Forgotten Weapons
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In August 1903, Thomas Bennett (head of the Winchester company) wrote a letter to his many distributors and agents explaining how Winchester had decided to part ways with the Browning Brothers, and how the company would certainly be better off as a result. The gun at the heart of the breakup was Browning’s new self-loading shotgun, the Auto-5. Browning would end up taking the design to FN, where it became a massive commercial success — but the whole story is really much more nuanced than most people recognize.
This isn’t simply a matter of Browning demanding a royalty arrangement, but rather much more …
Nathan Gorenstein’s biography of John Browning is available on Amazon: https://amzn.to/37Sx9XS
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December 27, 2021
Great Celebrity Breakups: Winchester and John Browning
December 4, 2021
When King James VI became King James I and VI
In his latest Age of Invention newsletter, Anton Howes discusses how the King of Scotland succeeded to the English throne as well:

King James I (of England) and VI (of Scotland)
Portrait by Daniel Myrtens, 1621 from the National Portrait Gallery via Wikimedia Commons.
It’s late March 1603, and an exhausted messenger arrives in Edinburgh bearing a sapphire ring. He has ridden for over two days straight, over hundreds of miles, and his hair and clothes are matted with blood — on the way he had fallen from his horse, a hoof striking him directly in the head. It’s a miracle he’s alive, but he knows it has been worth it. He is the very first to tell you that your childless first cousin twice removed — the killer of your mother, whom you never knew — is finally dead. You, King James VI of Scotland, are James I of England as well.
[…]
James’s accession was a frenzy. From the very moment of Elizabeth’s death, her entire patronage network was turned on its head. Her chief ministers, the Privy Council, were relatively safe. Some of them had been corresponding with James for years. But they could only look on, anxiously, as a rush of would-be cronies went north to meet their new king. The exhausted messenger with the sapphire ring, Sir Robert Carey, was just the first. Carey had been related to Elizabeth I on her mother’s side — he was her first cousin once removed. (Carey’s grandmother was the “other Boleyn girl”, played by Scarlett Johansson in the 2008 film — although there’s no solid evidence, it’s not totally impossible that Carey was actually related to Elizabeth on her father’s side instead …) But that family connection meant nothing now that the queen was dead.
The sudden reset of the source of all patronage meant that the earlier the access to the new king’s person, the greater the chance of gaining his favour. Carey may have angered the Privy Council by riding ahead of their formal letters to James, but his exertion won him an on-the-spot appointment as a gentleman of the bedchamber, and his wife became a lady in waiting to James’s queen. The Careys were soon charged with the care of the royal couple’s younger sickly child, and when that child eventually became Charles I, Carey was made Earl of Monmouth. Not a bad result for a head wound and a two days’ ride, though I’m sure the horses would disagree. An old proverb about England was that it was “a paradise for women, a purgatory for servants, and a hell for horses” — something that James’s accession really put to the test. One teenage noblewoman reported how she and her mother killed three horses in a single day, pushing them hard despite the heat, in their rush to meet the new queen.
Just as courtiers flocked to James, however, the king wanted to win friends and allies too. So he handed out favours like confetti. Before he had even reigned a single year, he had created 934 knighthoods — already more than the 878 that Elizabeth I, her generals, and her lord deputies in Ireland had created over the course of her entire 45-year reign. One morning, during his journey down to London, James knighted more people than Elizabeth had in her first five years — all before he’d even had his breakfast. The sheer volume of new knighthoods prompted Francis Bacon — one of about 300 to be knighted in London ahead of the coronation — to call it a “divulged and almost prostitute title”.
The same went for peerages. Elizabeth, over her long reign of almost half a century, had created only 18 new titles. James, before he had even been crowned, had already created 12 — mostly turning knights into lords, and raising some lords into earls. Along with the honours came grants of land, annual pensions, and one-off gifts — not only to James’s new English courtiers, but to his old Scottish favourites too. James’s arrival was an explosion of largesse. (Not all were happy about the relative loss of favour, of course […] at least one pro-invention courtier got involved in a treasonous plot against the new king and ended up losing his head.)
James’s largesse even extended to policy. As he triumphantly marched into London, he issued a proclamation to immediately suspend all of Elizabeth’s patent monopolies, to be re-granted pending review. (This did not apply to patents for trading corporations or guilds.) Rather than leaving the validity of patents to be tested in the common-law courts, at great legal cost to those affected, he would have his Privy Council systematically examine them first, only allowing them if they were in the public interest. He characterised it as a continuation — even a “perfecting” — of Elizabeth’s partial measures a couple of years earlier, which we discussed in Part II. With his proclamation also condemning various other unpopular things, like high court fees, his new subjects were overjoyed.
But the honeymoon was not to last.
October 23, 2021
The English Statute of Monopolies gets far more credit than it actually deserves
The Statute of Monopolies (1624) is often said to have been critical in helping to start England on the road to the Industrial Revolution, but in the latest Age of Invention newsletter Anton Howes argues it is far more complicated than it seems:

Letters Patent Issued by Queen Victoria, 1839. On 15 June 1839 Captain William Hobson was officially appointed by Queen Victoria to be Lieutenant Governor General of New Zealand. Hobson (1792 – 1842) was thus the first Governor of New Zealand.
Constitutional Records group of Archives NZ via Wikimedia Commons.
One of the most frequently mentioned landmarks in the history of intellectual property is the Statute of Monopolies, passed by the English parliament in 1624. I’ve often seen it lauded as the beginning of the system of patents for invention, or the first patent law. I remember giving a talk a few years ago where I downplayed the role of formal institutions in encouraging the Industrial Revolution, prompting an outraged economist in the audience to point to the law as a sort of gotcha — “here’s a better explanation: with patents you incentivise invention, and the Brits had just invented patents”.
Which is all to illustrate that the Statute of Monopolies is often fundamentally misunderstood. So what, exactly, did it actually do? It’s a tale of opportunism, corruption, and court intrigue, with some actual innovation inbetween. The whole saga ended Francis Bacon’s political career, led to a major constitutional crisis, and set the scene for how inventors were to behave and act for well over a century. In this first part, I’ll give the context you’ll need to really appreciate what was going on, and I’ll publish the rest in the weeks to come.
First off, the Statute of Monopolies was certainly not the first patent law. Venice’s senate had enacted a law on monopolies for invention as early as 1474. But even then, we shouldn’t be looking for statutes at all. The history of patents does not begin in 1474, but much earlier, with plenty of monopolies over new inventions having already been granted by the ruling grand council of Venice, and by the authorities of other Italian cities like Florence. The key thing to recognise about early patents is that they were not a creation of parliaments or their statutes, but of those in charge. They were the creation of sovereigns, a creature of kings and queens (or in the case of republics like Venice, of governing councils).
As regular readers of this newsletter might remember, patent monopolies for invention had already had long history in England, well before 1624. Patents in general were a very ordinary tool of English monarchs, used to communicate their will. By issuing letters patent, monarchs essentially issued public orders, open for everyone to see. (Think “patently”, as in clearly or obvious, which comes from the same root.) Monarchs used letters patent to grant titles and lands, appoint or remove people as officials, extend royal protections to foreign immigrants, incorporate cities, guilds, even theatre troupes — in general, just to rule.
And, eventually, English monarchs copied the Venetians by issuing letters patent to grant temporary monopolies to particular people, to encourage them to make discoveries, publish books, or introduce new industries or inventions to the realm. It’s only over the passage of centuries that we’ve come to refer to patents for invention — a mere subset of letters patent, and really even a mere subset of patent monopolies for all sorts of other creative work — as simply patents. Intellectual property was thus a ruler-granted privilege, created in the same way that a town gains the official status of a city, or a commoner becomes a knight. English monarchs began granting monopolies for discovering new territories and trade routes from 1496, for printing certain books from 1512, and for introducing new industries or inventions from 1552 (with one weird isolated exception from as early as 1449).
August 2, 2021
Who is Colt? A History of the Colt Patent Firearms Manufacturing Company
Forgotten Weapons
Published 23 Feb 2017Today we will take a look at the history of the Colt company, from Sam Colt’s first efforts in Paterson (and before) to the West Hartford remnants that survive today. If you enjoy this type of history, please let me know in the comments!
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February 2, 2021
The History of Hollywood
The Cynical Historian
Published 3 Sep 2020This episode is about the history of Hollywood, and it’s quite a long one. This is part 9 in a long running series about California history.
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references:
Bernard F. Dick, Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood (Lexington: The University Press of Kentucky, 2001). https://amzn.to/3f2Yb0SHollywood’s America: United States History Through its Films, eds. Mintz, Steven and Randy Roberts (St. James, N.York: Brandywine Press, 1993). https://amzn.to/2tZIoJT
Richard Slotkin, Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America (New York: Atheneum Books, 1992). https://amzn.to/2KX0jI2
Kevin Starr, Inventing the Dream: California through the Progressive Era, (Oxford, U.K.: Oxford University Press, 1985). https://amzn.to/2VPTbVX
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Wiki: By 1912, major motion-picture companies had set up production near or in Los Angeles. In the early 1900s, most motion picture patents were held by Thomas Edison’s Motion Picture Patents Company in New Jersey, and filmmakers were often sued to stop their productions. To escape this, filmmakers began moving out west to Los Angeles, where attempts to enforce Edison’s patents were easier to evade. Also, the weather was ideal and there was quick access to various settings. Los Angeles became the capital of the film industry in the United States. The mountains, plains and low land prices made Hollywood a good place to establish film studios.
Director D. W. Griffith was the first to make a motion picture in Hollywood. His 17-minute short film In Old California (1910) was filmed for the Biograph Company. Although Hollywood banned movie theaters — of which it had none — before annexation that year, Los Angeles had no such restriction. The first film by a Hollywood studio, Nestor Motion Picture Company, was shot on October 26, 1911. The H. J. Whitley home was used as its set, and the unnamed movie was filmed in the middle of their groves at the corner of Whitley Avenue and Hollywood Boulevard.
The first studio in Hollywood, the Nestor Company, was established by the New Jersey–based Centaur Company in a roadhouse at 6121 Sunset Boulevard (the corner of Gower), in October 1911. Four major film companies – Paramount, Warner Bros., RKO, and Columbia – had studios in Hollywood, as did several minor companies and rental studios. In the 1920s, Hollywood was the fifth-largest industry in the nation. By the 1930s, Hollywood studios became fully vertically integrated, as production, distribution and exhibition was controlled by these companies, enabling Hollywood to produce 600 films per year.
Hollywood became known as Tinseltown and the “dream factory” because of the glittering image of the movie industry. Hollywood has since become a major center for film study in the United States.
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Hashtags: #history #Hollywood #California
October 29, 2020
War, Cinema, and Cheese! | BETWEEN 2 WARS: ZEITGEIST! | E.01 – Harvest 1918
TimeGhost History
Published 28 Oct 2020War, poverty, and disease continue to pummel the word in the wake of the Great War. But still, humanity carries on, not only surviving but creating a host of futuristic opportunities in the arts, the economy, and … cheese.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Indy Neidell, Francis van Berkel, and Spartacus Olsson.
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell, Francis van Berkel, and Spartacus Olsson.
Archive Research: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…
(BlauColorizations) – https://www.instagram.com/blaucolorizations
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
From the Noun Project:
iron cross By Souvik Maity, IN
poverty By Phạm Thanh Lộc, VN
Skull_51748Soundtracks from Epidemic Sound:
– “One More for the Road” – Golden Age Radio
– “Dark Shadow” – Etienne Roussel
– “Not Safe Yet” – Gunnar Johnsen
– “Rememberance” – Fabien Tell
– “Last Point of Safe Return” – Fabien Tell
– “Steps in Time” – Golden Age Radio
– “What Now” – Golden Age Radio
– “Sunday Worship” – Radio Night
– “Astray” – Alec Slayne
– “Break Free” – Fabien TellArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 day ago
Welcome back to Between Two Wars! Strap in for what is going to be an exciting ride through the massive cultural, social, economic, and technological shifts that take place after the Great War. We can’t guarantee this will always be a positive tale. These changes entail plenty of fear and suffering, and even ‘fun’ things like the Jazz Age have their darker sides.But that doesn’t alter the fact that the interwar era is a time of promise where people envision modern futures to replace old pasts. There is everything to play for in this brave new world and a vision of progress all around in politics, culture, food, and more.
October 5, 2020
Winchester Lever Action Development: Model 1866
Forgotten Weapons
Published 7 Jun 2017While the Henry Repeating Rifle had been an serious leap forward in firearms capability, it was not without problems. The biggest single weakness of the Henry was its magazine. The tube magazine was open to dirt and debris, the follower could easily come to rest on the shooter’s hand or anything used as a rest and stop the weapon from feeding, and the while system was rather prone to being damaged.
These problems would all be addressed with the addition of Nelson King’s new loading gate idea, which allowed Winchester to omit the exposed follower entirely, solving a bunch of complaints all at once. The new system was more durable, more reliable, and allowed the rifle to be loaded without the awkward manipulation required by the Henry. The King improvement also allowed the addition of a wooden handguard, which was a welcome addition — it does not take very many black powder rounds for a barrel to become uncomfortably hot to the touch.
At the same time that these improvements were being made, company politics were taking shape to end Benjamin T. Henry’s involvement with the company. Henry attempted to take over ownership of the company because he felt he was not profiting as much as he should, but he had assigned his patent rights to Oliver Winchester in exchange for his contract to manufacture the guns. As a result, Winchester was able to create a new company (the Winchester Repeating Arms Company) with full rights to the design patents and sideline Henry.
The 1866 rifle, which was formally called simply the Winchester Repeating Rifle would continue to use the .44 Henry Rimfire cartridge, but would be made in a wider variety of configurations than the Henry had been, including carbine, rifle, and musket barrel lengths. It would prove to be a very popular rifle, and opened the path to further improvement, as it put the Winchester company on excellent financial footing.
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September 5, 2020
Beginning the transition from personal rule to the modern bureaucratic state
Anton Howes discusses some of the issues late Medieval rulers had which in some ways began the ascendency of our modern nation state with omnipresent bureaucratic oversight of everyone and everything:
… the bureaucratic state of today, with its officials involving themselves with every aspect of modern life, is a relatively recent invention. In a world without bureaucracy, when state capacity was relatively lacking, it’s difficult to see what other options monarchs would have had. Suppose yourself transported to the throne of England in 1500, and crowned monarch. Once you bored of the novelty and luxuries of being head of state, you might become concerned about the lot of the common man and woman. Yet even if you wanted to create a healthcare system, or make education free and universal to all children, or even create a police force (London didn’t get one until 1829, and the rest of the country not til much later), there is absolutely no way you could succeed.
King James I (of England) and VI (of Scotland)
Portrait by Daniel Myrtens, 1621 from the National Portrait Gallery via Wikimedia Commons.For a start, you would struggle to maintain your hold on power. Fund schools you say? Somebody will have to pay. The nobles? Well, try to tax them — in many European states they were exempt from taxation — and you might quickly lose both your throne and your head. And supposing you do manage to tax them, after miraculously stamping out an insurrection without their support, how would you even begin to go about collecting it? There was simply no central government agency capable of raising it. Working out how much people should pay, chasing up non-payers, and even the physical act of collection, not to mention protecting that treasure once collected, all takes substantial manpower. Not to mention the fact that the collecting agents will likely siphon most of it off to line their own pockets.
[…]
It was not until 1689, when there was a coup, that an incoming ruler allowed the English parliament to sit whenever it pleased. Before that, it was convened only at the whim of the ruler, and dispersed even at the slightest provocation. In 1621, for example, when James I was planning to marry his heir to a Spanish princess, Parliament sent him a petition asserting their right to debate the matter. Upon hearing of it, he called for the official record of parliamentary proceedings, personally ripped out the page with the offending vote, and promptly dissolved the Parliament. The downside, of course, was that James could not then acquire any parliamentary subsidies.
Ruling was thus an intensely personal affair, of making deals and finding ways to circumvent deals you had inherited. Increasing your capabilities as a ruler – state capacity – was thus no easy task, as the typical ruler was stuck in an essentially medieval equilibrium. Imposing a policy costs money, but raising money involves imposing policy. Breaking out of this chicken-and-egg problem took centuries of canny leadership. The rulers who achieved it most would today seem hopelessly corrupt.
To gain extra cash without interference from Parliament, successive monarchs first asserted and then abused their ancient prerogative rights to grant monopolies over trades and industries. They eventually granted them to whomever was willing to pay, establishing monopolies over industries like gambling cards or alehouses under the guise of regulating unsavoury activities. They also sold off knighthoods and titles, and in 1670 Charles II even made a secret deal with the French that he would convert to Catholicism and attack the Protestant Dutch, all in exchange for cash. Anything to not have to call a potentially pesky Parliament. At times, the most effective rulers even resembled mob bosses. Take Elizabeth I’s anger when a cloth-laden merchant fleet bound for an Antwerp fair in 1559 was allowed to depart. Her order to stop them had not arrived in time, thus preventing her from extracting “loans” from the merchants while she still had their goods within her power.
August 22, 2020
John Cabot’s patent monopoly grant and the rise of the modern corporation
In the latest Age of Invention newsletter, Anton Howes traces the line of descent of modern corporate structures from the patent granted to John Cabot to explore (and exploit) a trade route to China:

The replica of John Cabot’s ship Matthew in Bristol harbour, adjacent to the SS Great Britain.
Photo by Chris McKenna via Wikimedia Commons.
I discussed last time [linked here] how the use of patent monopolies came to England in the sixteenth century. Since then, however, I’ve developed a strong hunch that the introduction of patent monopolies may also have played a crucial role in the birth of the business corporation. I happened to be reading Ron Harris’s new book, Going the Distance, in which he stresses the unprecedented constitutions of the Dutch and English East India Companies — both of which began to emerge in the closing years of the sixteenth century. Yet the first joint-stock corporation, albeit experimental, was actually founded decades earlier, in the 1550s. Harris mentions it as a sort of obscure precursor, and it wasn’t terribly successful, but it stood out to me because its founder and first governor was also one of the key introducers of patent monopolies to England: the explorer Sebastian Cabot.
As I mentioned last time, Cabot was named on one of England’s very first patents for invention — though we’d now say it was for “discovery” — in 1496. An Italian who spent much of his career serving Spain, he was coaxed back to England in the late 1540s to pursue new voyages of exploration. Indeed, he reappeared in England at the exact time that patent monopolies for invention began to re-emerge, after a hiatus of about half a century. In 1550, Cabot obtained a certified copy of his original 1496 patent and within a couple of years English policymakers began regularly granting other patents for invention. It started as just a trickle, with one 1552 patent granted to to some enterprising merchant for introducing Norman glass-making techniques, and a 1554 patent to the German alchemist Burchard Kranich, and in the 1560s had developed into a steady stream.
Yet Cabot’s re-certification of his patent is never included in this narrative. It’s a scarcely-noted detail, perhaps because he appears not to have exploited it. Or did he? I think the fact of his re-certification — a bit of trivia that’s usually overlooked — helps explain the origins of the world’s first joint-stock corporation.
Corporations themselves, of course, were nothing new. Corporate organisations had existed for centuries in England, and indeed throughout Europe and the rest of the world: officially-recognised legal “persons” that might outlive each and any member, and which might act as a unit in terms of buying, selling, owning, and contracting. Cities, guilds, charities, universities, and various religious organisations were usually corporations. But they were not joint-stock business corporations, in the sense of their members purchasing shares and delegating commercial decision-making to a centralised management to conduct trade on their behalves. Instead, the vast majority of trade and industry was conducted by partnerships of individuals who pooled their capital without forming any legally distinct corporation. Shares might be bought in a physical ship, or even in particular trading voyages, but not in a legal entity that was both ongoing and intangible. There were many joint-stock associations, but they were not corporations.
And to the extent that some corporations in England were related to trade, such as the Company of Merchant Adventurers of London, or the Company of Merchants of the Staple, they were not joint-stock businesses at all. They were instead regulatory bodies. These corporations were granted monopolies over the trade with certain areas, or in certain commodities, to which their members then bought licenses to trade on their own account. Membership fees went towards supporting regulatory or charitable functions — resolving disputes between members, perhaps supporting members who had fallen on hard times, and representing the interests of members as a lobby group both at home and abroad — but not towards pooling capital for commercial ventures. The regulated companies were thus more akin to guilds, or to modern trade unions or professional associations, rather than firms. Members were not shareholders, but licensees who used their own capital and were subject to their own profits and losses.
Before the 1550s, then, there had been plenty of unincorporated business associations that were joint-stock, and even more unincorporated associations that were not joint-stock. There had also been a few trade-related corporations that were not joint-stock. Sebastian Cabot’s innovation was thus to fill the last quadrant of that matrix: he created a corporation that would be joint-stock, in which a wide range of shareholders could invest, entrusting their capital to managers who would conduct repeated voyages of exploration and trade on their behalves.
August 7, 2020
From Medieval Letters Patent to our modern patents, by way of Venice
In the latest Age of Invention newsletter, Anton Howes traces the lines of descent from the Letters patent of the Middle Ages, through Venetian legal innovations, to what began to resemble our modern patent system:

Letters Patent Issued by Queen Victoria, 1839
On 15 June 1839 Captain William Hobson was officially appointed by Queen Victoria to be Lieutenant Governor General of New Zealand. Hobson (1792 – 1842) was thus the first Governor of New Zealand. This position was renamed in 1907 as “Governor General”. Hobson arrived in New Zealand in late January 1840, and oversaw the signing of te Tiriti o Waitangi only a few days later. By the end of 1840, New Zealand became a colony in its own right and Hobson moved the capital of the colony from the Bay of Islands to Auckland. He served as Governor until his death in 1842 after he suffered a stroke at the age of 49.
Constitutional Records group of Archives NZ via Wikimedia Commons.
Patents for invention — temporary monopolies on the use of new technologies — are frequently cited as a key contributor to the British Industrial Revolution. But where did they come from? We typically talk about them as formal institutions, imposed from above by supposedly wise rulers. But their origins, or at least their introduction to England, tell a very different story.
England’s monarchs had long used their prerogative powers to grant special dispensations by letters patent — that is, orders from the monarch that were open for all the public to see (think of the word patently, from the same root, which means openly or clearly). For the most part, such public proclamations had been used to grant titles of nobility, or to appoint people to positions in various official hierarchies — legal, religious, and governmental. And, of course, letters patent could be used to promote the introduction of new technologies.
[…]
Monopolies in general, of course, over particular trades or industries had been granted for centuries, by rulers all across Europe. They granted such privileges to groups of merchants, artisans, and city-dwellers, giving them rights to organise and regulate their own activities as guilds or as city corporations. Inherent to all such charters was the ability of the in-group to restrict competition from outsiders, at least within the confines of their city. And the ruler, in exchange for granting such privileges, typically received a share of the guild’s or corporation’s revenues. But such monopolies were very rarely given to individuals. When they were, it was often so unpopular as to be almost immediately overturned. And they were rarely used to encourage innovation.
With one exception: Italy. Throughout the fifteenth century, some Italian city guilds had begun to forbid their members from copying newly-invented patterns for silk and woollen cloth, effectively granting a monopoly over those patterns to the individual inventors. In Venice, a 50-year monopoly was granted in 1416 to one Franciscus Petri, of Rhodes, to introduce superior fulling mills. In Florence, the famous architect and engineer Filippo Brunelleschi was granted a monopoly in 1421 for a vessel he designed for transporting heavy loads of marble, in exchange for revealing the secrets of his design. The printing press was also introduced to Venice using such a privilege, with a 5-year monopoly granted in 1469 to Johannes of Speyer, though he died only a few months after receiving it. And these ad hoc grants were made with increasing frequency, such that in 1474 Venice legislated to make them more systematic, declaring that 10-year monopolies could be obtained for all new technologies, either invented or imported (though it continued to also grant ad hoc patents, with the terms and durations decided on a case-by-case basis as before). Under the 1474 law, Venice was soon granting patent monopolies to the introducers of various mills, pumps, dredges, textile machines, printing techniques, and even special kinds of lasagna. It granted over a hundred patents in the first half of the sixteenth century, with many more thereafter.
From Venice, the use of patent monopolies as an instrument of policy spread abroad, with the initiative coming from the would-be introducers of novelties themselves. In the mid-fifteenth century, for example, a French inventor who had acquired patents in Venice was also successfully lobbying for similar privileges from the archbishop of Salzburg, the duke of Ferrara, and the Hapsburg Holy Roman Emperor. The use of patent monopolies thus soon diffused to the rest of Italy, to Germany, and to the various dominions of the Spanish emperor — including Spain itself, its American colonies, and the Low Countries.
And, eventually, to England. But not in the way we might expect. In 1496, the Venetian explorer Zuan Chabotto (aka John Cabot) acquired a patent monopoly from Henry VII over the trade and products of any lands he was to discover — a legal procedure unlike anything that earlier English explorers had attempted (they had merely been granted licenses). Cabot’s grant even differed from the agreements made by Christopher Columbus with the Spanish crown, or by earlier explorers for the Portuguese. Columbus, for example, was effectively granted a patent of nobility — the hereditary titles of viceroy, admiral, and governor. He and the Portuguese explorers were direct agents of the crown, with military and justice-dispensing responsibilities over any newly conquered lands — a model derived from the Christian conquests of Muslim Iberia. Columbus effectively became a marcher lord, a custodian and defender of Spain’s new borderlands.
April 24, 2020
Prizes, patents, and the Society of the Encouragement of Arts, Manufactures and Commerce
In the most recent Age of Invention newsletter, Anton Howes explains why the Society of the Encouragement of Arts, Manufactures and Commerce (now the Royal Society of Arts) wasn’t a fan of the British patent system and preferred to award prizes in areas that were unlikely to generate monopoly situations:

The back of the Royal Society of Arts building in London, 25 August 2005.
Photo by C.G.P. Grey (www.CGPGrey.com) via Wikimedia Commons.
… the Society’s early members had an aversion to monopolies, and patents are, after all, temporary monopolies. But there was actually a more practical reason to not give rewards to patented inventions. In fact, quite a few active members of the Society were themselves patentees, and patents for inventions were not generally lumped together for condemnation with practices like forestalling and engrossing. The practical reason for banning patents was that there was no point giving a prize for something that people were already doing anyway. Patents were expensive in the eighteenth century — depending on how you account for inflation, it could cost about £300,000 in modern terms to obtain one — so the fact that there was a patent for a process was a clear indication that it might be profitable. The Society, by contrast, was supposed to encourage things that would not otherwise have been done.
Thus, when a patent had already been granted for a process the Society had been considering giving a premium for, it purposefully backed down — not because the prize would infringe on the patent, but because its encouragement was no longer necessary. And so the effect of the ban on patented inventions was that the Society received, even unsolicited, exactly the kinds of inventions that there was less monetary incentive to invent. Occasionally, this meant trivial improvements — minor tweaks, here and there, to existing processes. An engineer might patent one invention, but not see it worth their time patenting another — through the Society’s prizes, they might at least get a bit of cash for it, or some recognition. The improvement would also be promoted through the Society’s publications. Or, the Society received inventions that were far from trivial, like the scandiscope for cleaning chimneys [here], but which were not all that profitable: inventions that saved lives, or had other beneficial effects on the health and wellbeing of workers and consumers. And finally, the Society received innovations that could not be patented, such as agricultural practices and the opening of new import trades. In the early nineteenth century the Society awarded its prizes to a whole host of naval officers, including an admiral, who came up with flag-based signalling systems between ships — early forms of semaphore.
Another effect of the ban on patents was that the Society also attracted submissions from different demographics. Many of its submissions came from people who were too poor to afford patents, as well as from those who were too rich — wealthy aristocrats for whom commercial considerations might seem vulgar. The poor would generally go for the cash prizes, and the aristocrats for the honorary medals. And the prizes were used by people who might otherwise be socially excluded from invention. In 1758, for example, the Society instructed its members in the American colonies to accept submissions from Native Americans. It also allowed women to claim premiums (just as it allowed them to be members). My favourite example is Ann Williams, postmistress at Gravesend, in Kent, who won twenty guineas from the Society in 1778 for her observations on the feeding and rearing of silk-worms. She kept them in one of the post-office pigeon-holes, referring to them affectionately as “my little family” of “innocent reptiles”. Unlike other elements of society, the Society of Arts accepted, as she put it to them, that “curiosity is inherent to all the daughters of Eve.”
The Society thus encouraged the kinds of inventions that might not otherwise have been created, and catered to the kinds of inventors who might not otherwise have been recognised. Rather than competing with the patent system, it complemented it, filling in the gaps that it left. The Society operated at the margins, and only at the margins, to the better completion of the whole. It found its niche, to the benefit of innovation overall.
January 4, 2020
Looking back at the ’20s … the 1620s
In the latest installment of Anton Howes’ Age of Invention, he takes us back to what he calls the “transformative 20s” of the seventeenth century:

St. Paul’s Church in Covent Garden (built 1631-8) by Inigo Jones.
Photo by Steve Cadman via Wikimedia Commons.
The 1620s saw an upsurge in major projects to transform Britain’s landscape. Engineers from the Dutch Republic like Cornelius Vermuyden came to straighten its rivers, build canals, and even drain its marshes, converting them into pasturage and farmland — in the decades that followed, they would even begin to drain the Great Fens. The cityscapes changed too. The former theatre designer and architect Inigo Jones — by 1615 the Surveyor-General of the King’s Works — introduced classical architecture from the continent, drawing upon the rules of beauty and proportion that had been set down by Vitruvius in the first century BCE and resuscitated in Renaissance Italy by Andrea Palladio. Jones’s influence transformed England’s palaces, churches, cathedrals, and even Covent Garden square, to reflect his ancient Roman ideal.
But the environment, built or natural, would be most transformed by the experiments of a few individuals with fossil fuels. Dud Dudley, an illegitimate child of the 5th Baron Dudley, in the 1620s experimented with smelting iron with peat and coal. Dudley was not the first to do so — the patent on using coal instead of charcoal to work iron had been sold on from person to person since at least 1589 — but his experiments were among the most influential. The famous Abraham Darby, who achieved commercial success in applying coal to smelting metals in the early eighteenth century, was Dud Dudley’s great-great-nephew.
The decade also saw major new attempts to use coal as a fuel in other processes, such as glass-making. Although the patent on using coal to make glass had been around since at least 1610, by the 1620s Sir Robert Mansell had bought out the partners who owned it and was pouring a fortune into setting up glassworks at Newcastle. In this case, the transformation was institutional. Mansell’s political connections allowed him to widen the terms of his patent, such that he even tried to ban all other kinds of glass in England, regardless of whether they were made using other fuels, or even imported. Usually, patents of invention were for things entirely new, and were not supposed to interfere with existing English industries. But over the course of the 1610s, various abuses like Mansell’s came to light. King James I, eager for cash, had sold monopolies on ancient trades, as well as the new — one crony was even awarded a patent for inns and alehouses. Mansell’s patent, along with the others, was attacked in Parliament in the 1620s, and even revoked. The outcry ultimately led to the Statute of Monopolies of 1624 — the earliest patent legislation in England, which sought to regulate the royal practice of granting them. (Ironically, Mansell was so well-connected that he managed to get his controversial glass-making patent renewed and then exempted from the new Act.) The Statute of Monopolies was the only English patent legislation in force during the Industrial Revolution — there was no more patent legislation until 1852.
Finally, the ’20s saw a transformation of science. It was the decade in which Francis Bacon published some of his most significant works, on how to collect, refine, and systematise human knowledge for the good of humankind. He set out a comprehensive programme for the organisation of science and invention, with his utopian work New Atlantis setting out his ideal R&D lab – “Salomon’s House”. (Despite these high-minded aims, Bacon was also Mansell’s brother-in-law, and as attorney-general had helped draft the controversial glass-making patent. In 1621 he was convicted, fined, and even briefly imprisoned in the Tower of London for his role in the corrupt early patent system, though he appears to have been a scapegoat.)
November 27, 2019
John Browning vs Hiram Maxim: Patent Fight!
Forgotten Weapons
Published on 25 Sep 2019http://www.patreon.com/ForgottenWeapons
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When John Browning designed his Model 1895 machine gun with its rotary-lever gas operation system, Hiram Maxim filed suit claiming patent infringement. Maxim had filed quite broad patents covering gas pistons operation, but specifically in a linear format. Browning and Colt (who had the license to manufacture the Model 1895 machine gun) countered that the swinging lever was a different system, and thus not covered by Maxim’s patents. More to the point, they claimed that the gun would work without using a gas piston at all – and built this experimental model using a gas trap or muzzle cap system instead to prove the point.
Ultimately, the genesis of the fight was moot (the Maxim did not run well in 6mm Lee Navy, and would not have won a US Navy contract regardless of the Colt/Browning gun), and the court ultimately decided in favor of Colt and Browning. But this gun remains from the incident…
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August 1, 2019
Maxim “Prototype”: The First Practical Machine Gun
Forgotten Weapons
Published on 31 Jul 2019http://www.patreon.com/ForgottenWeapons
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Hiram Maxim was the first person to create a truly practical and functional machine gun, based on a patent he filed in 1883. He pioneered the recoil operating system – the concept of harnessing the recoil generated by a firearm to perform the actions of reloading that firearm. His patent was based on a lever action rifle, but his intent was to create a machine gun, complete with belt feed and water cooling. After a testbed “forerunner” gun, he built this model which he called the “Prototype”. It was meant as a proof of concept, and used in many public exhibitions and demonstrations.
The Prototype used a hydraulic rate of fire control system which could be set as high as 500 rounds/minute and as low as just one round per minute. The gun did not have a trigger as we would recognize it today, but rather a single lever like a vehicle accelerator which acted as both trigger and fire rate control. Only three of these Prototypes exist today, with one belonging to the USMC, one on public display at the Royal Armouries museum in Leeds, and this one in the NFC reserve collection at Leeds.
For a fantastic exploded view of all this guns working parts, check out this work by YouTube channel vbbsmyt:
Many thanks to the Royal Armouries for allowing me to film this tremendously important artifact! The NFC collection there — perhaps the best military small arms collection in Western Europe — is available by appointment to researchers:
https://royalarmouries.org/research/n…
You can browse the various Armouries collections online here:
https://royalarmouries.org/collection/
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July 26, 2019
How Does it Work: Blow Forward
Forgotten Weapons
Published on 28 May 2019http://www.patreon.com/ForgottenWeapons
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The blow forward system has only been used on three commercially-produced firearms: the Schwarzlose 1908, Hino-Komuro, and Mannlicher 1894 (The SIG AK-53 uses a forward barrel movement, but in conjunction with a locked breech). It offers a simple system with a theoretical extra margin of safety because the side cannot come backward off the gun, but at the cost of substantially increased felt recoil. Once the blowback system was out of patent protection, there was no convincing reason to use the blow forward mechanism.
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