Stumpy Nubs
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September 30, 2020
How to make sense of rough-sawn lumber
America First – Patriots or Nazis? – WW2 Special
World War Two
Published 29 Sep 2020In 1941, the question of whether America should join the European War still isn’t settled. Different groups whip up opposition to it, and those such as the America First Committee seem suspiciously sympathetic to Hitler’s message and cause.
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Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Francis van Berkel and Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: James Newman
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Daniel Weiss
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
from the Noun Project: people by ProSymbolsSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Philip Ayers – “Trapped in a Maze”
Johannes Bornlof – “Deviation In Time”
Phoenix Tail – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
New Orleans History 101
Atun-Shei Films
Published 2 Apr 2019A brief crash course in the history of the city, from the founding in 1718 to the 20th century.
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#NewOrleans #Louisiana #AmericanHistory
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QotD: Victimhood culture
In their newly released book, The Rise of Victimhood Culture: Microaggressions, Safe Spaces, and the New Culture Wars, the moral sociologists Bradley Campbell and Jason Manning describe the three main moral cultures that exist today, which they give the shorthand labels of dignity, honor, and victimhood. A dignity culture, which has been the dominant moral culture of Western middle classes for some time, has a set of moral values that promotes the idea of moral equality and was crystallized in Martin Luther King Jr.’s vision that people ought to be judged according to the content of their character, not the color of their skin.
Victimhood culture departs from dignity culture in several important ways. Moral worth is in large part defined by the color of one’s skin, or at least one’s membership in a fixed identity group: i.e., women, people of color, LGBTIQ, Muslims, or indigenous peoples. Such groups are sacred, and a lack of deference to them is seen as a sign of deviance. The reverse is true for those who belong to groups that are considered historical oppressors: whites, males, straight people, Zionists. Anyone belonging to an “oppressor” group is stained by their privilege, or “whiteness,” and is cast onto the moral scrapheap.
Claire Lehmann, “The Evils of Cultural Appropriation”, Tablet, 2018-06-11.
September 29, 2020
Modern Classics Summarized: 1984
Overly Sarcastic Productions
Published 24 Feb 2017It’s the mother of all dystopias! Long before YA dystopia rose to power, before the age of Young Attractive Heroes who Rebel Against The State and Also Find Love, there was just Winston Smith — a middle-aged man in poor health who Rebelled Against The State and Also Found Love. It just ended much less prettily for him.
1984 codified most of the modern dystopia tropes — absolute control of the media, black-bagging people who spoke out, and a lot of popular terms like “doublethink”, “big brother”, and “thought police”. Unfortunately, a lot of those terms got stripped of context and thrown around for the sake of Extra Edge, and as a result they get used a little haphazardly. And there’s nothing Red hates more than misused terminology, so here’s the video outlining the ORIGINAL meaning of 1984!
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Frederick the Great – A First Glance
Military History not Visualized
Published 22 May 2018» patreon – https://www.patreon.com/mhv
Frederick the Great – Friedrich der Große – is a very controversial figure. Regarded by many as one of the great field commanders of his time, enlightened, strict, aggressive and militaristic. For a long time he was the example and icon of the Prussian general staff. What were his characteristics, traits, his background and his views on various military issues? After all, he wrote about the principles of war and other aspects.
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» SOURCES «
Showalter, Dennis: Frederick the Great. A Military History. Frontline Books: London, 2016.
Militärgeschichtliches Forschungsamt (Hrsg.): Friedrich der Große und das Militärwesen seiner Zeit. Vorträge zur Militärgeschichte – Band 8. E. S. Mittler & Sohn: Herford – Bonn, 1987.
Clark, Christopher: The Iron Kingdom. The Rise and Downfall of Prussia 1600-1947. Penguin Books: London, 2007.
Citino, Robert M.: The German Way of War. From the Thirty Years’ War to the Third Reich. University Press of Kansas: USA, 2005.
Militärgeschichtliches Forschungsamt (Hrsg.): Deutsche Militärgeschichte 1648-1939 in sechs Bänden – Band 6. Bernard & Graefe Verlag; München, 1983.
Browing, Peter: The Changing Nature of Warfare. The Development of Land Warfare from 1792 to 1945. Cambridge University Press: Cambridge, UK, 2002.
Margiotta, Franklin D.: (Executive Editor): Brassey’s Encyclopedia of Military History and Biography. Brassey’s, Inc.: USA, 1994.
» CREDITS & SPECIAL THX «
Song: Ethan Meixsell – “Demilitarized Zone”
Was it actually a “Plandemic”?
Sean Gabb recently published a collection of essays written during the lockdown for Wuhan Coronavirus. This excerpt is from the introduction to “Plandemic” or The Hand of God?:
My general argument is that the Coronavirus Panic should be divided under two headings. The first is the Virus itself as a medical fact and the immediate responses. The second is a set of changes already evident and sometimes advanced before the March of 2020, but that have now been greatly accelerated. Of these, the second is by far the more important. The first, even so, is of interest in its own right.
The Virus has not been all that we were told it would be. Last March, much of the world was ordered into indefinite lockdown on the grounds that we faced the greatest pandemic since the Spanish Flu of a century ago. For weeks in my own country, the BBC filled the television screens with statements by scared, sweating politicians, and lifted all restraint from its own hyperventilating staff. Now, as I write in the middle of September, we can be sure that it killed no more people than a seasonal influenza, and that most of its victims were very old or had been already weakened by some other condition. We can be sure it killed no more than seasonal influenza. Given the questionable definition of Coronavirus deaths, it may have killed many fewer.
I know that pandemic infections often come in several waves, and second waves can be more deadly than the first. But the second wave we are now said to be entering is evidenced by infections rather than deaths, and these infections are counted and published in ways more questionable than the counting and publishing of the earlier alleged deaths. I do not know what will have happened by Christmas. I suspect, however, that nothing much will have happened.
I have no fixed idea of what caused the panic. I am told that the Coronavirus was a bioweapon that escaped from a government laboratory. If it was, I can imagine that political leaders all across the world were taken aside by their own scientists, who were working on something similar, and told of the coming apocalypse. I lack the scientific understanding to judge the truth of this claim. But, if true, it would explain the panic. It would also justify the panic, so far as no one might have known for sure how infectious and how deadly this bioweapon was.
I am more inclined, though, to believe that the panic was a universal hysteria just waiting to be realised. The world at the beginning of this year was in a similar moral state to the world in 1914. There had been a generation of rising prosperity and of rising discontent. Some groups had benefitted out of proportion to their numbers and believed merit. If only relatively, others had fallen behind. Some believed the progress had not been fast enough, and that it could be hastened by various institutional changes, others that it was bad in its effects, and that it should be at least slowed. In 1914, all these discordant energies were channelled – both by deliberate policy and by popular enthusiasm – into a catastrophic war. This year, they found their outlet in the Coronavirus. Since I am making the same point, I might as well quote Marx:
Hegel remarks somewhere that all great world-historic facts and personages appear, so to speak, twice. He forgot to add: the first time as tragedy, the second time as farce.
I will only add that, on the real stage of world affairs, farce is always preferable to tragedy. Facemasks are better than gasmasks. Better the statistical mirage of last spring than the genuine casualties of Verdun and the Somme.
Light Fifty: the Barrett M82A1
Forgotten Weapons
Published 10 Aug 2016Sold for $6,900.
The story of the development of the Barrett M82 .50 BMG semiauto rifle is really a neat story — much more interesting than most people probably expect, and reminiscent of many firearms development stories of the 1800s. Ronnie Barrett was working as a photographer in the late 70s, and became interested (perhaps obsessed?) with the idea of a semiauto .50 caliber rifle after a photo session with a Vietnam War jungle patrol boat (which was armed with a pair of M2 .50 caliber machine guns). At the time, the only civilian options for the .50 BMG cartridge were conversions of WWII antitank rifles like the Boys and PTRD.
Barrett, with basically no formal engineering background, sketched up a design and approached some machine shops for advice and assistance. He started working in his garage, and after a couple years had a functioning prototype completed. He sold the rifles commercially at gun shows and through publications like Shotgun News until making his first military sale in 1989, to the Swedish government. The following year he received an order from the US military, and sales took off from there.
Contrary to common expectation, the Barrett M82A1 is not really a “sniper” rifle — as a semiautomatic design with a recoil-operated action it’s potential accuracy is much less than that of a bolt action precision rifle — and this is amplified by the lack of a precision .50 BMG cartridge in US military service. In practice, the M82A1 will shoot about 3 MOA with normal ball ammunition, and about 1.5-2 MOA with good handloads. It is used primarily as an EOD rifle to detonate heavy-walled unexploded shells at a safe distance, and as an anti-material rifle to attack light vehicles and infrastructure at a long distance. These are relatively large targets, which require the large payload of a .50 BMG projectile but not the extreme accuracy of a true “sniper’s” rifle.
QotD: Robin DiAngelo’s theory of “White Fragility”
Throughout White Fragility DiAngelo tries to convince readers of two things. First, DiAngelo argues that white people are inescapably racist, writing, “All white people are invested in and collude with racism,” and that “The white collective fundamentally hates blackness for what it reminds us of: that we are capable and guilty of perpetrating immeasurable harm and that our gains come through the subjugation of others.”
Second, DiAngelo argues that any white person who does not admit to their own racism is blinded by their “white fragility.” In DiAngelo’s words, because white people are, “Socialized into a deeply internalized sense of superiority that we either are unaware of or can never admit to ourselves, we become highly fragile in conversations about race.” This fragility purportedly explains why, “people who identify as white are so difficult in conversations regarding race.”
It’s not difficult to see why the theory of white fragility might catch on. Race is a sensitive subject that many people of all races are uncomfortable discussing. Furthermore, white people publicly accused of racism risk social ostracization and professional ruin. The idea that some white people may be defensive when accused of racism is not surprising. But though some white people may exhibit a degree of what DiAngelo calls fragility, her grandiose theory as applied to all or even most white people has two fatal flaws.
First, DiAngelo’s theory of white fragility is unfalsifiable. It is impossible for someone to prove that they are not fragile, just as it is impossible for someone to prove they are not possessed by a demon. One could play mad libs with racial groups and nouns — “Asian Insecurity,” “Black Hostility,” etc. — and there would be no way for members of those groups to prove they are not insecure or hostile.
More insidiously, DiAngelo frames her theory of white fragility such that any conceivable reaction a white person has when discussing race is purportedly evidence of fragility, and any denial of her theory is interpreted as proof of its validity. For example, DiAngelo writes that,
The mere suggestion that being white has meaning often triggers a range of defensive responses. These include emotions such as anger, fear, guilt, and behaviors such as argumentation, silence, and withdrawal from the stress-inducing situation. These responses work to reinstate white equilibrium as they repel the challenge, return our racial comfort, and maintain our dominance within the racial hierarchy. I conceptualize this process as white fragility. Though white fragility is triggered by discomfort and anxiety, it is born of superiority and entitlement.
In other words, if DiAngelo accuses you of racism or fragility and you disagree with her in any way — through argument, silence, or withdrawal — your reaction is considered proof of your fragility. DiAngelo leaves white readers with only two options. Either acknowledge your fragility, which proves DiAngelo’s theory, or deny your fragility, which according to DiAngelo, also proves her theory. This is a logical fallacy known as a Kafkatrap. If our legal system worked this way, no person accused of a crime would ever be acquitted because their denial would prove their guilt.
David Edward Burke, “The Intellectual Fraud of Robin DiAngelo’s White Fragility“, The Logical Liberal, 2020-06-13.
September 28, 2020
I made this Cabinet, and you can too
Matt Estlea
Published 20 Sep 2020Want to learn how to make this yourself? Visit my FREE Online Woodworking School here:
https://mattestlea.com/school/school-cabinet/No sign-up or information required. It’s literally all there waiting for you!
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_________________________________________________________________My name is Matt Estlea, I’m a 24 year old Woodworker from Basingstoke in England and my aim is to make your woodworking less s***.
I come from 5 years tuition at Rycotewood Furniture Centre with a further 1 year working as an Artist in Residence at the Sylva Foundation. I now teach City and Guilds Furniture Making at Rycotewood as of September 2018.
If you’re interested in studying at Rycotewood, view their courses here:
www.mattestlea.com/rycotewoodI also had 5 years of experience working at Axminster Tools and Machinery where I helped customers with purchasing tools, demonstrated in stores and events, and gained extensive knowledge about a variety of tools and brands. I discontinued this at the start of 2019 to focus solely on video creation and teaching.
During the week, I film woodworking projects, tutorials, reviews and a viewer favourite ‘Tool Duel’ where I compare two competitive manufacturers tools against one another to find out which is best. I also have a Free Online Woodworking School which you should definitely check out!
www.mattestlea.com/school
I like to have a laugh and my videos are quite fast paced BUT you will learn a lot, I assure you.
Lets go make a mess.
The Elgin Marbles as oversized bargaining chips
Michael Curtis on the renewed demands that the British government return the Elgin Marbles to Athens:
The internecine wars in Washington, D.C., continue over government funding, a coronavirus relief bill, government shutdown, but on September 9, 2020 one form of political truce between Republicans and Democrats on foreign affairs was announced. Eighteen members of the U.S. Congress, bilateral members of the Congressional Caucus on Hellenic issues, including the chairs of the House Oversight and Rules committees, and Foreign Affairs subcommittee on issues relating to Europe, had written a letter to British Prime Minister Boris Johnson.
It informed him, in case he didn’t know, that the Elgin marbles, EM, had been the source of controversy among allies for many decades. The letter urged the British government, already saddled by labyrinth Brexit discussions, to negotiate with the Greek government in earnest over the return of the Elgin marbles to Greece by 2021, the 200th anniversary of the modern Greek nation. The eighteen Congress people joined other Americans intruding in British affairs. On September 16, 2020 both Joe Biden and Nancy Pelosi said there can be no US-UK trade deal if Brexit negotiations undermined the 1998 Good Friday peace agreement. However, the letter of the Congress group has raised the problem of the restitution of cultural objects taken from their country of origin.
Prime Minister Johnson does not need reminding that it was Thomas Bruce, Earl Elgin, British Ambassador to the Ottoman Empire, which included Greece, who took the marbles from the Parthenon in Athens, 1801-1805. The Parthenon, the central building of the Acropolis of Athens. was built around 488 B.C. to honor a goddess called Athena, and was at different times a Christian church and a mosque. The pillars and sculptures of the Parthenon were made of marble.
Elgin, with a passion for classical antiquities, made the case that the art works in the temples of Greece, then under Ottoman control would be destroyed because of Turkish indifference. Some had been destroyed in 1687 when the Venetians attacked Athens. The Sublime Porte granted Elgin’s request to take away pieces of stone with old inscriptions or figures. Perhaps this was gratitude for British action in blocking the advance of Napoleon in Egypt. Elgin took pediment sculptur friezes, metopes, and fragmented pieces from the walls of the Parthenon, and brought them to Britain. In 1816 he sold the sculptures to the British government which then sent them to the British Museum where they have remained.
Though the letter by the 18 members of Congress might be considered impertinent, it contained no threat of any kind but attempted to spark action on a disputed issue which has emotional appeal and symbolic importance, the presence of the Elgin marbles in the British Museum. In recent years the issue has been raised by officials of the European Union as well as by celebrated private citizens such as the actor George Clooney and his wife, and co-stars Bill Murray and Matt Damon, who while working on the 2014 film The Monuments Men, about art stolen by the Nazis, thought return of the Elgin marbles to Greece was the “right thing” to do.
What Happened After The Bronze Age Collapse?
Epimetheus
Published 17 Jun 2020What Happened After The Bronze Age Collapse?
This video covers the period of time from the Bronze Age collapse through the Near Eastern dark age and to the first Iron Age empire.
This video is sponsored by my Patrons over on Patreon
https://www.patreon.com/Epimetheus1776
From the comments:
Epimetheus
3 months ago
Additional info some might find interesting:Although the Arameans emerged from arid Southern Syria (in a similar manner to the earlier Amorites, taking advantage of a power vacuum) it is debated whether or not they were originally from there, with some believing they came from the Zagros mountains to Syria, before re-entering Mesopotamia. Others believe they were related to the Amorites, essentially they were the Amorites that stayed behind. There is also some debate if Ahlamu (also from the same region) is a synonym for Aramean or if it was a more broad generic term for the nomads, outlaws and ruffians of the region. (For example the Suteans, Chaldeans and Arameans may have all been considered Ahlamu) It is also interesting that many fugitives from authority in previous centuries found refuge in the frontier Ahlamu regions of the south.
All of that more or less got cut out of the video, and I thought some of you would find interesting.