It’s really not a good thing because it manifests itself not only in individual psychopathologies, but also in social psychopathologies. That’s this proclivity of people to get tangled up in ideologies, and I really do think of them as crippled religions. That’s the right way to think about them. They’re like religion that’s missing an arm and a leg but can still hobble along. It provides a certain amount of security and group identity, but it’s warped and twisted and demented and bent, and it’s a parasite on something underlying that’s rich and true. That’s how it looks to me, anyways. I think it’s very important that we sort out this problem. I think that there isn’t anything more important that needs to be done than that. I’ve thought that for a long, long time, probably since the early ’80s when I started looking at the role that belief systems played in regulating psychological and social health. You can tell that they do that because of how upset people get if you challenge their belief systems. Why the hell do they care, exactly? What difference does it make if all of your ideological axioms are 100 percent correct?
People get unbelievable upset when you poke them in the axioms, so to speak, and it is not by any stretch of the imagination obvious why. There’s a fundamental truth that they’re standing on. It’s like they’re on a raft in the middle of the ocean. You’re starting to pull out the logs, and they’re afraid they’re going to fall in and drown. Drown in what? What are the logs protecting them from? Why are they so afraid to move beyond the confines of the ideological system? These are not obvious things. I’ve been trying to puzzle that out for a very long time. […]
Nietzsche’s idea was that human beings were going to have to create their own values. He understood that we had bodies and that we had motivations and emotions. He was a romantic thinker, in some sense, but way ahead of his time. He knew that our capacity to think wasn’t some free-floating soul but was embedded in our physiology, constrained by our emotions, shaped by our motivations, shaped by our body. He understood that. But he still believed that the only possible way out of the problem would be for human beings themselves to become something akin to God and to create their own values. He talked about the person who created their own values as the overman, or the superman. That was one part of the Nietzschean philosophy that the Nazis took out of context and used to fuel their superior man ideology. We know what happened with that. That didn’t seem to turn out very well, that’s for sure.
Jordan B. Peterson, “Biblical Series I: Introduction to the Idea of God” {transcript], jordanbpeterson.com, 2018-03-12.
June 30, 2020
QotD: Ideologies and belief systems
June 29, 2020
Today on NeoNaziHuntingExpeditions, we track down Neo Nazi Bronies
In Quillette, Daniel Friedman examines the claims made in a recent Atlantic investigation into Nazis in the My Little Pony community (that is, adult fans of the show, not little girls … I think):
The evidence of this Nazi problem in the My Little Pony fandom is that, on a My Little Pony imageboard called Derpibooru, over 900 images were tagged as “racist,” and images mocking Black Lives Matter were upvoted by users while images supporting the movement were downvoted, even as the site’s administrators made a statement of support for the protests. After much controversy, the imageboard banned uploading images “created for no reason other than to incite controversy” and removed the 926 images tagged “racism” or “racist.” This move was extremely controversial within the Derpibooru community, many members of which oppose any moderation.
Atlantic reporter Kaitlyn Tiffany suggests that the strong free-speech norms of the Derpibooru boards stem from its origins on 4Chan, which Tiffany describes as “the largest den of chaos and toxic beliefs available on the Internet.” She describes the Brony community as being divided between those who “genuinely enjoy My Little Pony and the wholesome escapism it provides” and trolls who think it is “edgy and provocative to be an adult obsessed with cartoon ponies.” This frames the Derpibooru imageboard as a place where innocent cartoon fans are unknowingly subjected to subversive, racist memes and images that may send people down a rabbit hole of far-right content.
However, claims that a significant portion of the Brony community are Nazis, or that a significant amount of the content on Brony imageboards is right-wing propaganda or racist memes has to be put in the proper context. First of all, the 926 images tagged “racist” exist on a board that hosts over two million images. If you order all the site’s various tags by how many images fall within their categories, there are 12 full pages of other, more popular tags you have to scroll through to find the “racism” tag. One thousand two hundred and seventy-five images are tagged “politics” and include images both supporting and opposing Black Lives Matter. Discussion of these issues is a tiny fraction of one percent of the content on the My Little Pony imageboard.
By contrast, 315,867 images on the Derpibooru forum are tagged as sexually explicit, a further 127,414 images are tagged as sexually suggestive and 105,521 images are tagged as containing “questionable” sexual content. The truth is that Derpibooru’s lax moderation norms and anti-censorship culture don’t exist to protect objectionable political content; this imageboard is unmoderated because it is an enormous repository of fan-made My Little Pony pornography.
The Atlantic article fails to place the 926 racist images in the context of the larger scope of the two million images hosted by the Derpibooru board, because less than one-quarter of one percent of the site’s content is of a political nature. And the Atlantic article avoids mentioning the half-million pornographic images the site hosts, because doing so reveals that the community’s widespread opposition to content moderation on their imageboard is about protecting sexually explicit content rather than creating a space for hateful politics to flourish, and it further reveals that the Bronies are 500 times more interested in having sex with My Little Pony characters than they are in spreading racist pony memes.
The article creates an impression that the alt-Right is using seemingly-innocent cartoon fandoms as a Trojan horse to conceal and spread a sinister ideology, but the truth is that the only thing these guys are interested in hiding inside a horse is their dicks.
June 19, 2020
QotD: We call it the Corded Ware culture, not the Battle Axe culture to make it less interesting to boys
India played a large role in the development of European conceptions of race. In 1786 British judge William Jones delivered a lecture in Calcutta suggesting that Sanskrit, Greek, and Latin were all descended from the same lost language, a ghost tongue now called Proto-Indo-European.
Jones went on to hypothesize that an ancient invasion of Dravidian-speaking India by Proto-Indo-European-speaking Aryans from Iran could help explain the curious distribution of language, skin color, and caste within the Hindu world today.
Jones’ ideas had unfortunate influence. Reich writes:
To the Nazis and others, the distribution of the Indo-European language family, linking Europe to India … spoke of an ancient conquest moving out of an ancestral homeland, displacing and subjugating the peoples of the conquered territories, an event they wished to emulate.
Hitler thus culturally appropriated the Hindu swastika.
Since 1945, the notion of Aryan invaders has been unsurprisingly unpopular.
In Europe, anthropologists have promoted the “pots not people” theory to argue that trade and changes in fashion must explain why Corded Ware pots suddenly showed up all over Europe about 4,900 years ago. (So did battle axes; indeed, early scientists called this the Battle Axe Culture. But that sounded too awesome. Hence, more recent academics renamed it after its pottery style to make these brutal barbarians sound dweebier and thus less interesting to boys.)
In India, the notion of Hindu culture as a giant conspiracy by Aryan invaders to enshrine their descendants at the top of the social order for the rest of eternity perhaps struck a little too close to home.
Steve Sailer, “Reich’s Laboratory”, Taki’s Magazine, 2018-03-28.
June 17, 2020
June 15, 2020
June 10, 2020
US Racism Against Germans, South African Neutrality and the Occupation of the Maginot – OOTF 013
World War Two
Published 9 Jun 2020Did the neutral US discriminate against German- and Italian-Americans? And exactly how pro-Axis was South Africa? And what happened to the Maginot Line after the Fall of France? Find out as Indy answers three more of your interesting questions in this episode of Out of the Foxholes!
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
Norman Stewart – https://oldtimesincolor.blogspot.com/
Klimbim – https://www.flickr.com/photos/2215569…
Albert Einstein by Wayne DeganSources:
IWM Q 101768, TR 1262, Q 72178
Narodowe Archiwum Cyfrowe
Bundesarchiv
Les Bergers des Pierres – Moselle Association
from the Noun Project: id by Flatart, Fingerprint Recognition by Olena Panasovska, people by ProSymbolsSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Fabien Tell – “Last Point of Safe Return”
Philip Ayers – “Trapped in a Maze”
Johannes Bornlof – “The Inspector 4”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
June 6, 2020
ϟϟ Foreign Fighters Part 1 – The Non-German Germanics Fighting for Hitler – WW2 Special
World War Two
Published 5 Jun 2020The SS are the elite force of the Third Reich, representing everything good about the German race. But half of them will one day be foreign-born non-Germans. How did this happen?
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
Bundesarchiv
Riksarkivet, image no. Fo30141711140064, Fo30141711140100_67, Fo30141711140102, Fo30141711140092
National Museum of Denmark
National Archives of Denmark
National Library of Norway
Narodowe Archiwum Cyfrowe
USHMM
from the Noun Project: Glasses by Yeong Rong Kim, Smile by The Icon Z, family tree by Kid KitaroSoundtracks from the Epidemic Sound:
Johannes Bornlof – “The Inspector 4”
Philip Ayers – “Trapped in a Maze”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Fabien Tell – “Last Point of Safe Return”
Rannar Sillard – “March Of The Brave 10”
Gunnar Johnsen – “Not Safe Yet”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago (edited)
If you came for the glory of the SS you will be disappointed by this video, there is nothing cool about the SS, truly nothing. They represent the most terrible part of humanity and perpetrated the worst crimes against humanity that you can imagine, things a short video like this cannot do justice on its own. To understand the depths of these horrors we recommend that you follow our War Against Humanity series, also hosted by Spartacus here: https://www.youtube.com/playlist?list=PLsIk0qF0R1j4cwI-ZuDoBLxVEV3egWKoM
June 4, 2020
QotD: Islamofascism
The great silence by left-leaning Western feminists, and other large parts of the left, to human rights abuses carried out in the name of Islam is, to see it as its kindest, caused by an overdeveloped sense of tolerance or cultural relativism. But it is also part of the new anti-Americanism. Look at American Christian fundamentalism, they say.
Dislike of George Bush’s foreign policy has led to an automatic support of those perceived to be his enemies. Paradoxically, this leaves the left defending people who hold beliefs that condone what the left has long fought against: misogyny, homophobia, capital punishment, suppression of freedom of speech. The recent reaffirmation by Iran’s Ayatollah Khamenei of the fatwa against Salman Rushdie has been met by virtual silence; as has the torture and murder in Iraq of a man who would be presumed to be one of the left’s own — Hadi Salih, the international officer of the Iraqi Federation of Trade Unions. The hard left these days is soft on fascism, or at least Islamofascism.
The religious right in America would, if it could, wind back access to abortion and some other women’s rights. But as far as I am aware, no Christian fundamentalist in the US has suggested banning women from driving cars, or travelling without their husbands’ permission, or forcing them to cover their faces. Contrary to popular opinion, one is not the same as the other.
Pamela Bone, “The silence of the feminists”, The Age, 2005-02-04
June 3, 2020
June 2, 2020
May 29, 2020
QotD: Historical ways to deal with your “rage heads”
The main lesson I hope our distant descendants draw from the Orange Man Era is: The rage heads ye have always with you, so ye must find a way to channel them into something as non-destructive as possible. The story of modern politics can be written in a sentence: The weaponization of rage heads, combined with the inability of any society to properly dispose of said WMDs.
Set the Wayback Machine to the turn of the 20th century. Lenin’s great insight is that “the masses” will never achieve the proper revolutionary consciousness without a dedicated cadre of hardcore, professional revolutionaries to lead the way. Lenin recognized the prevalence of incipient rage heads in his society — how could he not? — but realized that, absent some guiding hand, they’d flounder around incoherently. At best (from the “furthering the Revolution” point of view), they’d do what his, Lenin’s, idiot brother did: Try to knock off the tsar, and get himself hung for it. Thus, the Bolsheviks.
The problem, though, is that rage heads by definition suffer from poor impulse control. The tiny subset of them that are pure sociopaths (like Lenin), and thus have the icy-veined self-control to hold their fire, have to maintain the very tightest discipline over the Party, or all hell breaks loose. See, for example, the massive street battles in Weimar Germany between the KPD (German Commies) and the SD. Hitler, like Lenin, had to get his rage heads on a tight leash, so he channeled the disciplined sociopaths from the SD into the SS, cooled out the coolable in the SD by buying them off, and shanked the incorrigible remainder. See also the almost-exactly-contemporary Moscow Show Trials.
Note please that this is your best-case scenario for a purely ideological revolution. From Robespierre to Kim Il Sung, the first step in consolidating the Revolution is killing off a large fraction of the original revolutionaries.
The worst-case scenario (again, from the “furthering the Revolution” standpoint) is what the American wannabe-bolshies did / are currently doing. Knowing that you can’t shank or show-trial the dreadlocked poetry majors that make up your goon squad, you try to channel them into academia, the Media, the “arts.” Which fails egregiously, because whatever tenuous contact with reality they once had gets completely severed by those institutions’ social bubbles. They never were very good at holding fire, and now they can’t, literally can’t, see any reason to — life is great here on campus, so why can’t it be that way everywhere?
Severian, “Living in End Times”, Rotten Chestnuts, 2020-02-28.
May 22, 2020
QotD: “Scientific” racism
… the intellectualized racism that infected the West in the 19th century was the brainchild not of science but of the humanities: history, philology, classics, and mythology. In 1853, Arthur de Gobineau, a fiction writer and amateur historian, published his cockamamie theory that a race of virile white men, the Aryans, spilled out of an ancient homeland and spread a heroic warrior civilization across Eurasia, diverging into the Persians, Hittites, Homeric Greeks, and Vedic Hindus, and later into the Vikings, Goths, and other Germanic tribes. (The speck of reality in this story is that these tribes spoke languages that fell into a single family, Indo-European.) Everything went downhill when the Aryans interbred with inferior conquered peoples, diluting their greatness and causing them to degenerate into the effete, decadent, soulless, bourgeois, commercial cultures that the Romantics were always whingeing about. It was a small step to fuse this fairy tale with German Romantic nationalism and anti-Semitism: The Teutonic Volk were the heirs of the Aryans, the Jews a mongrel race of Asiatics. Gobineau’s ideas were eaten up by Richard Wagner (whose operas were held to be re-creations of the original Aryan myths) and by Wagner’s son-in-law Houston Stewart Chamberlain (a philosopher who wrote that Jews polluted Teutonic civilization with capitalism, liberal humanism, and sterile science). From them the ideas reached Hitler, who called Chamberlain his “spiritual father.”
Science played little role in this chain of influence. Pointedly, Gobineau, Chamberlain, and Hitler rejected Darwin’s theory of evolution, particularly the idea that all humans had gradually evolved from apes, which was incompatible with their Romantic theory of race and with the older folk and religious notions from which it had emerged. According to these widespread beliefs, races were separate species; they were fitted to civilizations with different levels of sophistication; and they would degenerate if they mixed. Darwin argued that humans are closely related members of a single species with a common ancestry, that all peoples have “savage” origins, that the mental capacities of all races are virtually the same, and that the races blend into one another with no harm from interbreeding. The University of Chicago historian Robert Richards, who traced Hitler’s influences, ended his book titled Was Hitler a Darwinian? (a common claim among creationists) with “The only reasonable answer to the question … is a very loud and unequivocal No.”
Steven Pinker, “The Intellectual War on Science”, Chronicle of Higher Education, 2018-02-13.
May 13, 2020
Rudolf Hess – Nazi Pacifist, Traitor or Madman? – WW2 Special Episode
World War Two
Published 12 May 2020In a series of events, Hitler’s second in command Rudolf Hess decides to fly to Britain to enter peace negotiations with the Allies. But the true reasons behind and effects of his action remain ambiguous at best.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart, https://oldtimesincolor.blogspot.com/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Olga Shirnina, https://klimbim2014.wordpress.com
Adrien Fillon, https://www.instagram.com/adrien.colo…Bibliography:
– Balfour, Michael, Propaganda in War, 1939–45: Organizations, Policies, and Publics in Britain and Germany (London, 1979).
– Fox, Jo. “Propaganda and the Flight of Rudolf Hess, 1941-45”. In: The Journal of Modern History 83:1 (March 2011) 78-110.
– Gorodetsky, Gabriel, “The Hess Affair and Anglo-Soviet Relations on the Eve of ‘Barbarossa'”. In: The English Historical Review 101:399 (Apr 1986) 405-420.
– Görtemaker, Manfred, “The Bizarre Mission: Rudolf Hess in Britain,” in Britain and Germany in the 20th Century, ed. M. Görtemaker (Oxford, 2006), 75–101.
– Heiden, Konrad, “Hitler’s Better Half”. In: Foreign Affairs 20:1 (Oct 1941) 73-86.
– Kettenacker, Lothar, “Mishandling a Spectacular Event: The Rudolf Hess Affair,” in Flight from Reality: Rudolf Hess and His Mission to Scotland, ed. David Stafford (London, 2002) 19–38.
– Schmidt, Rainer, “The Marketing of Rudolf Hess: A Key to the ‘Preventative War Debate’?” War in History 5 (1998) 62-83.Sources:
Bundesarchiv
Portraits of Douglas Douglas-Hamilton, duke of Hamilton and Duff Cooper, MP, courtesy National Portrait Gallery
Narodowe Archiwum Cyfrowe
Zentralbibliothek Zürich
Portrait of Max Aitken, Lord Beaverbrook, courtesy Nationaal Archief
IWM D 8987Soundtracks from the Epidemic Sound:
Rannar Sillard – “March Of The Brave 4”
Reynard Seidel – “Deflection”
Andreas Jamsheree – “Guilty Shadows 4”
Johannes Bornlof – “The Inspector 4”
Johannes Bornlof – “Deviation In Time”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
May 8, 2020
Sending the Jews to Madagascar? – War Against Humanity 011 – May 1941
World War Two
Published 7 May 2020The War Against Humanity is accelerating and accelerating. Across the world, people live under oppression. In Nazi Europe, solutions to the so-called “Jewish Question” has taken on new, fantastical, proportions.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Francis van Berkel, Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Olga Shirnina https://klimbim2014.wordpress.com
Dememorabilia – https://www.instagram.com/dememorabilia/
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
IWM HU 106212
USHMM
Bundesarchiv
Narodowe Archiwum Cyfrowe
Glaser family photo, courtesy Willie Glaser
from the Noun Project: Letter by Mochammad Kafi, people by ProSymbols, Deteriorated building by Tokka Elkholy, workshop by Gan Khoon Lay from the Noun Project
Page 1 of La Loi Portant Status Des Juifs with Pétain’s annotations, courtesy Mémorial de la ShoahSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Farell Wooten – “Blunt Object”
Philip Ayers – “Trapped in a Maze”
Wendel Scherer – “Growing Doubt”
Gavin Luke – “Drifting Emotions 3”
Johannes Bornlof – “The Inspector 4”
Andreas Jamsheree – “Guilty Shadows 4”
Peter Sandberg – “Document This 1”
Jo Wandrini – “Dawn Of Civilization”
Gunnar Johnsen – “Not Safe Yet”
Philip Ayers – “Under the Dome”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.