TimeGhost History
Published 10 Jul 2020President John F. Kennedy faces off with the Joint Chiefs of Staff, including General Curtis LeMay (his arch-enemy), who demand more freedom for military action.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek KaminskiColorizations:
– Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
Photos from Bejucal, Cuba: History and Festivities – Havana Times
Andy Garcia – Mireille Ampilhac
Photo from chernobylguide.com – Chernobyl Mutations in Humans and Animals
PX 65-105:179 from LOOK Magazine 8405-1-26
Photo from WDR – 23. Juni 1963 – John F. Kennedy kommt in Deutschland anSoundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “Scope” – Got Happy
– “Juvenile Delinquent” – Elliot Holmes
– “Moving to Disturbia” – Experia
– “From the Depths” – Walt Adams
– “Symphony of the Cold-Blooded” – Christian AndersenArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 11, 2020
WTF?! Destroy Cuba or Don’t! | The Cuban Missile Crisis I Day 04
H&K G3: The Very First Import (3/62)
Forgotten Weapons
Published 6 Mar 2016http://www.patreon.com/ForgottenWeapons
Sold for $32,200.
We have all seen plenty of sporter CETME rifles and civilian HK-91s, but when the G3 was new to the Germany military, there was already an interest in bringing semiauto versions into the US. The Golden State Arms Corporation was the first to do so, with three batches of imports in 1962 (just 3 years after the G3 was adopted). The first of these came into the US in March, and was basically identical to the military G3 except with a two-position semiauto-only fire control pack.
Later imports had to be made more and more distinct from the military G3s, which leaves these 3/62 guns as the closest thing to the real G3 available to the non-NFA US shooter.
Video on the development of the roller-delayed blowback system:
QotD: Pop culture
That’s another thing that may be plaguing pop culture in general and pop music in particular. When I was a teen, your music said something about you because you felt a connection to the band. In the sterile transactional world of today, no one feels an attachment to anything, much less the latest pop group. There’s no sense of obligation to buy or listen to their latest release. Supporting a type of music or a specific act is no longer a part of kid’s identity. The relationship is now as sterile as society.
That is the funny thing about pop culture in our Progressive paradise. It is a lot like the pop music of totalitarian paradises of the past. The Soviets manufactured their version of Western pop, but it was never popular. Just as we see at the Super Bowl, comrades can be forced marched to an arena and made to cheer, but no one really liked it. There’s a lot of that today, as every pop star has the exact same Progressive politics and uses their act to proselytize on behalf of the faith. That’s not a coincidence. It is by design.
The West does not have a competitor that embraces freedom and liberty, so the past has become the competition. Look at YouTube and you will see that old songs and bands have enormous amounts of traffic. Given that the people who listened to Sinatra in their prime are mostly dead, it must be younger people discovering and enjoying the old stuff from when the West was still in love with itself. I’ve often been surprised to see young people, particularly young men, into music that pre-dates me, but it is not uncommon.
“The Z Man”, “The Soundtrack Of This Age”, The Z Blog, 2018-03-15.
July 7, 2020
If Paris Was Nuked | The Cuban Missile Crisis | Day 00
TimeGhost History
Published 6 Jul 2020The year before Soviet Premier Nikita Khrushchev places nuclear missiles on Cuba, the Soviets blow up the biggest atomic bomb ever detonated. If it blew up over Paris, millions would die.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Try Nukemap here: https://nuclearsecrecy.com/nukemap/
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek KaminskiColorizations:
– Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…Sources:
RIA Novosti archive, image #35173, image #793499.
https://flickr.com/photos/102221463@N…From the Noun Project:
Mountain – By Harold Weaver
Mushroom Cloud – By yanti, ID
destroyed house – by Gan Khoon Lay
Hospital – By Hare Krishna, IN
Fire Station – By Florian Maier
School – David
Church – by Karla Design
Paris – By Vonn WeisenbergerSoundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “Scope” – Got Happy
– “Juvenile Delinquent” – Elliot Holmes
– “Moving to Disturbia” – Experia
– “Zoot Suit” – Elliot Holmes
– “From the Depths” – Walt Adams
– “Car Chase in Virginia” – White BonesArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 2, 2020
Kennedy, the Lying Politician | The Cuban Missile Crisis I Prelude 2
TimeGhost History
Published 1 Jul 2020The Cold War grows gets more and more tense as both the USSR and the US try to get the upper hand through the volume of nuclear weapons and strategic launching sites – including Cuba.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek KaminskiColorizations:
– Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…
– Daniel WeissSources:
– New Georgia EncyclopediaSoundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “Juvenile Delinquent” – Elliot Holmes
– “Nightclub Standoff” – Elliot Holmes
– “Scope” – Got Happy
– “Zoot Suit” – Elliot Holmes
– “Car Chase in Virginia” – White Bones
– “When They Fell” – Wendel Scherer
– “Kissed by Thunder” – Elliot HolmesArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
June 25, 2020
USA Starts the Atomic Arms Race | The Cuban Missile Crisis I Prelude 1
TimeGhost History
Published 24 Jun 2020When WW2 ends the former Allies find themselves at odds with each other over ideological and economic world domination. In an atmosphere of increasing escalation, the US pulls ahead in the nuclear arms race. While the Soviet Union tries to catch up, they are far behind, and yet humanity soon faces potential destruction many times over.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek KaminskiColorizations:
– Daniel WeissSources:
– Bundesarchiv_Bild_183-30562-0001,
– Color by KlimbimSoundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “Juvenile Delinquent” – Elliot Holmes
– “Nightclub Standoff” – Elliot Holmes
– “Scope” – Got Happy
– “Zoot Suit” – Elliot Holmes
– “Car Chase in Virginia” – White Bones
– “When They Fell” – Wendel Scherer
– “Kissed by Thunder” – Elliot HolmesArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 day ago
This is the first of two preludes before we will cover the Cuban Missile Crisis day-by-day in 13 episodes. Our hardcore fans might recognise this series, as these are a remake of the very first series that we ever did on this YouTube channel. Not only did we improve the set and the audio and video quality, also did we gain access to a lot more unique archive material. These episodes were also edited by dedicated editors (back then Spartacus had to edit them) and we have the help of Ryan who makes graphics and our coloriziation squad who bring history to life. We have come a long way since the old version of this was first published. We thank everyone for sticking around but especially those who joined the TimeGhost Army at www.patreon.com/timeghosthistory or https://timeghost.tv. We wouldn’t be here without them!
Cheers,
Joram
June 9, 2020
It was scientifically inevitable for the Communists to win the Cold War – as foretold in the prophecies
Sarah Hoyt on the “script” that progressives operated under during the Cold War and almost unchanged in detail to the present day, too:

Krushchev, Brezhnev and other Soviet leaders review the Revolution parade in Red Square, 1962.
LIFE magazine photo by Stan Wayman.
… the Cold War had two sides: the USSR and our elites, who had been corrupted and taken over for a long time thanks to the communist agents who had long-marched through our media, our entertainment and our bureaucracy.
Heinlein claimed the Democrats had been taken over by communists, secretly, by the 40s. I have no reason to doubt him. I’m sure most of the bureaucracy and governments in Europe had been taken over that way also.
Even so called conservatives assumed communism would eventually win, because according to the numbers coming out of the USSR and the reporters visiting the USSR — anyone know where Duranty is buried? there should be a line to piss on his grave — they were just so much more efficient. Scientific governance, you know? And anyway, technology was going to be so advanced that most humans would be unemployable, and by the way, there were more and more humans every year, so it was impossible to have all these bourgeois luxuries. So communism, efficient, compassionate, communism was the future, the only way.
The realists who saw it was the only way were willing to do anything to bring it about. Because the people who weren’t as intelligent/well informed would otherwise destroy the world and bring about unimaginable catastrophe.
“Conservatives” were merely those who wanted communism to arrive slower and be a little less violent. Communism with a human face. Socialism on the way to communism. Easing us into our role as cogs in the machinery of the future — where there was no room for personal frills or really emotions — with gentle pneumatic shocks, instead of with the excesses of the Russian and Soviet revolution.
All of this btw is based on three glaring fallacies (phaluscies, since you have to be a dickhead to believe them particularly now.)
1- People are a drain not an asset. They are also a sort of robot incapable of changing behavior in response to changing circumstances.
2- Wealth can’t grow, nor can the carrying capacity of the Earth improve. So since humans can’t respond to reduced infant mortality by having fewer children, the only way to feed everyone is to reduce everyone’s rations. Forever.
3- It is possible for “the best”, properly educated people to be utterly selfless and to administer everyone’s wealth equally and for the common good. They will not revel in power, nor will they avail themselves of any excess. Because, they are absolutely moral and all seeing.
Note the left is still running this script. And some on the right too (Hello, Pierre Delecto!) not to mention all of Europe, left and right. Also note #1 conflicts with the left idea that they can bring about a future in which humans change to be all selfless, etc. But that’s actually complicated and tied in to their myths, which honestly are a Christian heresy, complete with paradise lost.
I know when they started out, the USSR thought it could “engineer” a new human. Homo Sovieticus. But I don’t know enough of Soviet myth to know what underlay that. Maybe it was a behaviorist thing and they thought humans could be trained into being completely selfless automatons. I know by the time I was reading communist theorists (no, I didn’t buy their arguments, but I was required to read them, given when and where I grew up) in the seventies, the philosophy had fallen prey to the agitprop notion that people in madhouses in the US were political prisoners just as in the USSR. (BTW this is part of what underlay the closing of the madhouses.) And that was part of a push in the seventies, as the malfeasance of USSR was starting to be glaring, amid escaped dissidents and escaping information. The push was to “prove” that both systems were equally bad. (The left is still flogging that dead equine, too. So Cubans and Venezuelans are starving? So how many people die of anomie and not being loved enough under capitalism? REEEEE.) So, since Soviets put dissidents in mad houses, so did we. But that necessitated that people who widdled on themselves and/or thought they were a lampshade with a set of dishes thrown in be completely sane “political dissidents”. The only way to do this was to attribute anything communists don’t like to “insanity brought about by capitalism.” This led to crazier byways of thought. For instance, it led to the idea of the pre-historic, pre-agriculture paradise, where everyone was equal, there was no poverty, need, greed, or the heartbreak of psoriasis. A sub-branch of the church believed women were in charge and everyone worshiped the mother goddess. And some of these “scientific, atheist socialists” also believe the goddess actually exists, though G-d doesn’t.
David Friedman had a different formulation for the utopian world many progressives wish for the rest of us:
In the ideal socialist state power will not attract power freaks. People who make decisions will show no slightest bias towards their own interests. There will be no way for a clever man to bend the institutions to serve his own ends. And the rivers will run uphill.
May 14, 2020
Three reasons the Western allies fail to fully acknowledge the efforts of the Soviets in WW2
Arthur Chrenkoff suggests three major reasons for why many Russians and other Soviet-nostalgics feel the west is wrongly denying the Soviet Union full credit for the defeat of Nazi Germany:

Kombat (Russian: Комбат, lit. “battalion commander”) is a black-and-white photograph by the Soviet photographer Max Alpert. It depicts a Soviet military officer armed with a TT pistol who is raising his unit for an attack during World War II. This work is regarded as one of the most iconic Soviet World War II photographs, yet neither the date nor the subject is known with certainty. According to the most widely accepted version, the photograph depicts junior politruk (political officer) Aleksei Gordeyevich Yeryomenko, minutes before his death on 12 July 1942, in Voroshilovgrad Oblast, Ukraine.
Wikimedia Commons.
But while the Russian – or, more correctly, Soviet – role in defeating Hitler is beyond question and deserves wider attention and recognition, there are several reasons why the Western acknowledgement of the eastern front will always remain qualified and somewhat ambiguous.
Firstly, while Russia continues to variously deny, downplay or excuse the fact, the Soviet Union was the initial co-aggressor in World War Two and for the first two years a Nazi ally and collaborator. Stalin might have had legitimate realpolitik reasons for the Ribbentrop-Molotov pact, in effect sacrificing Europe to win more time to prepare for the inevitable war with Germany (nice in theory, the gambit in any case did not work out in practice), but the fact remains that in concert with Hitler, Stalin invaded Poland and was rewarded with its eastern half, subsequently also helping himself to Bessarbia, annexing the Baltic states and invading Finland. In turn, the fact that Hitler assured himself he would not be facing a war on two fronts, which doomed Germany in World War One, allowed him to successively snatch Poland, Norway, Denmark, the Netherlands, Belgium, France, Yugoslavia and Greece, giving Germany a complete dominance over the continental Europe from the Atlantic to the Bug river and the Arctic Circle to Crete. And while Great Britain stood alone against Germany for a year from mid-1940 to mid-1941, Soviet resources and produce kept flowing in, feeding and arming the Nazi monster. This makes Stalin’s subsequent anger over the Allied delay in launching the Second Front in the West quite hypocritical – where was the Second Front in the East while Luftwaffe was blitzing Britain and its troops were battling Italians and Rommel in north Africa?
Secondly, without in any way diminishing the German barbarity in the east, a significant proportion of the Soviet military and civilian casualties were unnecessary and resulted from the communist government’s complete and utter disregard for the lives and well-being of its subjects. Stalin fought the war as he fought the peace at home. The man who prior to 1941 had managed to send somewhere upwards of 15 million of his own people to an early grave, clearly wasn’t going to spare the long suffering population when faced with an external existential threat. The Soviet Union might not have (at least initially) had much else, but it certainly had people, and they were sacrificed in obscene numbers by the man in the Kremlin and his minions on the ground. For most of the war, several Red Army soldiers were dying for every one German, while obeying absurd orders to stand ground or frontally attack in total disregard for the local circumstances or for that matter any reasonable tactical and strategic consideration. When Eisenhower and Zhukov caught up some time later in the war and the conversation turned to the best method of clearing mine fields, the Russian astonished the Allied Commander-in-Chief when he nominated simply sending the infantry through as the easiest and the cheapest method. This wasn’t a joke either; it was the way the Red Army fought from the first days of Barbarossa all the way to Berlin, even though the eventual overwhelming material superiority did save many an Ivan’s life in the later stages of the conflict. Not enough, however, to wipe out the entire generation of men born in the mid-1920s.
Thirdly, while the Red Army did indeed end the brutal Nazi occupation of the Central and the Eastern Europe, it did not bring freedom in any meaningful sense of the word, except perhaps (in most cases) freedom from sudden death. Debates about similarities and differences between the two totalitarian systems will no doubt continue well into the future. Unquestionably, for an average Slav, the Soviet domination was a better option that the Nazi one. Nazis, by and large, considered Slavs to be subhuman (though making some allowances, often quite significant, for their Slavic allies, like the Slovaks, the Croats or the Bulgarians), fit only to be initially enslaved and eventually exterminated. This was the far deadlier and much more ideological continuation of Germany’s 1000-year “drang nach osten” or the “civilising” mission to expand into the fertile east. Particular hatred was reserved for the Poles, who stood as a barrier for most of that millennium, preventing the dream of lebensraum from being realised. Russia was a much more recent enemy, having overlaid its Slavic barbarity with a Bolshevik malignancy. Even the initial Nazi plans called for starving between 25-30 million Belorussians, Ukrainians and Russians in order to free up food and resources for Germany. Communists could be deadly too, of course, and both the Reds and the Blacks were fond of decimating the local elites and intelligencia, but the Soviets at least did not see their Slavic brethren as subhumans but as proletarian masses to be converted to the glories of Marxism-Leninism.
Be that as it may, the Soviet liberation did not bring liberty or independence to the people of Eastern Europe. That had to wait until 1989-91.
May 7, 2020
1947: From Dutch Boy to Murderer – 1st “Police Actions” | The Indonesian War of Independence Part 3
TimeGhost History
Published 6 May 2020The Dutch are desperate to regain control over their colony as the Lingadjatti Treaty failed to deliver. They launch a brutal military offensive which they mask as “police actions” in an attempt to satisfy the international community.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Isabel Wilson
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations:
Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
KlimbimResearch Sources: https://bit.ly/IndoSources
Visual Sources:
Nationaal Archief
Tropenmuseum, part of the National Museum of World Cultures
Archive by Screenocean/Reuters https://www.screenocean.com.Music:
“Last Point of Safe Return” – Fabien Tell
“Guilty Shadows 4” – Andreas Jamsheree
“Epic Adventure Theme 4” – Håkan Eriksson
“Symphony of the Cold-Blooded” – Christian Andersen
“Disciples of Sun Tzu” – Christian Andersen
“March Of The Brave 10” – Rannar Sillard – Test
“Remembrance” – Fabien Tell
“Moving to Disturbia” – Experia
“Deflection” – Reynard Seidel
“Heroes On Horses” – Gunnar Johnsén
“Not Safe Yet” – Gunnar Johnsen
“Ominous” – Philip Ayers
“Last Point of Safe Return” – Fabien Tell
“Epic Adventure Theme 4” – Håkan Eriksson
“Walk With Legends” – Bonnie Grace
“Epic Adventure Theme 4” – Håkan ErikssonA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
May 3, 2020
How To… Drink Tea in a Tank | The Tank Museum
The Tank Museum
Published 30 Apr 2020In the 1st episode of The Tank Museum’s brand new “How To” series, Wargaming’s Richard Cutland and historian James Holland explore how British tank crews managed to drink tea, while in a tank!
Download World of Tanks for free and claim your exclusive £15 starter kit: https://tanks.ly/2SiJPje
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Starter kit: Matilda Black Prince Tier V tank, 7 days of World of Tanks premium account & T-34-85M rental. Valid for new players only.Using a WW1, WW2 and modern tank from The Tank Museum’s collection, the duo will discover how tea was made while soldiers were at war.
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP & become a Friend: ► https://tankmuseumshop.org/Twitter: ► https://twitter.com/TankMuseum
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Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/
April 30, 2020
1946: Kill and Only Kill – Death to Colonialism | The Indonesian War of Independence Part 2
TimeGhost History
Published 29 Apr 2020The Indonesian War of Independence is heavily fuelled by the gangs of youngsters who go by the name of Pemuda. They engage in clandestine guerrilla fighting as their revolution takes a violent turn.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Isabel Wilson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson and Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations:
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…Research Sources: https://bit.ly/IndoSources
Sources:
Tropenmuseum part of the National Museum of World Cultures
Nationaal Archief
Imperial Wars Museum: SE7034; SE5663Music:
“Deviation In Time” – Johannes Bornlof
“Disciples of Sun Tzu” – Christian Andersen
“Epic Adventure Theme 4” – Håkan Eriksson
“Guilty Shadows 4” – Andreas Jamsheree
“Last Point of Safe Return” – Fabien Tell
“Magnificent March 3” – Johannes Bornlöf
“March Of The Brave 10” – Rannar Sillard
“The End Of The World 2” – Håkan Eriksson
“The Inspector 4” – Johannes Bornlöf
“The Unexplored” – Philip Ayers.
“Try and Catch Us Now” – David CelesteArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 day ago (edited)
For the research of this episode about Indonesian revolutionary culture in 1946, I mostly turned to the diaries and writings of those who were there. Reading the untouched experiences was so absorbing and allowed for writing a bottom-up narrative. Something that didn’t make it into the video was the work of Chairil Anwar, a poet who died young a few years after the War of Independence. Dwelling about the life and death of the individual during the revolution, his poetry defied Indonesia’s antagonists. In his poem “Notes for 1946”, he writes of how it felt to be among the young generation of Indonesia: “We – running dogs, hunting hounds – we get to see only a moment of this drama we play in.” I’d definitely recommend reading his work if you’re interested!
Cheers, Izzy.
April 23, 2020
1945: Japan Joins the Allies | The Indonesian War of Independence Part 1
TimeGhost History
Published 22 Apr 2020In Indonesia, following the end of the Second World War catalyses the end of brutal Japanese rule. Their exit prompts the Dutch to begin restoring their prewar colonial status over the archipelago. But nationalist spirits are brewing, their opportunity to proclaim Indonesian independence is transpiring.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Watch the Prologue to the Indonesian War of Independence series right here: https://youtu.be/IkKJSRaeOik
Hosted by: Indy Neidell
Written by: Isabel Wilson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson and Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek KaminskiColorizations:
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…Sources:
Archive by Screenocean/Reuters https://www.screenocean.com.
Tropenmuseum, part of the National Museum of World Cultures
Imperial War Museum Arts: Ronald Searle, SE5895 , SE-5865, SE5663, SE5724
RijksmuseumMusic:
“Deviation In Time” – Johannes Bornlof
“Last Point of Safe Return” – Fabien Tell
“Deflection” – Reynard Seidel
“Disciples of Sun Tzu” – Christian Andersen
“Split Decision” – Rannar Sillard
“Other Sides of Glory” – Fabien Tell
“Last Man Standing 3” – Johannes Bornlöf
“Magnificent March 3” – Johannes Bornlöf
“Deviation In Time” – Johannes BornlofA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 day ago (edited)
For the last decades, writing colonial histories on events such as the Indonesian War of Independence has been a difficult task. Due to the incriminating nature of the events, records were either never made or have been regularly “lost” since. Political interest in the events was minimal in both The Netherlands and Indonesia, but times are changing. In recent years, a lot more research power has been allocated to this topic by Dutch and Indonesian Universities and Research collectives. Finding colonial truths is a huge focus of academia right now and their work has allowed us to get real with colonialism in this series. We’re sure that even more sources and stories will surface in the coming years, allowing for more books and documentary such as ours to be made. We’re interested to hear what you think about this episode! Make sure to let us know in the comments!Cheers,
Izzy
April 21, 2020
Soviet 122mm D30 Cannon (Firing)
Forgotten Weapons
Published 4 Jan 2020http://www.patreon.com/ForgottenWeapons
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
The D30 is a Soviet 122mm multi-role gun introduced in the 1960s and still in use around the world today. It has a somewhat unusual 3-leg mount that is slower to set up than a standard trail, but allows for complete 360-degree rotation of the gun. The piece was designed for both indirect fire (maximum range 15.4km; more with rocket-assisted munitions) or direct anti-tank fire. Note that it came with an armor shield for the crew, which was left off the gun for this trip to the range.
Thanks to Battlefield Vegas for the chance to film this awesome cannon firing! It belongs to them, and will be set up at their facility for a pretty awesome rental firing experience if you are into that…
http://www.battlefieldvegas.com
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85704
April 16, 2020
Prologue: The Dutch Colonial Whip | The Indonesian War Of Independence
TimeGhost History
Published 15 Apr 2020This is the prologue to our five-part Indonesian War of Independence Miniseries. It sets the stage of brutal colonial repression, a growing sense of Indonesian Nationalism and ultimately the desire to be free.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by:
Spartacus Olsson and Joram Appel
Directed by: Astrid Deinhard
Produced by: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Isabel Wilson
Edited by: Wieke Kapteijns, Guido Becker
Sound design: Marek KamińskiColorizations by: Dememorabilia – https://www.instagram.com/dememorabilia/
Research Sources: https://bit.ly/IndoSources
Visual Sources:
Tropenmuseum, part of the National Museum of World Cultures
Wellcome ImagesIcons retrieved via The Nounproject: gold by Phạm Thanh Lộc, slaves by Salaidinovich, silver by Marie Van den Broeck, spice by ahmad, Opium Poppies by Matt Wasser.
Music:
“Disciples of Sun Tzu” – Christian Andersen
“Weapon of Choice” – Fabien Tell
“Guilty Shadows 4” – Andreas Jamsheree
“Road To Tibet 5” – Rannar Sillard
“Sailing for Gold” – Howard Harper-Barnes
“The Inspector 4” – Johannes Bornlöf
“The Dominion” – Bonnie Grace
“Heroes On Horses” – Gunnar Johnsén
“Not Safe Yet” – Gunnar JohnsenA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago (edited)
This is the prologue to our new ‘Indonesian War of Independence’ mini-series. Now, we initially only wanted to do five episodes, but episode one became double as long as we imagined, so we decided to cut the historical context out and put it in a prologue. These series are mainly written by Joram and Isabel, two historians from the Netherlands and the United Kingdom. Now, you might say that we are not in the best position to talk about European Imperialism because of that. However, as we’re both academically trained historians, we believe that we’re able to overcome any bias through the use of academic methods and peer-reviewed academic sources. If anyone is interested to take a look at our source-list, you can find it right here: https://bit.ly/IndoSourcesThese mini-series have been chosen out of a bigger selection by our TimeGhost Army. They fund almost our entire production – this would not exist without them. Become one of them to choose future series and to support the creation of content just like this! You can do that at patreon.com/timeghosthistory or https://timeghost.tv.
Cheers,
Joram
April 4, 2020
“Into The Fire” – The Vietnam War – Sabaton History 061 [Official]
Sabaton History
Published 3 Apr 2020During the height of the Cold War, weapons ran hot in the jungles of Vietnam. Combat along the overgrown trails, the wide open fields of rice-paddies or the marshes of the Mekong Delta, was not only exhausting and relentless, but also the place where many of the old doctrines of warfare did no longer apply. The western coalition had to face the elusive guerilla methods of the North Vietnamese forces, who prepared ambushes and traps along the marching routes. The eerie quietness of the jungle was all too often broken by a sudden explosion of violence as troops marched right into the fire.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
We would like to thank the World of Tanks team for their contribution and help with the video filming. If you’re not yet a World of Tanks player, join the game and get your hands on cool in-game stuff for free via the link: https://redir.wargaming.net/w7fwclmx/…
Listen to “Into the Fire” on the album Primo Victoria:
CD: http://bit.ly/PrimoVictoriaStore
Spotify: http://bit.ly/PrimoVictoriaSpotify
Apple Music: http://bit.ly/PrimoVictoriaAppleMusic
iTunes: http://bit.ly/PrimoVictoriaiTunes
Amazon: http://bit.ly/PrimoVictoriaAmzn
Google Play: http://bit.ly/PrimoVictoriaGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.















