Dropkick Murphys
Published on 3 Dec 2012Music video for “The Season’s Upon Us” from the upcoming album SIGNED and SEALED in BLOOD (out Jan 8).
Directed by Garrett Warren.
December 20, 2018
Dropkick Murphys – “The Season’s Upon Us” (Video)
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QotD: An “authentic” peasant diet
The fact is that you wouldn’t want to eat like a European peasant of yesteryear, or a Chinese peasant, either. Sure, peasants ate well when the garden was producing and the harvest was ripe. A lot of the year, they ate pretty meager, dull fare. Many of the spices we now take as ordinary — salt and pepper, for example — were pretty pricey. So were meat and cheese, which, like everything else, tended to get pretty scarce in winter. When you read about what people were actually eating most of the year, you realize that diets were dull, repetitive, and heavy on grains and legumes, lightly complimented by salted and dried things (home canning, like many of the other things we think of as traditional, was another Industrial Revolution contribution, and before modern farming practices, cows tended to be “dried off” in the winter to save the expense of the extra feed a milking cow needed). And this stayed true throughout the 19th century for large swaths of the population in both America and abroad.
The farther north you went, the more this was true — it’s probably no accident that Ireland and Scandinavia are not, let us say, renowned for their fantastic contributions to world cuisine. When your growing season is a short cloudy period between miserable winters, you don’t have the raw materials to construct amazing dining experiences. (Sure, every country has at least one or two really good fairly traditional foods. But the shorter the time fresh ingredients are available, the fewer culinary marvels you’ll be able to produce.)
Too, we must remember that not everyone was a good cook. Cooking was a job, not an absorbing hobby, and as with any other job, many people did it badly. Every farm wife could produce enough calories to feed her family (at least, if the raw materials were available). Not all of them could produce anything you’d want to eat. Modern food-processing technology has relieved us of that most “authentic” culinary experience: boring ingredients processed by an indifferent cook into something that you’d only voluntarily consume if you were pretty hungry. Even the memory of these cooks has fallen away, though you’ll encounter a lot of them if you read old novels.
Megan McArdle, “‘Authentic’ Food Is Not What You Think It Is”, Bloomberg View, 2017-02-24.
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December 19, 2018
Krampus – Christmas Demon – Extra Mythology
Extra Credits
Published on 17 Dec 2018Join the Patreon community! http://bit.ly/EMPatreon
Krampus’s name is growing popular in the United States, but most of us don’t really know what he does OR that he is partners with St. Nicholas himself. He is in fact just one of many Christmas demons…
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Repost – “An ‘American tradition’ is anything that happened to a baby boomer twice”
Hard to refute the latest xkcd take on Christmas music:
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HMCS Haida – Guide 027 (Special)
Drachinifel
Published on 13 Aug 2017The most successful Canadian warship, HMCS Haida, is the subject of today’s video
The robotic narration on this video is painfully irritating!
Update, 14 February 2021: Drachinifel updated the narration at some point after I posted the original.
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QotD: Maple-flavoured corporate welfare
There’s that word: “investments.” That’s what Canadians — Ontarians and Quebecers, certainly — have been trained to expect in these situations: An elaborate mating dance culminating in a greasy press conference where corporate leaders hail bold new provincial and federal “investments” in the company and its workers and its world-beating widgets. Critics are assailed as uncaring and testily reminded that every jurisdiction subsidizes the widget industry.
Traditionally, this is later followed by outrage when it emerges the company has used taxpayers’ bold investment to pay out lavish bonuses or dividends. In the fullest version of the performance, the company just pulls up stakes and leaves town anyway — sometimes having fulfilled its stated obligations, sometimes not, but always leaving behind a bad taste and a per-employee subsidy rate that makes no sense in hindsight.
If the company is Bombardier, it might extract lavish subsidies from government for an airplane project on the theory the Canada needs an aerospace industry, then turn around and sell the project to a foreign competitor for basically nothing.
Chris Selley, “A reminder that governments don’t ‘invest’ in businesses. It’s just corporate welfare”, National Post, 2018-11-28.
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December 18, 2018
Conflicts & Wars In The Aftermath of WW1 I THE GREAT WAR Epilogue
The Great War
Published on 17 Dec 2018In our last epilogue special we outline the wars and conflicts that followed World War 1, some of them immediately and some of them with only a brief period of peace. Even in 1919 it was already clear that “the war to end all wars” didn’t in fact do that and that the new world order would be shaped by violence.
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hey guys and girls, with this last video, our epilogue series is over and this was the very last episode featuring Indy. Again, this was more meant as an appetizer for the future of the show now. When we filmed this, we didn’t know, yet that we could continue working on the show. We will make an announcement about what to expect next year this week. Cheers Flo
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– CREDITS –
Presented by: Indiana Neidell
Written by: Indiana Neidell
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Mixing, Mastering & Sound Design: www.above-zero.com
Editing: Toni Steller, Julian Zahn
Motion Design: Christian Graef
Research by: Indiana Neidell
Fact checking: Markus LinkeThe Great War Theme composed by Karim Theilgaard: http://bit.ly/karimyt
A Mediakraft Networks Original Channel
Based on a concept by Spartacus Olsson
Author: Indiana Neidell
Visual Concept: David van Stephold
Producer: Toni Steller & Florian Wittig
Social Media Manager: Florian WittigContains licenced Material by British Pathé
All rights reserved – © Mediakraft Networks GmbH, 2018
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Repost – Induced aversion to a particular Christmas song
Earlier this year, I had occasion to run a Google search for “Mr Gameway’s Ark” (it’s still almost unknown: the Googles, they do nothing). However, I did find a very early post on the old site that I thought deserved to be pulled out of the dusty archives, because it explains why I can — to this day — barely stand to listen to “Little Drummer Boy”:
Seasonal Melodies
James Lileks has a concern about Christmas music:
This isn’t to say all the classics are great, no matter who sings them. I can do without “The Little Drummer Boy,” for example.
It’s the “Bolero” of Christmas songs. It just goes on, and on, and on. Bara-pa-pa-pum, already. Plus, I understand it’s a sweet little story — all the kid had was a drum to play for the newborn infant — but for anyone who remembers what it was like when they had a baby, some kid showing up unannounced to stand around and beat on the skins would not exactly complete your mood. Happily, the song has not spawned a sequel like “The Somewhat Larger Cymbal Adolescent.”
This reminds me about my aversion to this particular song. It was so bad that I could not hear even three notes before starting to wince and/or growl.
Back in the early 1980’s, I was working in Toronto’s largest toy and game store, Mr Gameway’s Ark. It was a very odd store, and the owners were (to be polite) highly idiosyncratic types. They had a razor-thin profit margin, so any expenses that could be avoided, reduced, or eliminated were so treated. One thing that they didn’t want to pay for was Muzak (or the local equivalent), so one of the owners brought in his home stereo and another one put together a tape of Christmas music.
Note that singular. “Tape”.
Christmas season started somewhat later in those distant days, so that it was really only in December that we had to decorate the store and cope with the sudden influx of Christmas merchandise. Well, also, they couldn’t pay for the Christmas merchandise until sales started to pick up, so that kinda accounted for the delay in stocking-up the shelves as well …
So, Christmas season was officially open, and we decorated the store with the left-over krep from the owners’ various homes. It was, at best, kinda sad. But — we had Christmas music! And the tape was pretty eclectic: some typical 50’s stuff (White Christmas and the like), some medieval stuff, some Victorian stuff and that damned Drummer Boy song.
We were working ten- to twelve-hour shifts over the holidays (extra staff? you want Extra Staff, Mr. Cratchitt???), and the music played on. And on. And freaking on. Eternally. There was no way to escape it.
To top it all off, we were the exclusive distributor for a brand new game that suddenly was in high demand: Trivial Pursuit. We could not even get the truck unloaded safely without a cordon of employees to keep the random passers-by from snatching boxes of the damned game. When we tried to unpack the boxes on the sales floor, we had customers snatching them out of our hands and running (running!) to the cashier. Stress? It was like combat, except we couldn’t shoot back at the buggers.
Oh, and those were also the days that Ontario had a Sunday closing law, so we were violating all sorts of labour laws on top of the Sunday closing laws, so the Police were regular visitors. Given that some of our staff spent their spare time hiding from the Police, it just added immeasurably to the tension levels on the shop floor.
And all of this to the background soundtrack of Christmas music. One tape of Christmas music. Over and over and over and over and over and over and over again.
It’s been over 20 years 30 years now, and I still feel the hackles rise on the back of my neck with this song … but I’m over the worst of it now: I can actually listen to it without feeling that all-consuming desire to rip out the sound system and dance on the speakers. After two three decades.
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Making a Large Mitre Box | Paul Sellers
Paul Sellers
Published on 20 Jun 2016Making your own mitre box is a quick to make and more accurate alternative to buying one. It requires accurately square stock and careful layout and cutting. It can help you get clean, crisp mitre joints, particularly when used in combination with a shooting board:
For more information on these topics, see https://paulsellers.com or https://woodworkingmasterclasses.com
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QotD: Addiction
The chief difficulty with the word “addiction” is the idea that it describes a power greater than the will. If it exists in the way we use it and in the way our legal and medical systems assume it exists, then free will has been abolished. I know there are people who think and argue this is so. But this is not one of those things that can be demonstrated by falsifiable experiment. In the end, the idea that humans do not really have free will is a contentious opinion, not an objective fact.
So to use the word “addiction” is to embrace one side in one of those ancient unresolved debates that cannot be settled this side of the grave. To decline to use it, by contrast, is to accept that all kinds of influences, inheritances, and misfortunes may well operate on us, and propel us towards mistaken, foolish, wrong, and dangerous actions or habits. It is to leave open the question whether we can resist these forces. I am convinced that declining the word “addiction” is both the only honest thing to do, and the only kind and wise thing to do, when we are faced with fellow creatures struggling with harmful habits and desires. It is all very well to relieve someone of the responsibility for such actions, by telling him his body is to blame. But what is that solace worth if he takes it as permission to carry on as before? Once or twice I have managed to explain to a few of my critics that this is what I am saying. But generally they are too furious, or astonished by my sheer nerve, to listen.
Peter Hitchens, “The Fantasy of Addiction”, First Things, 2017-02.
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December 17, 2018
Sun Yat-sen – A Killing in Hong Kong – Extra History – #1
Extra Credits
Published on 15 Dec 2018Growing up in Honolulu, Sun Yat-sen had an expansive, exciting education, which would inspire him when he moved to Hong Kong as a young adult ready to change the world as a doctor — and as the leader of the “Revive China Society” interested in overthrowing the Qing government.
Sun Yat-sen was a dangerous man. The Qing were right to fear him. After all, he’d bring 2,000 years of imperial rule crashing down.
Join us on Patreon! http://bit.ly/EHPatreon
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Miami has two really good plays in 41-17 loss to Minnesota
Although the rest of the game may not be all that memorable for Dolphins fans, Minkah Fitzpatrick’s pick-6 in the second quarter and the 75-yard TD run to start the third were definite high points for Miami. Before Cousins threw that interception, Miami was down 21 points and the Vikings were threatening to run up the score. After the interception, the dreaded over-cautiousness came back to Cousins and he was clearly more worried about making mistakes than making plays. The Dolphins’ running touchdown was a fantastic effort that the football gods rewarded appropriately. Other than those two plays, however, there isn’t a lot of comfort for the team or the fans, especially when your quarterback ends up being sacked nine times.
The first quarter was practically flawless for the Vikings in new offensive co-ordinator Kevin Stefanski’s first game calling plays, with an almost perfect balance between passing plays and rushes. Dalvin Cook got his first rushing touchdown of the season and Latavius Murray ran in a second. Kirk Cousins was boasting a perfect passer rating at the end of the first fifteen minutes of play, and Miami didn’t have any answers at all.
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American Jeep vs German Kübelwagen: Truck Face-Off | Combat Dealers
Quest TV
Published on 23 Oct 2018Bruce puts two iconic World War II trucks to the test: the iconic American Jeep and the German Kübelwagen. Which truck will come out on top? #CombatDealers
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QotD: Woodrow Wilson’s repressive regime
Not surprisingly, such intellectual kindling was easy to ignite when World War I broke out. The philosopher John Dewey, New Republic founder Herbert Croly, and countless other progressive intellectuals welcomed what Mr. Dewey dubbed “the social possibilities of war.” The war provided an opportunity to force Americans to, as journalist Frederick Lewis Allen put it, “lay by our good-natured individualism and march in step.” Or as another progressive put it, “Laissez faire is dead. Long live social control.”
With the intellectuals on their side, Wilson recruited journalist George Creel to become a propaganda minister as head of the newly formed Committee on Public Information (CPI).
Mr. Creel declared that it was his mission to inflame the American public into “one white-hot mass” under the banner of “100 percent Americanism.” Fear was a vital tool, he argued, “an important element to be bred in the civilian population.”
The CPI printed millions of posters, buttons, pamphlets, that did just that. A typical poster for Liberty Bonds cautioned, “I am Public Opinion. All men fear me!… [I]f you have the money to buy and do not buy, I will make this No Man’s Land for you!” One of Creel’s greatest ideas – an instance of “viral marketing” before its time – was the creation of an army of about 75,000 “Four Minute Men.” Each was equipped and trained by the CPI to deliver a four-minute speech at town meetings, in restaurants, in theaters – anyplace they could get an audience – to spread the word that the “very future of democracy” was at stake. In 1917-18 alone, some 7,555,190 speeches were delivered in 5,200 communities. These speeches celebrated Wilson as a larger-than-life leader and the Germans as less-than-human Huns.
Meanwhile, the CPI released a string of propaganda films with such titles as The Kaiser, The Beast of Berlin, and The Prussian Cur. Remember when French fries became “freedom fries” in the run-up to the Iraq war? Thanks in part to the CPI, sauerkraut become “victory cabbage.”
Under the Espionage Act of 1917 and the Sedition Act of 1918, Wilson’s administration shut down newspapers and magazines at an astounding pace. Indeed, any criticism of the government, even in your own home, could earn you a prison sentence. One man was brought to trial for explaining in his own home why he didn’t want to buy Liberty Bonds.
The Wilson administration sanctioned what could be called an American fascisti, the American Protective League. The APL – a quarter million strong at its height, with offices in 600 cities – carried government-issued badges while beating up dissidents and protesters and conducting warrantless searches and interrogations. Even after the war, Wilson refused to release the last of America’s political prisoners, leaving it to subsequent Republican administrations to free the anti-war Socialist Eugene V. Debs and others.
Jonah Goldberg, “You want a more ‘progressive’ America? Careful what you wish for: Voters should remember what happened under Woodrow Wilson”, Christian Science Monitor, 2008-02-05.
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December 16, 2018
Perkele! Finland Strikes Back – WW2 – 016 15 December 1939
World War Two
Published on 15 Dec 2018In the second week of the Winter War, during multiple counteroffensives, including the famous Sausage War, the Finnish Defence Forces dash any hopes of a quick victory that the Red Army and Stalin might have had.
WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Research by: Indy Neidell
Edited by: Wieke Kapteijns
Map animations by: Mikk Tali aka Eastory
Community Manager: Joram AppelColoring by Spartacus Olsson
Thumbnail depicting Finnish soldiers using a slingshot to lob grenades at the Red Army. Colorized by Cassowary https://www.flickr.com/photos/cassowa…
Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.comA TimeGhost chronological documentary produced by OnLion Entertainment GmbH
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