World War Two
Published 23 Apr 2020What did soldiers eat on the frontlines? What happened to the French Foreign Legion? And how is the legacy of Alfred Dreyfus handled in the anti-semitic Vichy France? Find out in this exciting episode of Out of the Foxholes!
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Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Bundesarchiv
German soldiers eating (courtesy Josef Gierse)
Narodowe Archiwum Cyfrowe
IWM E 3799
From the Noun Project: Spam by Jay Adams, Biscuits by Xela Ub, can by Anniken & Andreas, Bread by Vallone Design, Jam by Vichanon Chaimsuk, honey by Marta Ambrosetti, Coffee by Larea, stew by Smalllike, Soup by Ben DavisSoundtracks from the Epidemic Sound:
Trabant 33 – “When in Bavaria”
Rannar Sillard – “March Of The Brave 4”
Johannes Bornlof – “Deviation In Time”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
April 24, 2020
Field Rations, Foreign Legion, and French Anti-Semitism – WW2 – OOTF 010
Prizes, patents, and the Society of the Encouragement of Arts, Manufactures and Commerce
In the most recent Age of Invention newsletter, Anton Howes explains why the Society of the Encouragement of Arts, Manufactures and Commerce (now the Royal Society of Arts) wasn’t a fan of the British patent system and preferred to award prizes in areas that were unlikely to generate monopoly situations:

The back of the Royal Society of Arts building in London, 25 August 2005.
Photo by C.G.P. Grey (www.CGPGrey.com) via Wikimedia Commons.
… the Society’s early members had an aversion to monopolies, and patents are, after all, temporary monopolies. But there was actually a more practical reason to not give rewards to patented inventions. In fact, quite a few active members of the Society were themselves patentees, and patents for inventions were not generally lumped together for condemnation with practices like forestalling and engrossing. The practical reason for banning patents was that there was no point giving a prize for something that people were already doing anyway. Patents were expensive in the eighteenth century — depending on how you account for inflation, it could cost about £300,000 in modern terms to obtain one — so the fact that there was a patent for a process was a clear indication that it might be profitable. The Society, by contrast, was supposed to encourage things that would not otherwise have been done.
Thus, when a patent had already been granted for a process the Society had been considering giving a premium for, it purposefully backed down — not because the prize would infringe on the patent, but because its encouragement was no longer necessary. And so the effect of the ban on patented inventions was that the Society received, even unsolicited, exactly the kinds of inventions that there was less monetary incentive to invent. Occasionally, this meant trivial improvements — minor tweaks, here and there, to existing processes. An engineer might patent one invention, but not see it worth their time patenting another — through the Society’s prizes, they might at least get a bit of cash for it, or some recognition. The improvement would also be promoted through the Society’s publications. Or, the Society received inventions that were far from trivial, like the scandiscope for cleaning chimneys [here], but which were not all that profitable: inventions that saved lives, or had other beneficial effects on the health and wellbeing of workers and consumers. And finally, the Society received innovations that could not be patented, such as agricultural practices and the opening of new import trades. In the early nineteenth century the Society awarded its prizes to a whole host of naval officers, including an admiral, who came up with flag-based signalling systems between ships — early forms of semaphore.
Another effect of the ban on patents was that the Society also attracted submissions from different demographics. Many of its submissions came from people who were too poor to afford patents, as well as from those who were too rich — wealthy aristocrats for whom commercial considerations might seem vulgar. The poor would generally go for the cash prizes, and the aristocrats for the honorary medals. And the prizes were used by people who might otherwise be socially excluded from invention. In 1758, for example, the Society instructed its members in the American colonies to accept submissions from Native Americans. It also allowed women to claim premiums (just as it allowed them to be members). My favourite example is Ann Williams, postmistress at Gravesend, in Kent, who won twenty guineas from the Society in 1778 for her observations on the feeding and rearing of silk-worms. She kept them in one of the post-office pigeon-holes, referring to them affectionately as “my little family” of “innocent reptiles”. Unlike other elements of society, the Society of Arts accepted, as she put it to them, that “curiosity is inherent to all the daughters of Eve.”
The Society thus encouraged the kinds of inventions that might not otherwise have been created, and catered to the kinds of inventors who might not otherwise have been recognised. Rather than competing with the patent system, it complemented it, filling in the gaps that it left. The Society operated at the margins, and only at the margins, to the better completion of the whole. It found its niche, to the benefit of innovation overall.
Mauser-Norris Prototype: Origins of the Mauser Legacy
Forgotten Weapons
Published 10 Jan 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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Today we are looking at one of the rarest and earliest rifles built by Paul and Wilhelm Mauser, a design which would set in motion all the events that led to the Mauser company becoming one of the great world leaders in small arms. The Mauser brothers were born in Oberndorf am Necker in the Kingdom of Württemberg, sons of a gunsmith. They would take up their father’s trade and were creative and intelligent boys, but opportunities were limited in the small, rural town of Oberndorf. In 1865 they presented a rifle to the Austrian Army in Vienna for trials, where it was rejected. However, it was noticed by an American sales rep for the Remington Company, a man named Samuel Norris. Norris saw the potential in the Mauser brothers’ design to convert needlefire rifles to metallic cartridges, and he signed a deal with the brothers to further develop the system.
The Mausers moved to Liege Belgium to do their work, and within just a few years they were making rifles for Norris. This example is based on a Chassepot, as Norris hoped to sell the conversion system to the French Army. That deal was rejected, however (the French were happy sticking with paper cartridges as of 1868), and Norris’ plans began to unravel when the Remington company discovered that he was making dealings in his own name instead of for them. The Mauser brothers ended up walking away from the deal with ownership of the patents they had filed with Norris, and when they submitted the design to the Prussians a process began which would result in the Mauser Model 1871 being adopted. From there, their talents would lead to the whole line of Mauser repeating rifles culminating in the Model 1898, arguably the pinnacle of the bolt action military rifle.
Thanks to the Liege Arms Museum for access to film this for you! If you are in Belgium, definitely plan to stop into the museum, part of the Grand Curtius. They have a very good selection of interesting and unusual arms on display. Further thanks to the Paul Mauser Archive for helping to arrange this filming!
http://www.paul-mauser-archive.com
Contact:
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April 23, 2020
1945: Japan Joins the Allies | The Indonesian War of Independence Part 1
TimeGhost History
Published 22 Apr 2020In Indonesia, following the end of the Second World War catalyses the end of brutal Japanese rule. Their exit prompts the Dutch to begin restoring their prewar colonial status over the archipelago. But nationalist spirits are brewing, their opportunity to proclaim Indonesian independence is transpiring.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Watch the Prologue to the Indonesian War of Independence series right here: https://youtu.be/IkKJSRaeOik
Hosted by: Indy Neidell
Written by: Isabel Wilson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson and Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek KaminskiColorizations:
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…Sources:
Archive by Screenocean/Reuters https://www.screenocean.com.
Tropenmuseum, part of the National Museum of World Cultures
Imperial War Museum Arts: Ronald Searle, SE5895 , SE-5865, SE5663, SE5724
RijksmuseumMusic:
“Deviation In Time” – Johannes Bornlof
“Last Point of Safe Return” – Fabien Tell
“Deflection” – Reynard Seidel
“Disciples of Sun Tzu” – Christian Andersen
“Split Decision” – Rannar Sillard
“Other Sides of Glory” – Fabien Tell
“Last Man Standing 3” – Johannes Bornlöf
“Magnificent March 3” – Johannes Bornlöf
“Deviation In Time” – Johannes BornlofA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 day ago (edited)
For the last decades, writing colonial histories on events such as the Indonesian War of Independence has been a difficult task. Due to the incriminating nature of the events, records were either never made or have been regularly “lost” since. Political interest in the events was minimal in both The Netherlands and Indonesia, but times are changing. In recent years, a lot more research power has been allocated to this topic by Dutch and Indonesian Universities and Research collectives. Finding colonial truths is a huge focus of academia right now and their work has allowed us to get real with colonialism in this series. We’re sure that even more sources and stories will surface in the coming years, allowing for more books and documentary such as ours to be made. We’re interested to hear what you think about this episode! Make sure to let us know in the comments!Cheers,
Izzy
Trial by jury
Peter Hitchens recounts the essential role of the jury system in the evolution of the English (and, by inheritance, the Australian, Canadian, and even American) constitutional rights of the individual, which today seems to be in peril:

A still from the 1957 movie Twelve Angry Men, directed by Sidney Lumet, starring Henry Fonda, Lee J. Cobb, and Martin Balsam.
Am I going to have to fall out of love with juries? For decades I have defended these curious committees, which can ruin a man’s life in an afternoon. It has been a romance as much as it has been a reasoned position. Most people get their best lesson in jury trials from the 1957 movie Twelve Angry Men. In that version, a single determined juror, played by Henry Fonda, gradually wins the rest of the panel round to an acquittal, at great cost in emotion and patience. But what really won my heart was Thomas Macaulay’s account of the Trial of the Seven Bishops, in which a London jury defied the wishes of the would-be autocrat King James II in 1688. It was an astonishing event, a monarch’s authority challenged by — of all unlikely things — a collection of Anglican prelates. Their acquittal, perhaps more than anything else, led to James’s fall a few months later. It was the beginning of true constitutional monarchy in Europe, the genesis of the English Bill of Rights and the forerunner of the very similar American document of the same name. It could not have happened without a jury.
For without a jury, any trial is simply a process by which the state reassures itself that it has got the right man. A group of state employees, none of them especially distinguished, are asked to confirm the views of other state employees. With a jury, the government cannot know the outcome and must prove its case. And so the faint, phantasmal ideal of the presumption of innocence takes on actual flesh and bones and stands in the path of power. Juries grew up in England almost entirely by happy accident, and no government would nowadays willingly create them where they do not already operate. A brief fashion for them in 19th-century Europe was swiftly stamped out by governments that understood all too well how much they limited their power. I believe the last true Continental juries, sitting in the absence of a judge, were abolished in France in 1940 by the German occupation authorities. People in Anglosphere countries, unaware that true independent juries rarely exist outside the English-speaking world, have no idea what a precious possession they are.
I remember actually pounding the arm of my chair with delight as I read Macaulay’s account of the response of the bishops’ attorney, Francis Pemberton, when threatened by the chief Crown prosecutor, the solicitor general: “Record what you will. I am not afraid of you, Mister Solicitor!” So this was England after all, and even the majesty of the Stuart Crown could not overawe the defense. This was wholly thanks to the fact that the trial took place before a jury — which duly acquitted the bishops of “seditious libel,” the ludicrous charge by which James had hoped to crush opposition to his plans to reverse the Reformation. Without a jury, the king would of course have won his case, and England would have gone down the road to absolutism (already followed in France, Prussia, Russia, and the Habsburg dominions) with incalculable consequences for the whole world. Instead we had what came to be called the Glorious (or Bloodless) Revolution.
And my blood still runs faster when I recall this and other moments at which the mere existence of juries has made us all more free. Yet I also have terrible doubts. Is the independence of juries possible in the modern world, in which the English Bill of Rights is all but forgotten and a new dispensation reigns? All too often, I read reports of trials in my own country that fill me with doubt. I did my fair share of court reporting as an apprentice journalist many years ago, and I have a good understanding of how these things used to work and ought to work. Something has changed. There is a worrying number of sex cases now coming before the courts in which clear forensic proof of guilt is often unobtainable.
The alleged crimes themselves are repulsive, and the mere accusation is enough to nurture prejudice. The defendants have often been arrested in the scorching light of total publicity, in spectacular dawn raids totally unjustified by any immediate danger they present. Pre-trial media reporting has further undermined the presumption of innocence. In England there is still officially a strong rule against the media taking sides before the jury delivers its verdict. But this is not enforced as it once was. The prosecutions are frequently as emotional as they are unforensic, the opposite of the proper arrangement. Yet the defendants are often convicted even so (sometimes by majority verdicts, which in my view violate the whole jury principle). The state seems somehow to have turned the jury — often swayed by emotion — into its own weapon. And it is worse than the alternative. A wrongfully-convicted defendant, pronounced culpable by a jury of his peers, must feel a far deeper despair than one cast into prison by a mere panel of judges.
Quintinshill, the Worst Railway Disaster in British History
The History Guy: History Deserves to Be Remembered
Published 15 Sep 2018Railroads played a critical role for the United Kingdom in the Great War. But the increased burden on the nation’s railways had its cost. In the early morning hours of May 22, 1915, a crowded schedule resulted in the 1915 Quintinshill Rail Disaster, the worst railway disaster in British history. Its victims, mostly men of the 1/7 Royal Scots regiment, deserve to be remembered.
The History Guy uses media that are in the public domain. As photographs of actual events are sometimes not available, photographs of similar objects and events are used for illustration.
The episode includes historical photos involving the Great War and a 1915 railway disaster. Those photos are provided in context of the historical events. No graphic violence is shown.
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The History Guy: History Deserves to Be Remembered is the place to find short snippets of forgotten history from five to fifteen minutes long. If you like history too, this is the channel for you.
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#quintinshill #wwi #thehistoryguy
April 22, 2020
Tanks of the Early North Africa Campaigns, by The Chieftain – WW2 Special
World War Two
Published 21 Apr 2020The Chieftain takes us to North Africa, where he talks us through the tanks that were used during the first months of the Battles in North Africa between the Italians and Germans on the one side and British and Commonwealth forces on the other.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: The Chieftain
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: The Chieftain
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Carlos Ortega Pereira,
BlauColorizations, https://www.instagram.com/blaucoloriz…
Adrien Fillon – https://www.instagram.com/adrien.colo…Sources:
Bundesarchiv
IWM KID 502, H 20697, E 443, H 1148, E380, KID346, E 1002, E 5366, E676, F 4594, E 1416, E 6605, E 15182, O 747, E 5559, E 142, F 2919, E 5036, F 2441, E 1772, E 9562, NA 2304, E 7304, E 2138
Noun Project: company soldiers by Andrei Yushchenko, Radio by Pravin Unagar, gearbox by Baboons, Shield by Nikita Kozin, Weight by Vadim Solomakhin, Game by Ecem Afacan, Target by RITASYASoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Johan Hynynen – “Dark Beginning”
Max Anson – “Ancient Saga”
Rannar Sillard – “Split Decision”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “The Inspector 4”
Rannar Sillard – “Easy Target”
Philip Ayers – “Trapped in a Maze”
Phoenix Tails – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
The REAL Heroes of the M1 Carbine – not “Carbine” Williams
Forgotten Weapons
Published 21 Apr 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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The Hollywood-spawned mythos of the M1 Carbine is that it was created by David Marshall “Carbine” Williams. The reality is far different. In real life, Williams was talented, but short-tempered, stubborn, and unable to work effectively as part of a team — and a cohesive, cooperative team is what the M1 Carbine required.
While Williams was off sulking about how the work was being done wrong, a team of Winchester machinists and engineers including William Roemer and Fred Humiston were actually making it happen.
The most impressive anecdote of the whole story, to me, is from when the solitary Winchester prototype broke its bolt in the middle of the final testing. Fred Humiston was representing Winchester at the trials, and he was told that if he could provide a new bolt within 24 hours the gun could continue the trials — but he could not take the gun off the testing ground. So Humiston went back to the Winchester shop and made a new bolt from memory (no drawings yet existed for the gun) and without being able to test-fit it in the gun. When he returned the next day, his new bolt dropped in perfectly, and the gun went on to win the trials. That is an epic feat of skill, and it is really a shame that he does not get more recognition for it.
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
April 21, 2020
The Curator at Home | Film Review: Kelly’s Heroes | The Tank Museum
The Tank Museum
Published 19 Apr 2020Join Curator David Willey at Home, as he reviews the classic film: Kelly’s Heroes.
https://tankmuseumshop.org/products/k…Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
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Soviet 122mm D30 Cannon (Firing)
Forgotten Weapons
Published 4 Jan 2020http://www.patreon.com/ForgottenWeapons
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The D30 is a Soviet 122mm multi-role gun introduced in the 1960s and still in use around the world today. It has a somewhat unusual 3-leg mount that is slower to set up than a standard trail, but allows for complete 360-degree rotation of the gun. The piece was designed for both indirect fire (maximum range 15.4km; more with rocket-assisted munitions) or direct anti-tank fire. Note that it came with an armor shield for the crew, which was left off the gun for this trip to the range.
Thanks to Battlefield Vegas for the chance to film this awesome cannon firing! It belongs to them, and will be set up at their facility for a pretty awesome rental firing experience if you are into that…
http://www.battlefieldvegas.com
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85704
QotD: Admiral Jackie Fisher’s five keys to “lock up the world”
Geography plays an important part in all of this. While the sea surface itself is without geography, naval forces are dependent on shore facilities for support. In the age of sail, this was mostly for supply and repair, while coaling stations defined naval geography during the early age of steam, giving the British a huge advantage over all opponents. The US, lacking such facilities, built bigger, longer-ranged ships. Today, we’ve created forward bases in Europe and Japan, to allow our ships to spend more time on station, and replenishment ships to allow ships to spend more time at sea.
Moreover, a huge fraction of global trade flows through a few key choke points. A century ago, Jackie Fisher described “Five keys [that] lock up the world! Singapore. The Cape. Alexandria [Suez]. Gibraltar. Dover.” Today, we’d have to add the Strait of Hormuz, but the basic truth remains the same. Control of trade through these critical areas gives immense power, and it is in the interest of a maritime power to have that control, or at least to have great influence over how it is used.
“bean”, “Basics of Naval Strategy”, Naval Gazing, 2018-01-22.
April 20, 2020
Understanding the Lost Cause Myth
The Cynical Historian
Published 16 Apr 2020The Lost Cause Myth has changed American history. Though it is a hateful ideology today, to ignore it is to give it power. We must understand the myth in order to defeat it.
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Wiki: The Lost Cause of the Confederacy, or simply the Lost Cause, is an American pseudo-historical, negationist ideology which holds the view that the cause of the Confederacy during the American Civil War was a just and heroic one. The ideology endorses the supposed virtues of the antebellum South, viewing the war as a struggle which was primarily waged in order to save the Southern way of life, or to defend “states’ rights”, in the face of overwhelming “Northern aggression.” At the same time, the Lost Cause minimizes or completely denies the central role of slavery in the buildup to and outbreak of the war.Particularly intense periods of Lost Cause activity occurred around the time of World War I, as the last Confederate veterans began to die out and a push was made to preserve their memories, and they also occurred during the Civil Rights Movement of the 1950s and 1960s, in reaction to growing public support for racial equality. Through activities such as building prominent Confederate monuments and writing school history textbooks, they sought to ensure that future generations of Southern whites would know about the South’s “true” reasons for fighting the war, and support white supremacist policies, such as Jim Crow laws. In this manner, white supremacy is a characteristic of the Lost Cause narrative.
The Lost Cause narratives typically portray the Confederacy’s cause as a noble one and they also portray its leaders as exemplars of old-fashioned chivalry, who were defeated by the Union armies through numerical and industrial force that overwhelmed the South’s superior military skill and courage. Proponents of the Lost Cause movement also condemned the Reconstruction that followed the Civil War, claiming that it had been a deliberate attempt by Northern politicians and speculators to keep the South down. The Lost Cause theme has also evolved into a major element in defining gender roles in the white South, in terms of preserving family honor and chivalrous traditions. The Lost Cause has inspired numerous Southern memorials and religious attitudes.
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Hashtags: #history #LostCause #Mythology
The four distinct phases of the Great Depression in the United States
An older post from Lawrence W. Reed at the Foundation for Economic Education outlines the low points of the Great Depression and debunks a few widely held myths about that cataclysmic economic era:
Phase 1, the Federal Reserve and the end of the Roaring 20’s:
One of the most thorough and meticulously documented accounts of the Fed’s inflationary actions prior to 1929 is America’s Great Depression by the late Murray Rothbard. Using a broad measure that includes currency, demand and time deposits, and other ingredients, Rothbard estimated that the Federal Reserve expanded the money supply by more than 60 percent from mid-1921 to mid-1929. The flood of easy money drove interest rates down, pushed the stock market to dizzy heights, and gave birth to the “Roaring Twenties.”
By early 1929, the Federal Reserve was taking the punch away from the party. It choked off the money supply, raised interest rates, and for the next three years presided over a money supply that shrank by 30 percent. This deflation following the inflation wrenched the economy from tremendous boom to colossal bust.
The “smart” money — the Bernard Baruchs and the Joseph Kennedys who watched things like money supply — saw that the party was coming to an end before most other Americans did. Baruch actually began selling stocks and buying bonds and gold as early as 1928; Kennedy did likewise, commenting, “only a fool holds out for the top dollar.”
Phase 2, Hoover’s interventions and the disaster of Smoot-Hawley:

Willis C. Hawley (left) and Reed Smoot in April 1929, shortly before the Smoot–Hawley Tariff Act passed the House of Representatives.
Library of Congress photo via Wikimedia Commons.
Unemployment in 1930 averaged a mildly recessionary 8.9 percent, up from 3.2 percent in 1929. It shot up rapidly until peaking out at more than 25 percent in 1933. Until March 1933, these were the years of President Herbert Hoover — the man that anti-capitalists depict as a champion of noninterventionist, laissez-faire economics.
Did Hoover really subscribe to a “hands off the economy,” free-market philosophy? His opponent in the 1932 election, Franklin Roosevelt, didn’t think so. During the campaign, Roosevelt blasted Hoover for spending and taxing too much, boosting the national debt, choking off trade, and putting millions of people on the dole. He accused the president of “reckless and extravagant” spending, of thinking “that we ought to center control of everything in Washington as rapidly as possible,” and of presiding over “the greatest spending administration in peacetime in all of history.” Roosevelt’s running mate, John Nance Garner, charged that Hoover was “leading the country down the path of socialism.” Contrary to the modern myth about Hoover, Roosevelt and Garner were absolutely right.
The crowning folly of the Hoover administration was the Smoot-Hawley Tariff, passed in June 1930. It came on top of the Fordney-McCumber Tariff of 1922, which had already put American agriculture in a tailspin during the preceding decade. The most protectionist legislation in U.S. history, Smoot-Hawley virtually closed the borders to foreign goods and ignited a vicious international trade war. Professor Barry Poulson notes that not only were 887 tariffs sharply increased, but the act broadened the list of dutiable commodities to 3,218 items as well.
Officials in the administration and in Congress believed that raising trade barriers would force Americans to buy more goods made at home, which would solve the nagging unemployment problem. They ignored an important principle of international commerce: trade is ultimately a two-way street; if foreigners cannot sell their goods here, then they cannot earn the dollars they need to buy here.
Phase 3, FDR and the New Deal:

Top left: The Tennessee Valley Authority, part of the New Deal, being signed into law in 1933.
Top right: FDR (President Franklin Delano Roosevelt) was responsible for the New Deal.
Bottom: A public mural from one of the artists employed by the New Deal’s WPA program.
Wikimedia Commons.
Franklin Delano Roosevelt won the 1932 presidential election in a landslide, collecting 472 electoral votes to just 59 for the incumbent Herbert Hoover. The platform of the Democratic Party whose ticket Roosevelt headed declared, “We believe that a party platform is a covenant with the people to be faithfully kept by the party entrusted with power.” It called for a 25 percent reduction in federal spending, a balanced federal budget, a sound gold currency “to be preserved at all hazards,” the removal of government from areas that belonged more appropriately to private enterprise, and an end to the “extravagance” of Hoover’s farm programs. This is what candidate Roosevelt promised, but it bears no resemblance to what President Roosevelt actually delivered.
In the first year of the New Deal, Roosevelt proposed spending $10 billion while revenues were only $3 billion. Between 1933 and 1936, government expenditures rose by more than 83 percent. Federal debt skyrocketed by 73 percent.
[…] in 1935 the Works Progress Administration came along. It is known today as the very government program that gave rise to the new term, “boondoggle,” because it “produced” a lot more than the 77,000 bridges and 116,000 buildings to which its advocates loved to point as evidence of its efficacy. The stupefying roster of wasteful spending generated by these jobs programs represented a diversion of valuable resources to politically motivated and economically counterproductive purposes.
The American economy was soon relieved of the burden of some of the New Deal’s excesses when the Supreme Court outlawed the NRA in 1935 and the AAA in 1936, earning Roosevelt’s eternal wrath and derision. Recognizing much of what Roosevelt did as unconstitutional, the “nine old men” of the Court also threw out other, more minor acts and programs which hindered recovery.
Phase 4, the Wagner Act:
The stage was set for the 1937–38 collapse with the passage of the National Labor Relations Act in 1935 — better known as the Wagner Act and organized labor’s “Magna Carta.” […] Armed with these sweeping new powers, labor unions went on a militant organizing frenzy. Threats, boycotts, strikes, seizures of plants, and widespread violence pushed productivity down sharply and unemployment up dramatically. Membership in the nation’s labor unions soared; by 1941 there were two and a half times as many Americans in unions as in 1935.
[…]
Higgs draws a close connection between the level of private investment and the course of the American economy in the 1930s. The relentless assaults of the Roosevelt administration — in both word and deed — against business, property, and free enterprise guaranteed that the capital needed to jumpstart the economy was either taxed away or forced into hiding. When Roosevelt took America to war in 1941, he eased up on his antibusiness agenda, but a great deal of the nation’s capital was diverted into the war effort instead of into plant expansion or consumer goods. Not until both Roosevelt and the war were gone did investors feel confident enough to “set in motion the postwar investment boom that powered the economy’s return to sustained prosperity.”
QotD: The Columbus myth
My conclusion was that the Rabbi’s view of the history of the ketubah fitted a pattern I have seen in other contexts — moderns believing in bogus history that supports their self image of superiority to those ignorant and unreasonable people in the past.
My favorite example is the Columbus myth, the idea that the people who argued against Columbus were ignorant flat-earthers who thought his ships would sail off the edge. That is almost the precise opposite of the truth. By the time Columbus set off, a spherical Earth had been the accepted scientific view for well over a thousand years. Columbus’s contemporaries not only knew that the Earth was round, they knew how big around it was, that having been correctly calculated by Eratosthenes in the third century B.C.
By the fifteenth century they also had a reasonably accurate estimate of the width of Asia. Subtracting the one number from the other they could calculate the distance from where Columbus was starting to where Columbus claimed to be going and correctly conclude that it was much farther than his ships could go before running out of food and water. The scientific ignorance was on the side of Columbus and those who believed him; he was claiming a much smaller circumference for the Earth and a much larger width of Asia, hence a much shorter distance from Spain to the far end of Asia. We will probably never know whether he believed his own numbers or was deliberately misrepresenting the geographical facts in order to get funding for his trip in the hope that he would find land somewhere between Spain and Japan, as in fact he did.
David D. Friedman, “Slandering the Past”, Ideas, 2018-02-14.
April 19, 2020
Yugoslavia Crushed – Battle for Greece Continues – WW2 – 086 – April 18, 1941
World War Two
Published 18 Apr 2020The Battles for Yugoslavia and Greece continue as the Soviet-Union and Japan sign a non-aggression pact.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
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Post-Production Director: Wieke Kapteijns
Research by: NN
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Adrien Fillon – https://www.instagram.com/adrien.colo…
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Carlos Ortega Pereira, https://www.instagram.com/blaucoloriz…Sources:
– Bundesarchiv, CC-BY-SA 3.0: Bild 101III-Weyer-024-05A/Weyer, Bild 146-1975-036-24/Gofferjé, Leander, Bild 101I-161-0317-26/Bauer, Bild 101I-158-0094-35/Kisselbach, Bild 102-17311
– Narodowe Archiwum Cyfrowe
– fractured arm icon by ProSymbols from the Noun Project
– Imperial War Museum: D 4311Archive by Screenocean/Reuters https://www.screenocean.com.
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