Part of the appeal of Harry Potter must be that can somehow be intellectualized, though — at least, if the number of people incorporating it, in all apparent seriousness, into college classes can be believed. Here again, I’m not talking the English Department, which might have a legitimate reason — to study the narrative technique or whatever (for certain stretched-farther-than-Trigglypuff’s-sweatpants values of “legitimate”, anyway). I mean classes like “PHIL 101: Harry Potter and Philosophy”, which started showing up first in goofy California colleges, then all over the damn place, somewhere around 2002.
That certainly seems to be the appeal of The Matrix, and indeed The Matrix stopped being The One Pop Culture Thing very quickly, I hypothesize, because it made “intellectualizing” it too easy. The Matrix is pretty much just Jean Baudrillard: The Movie, and while that’s fun and even useful — Baudrillard did have a point, despite it all — it’s just too clever … by which I mean, The Matrix did too much of the heavy lifting, so that you don’t get too many Very Clever Persyn points for noting that we’re all, just, like, simulations in other people’s minds, dude. Descartes can go fuck himself; Keanu Reeves has solved the mind-body problem with kung fu.
Also, Baudrillard-lite is everywhere now. We’re all Postmodernists, in the same way we’re all Marxists, so even the kids who slept through most of their one required Humanities course has at least vaguely heard of this stuff. A show like True Detective, on the other hand, hearkens back to much older philosophy — as tiresome as the wannabe-Foucaults were back in the late 1980s, as a culture we’ve pretty much forgotten about them, so the brooding wannabe existentialist douchebag seems new now. I just googled up “best true detective quotes”. Here’s a small sampling:
This is a world where nothing is solved. You know, someone once told me time is a flat circle. Everything we’ve ever done or will do, we’re gonna do over and over and over again.
Also:
… to realize that all your life, all your love, all your hate, all your memory, all your pain, it was all the same thing. It was all the same dream you had inside a locked room — a dream about being a person. And like a lot of dreams, there’s a monster at the end of it.
That “flat circle” thing is a direct quote from Schopenhauer, I’m pretty sure, and the idea of “eternal recurrence” came from Vedic philosophy via him to Nietzsche. Here, for instance, the Manly Mustache Man summarizes the plot of True Detective, season 1:
What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: “This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence — even this spider and this moonlight between the trees, and even this moment and I myself. The eternal hourglass of existence is turned upside down again and again, and you with it, speck of dust!”
Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: “You are a god and never have I heard anything more divine.” If this thought gained possession of you, it would change you as you are or perhaps crush you. The question in each and every thing, “Do you desire this once more and innumerable times more?” would lie upon your actions as the greatest weight. Or how well disposed would you have to become to yourself and to life?
Here again, I don’t blame the average HBO viewer for having their minds blown by this (or at least pretending to), but people with PhDs should damn well know better. This is existentialism for dummies, but since they spent most of their off hours in grad school reading Harry Potter …
Severian, “The One Pop Culture Thing”, Rotten Chestnuts, 2021-09-16.
September 20, 2024
QotD: The Matrix, Harry Potter and “The One Pop Culture Thing”
June 4, 2024
J.K. Rowling’s most convincing and true-to-life villain in the Harry Potter stories
I’m with Jon Miltimore on this — J.K. Rowling’s most disturbing and best-written villain isn’t “He Who Must Not Be Named” or any of the other (frankly cardboard-y) magical villains … it’s Dolores Umbridge, a career bureaucrat who could have been drawn from any western civil service senior management position:
Umbridge, portrayed in the films by English actress Imelda Staunton, isn’t some apparition of the underworld or a creature of the Dark Forest. She’s the Senior Undersecretary to the Minister of Magic, the man who runs the government (the Ministry of Magic) in Rowling’s fictional world.
Umbridge wears pink, preaches about “decorum” in a saccharine voice, smiles constantly, and resembles a sweet but stern grandmother. Her intense, unblinking eyes, however, suggest something malevolent lurks beneath. And boy, does it.
“The gently smiling Dolores Umbridge, with her girlish voice, toadlike face, and clutching, stubby fingers, is the greatest make-believe villain to come along since Hannibal Lecter,” horror author Stephen King wrote in a review of Harry Potter and the Order of the Phoenix, the book in which Umbridge is introduced.
Umbridge’s “Desire to Control, to Punish”
What makes Umbridge so evil that King would compare her to Hannibal Lecter, the man widely considered the greatest villain of all time?
I asked myself this question, and I believe the answer lies in the fact that Dolores Umbridge is so real — and in more ways than one.
First, it’s noteworthy that Rowling based Umbridge on an actual person from her past, a teacher she once had “whom I disliked intensely on sight”.
In a blog post written years ago, Rowling explained that her dislike of the woman was almost irrational (and apparently mutual). Though the woman had a “pronounced taste for twee accessories” — including “a tiny little plastic bow slide” and a fondness for “pale lemon” colors which Rowling said was more “appropriate to a girl of three” — Rowling said “a lack of real warmth or charity” lurked below her sugary exterior.
The description reminded me of another detestable literary villain: Nurse Ratched, the despicable antagonist of Randle Murphy in Ken Kesey’s magnificent 1962 novel One Flew Over the Cuckoo’s Nest.
Kesey’s description of Nurse Ratched conjures to mind a character much like Umbridge.
“Her face is smooth, calculated, and precision-made, like an expensive baby doll, skin like flesh-colored enamel, blend of white and cream and baby-blue eyes, small nose, pink little nostrils — everything working together except the color on her lips and fingernails …”
While there are similarities in the appearances of Dolores Umbridge and Nurse Ratched, their true commonality is what’s underneath their saccharine exteriors.
February 16, 2023
The mass spell to destroy Hogwarts Legacy turns out to be a squib
All the angry people on social media had a new thing to be angry about: the release of a new online game based on the works of she-who-must-not-be-named (that’d be J.K. Rowling if you haven’t been keeping up with the woke’s ledger book of cancelled persons). They’d gather in their mighty legions, denounce the evil woman and the tech company would shiver and shake and then apologize for offending them and pull the game from the market, just like so many other companies had fallen to their online rage before.
It hasn’t quite worked out that way, as Tom Knighton relates:
The extreme left, those we term as “woke”, like to think they have a great deal of power. They think they’re the majority of the nation, and that they can shift the world based on their own whims.
And, in the past, it sure looked like it.
They’d get on Twitter and scream in outrage and brands would back down. They’d issue apologies and capitulate with the mob.
Then JK Rowling got on their bad side. She doesn’t think transwomen are women, that they haven’t lived with the struggles that women grow up with.
So, they decided to destroy anything they can associate with her.
That included the new video game, Hogwarts Legacy. Before the game came out, they tried to sabotage it on Steam, describing it as a “genocide simulator”.
I’ll be honest, that made me want to play the game. Apparently, I was far from alone.
Hogwarts Legacy has got off to a very big start at UK games retail, and is comfortably the No.1 game of the week (GfK data).
It is the biggest launch for any Harry Potter game ever, with sales 64% higher than the previous best — Harry Potter and the Philosopher’s Stone from 2001. In fact, the biggest week for a Harry Potter game wasn’t a launch week at all, it was the second week of the Philosopher’s Stone (due to hype around the movie). Even compared to that week, Hogwarts Legacy was still bigger by 2%.
This result is more impressive when you consider this is just for physical sales. Hogwarts Legacy would have received a substantial number of digital downloads (that data will come later in the week), whereas Philosopher’s Stone didn’t have any digital sales back in 2001. Therefore, the success will be even more pronounced once all the data is in.
In other words, the woke don’t have the pull they like to believe they do.
In a rational world, companies would see this and take it to heart: despite their apparent popularity on some social media sites, the very very woke are a tiny layer of froth on the ocean of non-woke customers. It’s often said that the terminally online think that Twitter is the real world — which is why Elon Musk taking over their preferred online megaphone was so traumatic to so many of them — but they’re mostly bellowing at one another, not at the population as a whole.
February 15, 2023
J.K. Rowling’s critics reach the “Burn the witch!” phase
In The Free Press, Megan Phelps-Roper introduces a new audio series featuring extensive interaction with J.K. Rowling herself:
J.K. Rowling’s Harry Potter books were insanely popular among Millennials until she had the temerity to say things the Trans* activists hated. Now, they try to sell customized copies of her books that omit her name completely.
J.K. Rowling is arguably the most successful author in the history of publishing, with the possible exception of God. And “Harry Potter” was a kind of bible for my generation. Since its publication beginning in the late ’90s, the series has taught tens of millions of children about virtues like loyalty, courage, and love — about the inclusion of outsiders and the celebration of difference. The books illustrated the idea of moral complexity, how a person who may at first appear sinister can turn out to be a hero after all.
The author herself became part of the legend, too. A broke, abused, and depressed single mother — writing in longhand at cafes across Edinburgh while her baby girl slept in a stroller beside her — she had spun a tale that begat a global phenomenon. If “Harry Potter” was a bible, then Rowling became a kind of saint.
When she gave the Harvard commencement address in 2008, she was introduced as a social, moral, and political inspiration. Her speech that day was partly about imagination: “the power that enables us to empathize with humans whose experiences we have never shared”.
“We do not need magic to transform our world,” Rowling told the rapt audience. “We carry all the power we need inside ourselves already.”
The uproarious applause that greeted her in 2008 is hard to imagine today. It’s hard to imagine Harvard — let alone any prestigious American university — welcoming Rowling. Indeed, I’m not sure she’d be allowed to give a reading at many local libraries.
That’s because to many, Rowling has since become a kind of Voldemort — the villain of villains in her own stories.
It all blew up in the summer of 2020.
“‘People who menstruate'”, Rowling wrote on Twitter, quoting a headline. “I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud?”
She continued: “If sex isn’t real, there’s no same-sex attraction. If sex isn’t real, the lived reality of women globally is erased. I know and love trans people, but erasing the concept of sex removes the ability of many to meaningfully discuss their lives. It isn’t hate to speak the truth.”
It’s hard to capture the breadth of the firestorm that followed.
October 16, 2022
“Musk’s plebeian sense of humor is probably a big part of why the establishment can’t stand him”
Patrick Carroll speculates on why Elon Musk is so disliked by the other rich and powerful folks in his 0.01% demographic:
This isn’t the first time Musk has brought his playful, irreverent, meme-culture spirit to the market. A few years ago he launched his car into space because he thought it would be amusing, and some of his companies now accept Dogecoin as payment.
Musk in general seems rather fun, relatable, and laid back. He doesn’t take himself too seriously, and that’s probably a big part of why people like him.
Another reason he’s so likable is that he doesn’t mind poking fun at politicians, executives, and other “blue-check” elites. To the contrary, he seems to enjoy it.
Examples of Musk mocking the elites abound.
[…]
The question then becomes, how do we combat the insistence on political correctness? How do we push back when moral busybodies insert themselves in matters that are none of their business?
At first, it’s tempting to meet them on their own terms, to politely and logically state our case and request that they leave us alone. And sometimes that can be the right move. But often, a much more effective approach is to do what Elon Musk is doing: become the fool.
Rather than taking the elites seriously, the fool uses wit, humor, and satire to highlight how ridiculous the elites have become. He employs clever mockery and a tactful mischievousness to call the authority of the elites into question. When done well, this approach can be brilliantly effective. There’s a reason joking about politicians was banned in the Soviet Union.
The story of the Weasley twins and Professor Umbridge in Harry Potter and the Order of the Phoenix is one of my favorite examples of how mischievousness and mockery can be used to expose and embarrass those who take things too seriously. As you probably know, Umbridge was committed to formality and order, and she imposed stringent limits on fun and games. Now, the Weasley twins — the jesters of Hogwarts, as it were — could have responded with vitriol. They could have written angry letters, signed a petition, and gone through all the proper channels to get her removed. But instead, they threw a party in the middle of exams, making a complete mockery of her seriousness. They gave her the one thing she couldn’t stand: fun. And wasn’t that way more powerful?
If I had to guess, Musk’s plebeian sense of humor is probably a big part of why the establishment can’t stand him. They don’t mind someone who challenges them through the proper channels and in a respectful manner — that’s actually playing into their hand, because it concedes they are deserving of respect in the first place. What they can’t stand is being taken lightly, being teased and ridiculed and ultimately ignored.
Why can’t they stand that? Because our reverence for the elites is actually the source of their power. They win as long as we take them seriously. They lose the moment we don’t.
September 9, 2022
“Far from fighting against the establishment, the woke are the establishment”
In Spiked, Andrew Doyle discusses the reactions to his announcement that he was writing a book about the ongoing culture wars:
“Titania McGrath” and Andrew Doyle
My new book is about intolerance. I am fascinated by those who prefer only to associate with people who share their own identical worldview, and who interpret the slightest point of political disagreement as evidence of evil. The new religion of group identity and “social justice” has driven once rational people into a state of frenzied bigotry. I want to understand why.
So, back in May, when I announced I was working on a book called The New Puritans, I wasn’t all that surprised to see so many self-proclaimed advocates of “social justice” rush to demonstrate the very phenomenon that I was attempting to explore. Some suggested that they would acquire copies only to burn them. One said that he intended to kick it under the bookshop shelf “so that it could rot in darkness”. Another simply declared that I was “pure scum”. Were any of these people aware that they were proving my point?
Byline Times even claimed that I was waging “a perpetual battle against social justice – fighting against a contrived present world of aggressive ‘woke snowflakes’ in order to return to an imagined past”. This was news to me, given that my book is a defence of progressive and liberal values, and it explicitly criticises those who resort to the “snowflake” slur. I particularly enjoyed the suggestion that my book was an example of someone imagining enemies into existence in order to fight them. It takes some chutzpah to make such a claim of a book you haven’t actually read.
It would seem that the title alone – The New Puritans: How the Religion of Social Justice Captured the Western World – was enough to stir the ire of these culture warriors. In a sense, this is unsurprising. One of the key aspects of this ideological movement is that its adherents treat all challenges as a form of heresy that must be quashed. For all that they like to smear their detractors as “bigots”, they forget that the main definition of the word – “a person who is utterly intolerant of any differing creed, belief or opinion” – applies most accurately to themselves.
Why is it, for instance, that JK Rowling can be so routinely monstered as “hateful” and “transphobic” despite having never said anything hateful or transphobic? Only this week, the Harry Potter author found herself in an exasperating Twitter exchange with someone claiming she had been “outwardly hateful of an entire community”. Rowling quite rightly asked for evidence, to which her detractor replied: “I don’t know where you said it, but I bet you do.” For those taking part in the witch-hunt, the total lack of evidence is simply an inconvenience to be brushed aside.
This is why my book draws comparisons between the hysteria of the “woke” movement and the witch hunts of Salem in the late 17th century. In a burst of collective madness that lasted a little over a year (from February 1692 to May 1693), 20 people were executed for witchcraft on the basis of the testimony of local girls. All of the prosecutions were secured on the basis of “spectral evidence” – what today we might call “lived experience”. The girls simply declared that they had seen these innocent people sign the devil’s book, or that they had been “sending out their spirits” to torment people. This was their “truth”, and so it had to be believed.
March 30, 2022
“It was as if millions of voices suddenly cried out in cringe …”
Ed West on recent events concerning the fighting in Ukraine:
Emperor PALPUTIN
Image by “usernameau” at funnyjunk.com
“Let me make this perfectly clear. Putin is Emperor Palpatine. The Ukrainian people and all those who stand up for democracy around the world and here in America are Rey Skywalker, Jyn Erso, and the Rebel alliance. Pick your side.”
Put like that, I think I’m with Putin.
This tweet, by former George Bush strategist Matthew Dowd, attracted much amusing scorn at the start of the war between Russia and Ukraine. It was as if millions of voices suddenly cried out in cringe …
American political commentary has for some time been dominated by pop culture references, in particular those two great modern fables, Star Wars and Harry Potter, which have replaced the classics as the source of communal knowledge. I’m not convinced that children’s books or films aimed at selling toys, enjoyable though they are, have that much to offer in the way of deep wisdom, compared to more ancient texts; I may be a declinist, but it is not commented on enough that America’s most-praised public intellectual didn’t know who St Augustine was.
These epic children’s stories serve as modern-day myths for a reason, drawing so heavily on older narratives and archetypes. Star Wars creator George Lucas studied anthropology and borrowed heroic narratives from around the world for his story; it also drew on historical folk memories of recent and ancient conflicts, in particular the Second World War, which has become the modern West’s origin story, its epic struggle between God and the Devil.
The most recent Lucas trilogy featured a plucky band of rebels in an existential struggle with a great empire (a story that drew heavily on … previous Star Wars films). In this tale of good and evil there was on one side a band of allies from every race on earth, and on the other a group joined by ethnic descent, a dynamic true to life and seen in countless wars and conquests since the Bronze Age. It’s the story of the Old Testament, the Persian Wars, and of such modern conflicts as the Vietnam War.
Yet of course Star Wars performed a role reversal to suit the sympathies of modern American audiences. For in reality, it is empires which are multi-cultural, and plucky rebels who tend to be linked by blood — whether it was ancient Greeks fighting off a Persian army of Medes, Babylonians, Egyptians and Sumerians, or Vietnamese nationalists in combat with French, Senegalese and North African troops.
So it is today in Ukraine, a rebel nation fighting off conquest by a neighbour 50 times its size. Ukraine’s position on the cultural fault lines of Europe has left it a multicultural inheritance, even after the depredations of Hitler and Stalin. Its heroic president Volodymyr Zelenskyy is a member of a 40,000-strong Jewish population, vastly reduced by the horrors of the early 20th century, but still surviving; indeed for three months in 2019 Ukraine had a Jewish president and prime minister, a first outside of Israel and quite an achievement for a supposedly “Nazi” state. There are also Tartars, although many were cut off by Russia’s annexation of the Crimea, having only been allowed back from their central Asian exile in the 1980s. There are Romanians, and, of course, a substantial Russian minority.
Yet these groups are relatively small in number, and Ukraine still has the composition of a typical European nation-state, built around a dominant ethnic group enjoying a super-majority.
Russia, in contrast, is home to around 50 ethnic groups, including — just the European ethnicities with more than half a million people — the Tatars, Bashkir, Chuvash, Mordvins and Udmurts, the latter known for having the reddest hair in the world (their homeland is an eastern outpost in this red hair map of Europe.)
January 4, 2022
J.K. Rowling’s subversive tale of a government “controlled by and for the benefit of the self-interested bureaucrat”
No, it’s not a new work by Rowling … it’s a deeply embedded thread of her best-known books in the Harry Potter series (as related in a 2005 article by Benjamin H. Barton for the Michigan Law Review):
J.K. Rowling’s Harry Potter books include a very strong anti-authoritarian thread.
This Essay examines what the Harry Potter series (and particularly the most recent book, The Half-Blood Prince) tells us about government and bureaucracy. There are two short answers. The first is that Rowling presents a government (The Ministry of Magic) that is 100% bureaucracy. There is no discernable executive or legislative branch, and no elections. There is a modified judicial function, but it appears to be completely dominated by the bureaucracy, and certainly does not serve as an independent check on governmental excess.
Second, government is controlled by and for the benefit of the self-interested bureaucrat. The most cold-blooded public choice theorist could not present a bleaker portrait of a government captured by special interests and motivated solely by a desire to increase bureaucratic power and influence. Consider this partial list of government activities: a) torturing children for lying; b) utilizing a prison designed and staffed specifically to suck all life and hope out of the inmates; c) placing citizens in that prison without a hearing; d) allows the death penalty without a trial; e) allowing the powerful, rich or famous to control policy and practice; f) selective prosecution (the powerful go unpunished and the unpopular face trumped-up charges); g) conducting criminal trials without independent defense counsel; h) using truth serum to force confessions; i) maintaining constant surveillance over all citizens; j) allowing no elections whatsoever and no democratic lawmaking process; k) controlling the press.
This partial list of activities brings home just how bleak Rowling’s portrait of government is. The critique is even more devastating because the governmental actors and actions in the book look and feel so authentic and familiar. Cornelius Fudge, the original Minister of Magic, perfectly fits our notion of a bumbling politician just trying to hang onto his job. Delores Umbridge is the classic small-minded bureaucrat who only cares about rules, discipline, and her own power. Rufus Scrimgeour is a George Bush-like war leader, inspiring confidence through his steely resolve. The Ministry itself is made up of various sub-ministries with goofy names (e.g., The Goblin Liaison Office or the Ludicrous Patents Office) enforcing silly sounding regulations (e.g., The Decree for the Treatment of Non-Wizard Part-Humans or The Decree for the Reasonable Restriction of Underage Sorcery). These descriptions of government jibe with our own sarcastic views of bureaucracy and bureaucrats: bureaucrats tend to be amusing characters that propagate and enforce laws of limited utility with unwieldy names. When you combine the light-hearted satire with the above list of government activities, however, Rowling’s critique of government becomes substantially darker and more powerful. Furthermore, Rowling eliminates many of the progressive defenses of bureaucracy. The most obvious omission is the elimination of the democratic defense. The first line of attack against public choice theory is always that bureaucrats must answer to elected officials, who must in turn answer to the voters. Rowling eliminates this defense by presenting a wholly unelected government.
H/T to Glenn “Instapundit” Reynolds for the link.
December 29, 2021
QotD: The pervasive infantilization of the “elites”
We’ll get there, fear not. But the appeal of Harry Potter absolutely eludes me. I’m sure it’s a charming enough story, but … it’s kid stuff, and they’re not reading it with their kids, because they don’t have kids. And it’s really creepy, y’all, how seriously they take this kids’ stuff. As Vizzini pointed out yesterday, the very mature deep thinkers in the Totally Legit Joe regime are whiling away their hours behind the razor wire by choosing spirit animals for themselves, based on their favorite Harry Potter characters. And while that is absolutely the kind of thing those imbeciles should be doing, instead of attempting to govern, not a one of them is under age 40 (Jen Psaki, for instance, is 43 — and also, according to anonymous White House sources, a “wild cat”; make of that information what you will).
Part of it is just the infantilization of American culture, of course, but it’s strange and disturbing how the more educated, professional classes seem to be not just more infantile than the hoi polloi, but much more passionate about it, too. I know a senior ER doc at a big hospital, for instance, who is waaaaay into Star Wars. And I don’t mean Star Wars collectibles, though of course he has a bunch of those, and as silly as that is in itself (guilty as charged; let me show you my baseball cards sometime).
I mean the dude is just really, really, really into Star Wars. He’s got Star Wars shit all over his house … his huge, grossly expensive, “befitting a senior trauma surgeon whose wife is also a big league university administrator” house, in the toniest part of town, to which he routinely invites other big league people, including — for professional purposes — politicians and powerful apparatchiks. And let me hasten to add, he’s not House MD, whose abrasive “quirks” are tolerated because of his preternatural genius. This guy is, himself, a slick political operator; he’s got plenty of social savvy. But … he’s also got a scale model Millennium Falcon hanging from the roof in the dining room.
I’m sure there’s an explanation for how nobody but me seems to find this really, deeply, disturbingly fucking odd … but there it is.
Severian, “The One Pop Culture Thing”, Rotten Chestnuts, 2021-09-16.
November 7, 2021
Making 400 Year Old Buttered Beere
Tasting History with Max Miller
Published 10 Mar 2020Most people know Butterbeer from the Harry Potter books, but did you know it’s based off an actual drink from Elizabethan England?
In this episode, I show you how to make your own alcoholic (and non-alcoholic) Buttered Beere and we explore the importance of beer and ale in Medieval and Renaissance England.
Follow Tasting History with Max Miller here:
Instagram: https://www.instagram.com/tastinghist…
Twitter: https://twitter.com/TastingHistory1LINKS TO INGREDIENTS
DEMERARA SUGAR – https://amzn.to/2W0TZHSBUTTERED BEERE
ORIGINAL RECIPE – The Good Huswifes Handmaide for the Kitchin c.1594 (or 1588)
Take three pintes of Beere, put five yolkes of Egges to it, straine them together, and set it in a pewter pot to the fyre, and put to it halfe a pound of Sugar, one penniworth of Nutmegs beaten, one penniworth of Cloues beaten, and a halfepenniworth of Ginger beaten, and when it is all in, take another pewter pot and brewe them together, and set it to the fire againe, and when it is readie to boyle, take it from the fire, and put a dish of sweet butter into it, and brewe them together out of one pot into an other.INGREDIENTS
– 3 Pints (1500ml/48oz) of good quality British Ale
– 1/4 tsp ground ginger
– 1/2 tsp ground cloves
– 1/2 tsp ground nutmeg
– 1/2 lb (225g) demerara or brown sugar
– 5 egg yolks
– 1 stick (113g) unsalted butterMODERN METHOD (Based on an interpretation from https://oakden.co.uk/buttered-beere-1…)
– Take 5 yolks and beat them with the demerara or brown sugar until light and frothy. Set aside.
– Poor the ale into a saucepan. Try to not create too much foam. Stir in the spices.
– Over medium heat, bring the mixture to a boil, then turn down to low and simmer for 2 minutes. For a non-alcoholic drink, leave at medium heat and boil for 20 minutes.
– Remove the pot from the heat and stir in the egg and sugar mixture. Then return the pot to low heat until the liquid starts to thicken. Simmer for 5 minutes.
– Add in the diced butter and stir until melted. Then froth the buttered beer with a hand whisk and let simmer for 10 minutes.
– Remove the saucepan from the heat and allow buttered beer to cool to a warm but drinkable temperature. Then whisk again and serve warm.
*This can be served cold by chilling the beer, then mixing it with cold milk (1 part beer/1 part milk)SOURCE:
https://oakden.co.uk/buttered-beere-1…**Amazon offers a small commission on products sold through their affiliate links, so each purchase made from this link, whether this product or another, will help to support this channel with no additional cost to you.
#butterbeer #butteredbeere #tastinghistory #beer
May 27, 2021
QotD: Billy Clinter and the Philosophers Stoned
The result was Billy Clinter and the Philosophers Stoned, in which young Billy attends a party at Oxford and discovers his amazing ability to smoke but not inhale. With that first fantastic adventure of the shy misunderstood boy blessed — and burdened — with the awesome power to feel your pain with just one touch, young Billy Clinter became the world’s most popular schoolboy.
Then came Billy Clinter and the Gusset of Fire, in which the vast right-wing conspiracy led by the sinister Lord Newt and Doleful Bob plant a hogtail disguised as a house elf in his hotel room in Little Hangleton. The elf tricks Billy into revealing his pocket sneakoscope and she glimpses its remarkable distinguishing characteristics, the strange lightning bolt along the side that signals the tremendous potency of his Slytherin Beaubaton. After this narrow escape, the young wizard gets into yet more scrapes in Billy Clinter and the Prisoner of Azkansas, in which Rodham tells the story of how young Billy and his much brainier friend, Hillary Granger, finally escape the hideous swamp of Azkansas after being trapped there for far longer than Hillary had expected to be.
But in the fourth volume events take a grim turn, as the careless schoolboy becomes aware that Professor Starr has in his laboratory a magic dress that could destroy all his and Hillary’s plans. In Billy Clinter and the Chamber of Semen, Billy realises that he splinched while he was apparating, which had never happened before. This is all the fault of Moaning Monica, the intern who haunts the anteroom at Housewhites and has the rare power of Parcelmouth, the ability to look into the eye of the Basilisk, the world’s smallest snake, without being petrified. Is she a Niffler or a Death Eater? Billy cannot be sure. He looks to Housewhites’ giant shambling groundskeeper Reno to protect him, but she’s busy raining down fire on strange cults. As the book ends, their old friend Albus Bumblegore fails to become Headmaster of Housewhites after insufficient chads are found in his sorting hat.
With each new adventure, critics have predicted that the eternal schoolboy has run his course. But he keeps coming back. None the less, there were strange rumours this time that J.K. Rodham was preparing to kill off the most popular character. It’s been known for a while that she sees the series’ future depending more on the much brainier though somewhat unlikeable Hillary Granger and the four female ghosts who write all her words.
Mark Steyn, “Splinching while you’re apparating”, The [Un]documented Mark Steyn, 2014.
September 17, 2020
Book burning’s back on the menu, boys!
Brendan O’Neill on the latest fad for the ultrawoke celebrities — book burning.
J.K. Rowling
So it turns out that Jedward, with their quiffed Aryan hair and strangely intense mannerisms, don’t only look like a couple of members of Hitler Youth who’ve been on a shopping spree at TK Maxx. They sound like it too. Yesterday, ever keen to jump on a bandwagon, even if it’s a bandwagon of misogynistic hate, the Shining twins of Irish pop suggested to their Twitter followers that they should burn JK Rowling’s next novel when it is published. “Does anyone need firewood this winter!”, they tweeted. “JK’s new book is perfect to burn next to a Romantic fire. Aww get all cozy and comfy can’t wait.”
Let’s leave to one side the industrial levels of gall it must require for two blokes who don’t know the difference between an exclamation mark and a question mark to have a pop at the most successful British author of all time. The more striking thing about Jedward’s tweet is that it suggests book-burning is back. Their tween-fascist cry for the burning of Rowling’s forthcoming novel was retweeted and liked thousands of times, by armies of so-called trans allies who now look upon Rowling as a real-life Voldemort: a despicable, evil figure whose works should be tossed on to raging bonfires as the woke mob yelps with delight.
The hatred for JK Rowling is out of control. It goes far beyond the everyday attempted cancellations and screeching Twittermob assaults on anyone who dares to deviate from the correct-think of the PC elites. The hatred for Rowling is far more raw, far more intense, far more irrational.
Her intellectual sin, her speechcrime, is of course that she believes in biological sex. She thinks there are differences between men and women. She thinks biological males should bugger off out of women’s changing rooms, sporting tournaments, prisons, rape-crisis centres, and so on. Many of us agree with her. And for this, she is frequently bombarded with rape threats and death threats. “Suck my cock!”, sexist pigs tweet at her. They invite her to die in a fire. They send her explicit pornography. This week #RIPJKRowling trended on Twitter. These people are insane. When your “activism” involves tirelessly insulting and sexually harassing a woman for having a thought that is different to your own, you need to have a serious word with yourself.
The deranged Rowling hate intensified this week after it was reported that her next Strike novel – the detective series she writes under the name Robert Galbraith – will involve a backstory about a man who dresses as a woman and then goes around murdering women. “Transphobia!”, the woke Twitterati predictably yelled. Not for the first time the sexist fury with Rowling for having the temerity to be a woman who thinks for herself was in large part inflamed by Pink News, the online gay magazine that has done more than most to depict women who are sceptical of certain aspects of transgenderism as “TERFs” – that is, witches, bitches, uppity broads who really ought to do what the editors at Pink News tell them to.
July 26, 2020
J.K. Rowling receives an apology
In his first Weekly Dish newsletter, Andrew Sullivan reports on the retraction and apology by The Day to J.K. Rowling:
J.K. Rowling’s Harry Potter books have been pivotal for many Millennials in encouraging them to move away from traditional religious beliefs.
We’re used to public apologies by now, but this one is a little different. It comes from a magazine for schoolchildren in England, called The Day. It reads:
We accept that our article implied that … JK Rowling … had attacked and harmed trans people. The article was critical of JK Rowling personally and suggested that our readers should boycott her work and shame her into changing her behaviour … We did not intend to suggest that JK Rowling was transphobic or that she should be boycotted. We accept that our comparisons of JK Rowling to people such as Picasso, who celebrated sexual violence, and Wagner, who was praised by the Nazis for his antisemitic and racist views, were clumsy, offensive and wrong … We unreservedly apologise to JK Rowling for the offence caused, and are happy to retract these false allegations and to set the record straight.
The Day had been referring to JK Rowling’s open letter on trans issues, which you can read in its entirety here and judge for yourself.
I have to say it’s good to see this apology in print. It remains simply amazing to me that the author of the Harry Potter books, a bone fide liberal, a passionate feminist and a strong supporter of gay equality can be casually described, as Vox’s Zack Beauchamp did yesterday, as “one of the most visible anti-trans figures in our culture.” It is, in fact, bonkers. Rowling has absolutely no issue with the existence, dignity and equality of transgender people. Her now infamous letter is elegant, calm, reasonable and open-hearted. Among other things, Rowling wrote: “I believe the majority of trans-identified people not only pose zero threat to others, but are vulnerable for all the reasons I’ve outlined. Trans people need and deserve protection.”
She became interested in the question after a consultant, Maya Forsteter, lost a contract in the UK for believing and saying that sex is a biological reality. When Forsteter took her case to an employment tribunal, the judge ruled against her, arguing that such a view was a form of bigotry, in so far as it seemed to deny the gender of trans people (which, of course, it doesn’t). Rowling was perturbed by this. And I can see why: in order either to defend or oppose transgender rights, you need to be able to discuss what being transgender means. That will necessarily require an understanding of the human mind and body, the architectonic role of biology in the creation of two sexes, and the nature of the small minority whose genital and biological sex differs from the sex of their brain.
This is not an easy question. It requires some thinking through. And in a liberal democracy, we should be able to debate the subject freely and openly. I’ve done my best to do that in this column, and have come to many of the conclusions Rowling has. She does not question the existence of trans people, or the imperative to respect their dignity and equality as fully-formed human beings. She believes they should be protected from discrimination in every field, and given the same opportunities as anyone else. She would address any trans person as the gender they present, as would I. Of course. That those of us who hold these views are now deemed bigots is, quite simply, preposterous.
[…]
It pains me to see where this debate has gone. There’s so much common ground. And I do not doubt that taking into account the lived experiences of trans people is important. But if we cannot state an objective fact without being deemed a bigot, and if we cannot debate a subject because debating itself is a form of hate, we have all but abandoned any pretense of liberal democracy. And if a woman as sophisticated and eloquent and humane as JK Rowling is now deemed a foul bigot for having a different opinion, then the word bigotry has ceased to have any meaning at all.
July 8, 2020
Harry Potter fandom, Millennials, and the continued decline of traditional religious beliefs
In The Critic, Oliver Wiseman talks to Tara Isabella Burton about her book Strange Rites:
J.K. Rowling’s Harry Potter books have been pivotal for many Millennials in encouraging them to move away from traditional religious beliefs.
I want to start with Harry Potter, which is — perhaps surprisingly — central to the argument you make in the book, so, as an introduction to your broader thesis, what does Harry Potter have to do with America’s new religions?
It’s funny. When Harry Potter first came out in the nineties, there was a flurry American Christian voices saying “This book promotes witchcraft. There’s going to be a whole new religious movement devoted to Harry Potter books.” In the way they meant it, that was absolutely not true. But I think that there was something to it in terms of an inadvertent change to the religious landscape.
What Harry Potter did, or, more accurately, what it was the canary in the coal mine for, was a transformation, linked to the rise of at-home internet access, in how we talk about cultural properties andhow we relate to cultural properties. The transition to an internet space defined by user-generated content and what is often called participatory culture coincided with the publication of the Harry Potter books.
Between the first Harry Potter book’s release in 1997 and the fourth book’s publication in 2000 we went from 19 million Americans with internet access to more than 100 million. It’s that backdrop that really explains the shift. You did have fan cultures before. There were Star Wars conventions, for example, but there was quite a high bar to entry. You had to get on the right mailing list and it was done via post. It was quite a lot of work. You couldn’t just log on and enter a community, which is really what could happen with Harry Potter fandom.
J.K. Rowling was also one of the first major writers to openly accept and embrace fan fiction. So what you ended up seeing was something that started with Harry Potter fandom that then became an element of fandom online more broadly which in turn, I would argue, shaped millennial-and-younger culture. It was this idea that you weren’t just a reader of consumer of texts. It wasn’t just a top down hierarchical thing. Instead, mediated through the anonymity of the internet, you a kind of tribalism from talking to people in different geographical areas as well as things like fan fiction and later meme culture that meant you could change, shift, reimagine a text in your own way. And what’s so interesting about that is that sensibility — the sensibility that we have not only the right but the responsibility, the authority as consumers to also be creators, to rework ideas outside of existing texts — has spilled over into all aspects of our political life and of our religious life. And that is really something that is the product of user generated content and the internet.
To bring this to religion more specifically, 36 per cent of Americans born after 1985 are religiously unaffiliated, compared to about 23 per cent of the national average. That’s a huge generational shift in religious affiliation and organisation. That is not the same thing as saying that these are atheists or that these people are not religious. Some 72 per cent of them say they believe in some sort of higher power. About 17 per cent say they believe in the Judaeo-Christian God.
We’re in a religious or spiritual landscape that privileges mixing and matching, and unbundling — a bit of tarot here, a bit of meditation there. And a resistance to institutional and authoritative declarations in terms of how religion should be practised is very much something that has its roots in internet culture, of which Harry Potter was a forerunner.
June 12, 2020
J.K. Rowling on her most recent “cancellation”
I know a lot of Harry Potter fans are upset with their formerly favourite author for her stance on transgenderism … or what they’ve heard about her stance … or what their friends have said about her stance … so J.K. Rowling has posted an essay on her own site explaining what happened and how she has been coping with being “cancelled” so many times:
… as a much-banned author, I’m interested in freedom of speech and have publicly defended it, even unto Donald Trump.
The fourth is where things start to get truly personal. I’m concerned about the huge explosion in young women wishing to transition and also about the increasing numbers who seem to be detransitioning (returning to their original sex), because they regret taking steps that have, in some cases, altered their bodies irrevocably, and taken away their fertility. Some say they decided to transition after realising they were same-sex attracted, and that transitioning was partly driven by homophobia, either in society or in their families.
Most people probably aren’t aware – I certainly wasn’t, until I started researching this issue properly – that ten years ago, the majority of people wanting to transition to the opposite sex were male. That ratio has now reversed. The UK has experienced a 4400% increase in girls being referred for transitioning treatment. Autistic girls are hugely overrepresented in their numbers.
The same phenomenon has been seen in the US. In 2018, American physician and researcher Lisa Littman set out to explore it. In an interview, she said:
“Parents online were describing a very unusual pattern of transgender-identification where multiple friends and even entire friend groups became transgender-identified at the same time. I would have been remiss had I not considered social contagion and peer influences as potential factors.”
Littman mentioned Tumblr, Reddit, Instagram and YouTube as contributing factors to Rapid Onset Gender Dysphoria, where she believes that in the realm of transgender identification “youth have created particularly insular echo chambers.”
Her paper caused a furore. She was accused of bias and of spreading misinformation about transgender people, subjected to a tsunami of abuse and a concerted campaign to discredit both her and her work. The journal took the paper offline and re-reviewed it before republishing it. However, her career took a similar hit to that suffered by Maya Forstater. Lisa Littman had dared challenge one of the central tenets of trans activism, which is that a person’s gender identity is innate, like sexual orientation. Nobody, the activists insisted, could ever be persuaded into being trans.
The argument of many current trans activists is that if you don’t let a gender dysphoric teenager transition, they will kill themselves. In an article explaining why he resigned from the Tavistock (an NHS gender clinic in England) psychiatrist Marcus Evans stated that claims that children will kill themselves if not permitted to transition do not “align substantially with any robust data or studies in this area. Nor do they align with the cases I have encountered over decades as a psychotherapist.”
The writings of young trans men reveal a group of notably sensitive and clever people. The more of their accounts of gender dysphoria I’ve read, with their insightful descriptions of anxiety, dissociation, eating disorders, self-harm and self-hatred, the more I’ve wondered whether, if I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. I struggled with severe OCD as a teenager. If I’d found community and sympathy online that I couldn’t find in my immediate environment, I believe I could have been persuaded to turn myself into the son my father had openly said he’d have preferred.
When I read about the theory of gender identity, I remember how mentally sexless I felt in youth. I remember Colette’s description of herself as a “mental hermaphrodite” and Simone de Beauvoir’s words: “It is perfectly natural for the future woman to feel indignant at the limitations posed upon her by her sex. The real question is not why she should reject them: the problem is rather to understand why she accepts them.”
As I didn’t have a realistic possibility of becoming a man back in the 1980s, it had to be books and music that got me through both my mental health issues and the sexualised scrutiny and judgement that sets so many girls to war against their bodies in their teens. Fortunately for me, I found my own sense of otherness, and my ambivalence about being a woman, reflected in the work of female writers and musicians who reassured me that, in spite of everything a sexist world tries to throw at the female-bodied, it’s fine not to feel pink, frilly and compliant inside your own head; it’s OK to feel confused, dark, both sexual and non-sexual, unsure of what or who you are.
I want to be very clear here: I know transition will be a solution for some gender dysphoric people, although I’m also aware through extensive research that studies have consistently shown that between 60-90% of gender dysphoric teens will grow out of their dysphoria. Again and again I’ve been told to “just meet some trans people.” I have: in addition to a few younger people, who were all adorable, I happen to know a self-described transsexual woman who’s older than I am and wonderful. Although she’s open about her past as a gay man, I’ve always found it hard to think of her as anything other than a woman, and I believe (and certainly hope) she’s completely happy to have transitioned. Being older, though, she went through a long and rigorous process of evaluation, psychotherapy and staged transformation. The current explosion of trans activism is urging a removal of almost all the robust systems through which candidates for sex reassignment were once required to pass. A man who intends to have no surgery and take no hormones may now secure himself a Gender Recognition Certificate and be a woman in the sight of the law. Many people aren’t aware of this.
