Today I Found Out
Published on 18 Jan 2018In this video:
The genesis of Sriracha hot sauce (pronounced sir-ah-cha, contrary to what many think) becoming the condiment staple it is today can be traced back to 1975 and an unassuming Vietnamese refuge called David Tran – the founder and current CEO of Huy Fong Foods.
Want the text version?: http://www.todayifoundout.com/index.p…
February 11, 2018
Sriracha Sauce and the Surprisingly Heartwarming Story Behind It
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February 10, 2018
When cinematography wins out over reality
Earlier this month, Charles Stross talked about why he’s been reading less and less science fiction lately, and touched on SF movies and (for example) why George Lucas chose to model space combat on World War 1 aircraft battles:
When George Lucas was choreographing the dogfights in Star Wars, he took his visual references from film of first world war dogfights over the trenches in western Europe. With aircraft flying at 100-200 km/h in large formations, the cinema screen could frame multiple aircraft maneuvering in proximity, close enough to be visually distinguishable. The second world war wasn’t cinematic: with aircraft engaging at speeds of 400-800 km/h, the cinematographer would have had a choice between framing dots dancing in the distance, or zooming in on one or two aircraft. (While some movies depict second world war air engagements, they’re not visually captivating: either you see multiple aircraft cruising in close formation, or a sudden flash of disruptive motion — see for example the bomber formation in Memphis Belle, or the final attack on the U-boat pen in Das Boot.) Trying to accurately depict an engagement between modern jet fighters, with missiles launched from beyond visual range and a knife-fight with guns takes place in a fraction of a second at a range of multiple kilometres, is cinematically futile: the required visual context of a battle between massed forces evaporates in front of the camera … which is why in Independence Day we see vast formations of F/A-18s (a supersonic jet) maneuvering as if they’re Sopwith Camels. (You can take that movie as a perfect example of the triumph of spectacle over plausibility at just about every level.)
… So for a couple of generations now, the generic vision of a space battle is modelled on an air battle, and not just any air battle, but one plucked from a very specific period that was compatible with a film director’s desire to show massed fighter-on-fighter action at close enough range that the audience could identify the good guys and bad guys by eye.
Let me have another go at George Lucas (I’m sure if he feels picked on he can sob himself to sleep on a mattress stuffed with $500 bills). Take the asteroid field scene from The Empire Strikes Back: here in the real world, we know that the average distance between asteroids over 1km in diameter in the asteroid belt is on the order of 3 million kilometers, or about eight times the distance between the Earth and the Moon. This is of course utterly useless to a storyteller who wants an exciting game of hide-and-seek: so Lucas ignored it to give us an exciting game of …
Unfortunately, we get this regurgitated in one goddamned space opera after another: spectacle in place of insight, decolorized and pixellated by authors who haven’t bothered to re-think their assumptions and instead simply cut and paste Lucas’s cinematic vision. Let me say it here: when you fuck with the underlying consistency of your universe, you are cheating your readers. You may think that this isn’t actually central to your work: you’re trying to tell a story about human relationships, why get worked up about the average spacing of asteroids when the real purpose of the asteroid belt is to give your protagonists a tense situation to survive and a shared experience to bond over? But the effects of internal inconsistency are insidious. If you play fast and loose with distance and time scale factors, then you undermine travel times. If your travel times are rubberized, you implicitly kneecapped the economics of trade in your futurescape. Which in turn affects your protagonist’s lifestyle, caste, trade, job, and social context. And, thereby, their human, emotional relationships. The people you’re writing the story of live in a (metaphorical) house the size of a galaxy. Undermine part of the foundations and the rest of the house of cards is liable to crumble, crushing your characters under a burden of inconsistencies. (And if you wanted that goddamn Lucasian asteroid belt experience why not set your story aboard a sailing ship trying to avoid running aground in a storm? Where the scale factor fits.)
Whatever you do, don’t go asking him about Han Solo’s claimed Kessel Run in less than 12 parsecs…
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US military will disrupt GPS signals in western states during certain periods of the Red Flag wargames
For much of February — and in some places, well into March — the US military will be jamming signals from the Global Positioning System as part of training exercises over vast swaths of the Western United States, as well as in smaller areas surrounding major military facilities across the US.
[…]
The jamming will be restricted for the most part to periods between 11pm and 2am Eastern Time. This is when commercial air traffic is at its least dense, so the impact on air travel should be negligible. But the exact times may vary. And jamming tests for other exercises during the same period — including some at or off the coast of Navy nuclear sub bases at Bangor in Washington and Kings Bay, Georgia — may have an impact on commercial shipping and fishing vessels.
Red Flag 18-1 includes participants from all four service branches of the Department of Defense, as well as units of the British Royal Air Force and the Royal Australian Air Force. “[This] primarily is a strike package focused training venue,” said Colonel Michael Mathes, commander of the 414th Combat Training Squadron at Nellis. But while strike packages — practice bombing missions and stand-off missile attacks — are the end product, the exercise also includes a “cyber” component, in which the adversary team will attempt to disrupt operations through everything from phishing emails to electronic warfare.
More information at Ars Technica.
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Protecting (some) women from their own decisions
Kirio Birks on the Formula One “grid girls”:
Objectification, we are told, is degrading. Why? Because any job that requires employees to be sexually attractive and gazed upon for that reason necessarily dehumanises them. It encourages others to treat them as pretty ‘things’ rather than as autonomous people with their own lives, passions, thoughts, and desires. Or so the thinking goes. ‘Grid Girls’ – models employed by Formula One for promotional purposes – have just discovered that their role is to be discontinued. As Formula One’s managing director of commercial operations explained: “While the practice of employing grid girls has been a staple of Formula 1 Grands Prix for decades, we feel this custom does not resonate with our brand values and clearly is at odds with modern day societal norms.”
But in their hurry to spare Grid Girls the indignity of the male gaze, nobody making this argument seems to have stopped to wonder whether Grid Girls might have an interest in defending what they do. Instead, a collective of ostensibly progressive voices leapt to their defence without bothering to ask the girls themselves if they needed defending at all. In response, Formula One abandoned its Grid Girls so that it can be seen to be moving with the times and hip to contemporary mores. In doing so, Formula One’s executives have implicitly conceded that they have spent too long objectifying women instead of empowering them. They would like it to known that they’d rather see women driving the cars, or as members of the engineering teams, or just about anywhere other than track-side holding a driver’s name-board and looking beautiful.
What baffles me is that a move supposed to empower women came at the expense of other women, and only because a minority of outsiders found Grid Girls inappropriate, problematic, and otherwise an offence against good taste. But even if Grid Girls are being objectified, then – contra the explanation offered above – it’s not at all clear that objectification is wrong in and of itself. It is acceptable to use people as a means to an end – that’s called employment. Grid Girls obviously know that they will be objectified and they make an autonomous, informed decision to take the job anyway. They are not harmed, they are paid for their time and their work, and many of them have come forward to say, with understandable indignation, that they enjoy what they do. Needless to say, this has not impressed those feminists who applauded their redundancies. But surely a woman has a right to be the object of somebody else’s desire if she wants and surely it doesn’t matter if she is being paid for it?
Get me on @thismorning so I can defend us #gridgirls
Because of these feminists, they’ve have cost us our jobs! I have been a grid girl for 8 years and I have Never felt uncomfortable! I love my job, if I didn’t I wouldn’t do it! Noone forces us to do this! This is our choice! pic.twitter.com/PUWcyB5BeG— Lauren-Jade (@laurenjadepope) January 31, 2018
Opponents may suggest that Grid Girls have internalised their own oppression in a society shaped by patriarchal values, but not without making two claims: (1) that Grid Girls are unable to adequately think for themselves because of the society they live in and (2) that thinking for yourself is only evidenced by acknowledging the existence of a patriarchal status quo and resisting it.
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Johann Sebastian Bach; Toccata & Fugue in Dm, by Sinfonity
SinfonityTV Guitar
Published on Dec 14, 2014Johann Sebastian Bach; Toccata & Fugue in Dm, BWV 565
Live recorded in Segovia (Spain), Aug 2014. Video produced by NURILANDS FILMS, directed by Núria García.
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QotD: “The masses”
I don’t believe that the ordinary people in fact resemble the normal description of the masses, low and trivial in taste and habit. I put it another way: that there are in fact no masses, but only ways of seeing people as masses.
Raymond Williams, Resources of Hope: Culture, Democracy, Socialism, 1989.
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February 9, 2018
DicKtionary – C is for Car – Henry Ford
TimeGhost
Published on 8 Feb 2018C is for car – the automobiles
And nothing is cooler than a boss set of wheels,
From selling some cars, this man made a horde,
Mechanic and boss man, here’s Henry Ford.Hosted and Written by: Indy Neidell
Based on a concept by Astrid Deinhard and Indy Neidell
Produced by: Spartacus Olsson
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Camera by: Ryan
Edited by: Bastian BeißwengerA TimeGhost documentary format produced by OnLion Entertainment GmbH
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John Perry Barlow, RIP
Gareth Corfield on the death of John Perry Barlow, author of the Declaration of the Independence of Cyberspace:
John Perry Barlow, a co-founder of the US Electronic Frontier Foundation, and also a lyricist for the Grateful Dead, has died aged 70.
Barlow passed away “quietly in his sleep” yesterday, according to the EFF, which he helped set up in 1990.
“It is no exaggeration to say that major parts of the Internet we all know and love today exist and thrive because of Barlow’s vision and leadership. He always saw the Internet as a fundamental place of freedom, where voices long silenced can find an audience and people can connect with others regardless of physical distance,” said the foundation’s executive director, Cindy Cohn.
The BBC reported that Barlow had been ill for several years but “few details were given about his medical problems”.
In the history of the Internet, Barlow will be forever remembered for his 1996 Declaration of the Independence of Cyberspace.
“I declare the global social space we are building to be naturally independent of the tyrannies you seek to impose on us. You have no moral right to rule us nor do you possess any methods of enforcement we have true reason to fear,” wrote Barlow, a bold vision of the future that, sadly, did not come to pass.
The EFF defended Barlow against the inevitable criticisms of the Declaration, with Cohn acknowledging that he was “sometimes held up as a straw man for a kind of naive techno-utopianism” but insisting that he understood “new technology could create and empower evil as much as it could create and empower good”.
I wasn’t a fan of the Grateful Dead, but I read his Declaration soon after it was released and found it inspiring (if not particularly realistic, even then). Few people can have a significant role in a single endeavour, but Barlow was undeniably prominent in the music scene and the early internet community. We’re all poorer for his passing.
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Austro-Hungarian House of Cards I THE GREAT WAR Week 185
The Great War
Published on 8 Feb 2018The situation for Austria-Hungary is dire, even after the success in Italy and the peace negotiations at Brest-Litovsk. Strikes and mutinies break out across the Empire and the emerging drive for ethnic self determination by the subjects of the Empire are worrying to the leaders of the Habsburg Empire.
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Defining bias
In Quillette, Bo Winegard explains how to define bias:
Bias is an important concept both inside and outside of academia. Despite this, it is remarkably difficult to define or to measure. And many, perhaps all, studies of it are susceptible to reasonable objections from some framework of normative reasoning or another. Nevertheless, in common discourse the term is easy enough to understand. Bias is a preference or commitment that impels a person away from impartiality. If Sally is a fervid fan of the New York Knicks and uses different criteria for assessing fouls against them than against their opponents, then we would say that she is biased.
There are many kinds of biases, and bias can penetrate the cognitive process from start to finish and anywhere between. It can lead to selective exposure, whereby people preferentially seek material that favors their preferred position, and avoid material that contradicts it; it can lead to motivated skepticism, whereby people are more critical of material that opposes their preferred position than of material that supports it; and it can lead to motivated credulity, whereby people assimilate information that supports their preferred position more easily and rapidly than information that contradicts it. Often, these biases all work together.
So, imagine Sally the average ardent progressive. She probably exposes herself chiefly to progressive magazines, news outlets, and friends; and, quite possibly, she inhabits a workplace surrounded by other progressives (selective exposure). Furthermore, when she is exposed to conservative arguments or articles, she is probably extremely critical of them. That National Review article she read this morning about abortion, for example, was insultingly obtuse and only confirmed her opinion that conservatives are cognitively challenged (motivated skepticism). Compounding this, she is equally ready to praise and absorb arguments and articles in progressive magazines (motivated credulity). Just this afternoon, for example, she read a compelling takedown of the Republican tax cuts in Mother Jones which strengthened her intuition that conservatism is an intellectual and moral dead end. (This example would work equally well with an average ardent conservative). The result is an inevitably blinkered world view.
The strength of one’s bias is influenced by many factors, but, for simplicity, we can break these factors into three broad categories: clarity, accuracy concerns, and extraneous concerns. Clarity refers to how ambiguous a topic is. The more ambiguous, the lower the clarity and the higher the bias. So, the score of a basketball game has very high clarity, whereas an individual foul call may have very low clarity. Accuracy concerns refer to how desirous an individual is to know the truth. The higher the concern, on average, the lower the bias. If a fervid New York Knicks fan were also a referee in training who really wanted to get foul calls right, then she would probably have lower bias than the average impassioned fan. Last, extraneous concerns refer to any concerns (save accuracy concerns) that motivate a person toward a certain answer. Probably the most powerful of these are group affiliation and status, but there are many others (self-esteem et cetera).
At risk of simplification, we might say that bias can be represented by an equation such that extraneous concerns (E) minus (accuracy concerns (A) plus clarity (C)) equals bias: (E – (A + C) = B).
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Horsepower vs Torque – A Simple Explanation
Engineering Explained
Published on Jan 17, 2018What’s The Difference Between Horsepower & Torque?
Why Is Peak Acceleration At Peak Power? https://youtu.be/cb6rIZfCuHIWhich is better, horsepower or torque? Two words that are often stated in the car community, but often misunderstood. This video seeks to clarify the difference between the two, without silly analogies like “horsepower is how fast you hit the wall, torque is how far you take it with you” (which, by the way, is highly inaccurate).
Torque is a force acting at a radius, while horsepower simply incorporates time into the equation. This video will discuss the differences, how each applies to internal combustion engines, how they relate, what peak torque and peak horsepower actually mean, and how to analyze torque and horsepower curves. Finally, what’s more important for acceleration, a car with lots of power, or lots of torque?
Let’s get technical. With the context of an engine: Power = Torque x Angular Velocity. In imperial units, this translates to Horsepower = Torque x RPM / 5252.
Engineering Explained is a participant in the Amazon Influencer Program.
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QotD: Canadian versus American forms of government
Canada does not bother with palaces; the closest thing we have is Rideau Hall, whose history, appearance, and location all serve to confirm the point. In Canada we pay relatively little heed to social class — a legacy of having been a colony, with its ultimate rulers (and, until 1949, its literal court of last resort) conveniently offshore. We have left formal titles mostly in the dust while Americans resurrect them frantically: the newspapers bow and scrape to “Sen. Clinton” and “Gov. Palin” long after their brief periods in office.
We manage not to admire displays of wealth in the whimpering, craving way that Americans do; our old money avoids ostentation, and our bankers are practically Spartan. (We have a few literal lords, but I suspect even my colleague Conrad Black would resist being addressed as anything but “Mr. Black” by a fellow Canadian in Canada.) We accept higher taxes in exchange for state provision of medical care, but when it comes to welfare we honour the Protestant work ethic more earnestly than the republic to the south does, with its food stamps and its endless disability rolls.
This all emerges partly from having an expatriate monarchy that we can drag onto the scene as needed, and can worship and scrutinize from afar. We get the best of both worlds. If we adopted a real republic, the long-term path to union with the U.S. would be that much shorter; how long could a squeal of “But we’re so much nicer than they are,” a bare assertion of mystical innate superiority, provide a moral basis for independence?
The Romans and the Tudors would perceive the Canadian genius quickly: they would discern more clearly than ourselves that we have pioneered a truly novel political system — an ultra-practical, constitutionally successful version of the old Jewish temple, with its invisible god secreted in a hidden sanctum. Our domestic political leaders can never be glory-hunting priest-emperor types, as long as there is someone above them, far away, who is called “Majesty” and possesses the regalia of state. This is why, when someone refers to the prime minister’s wife as “first lady,” they are really threatening the basis of our political existence, and should be chastised — even if, I hasten to add, they are writers or editors for other Postmedia newspapers.
Colby Cosh, “Why Canadians are better republicans”, National Post, 2016-05-30.
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February 8, 2018
Dilbert’s Scott Adams Explains How He Knew Trump Would ‘Win Bigly’
ReasonTV
Published on 7 Feb 2018The cartoonist-turned-political-prognisticator talks about Trump, “master persuaders,” and winning arguments in a “world where facts don’t matter.”
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In 2015, Scott Adams, the cartoonist behind the massively popular comic strip Dilbert, boldly predicted that Donald Trump would win the 2016 presidential election.
“The reason I can see it coming is because I have studied this field of persuasion,” says Adams. “I saw this Trump character and he had the full tool set.” The 60-year-old Bay Area resident doesn’t agree with Trump on many political issues, but his prediction was enough for his to receive death threats from embittered Hillary Clinton supporters.
Adam’s new book, Win Bigly: Persuasion in a World Where Facts Don’t Matter, is both a detailed analysis of how Trump reframed political rhetoric during the 2016 campaign and a guide to how all of us can communicate more effectively and persuasively.
Adams sat down with Reason‘s Nick Gillespie in front of a live audience in San Francisco to talk about his book, his “extreme liberal” views, the popularity of his live broadcasts with followers via Twitter, and why Trump is a “master persuader.”
Cameras by Zach Weismueller, Paul Detrick, and Justin Monticello. Edited by Ian Keyser.
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The revenge of the return of the bride of rent control
Megan McArdle on the unexpected return of one of the very worst economic policies known to mankind, or as our beloved Prime Minister would insist “peoplekind”:
According to the Wall Street Journal, rent control seems to be making a retro comeback. Most forms of intelligent life could be forgiven for asking why.
Serial experimentation with this policy has repeatedly shown the same result. Initially, tenants rejoice, and rent control looks like a victory for the poor over the landlord class. But the stifling of price signals leads to problems. Rent control starts by producing some sort of redistribution, because the people with low rents at the time that controls are imposed tend to be relatively low-income.
But then incomes rise, and rents don’t. People with higher incomes have more resources to pursue access to artificially cheap real estate: friends who work for management companies, “key fees” or simply incomes that promise landlords they won’t have to worry about collecting the rent. (One of my favorite New York City stories involves an acquaintance who made $175,000 a year, and applied for a rent-controlled apartment. He asked the women taking the application if his income was going to be a problem; she looked at the application and said, “No, I think that ought to be high enough.”)
So the promise of economic justice erodes over time, as lucky insiders come to dominate rent-controlled apartments, especially because having gotten their hands on an absurdly cheap apartment, said elites are loathe to move and free up space for others.
The longer the rent-control policies remain, the more these imbalances grow. The gap between the rent that is charged, and the rent that could be charged in a competitive market, widens. Deprived of the ability to make a profit, landlords skimp on maintenance and refuse to build new housing. If you loosen the law to incentivize renovation, or new building, this only creates new forms of dysfunction: discrimination against tenants who might stay longer than a few years (limiting the ability to raise rents); a decontrolled market that has to absorb all of the excess demand created by locking up so much of the housing market in rent-controlled leases that rarely turn over; even landlords who renovate too often, the better to raise the rent. This arrangement is very good for the people who happen to have gotten their hands on a rent-controlled apartment, and very bad for everyone else, especially newcomers to the city.
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