Biographics
Published 13 Jun 2022
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October 23, 2022
T. E. Lawrence: The True Lawrence of Arabia
October 8, 2022
Prelude to WW1 – The Balkan Wars 1912-1913
The Great War
Published 7 Oct 2022The Balkan Wars marked the end of Ottoman rule in Southeastern Europe, and they involved several countries that would join the First World War just a few years later. A complicated alliance between Serbia, Montenegro, Bulgaria and Greece imploded over disagreement of the war spoils after defeating the Ottomans. This led to the 2nd Balkan War and also created much resentment that would play a role between 1914 and 1918 too.
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September 29, 2022
The History of Cyprus Explained in 10 minutes
Epimetheus
Published 24 May 2022The history of Cyprus explained from ancient times to modern.
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August 20, 2022
How Turkey Fought a WW1 Peace Treaty – The Greek-Turkish War 1919-1923
The Great War
Published 19 Aug 2022The defeat of the Ottoman Empire in 1918 meant that it got its own peace treaty like the other three Central Powers. But the emerging Turkish National Movement under Mustafa Kemal resisted the Treaty of Sevres and occupation by various Entente Powers. Their successful resistance led to the creation of modern Turkey and the Treaty of Lausanne in 1923.
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January 5, 2022
History Summarized: The Ottoman Empire
Overly Sarcastic Productions
Published 5 Oct 2018Leave it to the furniture boys to pioneer a Comfort-First attitude towards Imperialism.
Join Blue in investigating the history of the Ottoman empire, and find out why “The Sick Man of Europe” is more than their nickname implies.
Further reading: Osman’s Dream by Caroline Finkel
Famous Turkish Song — Gunduz Gece: https://www.youtube.com/watch?v=2UcbH…
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December 28, 2021
The Bubblegum History … of Chewing Gum
TimeGhost History
Published 27 Dec 2021Ancient Finns, angry Ottomans, a one-legged Mexican general, and scouring soap — that’s the story of modern chewing gum in a nutshell!
Hosted by: Indy Neidell and Spartacus Olsson
Written by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound design: Marek KamińskiSources:
– Birch Bark photo courtesy of Jerzy Opioła https://commons.wikimedia.org/wiki/Fi…
– Mastic tears photo courtesy of פארוק https://en.wikipedia.org/wiki/Mastic_…
– Mexican Cession map courtesy of Kballen https://commons.wikimedia.org/wiki/Fi…
– Peter Gabriel, Chateau Neuf, Oslo, Norway courtesty of Helge Øverås https://en.wikipedia.org/wiki/File:Pe…
– Promotional Chiclets courtesy of Coolshans https://commons.wikimedia.org/wiki/Fi…Soundtracks from Epidemic Sound:
– “Ancient Saga” – Max Anson
– “Master of the Hurricane” – Rockin’ For Decades
– “Home on the Prairie” – Sight of Wonders
– “Cocktail Hour” – The Fly Guy FiveArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
December 20, 2021
Foreshadowing WW1 – Italo-Turkish War 1911-1912 I THE GREAT WAR
The Great War
Published 17 Dec 2021Sign up for Audible and get 60% off your first three months: https://audible.com/greatwar or text
greatwar
to 500-500The Italo-Turkish War 1911 was one of the last classic imperial wars over colonial processions between two great powers. But it was in many ways also a first glimpse into what would come during the First World War: trenches, artillery, combat aircraft, motorboat attacks. This war in Ottoman Libya was fought between the Italian Army and Ottoman-led local Senussi forces.
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John Ozment, James Darcangelo, Jacob Carter Landt, Thomas Brendan, Kurt Gillies, Scott Deederly, John Belland, Adam Smith, Taylor Allen, Rustem Sharipov, Christoph Wolf, Simen Røste, Marcus Bondura, Ramon Rijkhoek, Theodore Patrick Shannon, Philip Schoffman, Avi Woolf,» SOURCES
Askew, William C., Europe and Italy’s Acquisition of Libya, 1911-1912, (Durham, NC: Duke University Press, 1942)Caccamo, Francesco, “Italy, Libya and the Balkans” in Geppert, Dominik; Mulligan, William & Rose, Andreas (eds.), The Wars before the Great War: Conflict and International Politics Before the Outbreak of the First World War, (Cambridge: Cambridge University Press, 2016)
Childs, Timothy W, Italo-Turkish Diplomacy and the War Over Libya, 1911–1912, (Leiden: Brill, 1990)
Griffin, Ernest H., Adventures in Tripoli: A Doctor in the Desert (London: Philip Allen & Co., 1924)
Hindmarsh. Albert E. & Wilson, George Grafton, “War Declared and the Use of Force”, Proceedings of the American Society of International Law at Its Annual Meeting (1921-1969) Vol. 32 (1938)
McCollum Jonathan, “Reimagining Mediterranean Spaces: Libya and the Italo-Turkish War, 1911-1912”, in Mediterraneo cosmopolita, 23 (3) 2015.
McMeekin, Sean, The Ottoman Endgame (Penguin, 2013).
Paris, Michael, “The First Air Wars – North Africa and the Balkans, 1911-13”, Journal of Contemporary History, Vol. 26, No. 1 (1991)
Stephenson, Charles, A Box of Sand: the Italo-Ottoman War 1911-1912: the First Land, Sea and Air War, (Ticehurst: Tattered Flag Press, 2014)
Tittoni, Renato, The Italo-Turkish War (1911-12). Translated and Compiled from the Reports of the Italian General Staff, (Kansas City, MO: Frank Hudson Publishing Company, 1914)
Uyar, Mesut, The Ottoman Army and the First World War, (Abingdon: Routledge, 2021)
Vandervort, Bruce, Wars of Imperial Conquest in Africa 1830-1914, (Bloomington, IN: Indiana University Press, 1998)
Wilcox, Vanda, Italy in the Era of the Great War, (Leiden: Brill, 2018)
Wilcox, Vanda, “The Italian Soldiers’ experience in Libya, 1911-12” in Geppert, Dominik; Mulligan, William & Rose, Andreas (eds.), The Wars before the Great War: Conflict and International Politics Before the Outbreak of the First World War, (Cambridge: Cambridge University Press, 2016)
»CREDITS
Presented by: Jesse Alexander
Written by: Mark Newton, Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Jose Gamez
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Research by: Mark Newton
Fact checking: Florian WittigChannel Design: Yves Thimian
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2021
November 30, 2021
The Elgin Marbles
In The Critic, Zachary Hardman outlines the history of the Elgin Marbles and why the Greek government is re-opening the campaign to retrieve them from the British Museum:
Last week, the Greek Prime Minister, Kyriakos Mitsotakis was in London, with only one thing on his mind: the return of the so-called “Elgin Marbles” to Athens. 2021 is the two-hundredth anniversary of Greek independence, when the country liberated itself from the yoke of the Ottoman Empire and, for Athens, there would be no better birthday present than the restitution of the lost marbles.
The dispute about their rightful ownership is as old as the modern Greek state. In the early 19th century, the British Ambassador Lord Elgin was granted permission by Athens’ Ottoman rulers to remove half the remaining marble sculptures from a frieze on the Parthenon, the ruined ancient temple, which still adorns the Acropolis, the rocky outcrop overlooking the city.
Elgin had the marbles shipped to Britain. The journey, though, proved difficult. They were transported via Malta where, following a shipwreck, they spent a brief sojourn at the bottom of the Mediterranean Sea. The rescue mission was ruinously expensive. Elgin intended to furnish his ancestral Scottish home with the marbles. On second thoughts, though, he cut his losses and sold them to the British Museum.
Public opinion was divided. Lord Byron wrote two poems denouncing Elgin. His supporters, meanwhile, claimed the marbles were saved from further damage at the hands of warring Greeks and Turks, who didn’t appreciate them anyway. The Greeks, understandably, took a dim view of this. Since the 1980s they have waged a sustained PR offensive for the return of the marbles. An impasse, though, remains.
To break it, Mitsotakis would do well to consider the insights of the ancient rhetoricians. Athens, of course, was the birthplace of not only democracy, but rhetoric: the art of persuasion. The philosopher Aristotle, who wrote the original guidebook on the subject, said it was about identifying “the means of persuasion in any given case”. It is the task of modern Athens to work out who it must persuade and what of.
The fresh campaign began with the Government. In Downing Street, after all, lives a man Mitsotakis regards a “true philhellene”. The return of the marbles, the Greek Prime Minister said, after a meeting with Johnson, would be a “coup” for “global Britannia”. Flattery, however, has its limits. The British Government is unwavering in its support for the Museum. Mitsotakis, however, was undeterred.
October 28, 2021
There are bad generals, there are evil generals, and (in a class of his own) there’s Luigi Cadorna
Earlier this month, Bret Devereaux took the time to give WW1 Italian general Luigi Cadorna the attention he richly deserved as the worst general of that war (which also included the strong Austrian contender Conrad von Hötzendorf), and certainly must be considered to be in the running as the worst general in military history:
This week we’re going to break from our normal fare and take a bit of a lark. I thought I ought to substantiate the nearly endless shade towards Luigi Cadorna, Italian Army Chief of Staff from 1914-1917 (though I realize after writing this that what I actually ought to have done is just told the same bad joke about Cadorna 11 times in a row and let that stand as the explanation). I said that Cadorna was my pick for the worst general of World War I. Now, as I noted at the time, there is some stiff competition for that position. While I argued that the tactical problem of trench warfare probably wasn’t solvable by any general, that doesn’t mean that some generals didn’t perform better than others under the difficult conditions imposed by the stalemate.
Now I should be clear here what I mean by “worst general”. What I am assessing here is the fellow who was worst at generaling, rather than the worst human being who happened to be a general. That latter prize probably goes to İsmail Enver Pasha, Ottoman Minister of War from 1914 to 1918, a vain, arrogant strutting sort of man who not only utterly botched the only battle in which he commanded directly (Sarikamish, Dec. 1914 – Jan 1915) but who also then blamed his defeat (falsely) on the Armenians and subsequently instigated and played a key role in the Armenian genocide. He then sold his services to the Soviets, before betraying them to side with the Basmachi movement, which didn’t go particularly well either.
We are also here not investigating to see which WWI leader made the single worst decision. As I’ve noted before, the worst decision in the First World War was having a First World War, though the responsibility for that is diffused across multiple different leading figures.
Luigi Cadorna didn’t, to my knowledge, perpetrate any genocides, though as we’ll see, he was cruel and unreasonable. Nor did he bring Italy to war. The son of Count Raffaele Cadorna (who had led the army which captured Rome, completing the unification of Italy), Cadorna’s political connections, particularly to the king Victor Emmanuel III, made him functionally impossible to remove from command after he was made chief of staff in 1914. For his part, Cadorna seems to have spent about as much time fighting a political battle in Rome as he did fighting the actual war on the Isonzo; Cadorna insisted at the outset that he would only accept the job if he was given unfettered, complete authority. As we’ll see, that complete authority is not going to come with complete responsibility for outcomes. But in any event, this is a good illustration of Cadorna’s personality: bitter, arrogant and callous, but with a cruel authoritarian streak and a profound conviction that all of his mistakes were someone else’s fault.
[…] Cadorna has a small, fragile and relatively weak army to work with. Conscription would eventually put millions more Italians in the ranks (and slowly make the equipment situation less of a disaster), but of course everyone else was doing that too and even then it was clear from a simple exercise in demography that Italy’s manpower reserves were likely to be brittle. An equally simple exercise in economic statistics would suggest that while Italy’s army might be made minimally sufficient in equipment (the Italians eventually end up deploying well over a thousand artillery pieces on the Isonzo front, though the quality of their artillery never matched what was available on either side of the Western Front), it would never be excellent. Strategically then, Cadorna had the one army; it was small and weak and it was also effectively all Italy had. Moreover Italy, only recently unified (recall, Cadorna’s father had been directly involved!) was still politically fragile itself and might not take well for horrible casualties. So Cadorna’s army had to be husbanded carefully, spent only in great need and for great benefit.
Instead of doing literally any of that, Cadorna opted to pursue the highest operational tempo of any front of the war. I can’t stress this enough: between May 1915 and October 1917, the French launched (or supported) four offensives (Second Artois, Third Artois/Second Champagne/Loos, the Somme and the Nivelle Offensive; I’m not counting Second Arras as that was a Commonwealth operation in which the French had little part), plus being on the defensive at Verdun. Of course there were lots of minor operations too, but that’s five major operations on the Western Front, where the French were almost totally focused. In contrast, in that same time frame, Cadorna – who again, has the smallest, weakest major army – launches eleven (11)(eleven)(XI)(1011)(I𐤗)(ΙΑ)(eleven!?!) offensives on the Isonzo River.
[…]
Because Cadorna thought that discipline and morale were the key components of victory (and also because he seems to have just generally been a cruel, uncaring and authoritarian person) he attempted to enforce both in his army through coercion and cruelty. Cadorna executed around 750 men for cowardice (to my knowledge the highest rate in any army of the war), presided over a military justice regime that convicted something like 3.6% of his army of one disciplinary charge or the other. He dismissed an incredible total of 217 officers during his tenure, frequently because he felt they were not committed enough or aggressive enough and when his army began to fall apart at Caporetto, he ordered the summary execution of officers whose units retreated. It turns out that actually adopting a “the beatings will continue until morale improves” command style does not actually improve morale.
July 28, 2021
QotD: Lawrence and the Hejaz railway
Lawrence had used Aqaba as a base for repeated attacks on the Hejaz railway until the winter, when there was a lull in the fighting. Allenby’s progress towards Damascus was delayed, too, as two of his divisions (around 25,000 men) were redeployed to the Western Front. In the spring, when the drive to Damascus finally began, the policy towards the railway changed. It was imperative to cut off the line up from the Hejaz so that the Turks could not use it to bring reinforcements from Madinah against Allenby’s forces. Consequently, Lawrence’s group attacked the railway in various places, having developed a more sophisticated type of mine inappropriately called “tulip”. This was a much smaller charge, a mere 2lb of dynamite compared with the 40lb or 50lb ones used previously, and involved placing the charge underneath the sleepers, which would blow the metal upwards “into a tulip-like shape without breaking; by doing so it distored the two rails to which its ends were attached”, which was impossible to repair and consequently forced the Turks to replace the whole section of track. In early April 1918, the last train between Madinah and Damascus made it through but after that the line was blocked by successive attacks which left more Turkish troops stuck in the Hejaz protecting a line that was now of no strategic use than were facing Allenby in Palestine. In the decisvie attack at Tel Shahm, led by General Dawnay, Lawrence showed his regard for the railway by claiming the station bell, a fine piece of Damascus brass work: “the next man took the ticket punch and the third the office stamp, while the bewildered Turks stared at us with a growing indignation that their importance should be merely secondary”. The Turks had clearly never met any British trainspotters with their obsession for railway memorabilia.
Christian Wolmar, Engines of War: How Wars Were Won & Lost on the Railways, 2010.
July 12, 2021
“The Royal Guard” – Livgardet and the Kalabalik at Bender – Sabaton History 104 [Official]
Sabaton History
Published 10 Jul 2021From the devastated battlefield of Poltava to the long exile in the Ottoman Empire, Livgardet never abandoned their King. Even when King Karl XII found himself surrounded by thousands of foes, the remaining four men of his Royal Guard stood by his side. Pistols raised and sabers drawn, the Swedes fought through smoke and fire in the Kalabalik at Bender, protecting their King’s life with their own.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “The Royal Guard” on the album: https://music.sabaton.net/TheRoyalGuard
Watch the Official Music Video of “The Royal Guard” here: https://www.youtube.com/watch?v=kZN5b…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kaminski
Archive: Reuters/Screenocean – https://www.screenocean.comSources:
– Photo of Axel Rose courtesy of andres fernando allain https://commons.wikimedia.org/wiki/Fi…
– Nationalmuseum
– Painting of King Charles XII in Turkey courtesy of Allan Egnell https://commons.wikimedia.org/wiki/Fi…All music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
June 14, 2021
How To Defend A Star Fortress Forever
SandRhoman History
Published 13 Jun 2021Thanks to Audible for sponsoring this video! Start listening with a 30-day Audible trial. Choose one audiobook and two Audible Originals absolutely free: http://audible.com/sandrhoman or text sandrhoman to 500-500.
In this video we will provide you with the most necessary knowledge to defend a star fortress forever.
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Sources:
Hoppe, S., s.v. “Festungsbau”, in: Enzyklopädie der Neuzeit.
Lynn, J. A., “States in Conflict 1661-1763”, in: Parker, G. (Ed.), The Cambridge History of Warfare, Cambridge 2005.
Lynn, J. A., “The trace itallienne and the Growth of Armies”, in: Rogers, C. J. (Ed.), The Military Revolution Debate. Readings on the Military Transformation of Early Modern Europe, Boulder / San Francisco / Oxford 1995.
Ortenburg, G., Waffe und Waffengebrauch im Zeitalter der Landsknechte (Heerwesen der Neuzeit, Abt. 1, Bd. 1) Koblenz 1984.
Parker, G., “The Limits to Revolutions in Military Affairs: Maurice of Nassau, the Battle of Nieuwpoort (1600), and the Legacy”, in The Journal of Military History, 71;2, 2007; S. 331 – 372.
Rogers, C.J. / Tallet F. (editors), European Warfare, 1350–1750, 2010.
Van Nimwegen, O., The Dutch Army and the Military Revolutions, 1588-1688.
February 25, 2021
QotD: Islam and the impact of the Enlightenment
In private, however, or when addressing his soldiers, Napoleon was contemptuous of the Islamic word. “You have come to this country,” he told his army before the battle of the Pyramids, “to save the inhabitants from barbarism, and to bring civilisation to the Orient.” This was why, in addition to muskets, cannon and cavalry, he had brought with him to Egypt a printing press, a hot-air balloon and a small army of intellectuals.
The blaze of the Enlightenment, although it might seem to have been lit in Europe, was not just for Europeans. All the world had the potential to share in its radiance. Illumination was the same wherever it manifested itself, and this meant that in Peking as in Paris, in Baghdad as in Bordeaux, there were sages more than qualified to rank alongside Voltaire and Diderot.
The Enlightenment, far from ranking as something parochial and culturally contingent, was properly a global phenomenon. These various dogmas, which the philosophes had tended to take for granted, had then been given a new and militant edge by the French Revolution. That religion was superstition; that rights were universal; that equality, individual liberty and freedom of expression were simultaneously natural and sacred: these were the convictions that had inspired in the citizens of revolutionary France their continent-shaking sense of certitude. Thrones had been toppled; abbeys demolished; the detritus of a benighted past erased. And if in Europe, then why not further afield? The Rights of Man were for everyone, after all, or they were nothing. “Any law that violates them,” as Robespierre had put it, “is fundamentally unjust and tyrannical. Indeed, it is not law at all.”
This sense of missionary purpose, which inspired in those who felt it an ambition to bring the entire world from darkness into light, outlasted the execution of Robespierre, the defeat of Napoleon, the seeming triumph of reaction across post-revolutionary Europe. In 1854, when the Ottoman Empire was facing a critical threat from Russia, France joined Britain in insisting as a condition of its entry into the Crimean War that the slave trade across the Black Sea be abolished.
Also abolished was the jizya, a tax on Jews and Christians that reached back to the very beginnings of Islam, and was directly mandated by the Qur’an. Such measures, to the Ottomans, risked immense embarrassment. The effect, after all, was to reform Islamic jurisprudence according to the standards of non-believers. It was, for Muslim traditionalists, an ominous straw in the wind. Over the course of the century and more that followed, the weathering effects of Western hegemony on the practices that Muslims believed they had inherited from Muhammad — the Sunnah — became more and more pronounced.
Tom Holland, “The age-old tension between Islam and France”, UnHerd, 2020-11-02.
February 3, 2021
Fatah demands that Britain return Big Ben to its original Jerusalem home
Daniel Greenfield unravels the historical misconceptions that informed the demand:
“The Jerusalem Clock is hidden in London today,” Fatah, the political movement behind the PLO and the Palestinian Authority, asserts in a post titled, “Jerusalem Stolen Clock”.
It goes on to claim that the British military ordered the clock tower dismantled. Then the “British moved the clock first to a new tower across from the municipality of Jerusalem, and transferred it to the British Museum in London, to become the famous British icon, ‘Big Ben’.”
How did Big Ben, which was built in 1859, become a Muslim clock tower from the 20th century?
There are some other slight differences between London’s Big Ben and the “stolen clock” such as the fact that Big Ben is 316 feet tall while the “Palestinian” clock tower was only 42 feet.
But the story of the “Palestinian clock” is also the story of the entire myth of “Palestine”.
When you believe that the Jerusalem of King David and King Solomon was originally yours, you can just as easily believe that London’s Big Ben was originally the property of “Palestine”.
The “Palestinian clock” is as real as “Palestine”. The myth of a “Palestinian” people propounded by Fatah which has spent decades killing over it is also the story of the “Palestinian clock”.
There’s no more of a “Palestinian” people who were dispossessed by the Jews than Big Ben is a “Palestinian” clock stolen and passed off as London’s Big Ben. Both are fake history built out of resentments and garbled stories whose context has been lost, but whose hatreds remain real.
There were never any Palestinians. When the clock was built the region had been part of the Ottoman Empire, the last Caliphate until ISIS. The caliphates had settled it with Arab Muslim clans who dominated Christian refugees fleeing Muslim persecution, along with groups of other minorities from escaped slaves to gypsies, along with the indigenous Jewish population.
The Ottomans had become obsessed with clock towers as a symbol of their empire. But the Ottomans hadn’t invented them, they had adopted them from Europe, and planted them in major cities of the empire to create a common sense of time and belonging for their subjects.
Sultan Abdul Hamid II, the last real sultan of the empire, obsessively erected clock towers to show off how modern the Ottoman Empire was. But by then the Empire was anything but modern and Hamid’s clock tower craze was powered by his German allies. Kaiser Wilhelm II gave Hamid a batch of clocks at the turn of the century which the Turks put into clock towers.
The Ottoman Empire erected some of its clock towers in Israel. These clock towers utilized the talents and funds of the indigenous Jewish and the Arab Muslim settler population. The clock tower projects in Israel began in 1901 which is also the date when Wilhelm sent Hamid a whole bunch of clocks. One of these clock towers was stuck on Jerusalem’s Jaffa Gate which Hamid had previously cut a hole in so that the Kaiser could enter Jerusalem in his tall plumed helmet.
H/T to Kate at SDA for the link.
December 5, 2020
The Fall of the Byzantine Empire — History Summarized
Overly Sarcastic Productions
Published 4 Dec 2020At long last, the concluding chapter of Roman history! Let’s tie the bow on Byzantine Constantinople as the empire comes to an end, slightly earlier than we might think, but far later than anybody ever could have expected.
SOURCES & Further Reading: Byzantium: The Decline and Fall & A Short History of Byzantium by John Julius Norwich, Osman’s Dream by Finkel, https://www.ancient.eu/Despotate_of_t…
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.
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