PauliosVids
Published 24 Nov 2018Travelling with Britannia Airline from London via Bombay to Tokyo to discover Japan and back via Hong Kong.
July 22, 2023
Look at Life – Ticket to Tokyo (1959)
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April 12, 2023
Miniature Railway (1959)
British Pathé
Published 13 Apr 2014Romney, Kent.
L/S of a lovely looking train locomotive. A man stands next to it and one realises how small the train is. It is one third of an ordinary train size — says voiceover. However, this is not a toy but a regular public railway, smallest in the world. It is officially known as the Romney Hythe and Dymchurch Railway, it runs between Romney and Dungeness and its passengers are children. This tiny railway must conform to the same Ministry of Transport regulations as any other trains. M/S of a driver Mr Bill Hart, checking the train. C/U shot of a plaque reading “Winston Churchill”. This is the engine’s name. Several shots of Mr Hart checking the train. Mr Hart enters his cabin and starts shovelling coal into the boiler. C/U shot of the coal being thrown in and a little door closed. This train takes one third of the coal needed for a regular size train. The train starts moving.
L/S of the two men turning locomotive on turntable to place it on rails. M/S of a woman cleaning windows along the train. Children arrive and station master, Reg Marsh, directs them to their coaches. M/S of the group of girls entering the train. M/S of the station master Mr Marsh blowing a whistle as a sign that train leaves the station. M/S of an elderly man looking at a huge pocket watch on a chain, and afterwards, in direction of the train. He is Captain Howey, a man responsible for having the line built. C/U shot of the watch — Roman numerals. M/S of Mr Howey as he puts the watch in his pocket. C/U shot of Mr Howey’s face.
M/S of the little train moving. C/U shot of its little chimney with a smoke coming out. M/S of the Rose family from Sanderstead, Surrey with their dog Trixie enjoying the ride C/U shot of driver’s face with the smoke covering it up to the point it becomes invisible. Another little train passes it going in different direction. Several shots of the two little trains moving. A car stops to wait for the train to pass. L/S of the little train as it approaches the station.
Note: Another driver appearing in the film is Peter Catt. Combined print for this story is missing.
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March 12, 2023
Jack Benny and Mel Blanc – The Man of a Thousand Voices | Carson Tonight Show
Johnny Carson
Published 18 Nov 2022Original Airdate: 01/23/1974
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February 10, 2023
QotD: Before Star Wars or the MCU there was … the Arthurian Narrative Universe
I’m referring to the obsession with knights and their adventures — and especially those linked to King Arthur and his Round Table. These were the most popular stories in Europe for hundreds of years. Readers couldn’t get enough of them, and even as the stories got stale and predictable, the audience demanded more and more.
The situation is almost exactly the same as the Marvel Cinematic Universe. We have a major character named King Arthur, but he was linked to numerous spinoffs and sequels. The other heroes connected to him soon established their own brands — including Lancelot, Merlin, Gawain, Tristan, Percival, and many others. Readers who enjoyed one of the heroes, often became fans of others.
If you make a list, the Arthurian Narrative Universe (ANU) has more than fifty protagonists. Not all of them became major brands, but that’s no different from the movie business, where even Disney can’t keep every superhero on the payroll.
Even more to the point, these stories were business initiatives, expected to enrich their owners. It’s hardly a coincidence that the most influential collection of stories about King Arthur in English, Le Morte d’Arthur published in 1485, originated as a profit-making venture by the earliest commercial publisher in Britain.
William Caxton was not only the first person to set up a printing press in England, but also the first retailer of printed books in the country. He acquired the manuscript of Le Morte d’Arthur from Thomas Malory, the Stan Lee of his day, and turned it into the single most influential secular British book between the time of Chaucer and the rise of Shakespeare.
He didn’t do it because he loved English history. (The painful truth is that very little — in fact next to nothing — in the Arthurian tales comes from documented historical events.) He didn’t even publish the book because he loved a good story. Caxton wanted to make a buck — or a pound sterling, I ought to say. He had identified the right brand franchise, much like the Walt Disney Company in the current day, and would milk it for all it was worth.
But here’s the most amazing thing about his brand franchise: Arthurian stories had been circulating in manuscript for more than 300 years at this point. And many of the details in these narratives are much older than that, reaching back to accounts of knights who fought in the Crusades, if not earlier.
We can trace the story of Lancelot and his adulterous romance with Queen Guinevere at least back to 1180. The story of the knights’ quest for the Holy Grail dates at least back to 1190. The first mention of King Arthur is no later than 828 AD.
Stop and consider the implications. King Arthur was the most popular brand franchise in secular narratives when he was 650 years old!
Of course, it was absurd. Nobody undertook knightly adventures of this sort during the Renaissance, but storytellers pretended otherwise. Everything about these narratives was outdated, unrealistic, and repetitive — the people who read these tales didn’t own suits of armor or compete in jousting tournaments. Those things had disappeared from society. But the audience still wanted these stories, so the same plots and characters got recycled again and again.
Ted Gioia, “Don Quixote Tells Us How the Star Wars Franchise Ends”, The Honest Broker, 2022-11-09.
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February 2, 2023
Gerry Rafferty’s “Baker Street” lyrics
When I first subscribed to Ted Gioia’s Honest Broker substack, I figured I’d find one or two posts a month that I found interesting enough to share on the blog … I have to be careful not to link to several of his posts every week. He writes a lot about the music industry, so when this popped up in my inbox, I assumed it was Ted and got to the point of scheduling it before I realized it was Jon Miltimore instead:
I was recently in a bar having dinner with a friend when Gerry Rafferty’s hit 1978 song “Baker Street” came on. When my friend mentioned that he loved the song, I agreed and noted the song’s powerful lyrics.
“Really?” he responded. “I never paid much attention to the lyrics.”
Most people, of course, remember “Baker Street” for its wailing saxophone, and my friend was no different. Nor was I, for many years. But at some point—I don’t know when—I began to pay attention to the song’s lyrics. They go like this:
Winding your way down on Baker Street
Light in your head and dead on your feet
Well, another crazy day
You’ll drink the night away
And forget about everythingThis city desert makes you feel so cold
It’s got so many people, but it’s got no soul
And it’s taken you so long
To find out you were wrong
When you thought it held everythingYou used to think that it was so easy
You used to say that it was so easy
But you’re trying, you’re trying now
Another year and then you’d be happy
Just one more year and then you’d be happy
But you’re crying, you’re crying nowWay down the street there’s a light in his place
He opens the door, he’s got that look on his face
And he asks you where you’ve been
You tell him who you’ve seen
And you talk about anythingHe’s got this dream about buying some land
He’s gonna give up the booze and the one-night stands
And then he’ll settle down
In some quiet little town
And forget about everythingBut you know he’ll always keep moving
You know he’s never gonna stop moving
‘Cause he’s rolling, he’s the rolling stone
And when you wake up, it’s a new morning
The sun is shining, it’s a new morning
And you’re going, you’re going homeThe lyrics — in contrast to the seductive sax and upbeat strings and keyboard — are rather dark. It’s not your typical rock/pop song about finding or losing love.
I’ve never heard “Baker Street” explained, but my take on the song is this: It’s about two lonely people in a city. They find comfort in booze, chemicals, and (occasionally) each other. The relationship is probably dysfunctional, but they are struggling to change. Struggling to grow. Struggling to find meaning.
“Baker Street” peaked at #3 in the UK and held the #2 spot in the U.S. for six consecutive weeks. I think part of the reason the song was such a success is because the lyrics touched on something a little deeper than most rock tunes, something that resonated with audiences. And though the song is 40 years old now, I have a hunch it resonates even more now than it did then.
January 23, 2023
Five Dumb Canadian Cartoons
J.J. McCullough
Published 11 Nov 20175 dumb cartoons from Canada I remember from my childhood.
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December 30, 2022
My Top 10 Favorite Avalon Hill Games
Legendary Tactics
Published 1 Apr 2021Avalon Hill has such a rich history as a board game company, and has contributed so much to our hobby, our sense of history, and our lives. I sat down to reminisce about my top 10 favorite Avalon Hill games of all time. Are these the best games of all time? What games would make your list? Let us know in the comment section below.
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December 17, 2022
The history of America’s most famous toys
J.J. McCullough
Published 20 Aug 2022The story behind some of America’s most iconic postwar toys, including GI Joe, Play-Doh, Monopoly, and Stretch Armstrong.
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November 23, 2022
Morris – A Minor Documentary
mglmedia
Published 28 Feb 2014The Morris Minor is a classic British car which has been given another lease of life by a new generation of young drivers. Join us on a journey from its humble beginnings to its current adventures on British roads with interviews with Mike Barson (Madness) Zac Ware (Charles Ware & The Proclaimers) Martin Wainwright (Author/Journalist) and a host of Morris Minor owners.
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November 15, 2022
Look at Life — Moving Day (1967)
PauliosVids
Published 20 Nov 2018How the headquarters of NATO was moved from France to Belgium.
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November 12, 2022
SUPERCUT – Every Window Cameo in Batman (1966-1968)
Tommy Westphall’s Snowglobe
Published 14 Jan 2020The dynamic duo’s show of the 60s was fond of celebrity cameos. Here is a Supercut of every single one of them.
In order of appearance:
1. Jerry Lewis
2. George Cisar (from the 1966 film)
3. Dick Clark
4. Van Williams and Bruce Lee as The Green Hornet and Kato from The Green Hornet
5. Sammy Davis Jr.
6. Bill Dana as José Jiménez
7. Howard Duff as of Sam Stone from Felony Squad
8. Werner Klemperer as Colonel Klink from Hogan’s Heroes
9. Ted Cassidy as Lurch from The Addams Family
10. Don Ho
11. Santa Claus
12. Art Linkletter
13. Edward G. Robinson
14. Suzy Knickerbocker
15. The Carpet King
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November 8, 2022
Look at Life — Underwater Menace (1969)
PauliosVids
Published 20 Nov 2018Dealing with the hazardous legacy of World War II.
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October 7, 2022
Pease Pudding – Weird Stuff In A Can #74
Atomic Shrimp
Published 28 May 2018This is Pease Pudding — A sort of spreadable paste made from yellow split peas, and with a very long history as a staple food in England.
Here’s the link to the article on Atomic Shrimp (includes a recipe, of sorts): http://atomicshrimp.com/post/2007/01/…
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October 4, 2022
“On the cover of the Rolling Stone“
Ted Gioia discusses the oddly nostalgic turn modern music writing has taken:
The first thing you notice is the sheer abundance of music magazines on display. We must truly be living in a golden age of music writing if it can support so many periodicals.
I was very happy to see this — at least at first glance.
But at second glance, I started to notice the cover stories.
Lavish attention is devoted here to artists who built their audience in the last century — Miles Davis, David Bowie, Buddy Holly, Blondie, Led Zeppelin, Björk, Motorhead, The Cure, etc. That’s an impressive roster of artists (well, most of them), but they don’t really need the publicity nowadays — they were legends before many of us were born.
Even the magazine names reveal a tilt toward nostalgia. I can’t make out the titles in their entirety, but I see the words Retro, Vintage, and Classic. Publishers are shrewd people, and they don’t put these words in large font unless the audience responds to them.
Maybe print media is nostalgic by definition — if, as we’re repeatedly told, young people don’t read things on paper. (I’m skeptical of that claim, but I hear it all the time.) Yet when I visit the websites, I see the same backward glance. You can’t click on Rolling Stone‘s homepage or Twitter feed without finding some massive list article — touting the “100 Best Songs of 1982” or “The 100 Greatest Country Albums of All Time“. You will find similar retro celebrations at almost every other music media website with a large crossover readership.
Editors love lists nowadays, especially of all-time greats. If I pitch an article like that, the whole editorial team starts salivating — you can even feel the moisture over Zoom — in sharp contrast to any proposed article on a young, unproven musician. Those pitches get pitched right back in your face. You might conclude that we have now arrived at the end of history, with all greatness residing in the past. The editors, at least, must think so.
Things weren’t always like this. Go back and look at old issues of Rolling Stone or Downbeat or some other music magazine — there were years in which every cover story was about a living person and usually someone young with something new to say.
Those days are gone. But here’s the most ironic fact of all — the actual cover stories haven’t changed.
On the cover of the Rolling Stone — 1971, 1984 and 2012
By the way, I’d like to know when Rolling Stone published its first “all-time greats” list — that was the moment when nostalgia first entered the rock bloodstream, a vital force previously resistant to sentimental yearnings for the past.
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September 13, 2022
Down the Line – A look into the legacy of the cuts made to the rail network by Doctor Beeching (2008)
Kevin Birch
Published 29 Jul 2013Joe Crowley meets the people who battled to save their local railway lines in the South of England in the 1960’s.
First aired on BBC One 26th October 2008
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