Quotulatiousness

January 23, 2026

WW1: 1 Million Vs 1 Million at the Marne | EP 3

The Rest Is History
Published 1 Sept 2025

What extraordinary events saw the French — already on the brink of defeat — take on the formerly formidable German army in a remarkable counter-offensive on the 4th of September, in France, in a clash that would later become known as the Miracle on the Marne? Why was this such a decisive moment in the events of the First World War How did it relate to the famous Schlieffen plan? Did it really see the French charging into battle in Renault taxis? And, why did it become one of the most legendary moments in all of French history?
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January 17, 2026

Everything you need to know about art deco

Filed under: Europe, History, Media, USA — Tags: , , , , — Nicholas @ 02:00

Dezeen
Published 29 Apr 2025

To mark the centenary of art deco’s debut, Dezeen features editor Nat Barker rounds up everything you need to know about art deco.

In this video produced by Dezeen Studio, Dezeen explores the history and context of the movement, and the most notable characteristics of the style.

Art deco was a design movement that rose to prominence in the 1920s and 30s. Its origins are often disputed, but most agree that art deco’s entrance on to the world stage took place 100 years ago, at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris.

#artdeco #designhistory

January 16, 2026

WW1: The Slaughter Starts | EP 2

Filed under: Britain, Europe, France, Germany, History, Military, WW1 — Tags: , , , , — Nicholas @ 02:00

The Rest Is History
Published 28 Aug 2025

What was Britain’s first military move following the outbreak of the First World War? Where did the French launch their initial attack on the Germans? Whose army was the biggest and best of all the participants in the war? And, what unfolded at the pivotal Battle of the Ardennes in August 1914, on the frontiers of France, between the Germans and the French, and what would be the consequences of the outcome for the war as a whole?

Join Dominic and Tom as they discuss, in riveting, unsparing detail, the dramatic early engagements of the First World War, and the bloody Battle of Ardennes.

00:00 Who was Aubrey Herbert? The MP offered the throne of Albania
02:24 Expectations of WW1: catastrophe foretold
04:50 Britain’s war council: should the BEF go to France?
14:12 The French: splendid uniforms uniforms, and a daring plan …
20:05 Battle of the Frontiers
26:37 Charleroi: Lanrezac’s warnings ignored, French collapse begins
30:20 The Battle of Mons
42:00 French retreat as well: Joffre forced to abandon offensives
44:44 The Battle of Le Cateau: Smith-Dorrien decides to stand and fight
47:35 Le Cateau outcome: heavy losses, but strategic British success
49:04 The Great Retreat: exhaustion, refugees, collapse of morale
51:05 Sir John French proposes pulling back behind Paris
53:12 London & Paris reactions
56:09 Paris prepares for siege
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January 15, 2026

Pauly/Roux Pistols: The First Self-Contained Cartridges

Filed under: France, History, Technology, Weapons — Tags: , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 22 Aug 2025

Samuel Pauly is the largely unrecognized father of the modern self-contained cartridge. In 1808 he patented a cartridge with a metal base that held a priming compound and attached to a paper or metal cartridge body holding powder and projectile. He followed this with an 1812 patent for a gun to fire the cartridges. What makes Pauly’s original system particularly interesting is that he did not use mechanical percussion (ie, hammer or striker) to ignite the primer compound, but rather a “fire pump”. A spring loaded plunger compressed air on top of the primer, heating it enough to detonate the compound in the same way that a diesel engine works. This was not a commercially successful system, though, and Pauly left Paris for London in 1814.

Pauly’s shop was taken over by Henri Roux, who continued making guns under the Pauly name while also improving the cartridges. These two pistols were made around 1820 and use a Roux cartridge with a mechanical striker hitting the primer compound in a Pauly-style cartridge case.

For more information, I recommend Georg Priestel’s free book Jean Samuel Pauly, Henri Roux, and Successors – Their Inventions From 1812 to 1882 available here:
https://aaronnewcomer.com/document/je…
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September 19, 2025

What Medieval Fast Food Restaurants Were Like

Filed under: Britain, Food, France, History — Tags: , , , , , — Nicholas @ 02:00

Tasting History with Max Miller
Published 15 Apr 2025

Golden brown fried pastries filled with a fruit and spice paste

City/Region: Paris
Time Period: c. 1393

Fast food has been around since the Middle Ages, and while a lot has changed in food production and cooking in the last six hundred years or so, then, as now, you could get a fried apple pie.

Rissoles were fried filled pastries (modern versions are usually some kind of filling rolled in breadcrumbs and fried), and they could be made savory or sweet. These ones are made with roasted apples, raisins, figs, and sweet spices. I chose cinnamon, ginger, and nutmeg, but you can choose whatever spices you like.

    It is common that rissoles are made of figs, raisins, roast apples, and nuts peeled to imitate pine nuts, and powder of spices [and a little fine salt]; and let the paste be well saffroned and then let them be fried in oil [and sugar them].
    Le Ménagier de Paris, c. 1393

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August 25, 2025

George Orwell’s Down and Out in Paris and London

Filed under: Books, Britain, France — Tags: , , , , , , — Nicholas @ 05:00

Down and Out was one of the first Orwell works I read as an adult, having encountered Animal Farm and Nineteen Eighty-Four as school texts. I would not say that I enjoyed the book so much as it gave me a very different view of both cities between the wars and encouraged me to seek out more of Orwell’s work. On his Substack, Rob Henderson considers the book and its author:

I was in high school the first time I read Down and Out in Paris and London (1933) by George Orwell. A memoir about his time in the slums of France and England.1 Orwell, while in Paris, worked as a plongeur — a person employed to wash dishes and carry out other menial tasks in a restaurant or hotel. Plongeur sounds much better than “bus boy”.

Because, at the time, I was also working as a busboy and dishwasher, I enjoyed Orwell’s description of employment in a busy restaurant. He wrote that the work itself was simple, like sorting a deck of cards, but when done against the clock it became exhausting. That captured exactly how I felt on my Friday and Saturday evening shifts.

Later I was disappointed to learn that Orwell had come from privilege. The guy went to Eton, a prestigious all-boys school. The book recounted his experiences with slum tourism. When he was penniless during the periods described in Down and Out, particularly during his return to London, his well-to-do family could and did take him back in for temporary periods so he could eat well and shower. At first this made the story feel less authentic.

Over time, though, I came to see it differently. It took someone like Orwell to write about life in the slums in a way that other educated people would pay attention to. I had to go through something similar. Only after spending time around the upper middle class did I understand how to describe my life in a way that would actually make them pay attention.

[…]

In the second half of Down and Out in Paris and London, Orwell describes living rough in London’s East End, staying in lodging houses and casual wards. He worked alongside the city’s laborers to understand poverty from the inside.

Down and Out in Paris and London was Orwell’s first published book, written when he was in his mid-twenties. It is striking is how little he romanticized the idea of being an impoverished bohemian in world-class cities, the way so many others of his background might have done. Instead, he treated his immersion in the Parisian and London underworlds as an attempt to strip away the prejudices he had inherited as an upper-middle-class Etonian.

The book is restrained in its politics. Orwell rarely pauses for commentary, preferring to tell the story as it happened and saving his more general conclusions for a couple of chapters at the end. This is more or less the same approach I took with Troubled; describe the world as it was, or at least as I remember it, and let the meaning emerge on its own.

One of the strongest features of Down and Out is its focus on the psychological effects of petty humiliations. Orwell describes kitchens where people from every corner of Europe are screaming at each other in different languages, frantically trying to keep pace with the chaos. If you have ever watched one of those Gordon Ramsay shows, you have some idea. He admired the strange order that somehow emerged from the chaos.

This voyeuristic quality is part of the book’s appeal. We all go to restaurants and see only the polished surface, knowing almost nothing about what happens behind the doors. Likewise, we all encounter homeless people in daily life and know little about how they live. Back in the 1930s, you didn’t have to make many mistakes to find yourself in a tough spot. My guess is that because society today is wealthier, there are more social services available, and powerful recreational drugs more accessible, the typical homeless person (he uses the word “tramp”, which was a prevailing term at the time) Orwell encountered nearly a century ago is very different from those we see today.

During his year and a half working menial jobs in Paris, Orwell wrote a few books, all rejected by publishers in London. None of this appears in Down and Out. He never dwells on his literary ambitions or his many failures. He does not even treat “writing” as a subject worth mentioning. For him, sleeping on a bench along the Embankment was a detail that mattered more than discussing proofs with an editor. Struggle is more interesting to read about than success. Sometimes people ask me if I’ll write a follow up to Troubled. No way. No one wants to read a whole book about a guy who went to elite universities and then blathers on about his subsequent prosperity. The thought of it induces a feeling in me of both amusement and nausea. Even if I focused on the unexpected struggles and costs of upward mobility, the stakes are so low that I can’t bring myself to take it seriously.


  1. It just occurred to me that this was in 2005. Around once a week I’d stop by my high school library after class and browse the shelves. By 2006 and 2007, I noticed fewer and fewer students actually reading in the library and more and more of them on the desktop computers, watching videos on a new website called “YouTube”. Can’t help but wonder how much streaming videos have reduced interest in reading among young people.

July 27, 2025

QotD: London coffeehouses and Paris salons of the Ancien Régime

Marie Antoinette arrived in Paris at the end of this era of strict censorship, which helps explain why her honeymoon with French public opinion was short-lived. The official press, notably the Mercure and Gazette, continued churning out fawning snippets of society news about the royal couple. But the scandal-mongering libelles and pamphlets had their own paragraph men, called nouvellistes, who picked up “news” from well-informed sources posted on benches in the Tuileries, Luxembourg Gardens, and, of course, under the tree of Cracow. Police efforts to repress nouvellistes‘ gossip proved futile in the face of high demand. One famous libelle of the era, Le Gazetier cuirassé promised “scandalous anecdotes about the French court”. (It was printed in London, out of reach of official French censors.) Another publication printed in London starting in the 1760s was the famous Mémoires secrets, an anonymous chronicle of insider gossip and anecdotes from Parisian high society. A scurrilous book about Louis XV’s mistress, Madame du Barry, also appeared as a collection of gossip that nouvellistes had picked up around Paris.

Despite the libelles circulating in Paris, the Bourbon monarchy was still relatively protected compared with the hurly-burly across the channel in London, where coffeehouses buzzed with political innuendo and intrigue. Some French philosophes, it is true, attempted to replicate London’s coffeehouse culture at Parisian cafés, such as the Procope on the Left Bank. (Voltaire frequented the place, where he liked to add chocolate to his coffee.) Other regulars at the Procope — named after the Byzantine writer Procopius, famous for his Secret History — were Rousseau, Danton, and Robespierre, as well as Americans Benjamin Franklin and Thomas Jefferson.

The Parisian equivalent of the coffeehouse was the salon, which differed from London coffeehouses in both ambience and function. Whereas London coffeehouses were boisterously public, salons were essentially closed spaces, usually held in private homes. Most were by invitation only. Many were hosted by women, usually titled or wealthy ladies with an interest in culture and politics — such as Madame de Rambouillet, Madame Necker, Madame Geoffrin, and Mademoiselle Lespinasse. There was also the Marquise du Deffand, a friend to Voltaire and the English man of letters Horace Walpole, to whom she bequeathed not only her papers, but also her pet dog, Tonton.

As access to these rarefied spaces increasingly became a symbol of social success, admission got more tightly controlled. (Madame Geoffrin expelled Diderot from her salon because she found his conversation “quite beyond control”.) Still, those who frequented salons represented a great diversity within the elites — from rising young writers and established authors to powerful politicians and eccentric aristocrats. The tacit rule was, as in London coffeehouses, that wit was more important than rank. Many great French writers launched their careers thanks to their admittance. One was the philosopher Montesquieu, who found success at the salon of Madame Lambert.

Matthew Fraser, “Marie Antoinette: Figure of Myth, Magnet for Lies”, Quillette, 2020-06-24.

July 14, 2025

Day Seven – Ghost Division! – Ten Days in Sedan

Filed under: Britain, France, Germany, History, Military, WW2 — Tags: , , , , , , — Nicholas @ 04:00

World War Two
Published 13 Jul 2025

May 16 1940: Our WW2 Blitzkrieg documentary, Ten Days in Sedan, continues as Winston Churchill arrives in Paris. The Prime Minister still has hope but he’s shocked to see the French burning documents and preparing to evacuate. Meanwhile French and German tanks slug it out in Stonne, Guderian reaches Montcornet, and Rommel leads his Ghost Division far behind French lines.

Chapters
00:00 Intro
00:58 Recap
01:38 Stonne
03:05 Panzers Drive West
07:02 New French Plan
12:23 Rundstedt’s Halt Order
16:06 Ghost Division
21:53 Churchill in Paris
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March 11, 2025

The Myth and Truth behind Croissants – A Recipe from 1850

Filed under: Food, France, History — Tags: , , , , , , , — Nicholas @ 02:00

Tasting History with Max Miller
Published 29 Oct 2024

Crescent-shaped bread rolls, from before the croissant was a flaky pastry

City/Region: France
Time Period: 1853

Croissants weren’t always the buttery, flaky pastries that we know and love. While today, that flakiness is what defines a croissant, in the past, it was the crescent shape that was most important.

This recipe from the mid-19th century, a good 50 years before the croissant got its flakes, is a wonderfully soft bread. It doesn’t bear much resemblance to a modern croissant besides the shape, but it is much easier to make. The bread is a little plain, but would be lovely with some butter and jam.

    In luxury bakeries, small loaves called croissants are prepared, usually in the semi-circular shape of a roll curved and tapered at the ends. The liquid is used to form the dough with one kilogram of flour consists of one or two eggs beaten and mixed with about five hundred grams of water. Moreover, the choice of flour, the dose of yeast, as well as the working of the dough, require the same care as when it comes to the other luxury breads mentioned.
    Des substances alimentaire et des moyens de les améliorer by Anselme Payen, 1853.

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September 17, 2024

Parisian Needlefire Knife-Pistol Combination

Filed under: France, History, Weapons — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published Nov 30, 2017

Combination knife/gun weapons have been popular gadgets for literally hundreds of years, and this is one of the nicest examples I have yet seen. This sort of thing is usually very flimsy, and not particularly well made. This one, however, has a blade which locks in place securely and would seem to be quite practical. The firearm part is also unique, in that it uses a needlefire bolt-action mechanism. This is a tiny copy of the French military Chassepot system, complete with intact needle and obturator.

And, of course, since it is French the trigger is a corkscrew.

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

August 2, 2024

46-second beatdown in Paris – Olympic hypocrisy on full, disgusting display

Filed under: France, Media, Politics, Sports — Tags: , , , , , — Nicholas @ 03:00

On the social media site formerly known as Twitter, ESR reacts to the Olympic boxing travesty of a male boxer being in the ring with a female boxer:

I have mixed feelings about the beatdown of Angela Carini at the Olympics and the feminists complaining that she should never have been put in the ring with a biological male.

On the one hand, yes, it’s disgusting that a man pretending to be a woman battered Carini to the point where she threw the match in justified fear of being killed in the ring.

On the other hand, this travesty seems like such an obvious consequence of feminist doctrine and the feminization of politics that I think most of the women (and “male feminist” allies) decrying it should shut the hell up until they seriously rethink their premises.

It wasn’t “the patriarchy” or defenders of traditional gender roles pushing for this. It was a consequence of decades of insistence that men and women are interchangeable, that gender roles are “socially constructed” – mutable at whim, and that people’s feelings about their own victimization and self-assigned identity trump objective facts.

Feminism and political correctness put Carini’s face in the path of Imane Kelif’s fists. It’s the same ideological cluster that has led to an epidemic of rapes by biological males in women’s prisons and homeless shelters.

Most women – and far too many weak-kneed men – said nothing for decades as this fantasy ideology of feelz laid waste to our cultural norms. And in news that I’m completely sure is utterly unrelated, over 50% of young women identifying as “liberal” have a diagnosed mental disorder.

Maybe, just maybe, feminists and postmodernists and critical theorists ought to stop punching Angela Carini’s face?

July 29, 2024

“Queering” the Olympics

Filed under: France, Media, Politics, Religion — Tags: , , , — Nicholas @ 04:00

The 2024 Summer Olympic Games in Paris have started, with the traditional “fuck you!” to those the elites most disdain, who in this case are apparently the more than two billion Christians around the globe:

At Spiked, Brendan O’Neill notes that our kakistocratic elites are still not tired of “queering” everything they possibly can, especially if it gets up the noses of those disgusting dirt people in the provinces:

Is anyone else bored of “queering”? Everything’s getting “queered” these days. We’ve had “Queering the Curriculum“. “Queering the Arts“. And my personal favourite: “Queering Palestine“. This entails academics “unpack[ing] the multiple intersections of queer politics and the Palestinian struggle”. Hot tip for these profs: if Hamas ever invites you to discuss your theories, don’t agree to meet them on the high floor of a building. “Queering the Pavement” is the only thing they’re interested in.

Now, with soul-zapping inevitability, we’ve had the “queering” of the Olympic Games. Yesterday’s rain-sodden opening ceremony in Paris was super LGBTQIAzzz. There were drag acts everywhere. A bearded bloke twerked for the world. A bollock-naked man in blue paint was served on a platter of fruit to a gaggle of diet-dodging drag queens. Look, if I wanted to be exposed to the camp debauchery of drag culture, I’d go to a kindergarten.

It really was a naff, dispiriting affair. It was the first opening ceremony to take place, not in a stadium, but in the heart of the hosting city. Boat after boat after boat carried the Games’ athletes along the Seine as 300,000 spectators in soaked plastic macs craned their necks for a glimpse. It seemed to go on forever. It was so bad that even square liberals on X started using the favoured slogan of the right: “STOP THE BOATS”.

The weather didn’t help. The lashing rain hampered the audio, making it hard to hear the ceremony’s star turns, Celine Dion and Lady Gaga (an upside of the downpour, I suppose). What we could hear was just weird. Like when a headless Marie Antoinette sang the opening bars to an ear-splitting heavy-metal ditty. The ceremony organiser, Thomas Jolly, said he wanted his spectacle to be a “celebration of being alive” – here we had a celebration of being dead.

Then there was the “queering”. Just as you can’t switch on the BBC, visit a library or have a quiet pray these days without encountering a drag queen, so you can’t watch the opening ceremony of the Olympics without seeing portly men in moob-hugging outfits voguing and gloating. It was more Eurovision than Olympian. More Ru Paul than Ancient Greece. More “Sashay away” than “Citius, Altius, Fortius“. That’s the original Olympic motto. It means “Faster, higher, stronger”. Because, believe it or not, we were once a species that celebrated the moral beauty of sporting heroism rather than the ability of a middle-aged man to lard himself into a sequined gown.

The part of the ceremony that caused the biggest stink was the camp Last Supper. A bunch of drag acts gathered around a buxom woman adorned in an aureole halo crown in an unmistakable mimicking of da Vinci’s painting of Christ and the apostles at their final meal. Wearing the smug look of all glib performance artists who love nothing more than to piss off “normies” – because they lack the talent for anything else – the drag queens giddily got into their disciple positions and heaped holy adoration on the lady Jesus. You could almost hear their thoughts: “Ooh boy, this is going to piss off old farts – yes!”

April 13, 2024

QotD: Architects and modern architecture

Filed under: Architecture, Books, Britain, France, History, Quotations — Tags: , , , , — Nicholas @ 01:00

Eventually, the deeply impoverished language of Bauhaus or Corbusian architecture became evident even to architects, possibly the most obtuse professional group in the world (though educationists are not far behind). But their turning away from the dreariness of what Professor Curl calls Corbusianity has hardly improved matters. They discovered the delights — for themselves — of originality without the discipline of even a reduced vernacular, of giving buildings outlandish shape simply because it was possible to do so, the more outlandish the more attention being drawn to themselves. Thus the skyline of the City of London has been adorned with Brobdingnagian dildoes and early mobile telephones, turning the city into a damp, overcrowded cut-price Dubai; and Paris — the City of Light — has been the dubious distinction of having built three of the worst buildings in the world, the Centre Pompidou, the Musée du Quai Branly and the Philaharmonie, the latter two by the architect who dresses like a fascist thug, Jean Nouvel. I cannot pass these buildings without thinking au bagne!; and indeed, I have a French book whose title, Faut-il pendre les architectes?, asks whether it is necessary to hang the architects.

Professor Curl’s is a very painful book to read. In one sense his targets are easy for, as the photos amply demonstrate, modernist architecture and its successors are so awful that it scarcely requires any powers of judgment to perceive it. It is like seeing a TV evangelist and knowing at once that he is a crook. Yet modernist architecture, despite its patent hideousness and inhumanity, still has its defenders, especially in the purlieus of architectural schools. Moreover, the population has been browbeaten into believing that there was never any alternative, and it is obvious that to undo the damage would take decades, untold determination and vast expenditure. Removing the Tour Montparnasse alone would probably cost several billion. No one is prepared to make this colossal effort.

What Walter Godfrey wrote in 1954 is debatable:

    It is not an exaggeration to say that nine men out of ten have lost all sensitiveness to an art that was once a matter of common interest.

If this is true, it is because they have learned to accept, or swallow what they are given. The epidemiology of graffiti, however, suggests to me that, at least subliminally, men still take notice of their surrounding and are affected by them: defacement is overwhelmingly of hideous Corbusian surfaces, that is to say on what Corbusier called “my friendly concrete”.

As for the architects and their acolytes, the architectural commentators, they hide behind the claim that most people do not “understand”. They claim that modernist architecture is better than it looks or functions, that it is “honest”, a weaselly word in this context. The architects cannot recognise the obvious for the same reason that Macbeth could not stop murdering once he had started:

    I am in blood
    Stepped in so far that should I wade no more
    Returning were as tedious as to go o’re

Professor Curl has written an essential, uncompromising, learned, sometimes slightly densely, critique of one of the worst and most significant legacies of the 20th century. He offers a slight glimmer of hope in the existence of architects who, bravely, have resisted the blandishments of celebrity status and the approbation of their corrupted peers. His book has a wonderful bibliography, the fruit of a lifetime of reading and reflection, that will give me occupation for a long time to come. It is a loud and salutary clarion call to resist further architectural fascism.

Theodore Dalrymple, “Architectural Dystopia: A Book Review”, New English Review, 2018-10-04.

March 7, 2024

QotD: Helmuth von Moltke’s Kabinettskriege of 1870

[The Franco-Prussian War] is generally considered the magnum opus of the titanic Prussian commander, Field Marshal Helmuth von Moltke. Exercising deft operational control and an uncanny sense of intuition, Moltke orchestrated an aggressive opening campaign which sent Prusso-German armies streaming like a mass of tentacles into France, trapping the primary French field army in the fortress of Metz in the opening weeks of the war and besieging it. When the French Emperor, Napoleon III, marched out with a relief army (comprising the rest of France’s battle-worthy formations), Moltke hunted that army down as well, encircling it at Sedan and taking the entire force (and the emperor) into captivity.

From an operational perspective, this sequence of events was (and is) considered a masterclass, and a major reason why Moltke has become revered as one of history’s truly great talents (he is on this writer’s Mount Rushmore alongside Hannibal, Napoleon, and Manstein). The Prussians had executed their platonic ideal of warfare — the encirclement of the main enemy body — not once, but twice in a matter of weeks. In the conventional narrative, these great encirclements became the archetype of the German kesselschlacht, or encirclement battle, which became the ultimate goal of all operations. In a certain sense, the German military establishment spent the next half-century dreaming of ways to replicate its victory at Sedan.

This story is true, to a certain extent. My objective here is not to “bust myths” about blitzkrieg or any such trite thing. However, not everyone in the German military establishment looked at the Franco-Prussian War as an ideal. Many were terrified by what happened after Sedan.

By all rights, Moltke’s masterpiece at Sedan should have ended the war. The French had lost both of their trained field armies and their head of state, and ought to have given in to Prussia’s demand (namely, the annexation of the Alsace-Lorraine region).

Instead, Napoleon III’s government was overthrown and a National Government was declared in Paris, which promptly declared what amounted to a total war. The new government abandoned Paris, declared a Levee en Masse — a callback to the wars of the French Revolution in which all men aged 21 to 40 were to be called to arms. Regional governments ordered the destruction of bridges, roads, railways, and telegraphs to deny their use to the Prussians.

Instead of bringing France to its knees, the Prussians found a rapidly mobilizing nation which was determined to fight to the death. The mobilization prowess of the emergency French government was astonishing: by February, 1871, they had raised and armed more than 900,000 men.

Fortunately for the Prussians, this never became a genuine military emergency. The newly raised French units suffered from poor equipment and poor training (particularly because most of France’s trained officers had been captured in the opening campaign). The new mass French armies had poor combat effectiveness, and Moltke managed to coordinate the capture of Paris alongside a campaign which saw Prussian forces marching all over France to run down and destroy the elements of the new French Army.

Big Serge, “The End of Cabinet War”, Big Serge Thought, 2023-11-30.

January 11, 2024

Art Deco Architecture

Filed under: Architecture, History, USA — Tags: , , , , , , , — Nicholas @ 02:00

Prof. Lynne Porter
Published 22 Apr 2021

Lecture for Fairfield University class called “What We Leave Behind: the History of Fashion & Decor”.

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