Forgotten Weapons
Published on 27 Jul 2014http://www.forgottenweapons.com
Theme music by Dylan Benson – http://dbproductioncompany.webs.com
Taking a look at another artillery piece today, a 50mm mountain gun made for Siam (now Thailand) by the German Krupp company. It is a relatively simple (and thus relatively inexpensive at the time) design, with no recoil mechanism or adjustable traverse.
Extra Credits
Published 12 Oct 2019Join us on Patreon! http://bit.ly/EHPatreon
Let’s lay down the foundations for one of the architectural marvels of the ancient world: At its height, the city of Angkor was, by several measures, the largest city of the medieval era. With a million people and a footprint larger than modern-day New York, it was arguably the world’s largest pre-industrial city. And at its center lay the magnificent Angkor Wat.
World War Two
Published 12 Oct 2019The Blitz continues while Chinese Communists are fighting Chinese Nationalist in China. But the mass bombing of civilian targets does not really do what it is supposed to.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime/
Join our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory
Sound design: Marek KaminskiColorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/
Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
Indy mentioned our Instagram page, where we make a daily post about what happened in the war on that day. This might be something completely different from what’s covered in these videos, or might add some more details. You can follow it by searching @world_war_two_realtime or by clicking here: https://www.instagram.com/world_war_two_realtime/. See you there!
Cheers,
Joram
Overly Sarcastic Productions
Published 11 Oct 2019Go to http://www.audible.com/overlysarcastic or text
overlysarcasticto 500500 to get a free audiobook, 2 free Audible Originals, and 30-day free trial.In the first of what is sure to be a multi-part series, let’s take a look at the history of Ancient India, from the earliest civilization through the development of Sanskrit literature and all the way to the great Maurya Empire!
FURTHER READING: The Discovery of India, by Jawaharlal Nehru (https://en.wikipedia.org/wiki/The_Discovery_of_India)
PATREON: https://www.Patreon.com/OSP
DISCORD: https://discord.gg/sS5K4R3
MERCH LINKS: https://www.redbubble.com/people/OSPY…
OUR WEBSITE: https://www.OverlySarcasticProductions.com
Find us on Twitter https://www.Twitter.com/OSPYouTube
Find us on Reddit https://www.Reddit.com/r/OSP/
Sabaton History
Published 11 Oct 2019The Battle of Midway in June 1942 was one of the decisive battles on the Pacific front during World War Two. The Sabaton song “Midway” is about that battle and the men who sailed, flew, fought and died there.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Coat of Arms (where “Midway” is featured):
CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlayWatch the Official Lyric Video of Midway here: https://www.youtube.com/watch?v=0WAfB…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
National Security Agency
Letter icon by Mochammad Kafi from the Noun Project
Ship icon by Edward Boatman from the Noun ProjectAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Colby Cosh discusses the moral squalor, cowardice, avarice, and reflex appeasement gesturing of the NBA and finds a Canadian angle to the whole mess:
The National Basketball Association has spent the week trying to control the effects of a tweet by Daryl Morey, general manager of the Houston Rockets, who jeopardized his job on Friday when he told readers “Fight for freedom, stand with Hong Kong.” The tweet winked out of existence quickly, but it had prodded a sore spot. Morey faced immediate criticism from the Rockets’ owner and from the Chinese consul in Houston. Steps were taken within China to declare the Rockets personae non gratae and to cancel some NBA broadcasts.
[…]
Which leads to us to the true Canadian angle, copyright Colby J. Cosh 2019 (all rights reserved). Daryl Morey’s tweet was the 21st century’s “Vive le Quebec libre.”
All right, Morey isn’t a statesman, as de Gaulle was — but the NBA itself wants us to believe that it is a force for international harmony, and Morey is a prominent figure in the NBA. There is an amusing subplot here in that Morey has traditionally been regarded as an outsider in the league, a computer nerd who barged his way in by using technical analytics to improve team performance both on the court and at the gate. The natural assumption of a person who went to university in the 1990s is that he would be perfectly free as a matter of course to blurt out a political opinion — one that is in no way remotely controversial in the free world — on Twitter. Well, we are all learning to revise such assumptions.
When General de Gaulle uttered the 1967 version of an ill-advised, impulsive tweet, it created a small spasm of anger in English Canada, as Morey’s endorsement of an increasingly separatist protest movement in Hong Kong has. (Chinese sovereignty in Hong Kong is supposed to be as much an accepted fact as Canadian sovereignty in Quebec, and from the Party point of view, the Hong Kong protests are internal civil disorder. The same, of course, would go for China’s re-education camps full of Uyghurs, who represent the fate that pro-democracy Hong Kongers are trying to avert.)
But it was the Canadian political establishment that de Gaulle really provoked to rage with his sly, ambivalent remark. It was seen as an offence against hospitality. Canada’s mandarins — pardon the inadvertent pun — knew that de Gaulle’s resounding “liiibre” would give, above all, moral impetus to the enemies of Confederation. This proved to be the case, as far as history can tell. Et donc — vive Hong Kong! Vive Hong Kong libre!
Sarah Hoyt borrows a notion from Terry Pratchett’s Discworld series to explain a real phenomenon in our world:
Pratchett’s “Witches” world was so similar to my own, from jumping over fires to get married (not legal in my day, but there was memory of it) to various local folk superstitions, that it was always a surprise when he pulled something I’d never heard of.
One of these is the “rough music.”
When someone has done just about enough that a small village can no longer put up with him, the men in the village get together and play a barbarous and terrible music as they nerve themselves up for the barbarous and terrible things they have to do.
In Europe — hell, all over the rest of the world — the rough music is playing. Just because no one is reporting on this, it doesn’t mean it’s not going on, and growing, and nerving itself up to … something.
“Gilets jaunes #12” by Christophe Becker is licensed under CC BY-NC-SA 2.0
The level at which the Gilets Jaunes have been under reported is extraordinary, except that it hasn’t stopped the uprising either.
(And now I think about it, how much do we see in main stream news about Hong Kong? And it hasn’t stopped the uprising either.)
[…]
So, let’s talk about the rough music. Sure, you can hear it. I can hear it too. The stomp and the drumming can be heard all over the world.
That which can’t go on, won’t.
But I implore you to stop and think: if the rough music plays, what comes after?
There might be no hope for Europe, but Europe’s … ah … how do we put this? Europe’s tenets, their stand before the world, an improvement as they were on everything before them, are not ours.
Even in Europe I suspect when this bursts — and there it will burst. The elites flaying and screaming is only making it worse — you’re going to see things that will make you wonder why on Earth good American boys died in WWII. Because we’re about to get National Socialism, the sequel. National because they’re getting tired of the international elites (and who isn’t) and socialism because the poor bastards have not experienced anything else their entire adult lives.
It will happen. It is necessary. The EU was probably one of the most bizarre ideas in the history of bad ideas. The way it’s run which essentially steals the franchise from ordinary people was just the old style “good families” coming back into power through a back door.
But what comes after will probably be horrific. If we’re all lucky it will also be briefish and like France after the revolution they’ll find their way to something slightly less insane. With or without Napoleon and Europe wide war? Ah … that’s where we need to talk.
First however, let me say that hearing the rough music from the rest of the world is starting to echo here. We see what’s going on there. And we hear strange and stupid stuff, like the “whistleblower of the day” and an impeachment without voting and of course, pancake-gate.
Faced with that kind of behavior you obviously think “It’s insane.” And “We have to stop it.”
World War Two
Published 5 Oct 2019Hitler is trying to get new Axis Powers on board in his fight against Britain, promising them all huge territorial gains.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: EastoryColorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/
Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.Sources:
– IWM: A 220
– Photos of Herbert Morrison and John Anderson by Yousuf Karsh, Dutch National Archives
– National Library of Australia
– Narodowe Archiwum Cyfrowe
– Colorized portrait of Mao Zedong by Olga Shirnina, aka Klimbim
– Flag of Spain by SanchoPanzaXXI on Wikimedia CommonsA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
History Matters
Published on 26 Sep 2016Twitter: https://twitter.com/Tenminhistory
Patreon: https://www.patreon.com/user?u=4973164This episode of Ten Minute History (like a documentary, only shorter) covers the birth and rise of the British Empire from the reign of Henry VII all the way to the American Revolution. The first part deals with the Tudors and their response to empire in Spain (as well as the Spanish Armada). The second part deals with England’s (and later Britain’s) establishment of its own empire in North America and India. It then concludes with the Seven Years’ War and the American Revolution.
Ten Minute History is a series of short, ten minute animated narrative documentaries that are designed as revision refreshers or simple introductions to a topic. Please note that these are not meant to be comprehensive and there’s a lot of stuff I couldn’t fit into the episodes that I would have liked to. Thank you for watching, though, it’s always appreciated.
World War Two
Published 28 Sep 2019This week, the factions of World War Two begin to crystallise as the Japanese join the Axis powers.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: EastoryColorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/
Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.Sources:
– USHMM
1. Accession Number: 1992.252.1 | RG Number: RG-60.0621 | Film ID: 302
2. Photograph Number: 74565
– IMW:
IWM (A 1378)
IWM (A 1376)
IWM (CH 1429)
IWM (C 1819)TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Gustav Jönsson reviews a new book by Professor Frank Dikötter on twentieth-century dictators:
One of the first things to emerge from Professor Frank Dikötter’s eagerly awaited new book How to Be a Dictator is that it is a stressful vocation: there are rivals to assassinate, dissidents to silence, kickbacks to collect, and revolutions to suppress. Quite hard work. Even the most preeminent ones usually meet ignominious ends. Mussolini: summarily shot and strung upside down over a cheering crowd. Hitler: suicide and incineration. Ceausescu: executed outside a toilet block. Or consider the fate of Ethiopia’s Haile Selassie: rumoured to have been murdered on orders of his successor Mengistu Haile Mariam, he was buried underneath the latter’s office desk. Not the most alluring career trajectory, one might say.
Dikötter’s monograph is a study of twentieth century personality cults. He examines eight such cults: those created by Mussolini, Hitler, Stalin, Mao, Kim Il-sung, Duvalier, Ceausescu, and Mengistu. For them, cultism was not mere narcissism, it was what sustained their regimes; foregoing cultism, Dikötter argues, caused swift collapse. Consider Pol Pot and the Khmer Rouge. Cambodians were unsure of Pol Pot’s exact identity for years, even after he had assumed leadership of the country. The Khmer Rouge, meanwhile, was in its initial stages merely called “Angkar” — “The Organisation.” There was no inspiring iconography. There was no ritualised leader worship. There was only dark terror. Dikötter quotes historian Henri Locard: “Failing to induce adulation and submissiveness, the Angkar could only generate hatred.” The Khmer Rouge soon lost its grip on the country. Dikötter makes an obligatory reference: “Even Big Brother, in George Orwell’s 1984, had a face that stared out at people from every street corner.”
Readers of Orwell will remember that INGSOC has no state ideology. There is only what the Party says, which can change from hour to hour. Likewise, Dikötter argues, there was no ideological core to twentieth century dictatorships; there was only the whim of the dictator. Nazism, for example, was not a coherent creed. It contained antisemitism, nationalism, neo-paganism, etc., but its essence was captured in one of its slogans: The Führer is Always Right. That is what the creed amounted to. Indeed, the NSDAP referred to itself simply as “the Hitler movement.” Nazism was synonymous with Hitlerism. Italian Fascism was perhaps even more vacuous. The regime’s slogan was simple: Mussolini is Always Right. Explaining his method of politics, Mussolini said: “We do not believe in dogmatic programmes, in rigid schemes that should contain and defy the changing, uncertain, and complex reality.”
While it is uncontroversial to argue that Nazism and Fascism were without ideology, as Dikötter writes, the “issue is more complicated with communist regimes.” Naturally, Marxism was connected with Stalin, Mao, Ceausescu, Kim, and Mengistu. But Dikötter rightly says that it was Lenin’s revolutionary vanguard, not Marx’s philosophical works, that inspired them. Doctrines can be interpreted in contradictory ways, creating schismatic movements — as shown throughout the history of socialism. In this regard personality cults are far safer because they are substantively empty. Marxist dictators thus subverted Marxism. Engels had said that socialism in one country was impossible, but that is what Stalin’s Soviet Union favoured. Or consider Kim’s North Korea, which in 1972 replaced Marxism with Great Leader Thought. And as Dikötter writes, “Mao read Marx, but turned him on his head by making peasants rather than workers the spearhead of the revolution.” Reading Marx under Marxism, Dikötter says, was highly imprudent: “One was a Stalinist under Stalin, a Maoist under Mao, a Kimist under Kim.” In short, Marxism was whatever the dictator said, and not what Marx had actually written.
IT’S HISTORY
Published on 22 Jul 2015The invention of script, paper and printing can be credited to the Chinese. It was in China that Cai Lun, in his emperor’s service, made the production of paper suitable for the masses. Originally planned as a means to wrap things in, it soon became obvious that paper was more suitable for writing than the common bamboo stick. Guy explains how the Chinese printed written pages long before Gutenberg was born, how Chinese writing actually works and how emperor Qin tried to establish the standardized Chinese Han Characters, or Hanzi, attempting to unify the writing symbols for his country.
» SOURCES
Videos: British Pathé (https://www.youtube.com/user/britishp…)
Pictures: mainly Picture Alliance
Content:
Faulmann, Carl (1995): Schriftzeichen und Alphabete aller Zeiten und Völker. Augsburg. Reprint der Originalausabe von 1880 Wien.
Pan, Jixing (1998): “On the origin of movable metal-types”. In: Chinese Science Bulletin 43 (20).
Wai Wong (2005): “Typesetting Chinese. A personal perspective”. In: TUGboat 26 (2) 111-114.
https://www.tug.org/TUGboat/tb26-2/wo…
Yan, Yangtse (2006): “New Evidence suggests longer paper making history in China”. http://news.xinhuanet.com/english/200…» ABOUT US
IT’S HISTORY is a ride through history – Join us discovering the world’s most important eras in IN TIME, BIOGRAPHIES of the GREATEST MINDS and the most important INVENTIONS.» HOW CAN I SUPPORT YOUR CHANNEL?
You can support us by sharing our videos with your friends and spreading the word about our work.» CAN I EMBED YOUR VIDEOS ON MY WEBSITE?
Of course, you can embed our videos on your website. We are happy if you show our channel to your friends, fellow students, classmates, professors, teachers or neighbors. Or just share our videos on Facebook, Twitter, Reddit etc. Subscribe to our channel and like our videos with a thumbs up.» CAN I SHOW YOUR VIDEOS IN CLASS?
Of course! Tell your teachers or professors about our channel and our videos. We’re happy if we can contribute with our videos.» CREDITS
Presented by: Guy Kiddey
Script by: Martin Haldenmair
Translated by: Guy Kiddey
Directed by: Daniel Czepelczauer
Director of Photography: Markus Kretzschmar
Music: Markus Kretzschmar
Sound Design: Bojan Novic
Editing: Markus KretzschmarA Mediakraft Networks original channel
Based on a concept by Florian Wittig and Daniel Czepelczauer
Executive Producers: Astrid Deinhard-Olsson, Spartacus Olsson
Head of Production: Michael Wendt
Producer: Daniel Czepelczauer
Social Media Manager: Laura Pagan and Florian WittigContains material licensed from British Pathé
All rights reserved – © Mediakraft Networks GmbH, 2015
World War Two
Published on 14 Sep 2019The Blitz continues as the German army seems close to the execution of Operation Sea Lion: the invasion of Britain.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Research by: Indy Neidell
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Map animations: EastoryColorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/
Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.Sources:
– IWM: E 7304, E 1400, CH 4972, E 12789
– Italian poster – James Vaughan on Flickr
– Narodowe Archiwum CyfroweA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 days ago
What if the Germans had invaded Britain this week? We will probably never know, but we get asked to give our views on counterfactual history questions like this all the time. Many did that during our first Q&A session on Instagram last week. We had a great time answering many questions about the war, about TimeGhost and about the production process, and we’ll certainly do similar Instagram Q&A sessions again. If you don’t already, you can follow us by looking up @world_war_two_realtime or https://www.instagram.com/world_war_two_realtime/Cheers,
Joram
World War Two
Published on 7 Sep 2019This week, the battle in the skies of Britain enters a new, even deadlier phase, as the crowded streets of London turn into a war zone. It is the start of the Blitz.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: EastoryColorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/
Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.Sources:
– IWM: SP 2553, FL 5186, H 23836, HU 93069, CH 19
– Colorization of Hugo Sperrle by Ruffneck88
– Narodowe Archiwum CyfroweA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Although the movie [Gandhi] sneers at this reasoning as being the flimsiest of pretexts, I cannot imagine an impartial person studying the subject without concluding that concern for Indian religious minorities was one of the principal reasons Britain stayed in India as long as it did. When it finally withdrew, blood-maddened mobs surged through the streets from one end of India to the other, the majority group in each area, Hindu or Muslim, slaughtering the defenseless minority without mercy in one of the most hideous periods of carnage of modern history.
A comparison is in order. At the famous Amritsar massacre of 1919, shot in elaborate and loving detail in the present movie and treated by post-independence Indian historians as if it were Auschwitz, Gurkha troops under the command of a British officer, General Dyer, fired into an unarmed crowd of Indians defying a ban and demonstrating for Indian independence. The crowd contained women and children; 379 persons died; it was all quite horrible. Dyer was court-martialed and cashiered, but the incident lay heavily on British consciences for the next three decades, producing a severe inhibiting effect. Never again would the British empire commit another Amritsar, anywhere.
As soon as the oppressive British were gone, however, the Indians — gentle, tolerant people that they are — gave themselves over to an orgy of bloodletting. Trained troops did not pick off targets at a distance with Enfield rifles. Blood-crazed Hindus, or Muslims, ran through the streets with knives, beheading babies, stabbing women, old people. Interestingly, our movie shows none of this on camera (the oldest way of stacking the deck in Hollywood). All we see is the aged Gandhi, grieving, and of course fasting, at these terrible reports of riots. And, naturally, the film doesn’t whisper a clue as to the total number of dead, which might spoil the mood somehow. The fact is that we will never know how many Indians were murdered by other Indians during the country’s Independence Massacres, but almost all serious studies place the figure over a million, and some, such as Payne’s sources, go to 4 million. So, for those who like round numbers, the British killed some 400 seditious colonials at Amritsar and the name Amritsar lives in infamy, while Indians may have killed some 4 million of their own countrymen for no other reason than that they were of a different religious faith and people think their great leader would make an inspirational subject for a movie. Ahimsa, as can be seen, then, had an absolutely tremendous moral effect when used against Britain, but not only would it not have worked against Nazi Germany (the most obvious reproach, and of course quite true), but, the crowning irony, it had virtually no effect whatever when Gandhi tried to bring it into play against violent Indians.
Despite this at best patchy record, the film-makers have gone to great lengths to imply that this same principle of ahimsa — presented in the movie as the purest form of pacifism — is universally effective, yesterday, today, here, there, everywhere. We hear no talk from Gandhi of war sometimes being a “necessary evil,” but only him announcing — and more than once — “An eye for an eye makes the whole world blind.” In a scene very near the end of the movie, we hear Gandhi say, as if after deep reflection: “Tyrants and murderers can seem invincible at the time, but in the end they always fall. Think of it. Always.” During the last scene of the movie, following the assassination, Margaret Bourke-White is keening over the death of the Great Soul with an English admiral’s daughter named Madeleine Slade, in whose bowel movements Gandhi took the deepest interest (see their correspondence), and Miss Slade remarks incredulously that Gandhi felt that he had failed. They are then both incredulous for a moment, after which Miss Slade observes mournfully, “When we most needed it [presumably meaning during World War II], he offered the world a way out of madness. But the world didn’t see it.” Then we hear once again the assassin’s shots, Gandhi’s “Oh, God,” and last, in case we missed them the first time, Gandhi’s words (over the shimmering waters of the Ganges?): “Tyrants and murderers can seem invincible at the time, but in the end they always fall. Think of it. Always.” This is the end of the picture.
Richard Grenier, “The Gandhi Nobody Knows”, Commentary, 1983-03-01.
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