jörn. Der überforderte Frieden. Versailles und die Welt 1918-1923 (CH Beck, 2018).
Borzecki, Jerzy. The Polish-Soviet Peace of 1921 and the Creation of Interwar Europe (New Haven and London: Yale University Press, 2008)
Engelstein, Laura. Russia in Flames (Oxford University Press, 2017).
Smele, Jonathan. The “Russian” Civil Wars 1916-1926 (London: Hurst, 2015).
Davies, Norman. White Eagle Red Star (Random House, 2003 (1972))
Böhler, Jochen. Civil War in Central Europe, 1918-1921 (Oxford University Press, 2019)
Timothy Snyder. The Reconstruction of Nations. (New Haven: Yale University Press, 2003)
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
May 15, 2020
Protecting the Innocent – Kids Evacuations – On the Homefront 003
World War Two
Published 14 May 2020The European powers may be at war but there’s now thing they can agree on: their young must be protected. So, before the first RAF or Luftwaffe bombs were even dropped on cities, countries are drawing up plans to save as many lives of their youth as they possibly can.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Anna Deinhard
Written by: Isabel Wilson and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Sources:
USHMM
Bundesarchiv
IWM LN 6194, HU 36871, D 2238, D 10457, D 2592, D 5081, D 24903, IWM D 15530, D 2045, HU 3323, Art.IWM PST 3095, Art.IWM PST 13854, Art.IWM PST 15100, D 9211, D 824, D 257, D 5665, D 2224, D 1939A, F 4422
Portrait of John Anderson, courtesy Yousuf Karsh, Dutch National Archives
from the Noun Project: students by Piotrek Chuchla, mother by Mr. Minuvi, Pregnant by Wojciech Zasina, bag by Nabilauzwa, Gas Mask by Nico Ilk from the Noun Project, Underwear by The Icon Z, baby clothes by Llisole, espadrilles shoes by Edwin PM, socks by Анна Пасечная, Toothbrush by amantaka, Comb by Randall Barriga, towel by Pixelz Studio, handkerchief by Vectors Market, soap by Jae Deasigner, coat by Ilham Juliandi, Food by Atif ArshadSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Johannes Bornlof – “Deviation In Time”
Farell Wooten – “Blunt Object”
Jo Wandrini – “Puzzle Of Complexity”
Gavin Luke – “Drifting Emotions 3”
Howard Harper-Barnes – “Prescient”
Fabien Tell – “Last Point of Safe Return”
Andreas Jamsheree – “Guilty Shadows 4”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
5 hours ago (edited)
Welcome back to another episode of On the Homefront! Researching this episode about evacuations was a fun one to dive to because in the UK, we learn about about children evacuees during the war but of course what we’re not taught is the mass scale of this operation. For each of the millions of children displaced during the war, they each came away with it with their own story and I hope I’ve captured that here. Looking forward to reading your comments! Be sure to follow us over on instagram at https://www.instagram.com/world_war_two_realtime/ and let us know what other aspects of life on the homefront you’d like to hear about!Cheers,
Izzy
“Fields of Verdun” II – The Guns of Verdun – Sabaton History 067 [Official]
Sabaton History
Published 14 May 2020The Meat-Grinder. Dead Man’s Hill. The Bone-Mill. Verdun has many names, as it went down into history as a place of death and destruction. Never before did so many light and heavy artillery guns fire on such a small battlefield. It was the end of the classical field battle and instead turned into a 10 month siege that was fought not by flesh and blood, but by steel and chemistry.
We would like to thank the World of Tanks team for their contribution and help with the video filming. If you’re not yet a World of Tanks player, join the game and get your hands on cool in-game stuff for free via the link: https://redir.wargaming.net/w7fwclmx/…
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Listen to “Fields of Verdun” on the album The Great War
CD: http://nblast.de/SabatonTheGreatWar
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Google Play: https://sabat.one/TheGreatWarGooglePlayWatch the Official Video of Fields of Verdun here:
https://youtu.be/xP8G-LwWNn0Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Imperial War Museum: Q 23892, Q 87441, Q 23760, Q 88017, Q 78041, Art.IWM BUTE 290, Q 27526, Q 108345, Q 56987, Q 58386, Q 87945, Q 56546, Q 69971
– Bibliothèque nationale de FranceAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
The Largest Aircraft Ever Built By Britain: The Bristol Brabazon
Mustard
Published 23 Jun 2018With a wingspan greater than a Boeing 747, the Bristol Brabazon was the largest aircraft ever built by Britain. More a flying oceanliner than plane, it featured sleeping cabins, a dining room, a cocktail bar and lounge, and even a 23-seat movie theater.
The Brabazon was also fitted with cutting edge innovations. A fully pressurized, air conditioned cabin. Electric engine controls, and high-pressure hydraulics to operate its massive control surfaces. Its enormous wing housed more than 16 thousand gallons of fuel, and eight of the most powerful piston engines available. While the first Brabazon used piston engines, later Brabazons were to use turboprop engines that were being developed by Bristol.
The Bristol Brabazon would have true transatlantic capability. Able to fly non-stop from London to New York against prevailing eastern winds. In the 1940s, this would have been quite the feat. Transatlantic flights were almost always done in stages to allow for refueling.
Despite introducing new innovations, many of which influenced the future of aviation, the Brabazon’s driving philosophy was outdated. The Brabazon’s mission was to compete with ocean liners for ultra-wealthy passengers. But this lumbering, super-sized airliner would have been introduced with airlines for 1950s, right when the first jet airliners, like the De Havilland Comet, were taking to the skies. Aircraft like the Dash 80, which would become the 707, were also just around the corner, and would bring a transatlantic crossing down to as little as 7 hours.
After a massive design and development effort, Britain found itself stuck with a plane nobody actually wanted, designed for an era that no longer existed.The program was cancelled and the Brabazon, and its half finished turboprop successor were sold for their weight in scrap.
#BristolBrabazon #BritishAviation #WhiteElephant #Airplanes
For an authoritative resource on the Bristol Brabazon visit:
http://www.historynet.com/bristol-bra…Special thanks to niltondc for helping to model the Bristol Brabazon:
https://www.youtube.com/user/niltondcLike the the aviation industry posters found in this video? Visit The Aviation Ancestry Database, containing over 80,000 high-quality examples: http://www.aviationancestry.co.uk/
Special thanks to Nick Arehart for helping clean up our audio:
https://twitter.com/airhrt_Special thanks to: Coby Tang, Christian Altenhofen and Razvan Caliman for supporting us on Patreon and helping Mustard grow: https://www.patreon.com/MustardChannel
Music (reproduced under license):
Intro & Extro: “Wells Street” – https://www.pond5.com/stock-music/730…
Main Song #1: “Worrying Clock Cycle” – https://www.pond5.com/stock-music/767…
Main Song #2: “The Funk Kit” – https://audiojungle.net/item/the-funk…
QotD: Gandhi and the rise of Hitler
Gandhi’s views on the European crisis were not entirely consistent. He vigorously opposed Munich, distrusting Chamberlain. “Europe has sold her soul for the sake of a seven days’ earthly existence,” he declared. “The peace that Europe gained at Munich is a triumph of violence.” But when the Germans moved into the Bohemian heartland, he was back to urging nonviolent resistance, exhorting the Czechs to go forth, unarmed, against the Wehrmacht, perishing gloriously — collective suicide again. He had Madeleine Slade draw up two letters to President Eduard Beneš of Czechoslovakia, instructing him on the proper conduct of Czechoslovak satyagrahi when facing the Nazis.
When Hitler attacked Poland, however, Gandhi suddenly endorsed the Polish army’s military resistance, calling it “almost nonviolent.” (If this sounds like double-talk, I can only urge readers to read Gandhi.) He seemed at this point to have a rather low opinion of Hitler, but when Germany’s panzer divisions turned west, Allied armies collapsed under the ferocious onslaught, and British ships were streaming across the Straits of Dover from Dunkirk, he wrote furiously to the Viceroy of India: “This manslaughter must be stopped. You are losing; if you persist, it will only result in greater bloodshed. Hitler is not a bad man …”
Gandhi also wrote an open letter to the British people, passionately urging them to surrender and accept whatever fate Hitler had prepared for them. “Let them take possession of your beautiful island with your many beautiful buildings. You will give all these, but neither your souls, nor your minds.” Since none of this had the intended effect, Gandhi, the following year, addressed an open letter to the prince of darkness himself, Adolf Hitler.
The scene must be pictured. In late December 1941, Hitler stood at the pinnacle of his might. His armies, undefeated — anywhere — ruled Europe from the English Channel to the Volga. Rommel had entered Egypt. The Japanese had reached Singapore. The U.S. Pacific Fleet lay at the bottom of Pearl Harbor. At this superbly chosen moment, Mahatma Gandhi attempted to convert Adolf Hitler to the ways of nonviolence. “Dear Friend,” the letter begins, and proceeds to a heartfelt appeal to the Führer to embrace all mankind “irrespective of race, color, or creed.” Every admirer of the film Gandhi should be compelled to read this letter. Surprisingly, it is not known to have had any deep impact on Hitler. Gandhi was no doubt disappointed. He moped about, really quite depressed, but still knew he was right. When the Japanese, having cut their way through Burma, threatened India, Gandhi’s strategy was to let them occupy as much of India as they liked and then to “make them feel unwanted.” His way of helping his British “friends” was, at one of the worst points of the war, to launch massive civil-disobedience campaigns against them, paralyzing some of their efforts to defend India from the Japanese.
Here, then, is your leader, O followers of Gandhi: a man who thought Hitler’s heart would be melted by an appeal to forget race, color, and creed, and who was sure the feelings of the Japanese would be hurt if they sensed themselves unwanted. As world-class statesmen go, it is not a very good record. Madeleine Slade was right, I suppose. The world certainly didn’t listen to Gandhi. Nor, for that matter, has the modern government of India listened to Gandhi. Although all Indian politicians of all political parties claim to be Gandhians, India has blithely fought three wars against Pakistan, one against China, and even invaded and seized tiny, helpless Goa, and all without a whisper of a shadow of a thought of ahimsa. And of course India now has atomic weapons, a satyagraha technique if ever there was one.
Richard Grenier, “The Gandhi Nobody Knows”, Commentary, 1983-03-01.
May 14, 2020
1948: The Dutch vs. the USA – 2nd Police Actions | The Indonesian War of Independence Part 4
TimeGhost History
Published 13 May 2020The international community forces the Dutch to end their first colonial offensive with the Renville Agreement. However, as the Dutch, the Indonesian Republicans and the multiple other groups continue fighting, an impasse devolops.
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Hosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Isabel Wilson
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations:
Dememorabilia – https://www.instagram.com/dememorabilia/
Carlos Ortega Pereira (BlauColorizations – https://www.instagram.com/blaucoloriz…
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?Research Sources: https://bit.ly/IndoSources
Visual Sources:
Nationaal Archief
National Archives NARA
Tropenmuseum, part of the National Museum of World CulturesIcons from the Noun Project by Wonmo Kang, Creative Mania & Claudia Revalina
Archive by Screenocean/Reuters https://www.screenocean.com.
Music:
“Other Sides of Glory” – Fabien Tell
“Remembrance” – Fabien Tell
“Sailing for Gold” – Howard Harper-Barnes
“Last Point of Safe Return” – Fabien Tell
“It’s Not a Game” – Philip Ayers
“Moving to Disturbia” – Experia
“March Of The Brave 10” – Rannar Sillard
“March Of The Brave 9” – Rannar SillardA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Three reasons the Western allies fail to fully acknowledge the efforts of the Soviets in WW2
Arthur Chrenkoff suggests three major reasons for why many Russians and other Soviet-nostalgics feel the west is wrongly denying the Soviet Union full credit for the defeat of Nazi Germany:

Kombat (Russian: Комбат, lit. “battalion commander”) is a black-and-white photograph by the Soviet photographer Max Alpert. It depicts a Soviet military officer armed with a TT pistol who is raising his unit for an attack during World War II. This work is regarded as one of the most iconic Soviet World War II photographs, yet neither the date nor the subject is known with certainty. According to the most widely accepted version, the photograph depicts junior politruk (political officer) Aleksei Gordeyevich Yeryomenko, minutes before his death on 12 July 1942, in Voroshilovgrad Oblast, Ukraine.
Wikimedia Commons.
But while the Russian – or, more correctly, Soviet – role in defeating Hitler is beyond question and deserves wider attention and recognition, there are several reasons why the Western acknowledgement of the eastern front will always remain qualified and somewhat ambiguous.
Firstly, while Russia continues to variously deny, downplay or excuse the fact, the Soviet Union was the initial co-aggressor in World War Two and for the first two years a Nazi ally and collaborator. Stalin might have had legitimate realpolitik reasons for the Ribbentrop-Molotov pact, in effect sacrificing Europe to win more time to prepare for the inevitable war with Germany (nice in theory, the gambit in any case did not work out in practice), but the fact remains that in concert with Hitler, Stalin invaded Poland and was rewarded with its eastern half, subsequently also helping himself to Bessarbia, annexing the Baltic states and invading Finland. In turn, the fact that Hitler assured himself he would not be facing a war on two fronts, which doomed Germany in World War One, allowed him to successively snatch Poland, Norway, Denmark, the Netherlands, Belgium, France, Yugoslavia and Greece, giving Germany a complete dominance over the continental Europe from the Atlantic to the Bug river and the Arctic Circle to Crete. And while Great Britain stood alone against Germany for a year from mid-1940 to mid-1941, Soviet resources and produce kept flowing in, feeding and arming the Nazi monster. This makes Stalin’s subsequent anger over the Allied delay in launching the Second Front in the West quite hypocritical – where was the Second Front in the East while Luftwaffe was blitzing Britain and its troops were battling Italians and Rommel in north Africa?
Secondly, without in any way diminishing the German barbarity in the east, a significant proportion of the Soviet military and civilian casualties were unnecessary and resulted from the communist government’s complete and utter disregard for the lives and well-being of its subjects. Stalin fought the war as he fought the peace at home. The man who prior to 1941 had managed to send somewhere upwards of 15 million of his own people to an early grave, clearly wasn’t going to spare the long suffering population when faced with an external existential threat. The Soviet Union might not have (at least initially) had much else, but it certainly had people, and they were sacrificed in obscene numbers by the man in the Kremlin and his minions on the ground. For most of the war, several Red Army soldiers were dying for every one German, while obeying absurd orders to stand ground or frontally attack in total disregard for the local circumstances or for that matter any reasonable tactical and strategic consideration. When Eisenhower and Zhukov caught up some time later in the war and the conversation turned to the best method of clearing mine fields, the Russian astonished the Allied Commander-in-Chief when he nominated simply sending the infantry through as the easiest and the cheapest method. This wasn’t a joke either; it was the way the Red Army fought from the first days of Barbarossa all the way to Berlin, even though the eventual overwhelming material superiority did save many an Ivan’s life in the later stages of the conflict. Not enough, however, to wipe out the entire generation of men born in the mid-1920s.
Thirdly, while the Red Army did indeed end the brutal Nazi occupation of the Central and the Eastern Europe, it did not bring freedom in any meaningful sense of the word, except perhaps (in most cases) freedom from sudden death. Debates about similarities and differences between the two totalitarian systems will no doubt continue well into the future. Unquestionably, for an average Slav, the Soviet domination was a better option that the Nazi one. Nazis, by and large, considered Slavs to be subhuman (though making some allowances, often quite significant, for their Slavic allies, like the Slovaks, the Croats or the Bulgarians), fit only to be initially enslaved and eventually exterminated. This was the far deadlier and much more ideological continuation of Germany’s 1000-year “drang nach osten” or the “civilising” mission to expand into the fertile east. Particular hatred was reserved for the Poles, who stood as a barrier for most of that millennium, preventing the dream of lebensraum from being realised. Russia was a much more recent enemy, having overlaid its Slavic barbarity with a Bolshevik malignancy. Even the initial Nazi plans called for starving between 25-30 million Belorussians, Ukrainians and Russians in order to free up food and resources for Germany. Communists could be deadly too, of course, and both the Reds and the Blacks were fond of decimating the local elites and intelligencia, but the Soviets at least did not see their Slavic brethren as subhumans but as proletarian masses to be converted to the glories of Marxism-Leninism.
Be that as it may, the Soviet liberation did not bring liberty or independence to the people of Eastern Europe. That had to wait until 1989-91.
Farquhar Hill: Britain’s WW1 Semiauto Rifle
Forgotten Weapons
Published 20 Feb 2017The Farquhar-Hill was a semiauto rifle developed in Britain prior to World War 1. It was the idea of Birmingham gunsmith Arthur Hill, and financed by Aberdeen industrialist Mowbray Farquhar. The design began as a long-recoil system, but that was replaced with a unique spring-buffered gas operated mechanism before production began.
Basically, a gas port in the barrel taps gas off to a piston, which moved about 3 inches rearward and was then caught and held by a latch. At that point, the other end of the spring would be released to move backward, pushing on the bolt and bolt carrier, unlocking and cycling the action. This gave the rifle a very light felt recoil impulse, and also buffered the bolt from potential over-pressure cartridges.
The Farquhar-Hill was chambered for the .303 British cartridge, and in its military form fed from 19-round drum magazines. A large order for 100,000 rifles was placed by the British military, but cancelled when WW1 ended. A small number of the rifles were sold in the military pattern as well as in box magazine-fed sporting patterns, but Farquhar was more interested in pursuing military contracts, and would continue to work with machine gun designs going into the 1920s.
Thanks to the Institute of Military Technology for giving me access to these two rifles: http://www.instmiltech.com
http://www.patreon.com/ForgottenWeaponsCool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
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May 13, 2020
Rudolf Hess – Nazi Pacifist, Traitor or Madman? – WW2 Special Episode
World War Two
Published 12 May 2020In a series of events, Hitler’s second in command Rudolf Hess decides to fly to Britain to enter peace negotiations with the Allies. But the true reasons behind and effects of his action remain ambiguous at best.
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Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart, https://oldtimesincolor.blogspot.com/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Olga Shirnina, https://klimbim2014.wordpress.com
Adrien Fillon, https://www.instagram.com/adrien.colo…Bibliography:
– Balfour, Michael, Propaganda in War, 1939–45: Organizations, Policies, and Publics in Britain and Germany (London, 1979).
– Fox, Jo. “Propaganda and the Flight of Rudolf Hess, 1941-45”. In: The Journal of Modern History 83:1 (March 2011) 78-110.
– Gorodetsky, Gabriel, “The Hess Affair and Anglo-Soviet Relations on the Eve of ‘Barbarossa'”. In: The English Historical Review 101:399 (Apr 1986) 405-420.
– Görtemaker, Manfred, “The Bizarre Mission: Rudolf Hess in Britain,” in Britain and Germany in the 20th Century, ed. M. Görtemaker (Oxford, 2006), 75–101.
– Heiden, Konrad, “Hitler’s Better Half”. In: Foreign Affairs 20:1 (Oct 1941) 73-86.
– Kettenacker, Lothar, “Mishandling a Spectacular Event: The Rudolf Hess Affair,” in Flight from Reality: Rudolf Hess and His Mission to Scotland, ed. David Stafford (London, 2002) 19–38.
– Schmidt, Rainer, “The Marketing of Rudolf Hess: A Key to the ‘Preventative War Debate’?” War in History 5 (1998) 62-83.Sources:
Bundesarchiv
Portraits of Douglas Douglas-Hamilton, duke of Hamilton and Duff Cooper, MP, courtesy National Portrait Gallery
Narodowe Archiwum Cyfrowe
Zentralbibliothek Zürich
Portrait of Max Aitken, Lord Beaverbrook, courtesy Nationaal Archief
IWM D 8987Soundtracks from the Epidemic Sound:
Rannar Sillard – “March Of The Brave 4”
Reynard Seidel – “Deflection”
Andreas Jamsheree – “Guilty Shadows 4”
Johannes Bornlof – “The Inspector 4”
Johannes Bornlof – “Deviation In Time”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Tank Chats #69 Ram Mark II | The Tank Museum
The Tank Museum
Published 15 Mar 2019David Fletcher talks about the WW2 Ram Mark II tank, built by Canada during the Second World War.
It was based upon the American Medium M3 (Lee) and many components were supplied by the United States.
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Visit The Tank Museum SHOP: ► https://tankmuseumshop.org/
Twitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tankchats
May 12, 2020
Legends Summarized: The Monkey King (Journey To The West Part 1)
Overly Sarcastic Productions
Published 1 Oct 2015Meet the progenitor of all brash, impulsive, superpowerful anime characters! Sun Wukong, the Monkey King and Great Sage, was the most impulsive of them all!
“Wreaking havoc in heaven is so much fun it should be illegal!” -Monkey, probably
I might cover something else before continuing with part two of The Journey To The West. It’s kind of a doozy, and I’m having a lot of trouble convincing myself to cut some parts out. Watch out for Don Quixote in the meantime.
May 11, 2020
Battle of Cape Matapan: Just Four Minutes to Cripple a Fleet
Historigraph
Published 10 May 2020For unlimited access to the world’s top documentaries and nonfiction series go to http://go.thoughtleaders.io/167132020… and use the promo code ‘
historigraph‘ to get 30 days free access.Buy Historigraph Posters here! teespring.com/stores/historigraph
Support the channel on Patreon: https://www.patreon.com/historigraph#CapeMatapan #Historigraph #Historigraph #CuriosityStream
► Twitch: https://www.twitch.tv/historigraph
► Twitter: https://twitter.com/historigraph
► Instagram: https://www.instagram.com/historigraphSources:
The Battle of Matapan, SWC Pack
Engage the Enemy More Closely, Corelli Barnett,
Dark Waters, JE Harrold
Music:
“Unnatural Situation” by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song…
License: http://creativecommons.org/licenses/b…“Volatile Reaction” by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song…“Crypto” by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song…
















