World War Two
Published 18 Jan 2023There is a second war raging on the Eastern Front. From the huge expanses of no man’s land behind the German lines, Moscow’s battle-hardened and well-armed partisan bands are waging a Rail War in support of Red Army offensives. But every successful mission brings down the wrath of the genocidal Axis war machine.
(more…)
January 19, 2023
The Partisan War Behind the Frontlines – WW2 Documentary Special
Comments Off on The Partisan War Behind the Frontlines – WW2 Documentary Special
January 18, 2023
L’affaire Dreyfus
Robert Zaretsky on an espionage scandal that convulsed the French Third Republic and still has resonance down to today:
Front page of L’Aurore for 13 January, 1898 with Zola’s J’Accuse headline.
Wikimedia Commons.
On January 13, 1898, Parisians awoke to the chorus of hundreds of news criers who, striding along the grand boulevards and brandishing copies of the newspaper L’Aurore, were shouting passages from the article that sprawled across the front page. It had originally been titled by its author, the novelist Émile Zola, “A Letter to M. Félix Faure, President of the Republique”. But with a flair for the sensational, the newspaper’s editor, Georges Clemenceau, slapped on a punchier headline. Stepping out of a department store or stepping down from a carriage, sitting at a café or standing at an intersection, pedestrians were greeted by two words that continue to resonate 125 years to the day after their first publication: “J’Accuse!”
With this exclamation, Zola’s letter transformed une affaire judiciare into l’affaire Dreyfus or, more simply, the Dreyfus Affair. It catapulted the French novelist onto the world stage at a critical moment in the history of his country, which was reeling from the forces of globalisation and industrialisation and riven by opposing understandings of its revolutionary heritage. It is thus hardly surprising that Zola’s fame rests more heavily on the letter than on his sweeping 20-volume masterpiece of literary realism, the Rougon-Macquart. It took a novelist to heave the facts of this affair into a narrative which, more than a century later, thrums with equal urgency. Moreover, as with the novels of the Rougon-Macquart, the letter thrusts onto centre-stage a lone individual swept up, and all too often swept under, the political and social, irrational and ideological forces of the modern age.
It all began with the contents of a rubbish bin. In September 1894, a cleaning woman at the German Embassy, in the pay of France’s military intelligence service, delivered her nightly harvest to her employers. Buried in the mound of discarded papers was a memorandum, known as the bordereau or note, revealing top secret advances in French artillery technology and tactics. In a frantic scramble to find its author, the war ministry’s suspicion settled on Captain Alfred Dreyfus, an officer in the High Command who stood out for his standoffishness and Jewishness.
Upon being arrested and charged, a bewildered Dreyfus denied the charges, pointing out several things mentioned in the bordereau he could not possibly have known. The seven members of the military tribunal, ignoring these inconsistencies as well as the insistence of their own graphologist that Dreyfus’s handwriting did not match the bordereau‘s, unanimously found him guilty. He was sentenced to life imprisonment in solitary confinement on Devil’s Island, a malarial rock off the coast of French Guyana.
But first came a remarkable ritual of public humiliation. Dreyfus was marched into the courtyard of the École militaire, the renowned military academy a short distance from the recently erected Eiffel Tower. In the shadow of that monument to modernity, an officer preceded to snap Dreyfus’s sword — broken and soldered back together with tin the night before, to make the gesture seem effortless — and tear off his insignia — whose threads were already loosened — while a dense crowd howled with calls for the death of the “Jewish traitor!”
Two years later, as Dreyfus wasted away in solitary confinement, Colonel Georges Picquart, the newly appointed head of military intelligence, found that another missive about French military plans had ended up in the rubbish bin at the German Embassy. Moreover, the handwriting on this new document, which matched that of the bordereau, also matched the hand of Ferdinand Esterhazy, an officer notorious for his womanising and gambling.
Picquart disliked Jews as much as his many of his fellow officers did. But when his commanding officer asked him why it mattered if “this Jew remains on Devil’s Island”, Picquart replied: “Because he is innocent!” The answer earned Picquart a rapid transfer to a desert outpost in North Africa. Before he was packed off, though, Picquart vowed that he would not “carry this secret to my grave”. He then shared what he knew with Auguste Scheurer-Kestner, the leader of Dreyfusards, a small but growing coterie of politicians and writers seeking a retrial for Dreyfus.
In late 1897, Zola met with Scheurer-Kestner, who told him about Picquart’s discovery. As the mesmerised novelist listened, he glimpsed the theatrical as well as moral dimensions of the affair. “It’s thrilling!” he gasped. “It’s frightful! But it is also drama on the grand scale!” It took Zola to scale it to greatness by flipping Oscar Wilde’s sly quip that anyone could make history, but only a great man could write it. Instead, Zola showed, a man becomes truly great only by, in every sense of the word, making history.
Comments Off on L’affaire Dreyfus
Ask Ian: Why No German WW2 50-Cal Machine Guns? (feat. Nick Moran)
Forgotten Weapons
Published 20 Sep 2022From Nathaniel on Patreon:
“Why didn’t Germany or Axis powers have a machine gun similar to the American M2?”Basically, because everyone faced the choice of a .50 caliber machine gun or 20mm (or larger) cannons for anti-aircraft use, and most people chose the cannons — including Germany. There were some .50 caliber machine guns adopted by Axis powers, most notably the Hotchkiss 1930, a magazine-fed 13.2mm gun that was used by both Italy and Japan (among others). However, the use of the .50 caliber M2 by the US was really a logistical holdover form the interwar period. The M2 remained in production because it was adopted by US Coastal Artillery as a water-cooled anti-aircraft gun, and commercial sales by Colt were slim but sufficient to keep the gun in development through the 20s and 30s. It was used as a main armament in early American armor, but obsolete in this role when the war broke out.
However, with the gun in production and no obvious domestic 20mm design, the US chose to simply make an astounding number of M2s and just dump them everywhere, from Jeeps to trucks to halftracks to tanks to self-propelled guns. And that’s not considering the 75% of production that went to coaxial and aircraft versions …
Anyway, back to the question. The German choice for antiaircraft use was the 20mm and 37mm Flak systems, and not a .50 MG on every tank turret. And so, there was really no motive to develop such a gun. The Soviets did choose to go the US route, though, and developed the DShK-38 for the same role as the US M2 — although it was made in only a tiny fraction of the quantity of the M2.
(more…)
Comments Off on Ask Ian: Why No German WW2 50-Cal Machine Guns? (feat. Nick Moran)
January 15, 2023
Time to Liberate Leningrad! – Ep 229 – January 14, 1944
World War Two
Published 14 Jan 2023Three Soviet Fronts launch major offensives to try and finally free Leningrad, under siege for nearly two and a half years now. The Soviets are, in fact, making attacks along most of the Eastern Front. In the South Pacific, the Allies step up their aerial assault to wreck Rabaul’s air power, thus neutralizing it as a base.
(more…)
Comments Off on Time to Liberate Leningrad! – Ep 229 – January 14, 1944
January 13, 2023
Is the French Resistance Defeated by 1944? – War Against Humanity 095
World War Two
Published 12 Jan 2023While the Soviet Union declared they will annex parts of Poland, the Western Allies fear that the broken French Resistance may ruin the plans for D-Day.
(more…)
Comments Off on Is the French Resistance Defeated by 1944? – War Against Humanity 095
January 10, 2023
Catherine the Great & the Volga Germans
Tasting History with Max Miller
Published 16 Aug 2022
(more…)
Comments Off on Catherine the Great & the Volga Germans
January 8, 2023
“Russians 27 miles from Poland!” – Ep 228 – January 7, 1944
World War Two
Published 7 Jan 2023That’s what the headlines say as the Red Army continues its advance in Ukraine. There are also plans afoot for a northern offensive to end the siege of Leningrad. There are also plans afoot for an Allied amphibious attack in Italy at Anzio. Both of these are set to go off within a couple weeks, so January promises to be full of active conflict.
(more…)
Comments Off on “Russians 27 miles from Poland!” – Ep 228 – January 7, 1944
January 7, 2023
January 6, 2023
Will Stalin Liberate or Occupy Poland? – War Against Humanity 094
World War Two
Published 5 Jan 2023The last week of 1943 is a busy one. Stalin deports the Kalmyk minority from Kalmykia, the escapees from Fort IX get away, and the US President moves to found the post-war UN.
(more…)
Comments Off on Will Stalin Liberate or Occupy Poland? – War Against Humanity 094
January 5, 2023
Tank Chats #162 | Springer | The Tank Museum
The Tank Museum
Published 2 Sep 2022Join Curator David Willey in his latest Tank Chat as he delves into the Springer, a German demolition vehicle.
(more…)
Comments Off on Tank Chats #162 | Springer | The Tank Museum
January 3, 2023
1943 in Numbers – WW2 Special
World War Two
Published 1 Jan 2023This war is massive. Our chronological coverage helps give us an understanding of it, but sometimes statistics help us understand the bigger picture.
(more…)
Comments Off on 1943 in Numbers – WW2 Special
January 1, 2023
Canadians Take Little Stalingrad – WW2 – 227 – December 31, 1943
World War Two
Published 31 Dec 20221943 reaches its end with no end in sight for the war. In Italy, the Canadians take Ortona after bloody close fighting, the US Marines advance on New Britain, and a new Soviet offensive makes huge gains in the USSR. This isn’t enough for the Allies, though, who have a big shake up in their European Command to help prepare for future attacks.
(more…)
Comments Off on Canadians Take Little Stalingrad – WW2 – 227 – December 31, 1943
December 30, 2022
Stalin Deports An Entire Ethnicity – War Against Humanity 093
World War Two
Published 29 Dec 2022The last week of 1943 is a busy one. Stalin deports the Kalmyk minority from Kalmykia, the escapees from Fort IX get away, and the US President moves to found the post-war UN.
(more…)
Comments Off on Stalin Deports An Entire Ethnicity – War Against Humanity 093
December 28, 2022
The Myth of the Nazi Police State – WW2 Documentary Special
World War Two
Published 27 Dec 2022The popular image of the Gestapo is as black leather-jacketed fiends whose spies keep the nation under constant surveillance. They are so powerful that the terrified population has no choice but to sell out its family and friends. But how true is this? Are all Germans living in fear of the Gestapo all the time?
(more…)
Comments Off on The Myth of the Nazi Police State – WW2 Documentary Special
What we still don’t know about historical European swordfighting
I was for many years a member of the SCA partly for the attraction of the historical period and partly for the swordfighting. The Society developed a (mostly) safe simulation of (some) medieval combat styles and later introduced (some) renaissance rapier combat as well (initially borrowing equipment standards from modern sport fencing). Around the time the SCA began to consider expanding from high medieval sword-and-shield styles, separate organizations in Europe and the United States sprang up to be more consciously historical in how they recreated historical blade combat, these groups are often collectively referred to as Historical European Martial Arts (HEMA) or Western Martial Arts (WMA). The foundation documents for HEMA and other historical combat enthusiasts are the various surviving manuals of swordmasters and fencing school owners which cover a kaleidoscope of weapons, techniques, advice, and how-to illustrations … some of which appear to be physically impossible for ordinary human beings:
MS Thott.290.2º f.87r.
The ultimate experts in medieval sword fighting were the “fight masters” – elite athletes who trained their disciples in the subtle arts of close combat. The most highly renowned were almost as famous as the knights they trained, and many of the techniques they used were ancient, dating back hundreds of years in a continuous tradition.
Little is known about these rare talents, but the scraps of information that have survived are full of intrigue. Hans Talhoffer, a German fencing master with curly hair, impressive sideburns and a penchant for tight body suits, had a particularly chequered past. In 1434, he was accused of murdering a man and admitted abducting him in the Austrian city of Salzburg.
Fight masters worked with a grisly assortment of deadly weapons. The majority of training was dedicated to fencing with the longsword, or the sword and buckler (a style of combat involving holding a sword in one hand, and a small shield in the other). However, they also taught how to wield daggers, poleaxes, shields, and even how to fight with nothing at all, or just a bag of rocks (more on this later).
It’s thought that some fight masters were organised into brotherhoods, such as the Fellowship of Liechtenauer – a society of around 18 men who trained under the shadowy grandmaster Johannes Lichtenauer in the 15th Century. Though details about the almost-legendary figure himself have remained elusive, it’s thought he led an itinerant life, travelling across borders to train a handful of select proteges and learn new fencing secrets.
Other fight masters stayed closer to home – hired by dukes, archbishops and other assorted nobles to train themselves and their guards. A number even set up their own “fight schools”, where they gathered less wealthy students for regular weekly sessions.
[…]
For all their beauty, the hand-drawn works could also be decidedly bloodthirsty. In Talhoffer’s 1467 manual, neat sequences of moves that look almost like dancing end abruptly with swords through eye-sockets, violent impalings, and casual instructions to beat the opponent to death. Some signature techniques even have names – chilling titles like the “wrath-hew”, “crumpler”, “twain hangings”, “skuller” and “four openings”.
Despite passing through countless generations of owners, and – in some cases – centuries of graffiti, burns, theft, and mysterious periods of vanishment from the historical record, a surprising number survive today. This includes at least 80 codexes from German-speaking regions alone.
Impossible moves and missing clues
But there’s a problem. Many of the techniques in combat manuals, also known as “fechtbücher“, are convoluted, vague, and cryptic. Despite the large corpus of remaining books, they often offer surprisingly little insight into what the fight master is trying to convey.
“It’s famously difficult to take these static unmoving woodcut images, and determine the dynamic action of combat,” says Scott Nokes, “This has been a topic of debate, research and experimentation for generations.”
On some occasions these manuals seem to depict contortions of the body that are physically impossible, while those that attempt to convey moves in three dimensions sometimes give combatants extra arms and legs that were added in by accident. Others contain instructions that are frustratingly opaque – sometimes depicting actions that don’t seem to work, or building upon enigmatic moves that have long-since been lost.
Oddly, the text is often written as poetry, rather than prose – and a few authors even made it hard to interpret their works on purpose.
Lichtenauer recorded his instructions in obscure verses which remain almost incomprehensible today – one expert has gone so far as to call them “gibberish”. According to a contemporary fight master he trained, the grandmaster wrote in “secret words” to prevent them from being intelligible to anyone who didn’t value his art highly enough.
Even when it is possible to decipher what a combat manual is describing or demonstrating, some experts suspect that crucial contextual information is always missing.
Comments Off on What we still don’t know about historical European swordfighting
