Forgotten Weapons
Published 28 Sep 2020http://www.patreon.com/ForgottenWeapons
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When the Lee magazine rifle was adopted for British military service, it was initially produced as a long rifle for the infantry. To accommodate the cavalry on horseback, a much more compact carbine version was produced. These were initially Lee Metford pattern, but changed to Lee Enfield pattern rifling when the long rifles made the same shift. The carbines were the origin of the cocking-piece-mounted safety, as the Lee Metford rifles in service at the time had no manual safety at all. The cavalry service wanted one, and the safety they came up with was added to later patterns of infantry rifle.
The Lee carbines are designed to be sleek and handy, to easily fit into a cavalry scabbard. The bolt handles are swooped forward slightly and flattened against the receiver. The front sight wings are rounded and the magazine was reduced to 6 rounds, barely extending beyond the receiver. Early examples were fitted with a D-ring on the left side of the receiver socket for use with a single point sling, but this was removed quickly and it is very rare to find carbines with intact sling rings today.
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
January 2, 2021
Lee Metford and Lee Enfield Carbines for the Cavalry
January 1, 2021
The paradox of innovation – the more you have, the less impact each individual innovation has
In the latest Age of Invention newsletter, Anton Howes considers the oddity that as the British economy expanded during the early Industrial Revolution, each new discovery had less and less direct impact on the economy as a whole:
What this means is that when there were even some slight improvements in agriculture alone, the effects on living standards could be dramatic. But absent such improvements, a rich culture of innovation affecting everything from clothes to watches to books, wine, glassware, metals, and pottery would have been almost entirely masked from the figures. Importantly, the same applies not only to the composition of average notional consumption baskets, but to the contributions of different sectors to the economy as a whole. While the total amount of food has increased dramatically for the past few hundred years, for example, agriculture’s share of the economy steadily fell (from over 40% of the English economy in 1600, and an even greater share of total employment, to less than 1% today, with a similar trend repeated worldwide). So the relative importance of your typical agricultural innovation for overall growth rates has fallen dramatically. Perhaps it’s no wonder that twentieth-century agricultural pioneers like Norman Borlaug still don’t really get their due.
The same goes, more recently, for manufacturing. The reason the textbooks always name Kay, Hargreaves, Crompton, Cartwright and Arkwright, is because they made improvements to what was already one of the most important sectors of the economy: textiles. In the eighteenth century, textiles as a whole accounted for a whopping 16-17% of the British economy. So any growth in the value of wool, linen, and increasingly cotton goods, had an appreciable impact on overall economic growth. Today, by contrast, you’d be hard pressed to find many sectors that account for even 5% of the country’s economy (except construction, and possibly financial services, depending on how broadly you define them). And while Britain may have long lost its role as the workshop of the world, textile production in China today still only accounts for about 7% of the country’s economy. To put it another way, the modern Arkwrights and Cartwrights and Cromptons of China, to have any comparable effect on national statistics, would have to make productivity improvements to their industry that are at least three times as impressive.
And impressive they are, though you won’t have heard of them. Arkwright and Crompton multiplied the number of threads that a single machine could spin, from one to dozens. Today, thread is spun by the thousands, at speeds they could have scarcely comprehended, and with entire factories hardly needing a single pair of human hands. Automatic sensors monitor the yarn’s tension and detect any defects while it is being spun, with robots even whizzing along to repair any snaps, able to find a loose end and piece the yarn together again — a task that once required the nimble fingers of small children. From an eighteenth-century perspective, our textile machines routinely now do magic, and are getting ever more fantastical every day. Imagine showing Arkwright the use of lasers in fading and cutting jeans.
But by replacing human labour, innovation has become ever more hidden. Many people don’t realise that British manufacturing is actually larger and more valuable than ever. It’s just that it employs fewer people than ever, so hardly anybody gets to witness its great strides forwards (to witness a flavour of manufacturing’s modern marvels, I recommend checking out MachinePix).
And more importantly, the overall effect of each innovation has also been steadily diluted — itself the result of growth. Innovation has, in a sense, been the victim of its own success. By creating ever more products, sprouting new industries, and diversifying them into myriad specialisms, we have shrunk the impact that any single improvement can have. When cotton was king, a handful of inventors might hope to affect the entire national textile industry in some way. Nowadays, there’s not a chance. Doubling the productivity of cotton spinning is all well and good, but what about nylon, polyester, rayon, and the host of other fibres we have since invented? And which kind of spinning machine would you improve? An old-fashioned ring-spinner, a newer rotor spinner, or perhaps even one of the brand new air-jet types?
If you make an improvement, it’s not going to be to the industry as a whole — it’ll be specific. And actually improvements have always been specific; it’s just that the industries have since multiplied and narrowed. Inventors once made drops into a puddle, but the puddle then expanded into an ocean. It doesn’t make the drops any less innovative. This paradox of progress affects all innovation, such that it is no wonder that the number of researchers has been increasing while national-level productivity growth has appeared fairly stagnant. Even general-purpose technologies, like the recent dramatic improvements to telecommunications, computing, and software, have had a muted effect, being applied more slowly than we’d have liked. I expect that all future general-purpose technologies will fare even worse, for it takes still further effort and innovation to apply a technology to a given industry, and those industries will continue to multiply. All future general-purpose technologies, that is, except improvements to energy.
The Dutch Fleet and the Raid on the Medway
The History Guy: History Deserves to Be Remembered
Published 3 Nov 2018Two of the world’s greatest sea powers compete for control of the world’s shipping lanes. At the height of the Age of Sail, the Dutch fleet makes one of the most daring naval raids in history. The History Guy remembers the raid on the Medway.
This is original content based on research by The History Guy. Images in the Public Domain are carefully selected and provide illustration. As photographs of actual events are sometimes not available, photographs of similar objects and events are used for illustration.
The episode relates events that occurred during a period of conflict. All information is provided within historical context and is intended for educational purposes. Those who do not learn from history are doomed to repeat it.
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The History Guy: History Deserves to Be Remembered is the place to find short snippets of forgotten history from five to fifteen minutes long. If you like history too, this is the channel for you.
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December 28, 2020
The Tiny Monorails That Once Carried James Bond
Tom Scott
Published 21 Sep 2020The Roadmachines Mono-Rail may have been the only truly useful, fit-for-purpose monorail in the world. Of the hundreds that were built, most were never meant for passengers. But they did carry a couple of famous people in their time, including a certain secret agent…
Thank you to the staff and volunteers at the Amberley Museum – Harry and Gerry in particular – for running the monorail specially, and letting me film! The Amberley Museum is a massive industrial heritage museum in the South Downs, and you can find out more about them here: https://www.amberleymuseum.co.uk/
There are lots more videos of Amberley’s rail vehicles at the volunteers’ channel here: https://www.youtube.com/channel/UCMHT…
My research is heavily based on David Voice’s Mono-Rail: The History of the Industrial Monorails Made By Road Machines Ltd., Metalair Ltd and Rail Machines Ltd, ISBN 1874422877, available from Adam Gordon Books: http://www.ahgbooks.com/index.php/pro…
Thanks to Derry Faux-Nightingale for the initial idea!
The Tanat Valley Railway in Nantmawr is the home for the Richard Morris collection, more than seventy surviving Roadmachines Mono-Rails: https://www.tanatvalleyrailway.co.uk/…
Also a helpful resource:
https://www.irsociety.co.uk/Archives/…I’m at https://tomscott.com
on Twitter at https://twitter.com/tomscott
and on Instagram as tomscottgo
December 27, 2020
Heinz Guderian’s Christmas and the fall of Hong Kong – WW2 – 122 – December 26, 1941
World War Two
Published 26 Dec 2020The Japanese offensives and advances in Southeast Asia and the Pacific continue unabated and both Hong Kong and Wake Island fall. British and American leaders begin the Arcadia Conference to decide just how they are going to fight this war together, and there are more changes made in the German High Command on the Eastern Front, even as the Soviets make advances there.
Check out Jean Paul’s museum here: https://www.romagne14-18.com/english-…
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources
—Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– IWM: FE 203
– Battleship by Anand Prahlad from the Noun Project
– Man by Milinda Courey from the Noun Project
– prisoner by Luis Prado from the Noun Project
– bockelsound from freesound.orgArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Origins of the Lee Enfield Rifle: Lee Metford Updates
Forgotten Weapons
Published 20 Sep 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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The Lee Metford MkI had scarcely been introduced when it was modified into the MkI* pattern, This was quickly followed by the MkII and MkII*, the Lee Enfield MkI, and Lee Enfield MkI*. In essence, the changes were:
Lee Metford MkI*: Change of sights to traditional barleycorn and V-notch, and removal of the manual safety
Lee Metford MkII: Update to 10-round, double-feed magazine, move sling rearward, modify cleaning rod to clearing rod
Lee Metford MkII*: Addition of safety lever on cocking piece
Lee Enfield MkI: Change from Metford rifling to Enfield rifling
Lee Enfield MkI*: Clearing rod removedContact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
December 26, 2020
The Matchbox Car Story
Little Car
Published 27 Jan 2020Matchbox is a popular British toy brand which was introduced by Lesney Products in 1953, and is now owned by Mattel, Inc. The brand was given its name because the original die-cast Matchbox toys were sold in boxes similar to those in which matches were sold. The brand grew to encompass a broad range of toys, including larger scale die-cast models, plastic model kits, and action figures.
During the 1980s, Matchbox began to switch to the more conventional plastic and cardboard “blister packs” that were used by other die-cast toy brands such as Hot Wheels. The box style packaging was re-introduced for the collectors’ market in recent years, particularly with the release of the “35th Anniversary of Superfast” series in 2004.
The script for this video comes from Wikipedia:
https://en.wikipedia.org/wiki/Matchbo…
If you find issues with the content, I encourage you to update the Wikipedia article, so everyone can benefit from your knowledge.
If you like these video and want to support me from just $1 or 80p a month at https://www.patreon.com/bigcar
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QotD: British meals – fish, fowl, and vegetables
There are not many methods of cooking birds which are peculiar to Britain. The British regard as inedible many birds – for instance, thrushes, larks, sparrows, curlews, green plovers and various kinds of duck – which are valued in other countries. They are also inclined to despise rabbits, and rabbit-rearing for the table has never been extensively practiced in Britain. On the other hand they will eat young rooks, which are shot in May and baked in pies. They are especially attached to geese and turkeys, which (at normal times) are eaten in immense quantities at Christmas, always roasted whole, with chestnut stuffing in the case of turkeys, and sage and onion stuffing and apple sauce in the case of geese.
Fish in Britain is seldom well cooked. The sea all round Britain yields a variety of excellent fishes, but as a rule they are unimaginatively boiled or fried, and the art of seasoning them in the cooking is not understood. The fish fried in oil to which the British working classes are especially addicted is definitely nasty, and has been an enemy of home cookery, since it can be bought everywhere in the big towns, ready cooked and at low prices. Except for trout, salmon and eels, British people will not eat fresh-water fish. As for vegetables, it must be admitted that, potatoes apart, they seldom get the treatment they deserve. Thanks to the rain-soaked soil, British vegetables are nearly all of excellent flavour, but they are commonly spoiled in the cooking. Cabbage is simply boiled – a method which renders it almost uneatable – while cauliflowers, leeks and marrows are usually smothered in a tasteless white sauce which is probably the “one sauce” scornfully referred to by Voltaire. The British are not great eaters of salads, though they have grown somewhat fonder of raw vegetables during the war years, thanks to the educational campaigns of the Ministry of Food. Except for salads, vegetables are always eaten with the meat, not separately.
George Orwell, “British Cookery”, 1946. (Originally commissioned by the British Council, but refused by them and later published in abbreviated form.)
December 25, 2020
December 21, 2020
Boris “Ebenezer” Johnson cancels Christmas
What is it with British PMs and political U-turns?
So Christmas is cancelled. The neo-Cromwellian edict has been issued. The thing that Boris Johnson said would be “inhuman” just a few days ago has now been done. For the first time in centuries people in vast swathes of England – London and the South East – will be forbidden by law from celebrating Christmas together. The government’s promise of five days’ relief from the stifling, atomising, soul-destroying lockdown of everyday life has been snatched away from us. It’s too risky, the experts say; the disease will spread and cause great harm. You know what else will cause great harm? This cruel, disproportionate cancellation of Christmas; this decree against family festivities and human engagement.
This evening Boris Johnson executed the most disturbing u-turn of his premiership: he scrapped the planned relaxation of lockdown rules for Christmas. He commanded that London and the South East will be propelled into Tier 4, yet another Kafkaesque category of authoritarianism dreamt up by our increasingly technocratic rulers. This means no household mixing, including on Christmas Day. That’s millions of planned get-togethers, family celebrations, cancelled with the swipe of a bureaucrat’s pen. Other areas outside of London are luckier: Boris has graciously granted them one day off from the lockdown rules, on Christmas Day, when they may mix with people from other households. They will no doubt give praise to their benevolent protectors for such festive if fleeting charity.
There is much that is disturbing about Boris’s decree. It is being justified on the basis that a new strain of Covid-19 is spreading in the South East and seems more contagious than earlier strains. That is certainly something we should be aware of. But Boris also declared that there is no evidence that this new strain has led to “increased mortality”. So what is going on here? Surely before enacting the drastic, almost unprecedented measure of preventing millions of people from celebrating Christmas together the government should offer up clearer evidence of the significant social harms that would allegedly spring from such celebrations? The political and media elites go on and on about “evidence-based policy”, except when it comes to locking people down. Then it’s all “Yeh, go ahead, better safe than sorry”.
Lee Metford MkI: Great Britain’s First Magazine Rifle
Forgotten Weapons
Published 14 Sep 2020http://www.patreon.com/ForgottenWeapons
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The British went into the 1880s with plans to adopt the Enfield-Martini as its new rifle, a single shot Martini-action rifle with essentially a sidesaddle of ready-access cartridges on the side of the receiver. It would be chambered for a new .402 caliber black powder cartridge. However, the Small Arms Committee begin looking into the possibility of a magazine rifle instead, and trials of 40+ different systems found three worth considering: a Lee rifle with a box magazine, a Lee rifle with a Bethel Burton magazine, and the Owen Jones rifle. As these trials were concluding, the discovery of smokeless powder threw a wrench in the plans.
After study of the Swiss 7.5×53.5mm cartridge, the British opted to develop a small bore .30 caliber round themselves, which would be the .303 British. This round, originally loaded with compressed black powder before the use of cordite, rendered the plans for the .402 caliber Enfield Martini obsolete. What would have been a justifiable territorial and reserve rifle alongside a .402 magazine rifle was now an orphan. With the new rifle in .303 caliber, a .402 single shot Martini was just an added logistical overhead. Instead, existing Martini rifles would eventually be converted to .303 British.
At any rate, the Lee rifle and magazine were chosen as ideal, and in 1888 a batch was made for field trials across the British Empire. Widely positive reports led to its formal adoption and the beginning of production in 1889 as the Magazine Rifle MkI – later retroactively renamed the Lee Metford MkI and colloquially known as the Long Lee. The example we have today has two very rare original features; an intact manual safety and Lewes pattern sights. Both of these would be quickly removed or replaced in service, and a Mk I* and MkII pattern followed shortly after the adoption of the MkI.
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
December 20, 2020
The Japanese are unstoppable everywhere – WW2 – 121 – December 19, 1941
World War Two
Published 19 Dec 2020The Japanese make gains in Malaya, Burma, Hong Kong, Borneo, and the Philippines. The Allies also have trouble in the Atlantic and the Mediterranean, where they are beginning to seriously suffer from a lack of capital ships. The Soviet Red Army is advancing, though, and Stalin takes personal control of planning for the upcoming counteroffensive, while Adolf Hitler takes personal control of the German Army.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Dememorabilia – https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucolorizations
Spartacus Olsson
Daniel Weiss
Mikołaj UchmanSources:
Bundesarchiv
IWM MH 26392, WPN 298, K 2204, FL 20432, A 12126, A 9257, FL 1203, E 3469E
Mil.ru
Narodowe Archiwum Cyfrowe
Picture of Mark Young, courtesy of National Portrait GallerySoundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Reynard Seidel – “Deflection”
Skrya – “First Responders”
Hakan Eriksson – “Epic Adventure Theme 4”
Philip Ayers – “The Unexplored”
Max Anson – “Ancient Saga”
Rannar Sillard – “March Of The Brave 9”
Johannes Bornlof – “Death And Glory 2”
Johan Hynynen – “Dark Beginning”
Fabien Tell – “Last Point of Safe Return”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
December 18, 2020
The Warlords of the United Nations – WW2 Special
World War Two
Published 17 Dec 2020Following the German declaration of war on America on the 11th of December 1941, Britain gained an invaluable ally. Securing a joint military command between the new partnership will be central to its success, the question is, how can this be achieved?
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Markus Linke
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Daniel Weiss
Adrien Fillon – https://www.instagram.com/adrien.colo…
Mikołaj UchmanSources:
IWM A 14040, TR153, H 10306, ME(RAF) 5052, A 16709Soundtracks from Epidemic Sound:
Max Anson – “Ancient Saga”
Johannes Bornlof – “Magnificent March 3”
Howard Harper-Barnes – “London”
Rannar Sillard – “March Of The Brave 4”
Johannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
“Firestorm” – Strategic or Terror Bombing? – Sabaton History 098 [Official]
Sabaton History
Published 17 Dec 2020At the end of July 1943, Hamburg burned. A fleet of British heavy bombers had dropped thousands of incendiaries over the city, turning it into a hearth of unprecedented dimensions. Numerous major fires merged together into a single storm of fire. Structures combusted under the immense heat, as strong winds drove the inferno through the streets at rapid speed. Craving for more oxygen, the firestorm sucked human bodies into the flames and immediately incinerated or mummified them. Thousands of others died slowly of carbon monoxide poisoning in their shelters. By the end of the raid, 60% of Hamburg had been burned out and more than 35,000 of its inhabitants were dead. But while the Germans were shocked to disbelief, for the British the firestorm has worked as intended. And this was just the beginning.
Support Sabaton History on Patreon:
https://www.patreon.com/sabatonhistoryListen to “Firestorm” on the album The Art of War: https://music.sabaton.net/TheArtOfWar
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kamiński
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comColorized by:
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Imperial War Museums: C3677,HU 63075, HU 63089, MH 27517, CL3400, MH 24747,CL3395, MH 24764, CH 6386, CH 6386, CH 6275, CH 15879, C 3371, CH 18371, C 3918, C2367, HU44269, C 4748, PST 14359, C 4973,
Bundesarchiv
National Archives NARA
Icons from the Noun Project: Arrow by 4B Icons, Bomb by P Thanga Vignesh, fire building by dDara, Skull by Muhamad UlumAll music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
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