Forgotten Weapons
Published 13 May 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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During World War Two, Canada supplied some 73,000 Sten guns (made by the Long Branch arsenal) to Chinese Nationalist forces in an effort to help them fight the Japanese. These Stens were standard MkII pattern guns, chambered for the 9x19mm Parabellum cartridge. However, many of these were eventually converted to 7.62mm Tokarev ammunition, especially after the victory of the Communist forces over the Nationalists. The conversion involved a new barrel and new magazine and magazine well. The 7.62mm barrels were typically longer than the original ones, and the magazine of choice was that of the PPS-43. Some were done by installed a magazine adapter into the original magazine well, and some (like this one) were done by cutting off the original magazine well and replacing it with a new one. In addition, some Sten guns were made domestically in China, both in 9mm and 7.62mm. The 7.62mm Tokarev cartridge was popular both from Russian pistols and submachine guns and also from China’s long military use of the dimensionally-identical 7.63mm Mauser cartridge in C96 pistols.
Many thanks to the Royal Armouries for allowing me to film and disassemble this interesting submachine gun! The NFC collection there — perhaps the best military small arms collection in Western Europe — is available by appointment to researchers:
https://royalarmouries.org/research/n…
You can browse the various Armouries collections online here:
https://royalarmouries.org/collection/
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
September 5, 2020
Chinese 7.62mm Sten Gun
September 4, 2020
“The Final Solution” – The Holocaust – Sabaton History 083 [Official]
Sabaton History
Published 3 Sep 2020Since Adolf Hitler’s rise to power, the Jews of Germany had suffered years of harsh anti-Jewish policies, harassment and public humiliation. The Nazis wanted the Jews to never feel safe or welcome again. With the Third Reich’s expansion and the start of the Second World War, more and more European Jews fell victim to persecution, ghettoisation and violence. It was hard to imagine that the crimes against them could get any worse. But by December 1941, the Nazis began preparing for a “Final Solution of the Jewish question”.
It aimed at nothing less than the extermination of all Jewish life in Europe.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “The Final Solution” on the album Coat Of Arms:
https://music.sabaton.net/CoatOfArmsListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comSources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-B04489, Bild_183-B04491, Bild_152-23-07A, Bild_101I-134-0782-24, Bild_183-E13871, Bild_101I-134-0769-33
– Yad Vashem: 139BO1, 1554_1, 1427_85, 1605_1722, 12CO9, 1552/34
– Imperial War Museum: HU 51692, HU 51689All music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
September 2, 2020
Hitler’s Hangman and Himmler’s Protégé – Reinhard Heydrich – WW2 Biography Special
World War Two
Published 1 Sep 2020After being taken in by Himmler as a sort of apprentice, Reinhard Heydrich rapidly climbed the Nazi political hierarchy. With the outbreak of World War Two, he expands his political power by ruthlessly carrying out political repression on the home front and genocidal racial policies of the Third Reich.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources
Written by: Francis van Berkel
Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Wolfgang Seitz and Ian Sowden
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Spartacus Olsson
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Visual Sources:
Bundesarchive
Yad Vashem: 153DO9, 1014/3/42, 4613/360, 48AO4, 2798/2, 1068/17, 3521/134, 3AO1, 1014 5 52, 5138/98, 3227 27, 1014/5/54, 112GO7, 75EO4, 07 1941, 4613_982, 1605/1431, 4613/1055
Riksarkivet: Fo30141711030060
Narodowe Archiwum Cyfrowe
National Archives NARA
Icon from The Noun Project: carlotta zampini
pellethepoet from filckr.jpgMusic:
“Last Point of Safe Return” – Fabien Tell
“March Of The Brave 10” – Rannar Sillard
“Not Safe Yet” – Gunnar Johnsen
“Moving to Disturbia” – Experia
“Easy Target” – Rannar Sillard
“Deflection” – Reynard Seidel
“Please Hear Me Out”- Philip Ayers
“Last Minute Reaction” – Phoenix Tail
“Never Forget” – Fabien Tell
“Other Sides of Glory” – Fabien Tell
“Split Decision” – Rannar SillardArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
September 1, 2020
“John from America” and the South Pacific cargo cults
Steven W. Aunan responds to Vicky Osterweil’s recent book on the joy of looting (which was clearly informed by her almost total innocence of any economic understanding) and also tells the story of the perhaps mythical “John from America” and the cargo cults of islanders in the South Pacific during and after World War II:
In 1940, or so goes the myth, a man who identified himself as “John from America” appeared in a native village in the New Hebrides Islands with a message: Rebel against the colonizers, their missions, their schools, their laws, and John would reward them with free housing, clothing, food, and transportation.
The result was the “John Frum Cargo Cult” that persists to this day in the modern-day South Pacific nation of Vanuatu.
Frum’s message was remarkably similar to Vicky Osterweil’s message: rebel against settler domination, against the history of whiteness, and someone will reward you with all the free stuff you need.
Like Osterweil’s chaotic myth of impossibly contradictory Marxist worlds, we can’t be sure who the mythical John Frum was, how or when he arrived, whether he was a man or a spirit-being, if he lived in the U.S. or in the island’s active volcano, or if he first appeared as a tiger on an island where no tigers live, as a black man with a moustache, or as a white man who magically spoke the native language.
You can pick your own truth about Frum, because Marxists will tell you it’s no better than anyone else’s truth.
And, like every other false promise spoken by the fork-tongued followers of the dead white male devil Karl Marx, John Frum brought with him a vision of the future in which the old social order is violently dismantled, a new world is born, and the people emerge with material wealth, happiness, hope, and success.
After Frum left the islands, large numbers of Americans in their flying machines immediately and miraculously followed, building military airstrips and bringing in enormous quantities of cargo. Everything came to pass just as John Frum had promised.
The residents of the islands, of course, did not understand modern manufacturing or transportation, or that World War II was underway. The cargo simply arrived at the airstrip in the jungle, apparently by magic.
Kind of like the Target stores around the country that are repeatedly looted only to be magically restocked by the invisible hand of an invisible genius named John Galt.
August 30, 2020
August 29, 2020
August 26, 2020
“Your Strict Thesis is not Correct!” – WW2 – Reading Comments
World War Two
Published 25 Aug 2020Indy and Sparty are back again for “Across the Airwaves”, where we look at interesting and unique comments from our videos and forums. In this episode, we will look at foreign volunteers in the SS, and the Polish experience in World War Two.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell & Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Maps: Eastory (https://www.youtube.com/c/eastory) & Karolina DołęgaColorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…Visual Sources:
Imperial War Museums: KID1265, STT 4459, 009752., D26726, D26731
Bundesarchive
Auschwitz Memorial and Museum
Icons from The Noun Project by: Icon Lauk, iconixar, Evgeni Moryakov, Panzano, Adrien Coquet, Eucalyp, Eris Natansa, Gan Khoon Lay, sumirna, priyanka & DanishiconMusic:
“The Inspector 4” – Johannes Bornlöf
“Remembrance” – Fabien Tell
“Superior” – Silver Maple
“Rush of Blood” – Reynard Seidel
“London” – Howard Harper-Barnes
“Never Forget” – Fabien Tell
“Guilty Shadows 4” – Andreas JamshereeArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Sir Anthony Blunt, the “Fourth Man”
In The Critic, David Herman reviews a new book on the unmasking of Soviet spy … and close associate of the Royal family, Sir Anthony Blunt by Prime Minister Margaret Thatcher in 1979:
In November 1979, the newly elected Prime Minister, Margaret Thatcher, named Professor Sir Anthony Blunt, one of the most distinguished art historians in post-war Britain, as the “Fourth Man”, one of the traitors known as the “Cambridge Spies”, a group of spies working for the Soviet Union from the 1930s to at least the early 1950s. Mrs. Thatcher did not pull her punches. She regarded Blunt’s behaviour as “contemptible and repugnant”, and she was appalled by the evidence of treason and treachery at the heart of the British establishment.
What set Blunt apart from the others – Guy Burgess, Donald Maclean and Kim Philby – was his distinguished academic career. Blunt was professor of art history at the University of London, director of the Courtauld Institute of Art and Surveyor of the Queen’s Pictures. He was related to the Queen Mother. His students included such famous figures as Anita Brookner, Sir Nicholas Serota, Sir Neil Macgregor and Sir Alan Bowness. He also passed 1,771 documents to his Soviet spymasters during the war while working for MI5. For some of this time, the Soviet Union was a foreign enemy, allied to Nazi Germany.
The mix of homosexuality, 1930s Cambridge and treason, the scholar and the spy, made a compelling story and Blunt has been the subject of a famous essay in The New Yorker by George Steiner (“The Cleric of Treason”, 8 December, 1980), plays by Dennis Potter (Blade on the Feather, 1980), Alan Bennett (A Question of Attribution, 1988) and a novel by John Banville (The Untouchable, 1997). More recently, he has turned up in the third season of The Crown (2019), played by Samuel West. Had Alex Jennings not already played the Duke of Windsor in earlier series of The Crown, he would have been perfect casting.
After Mrs. Thatcher’s revelations in the House of Commons, Blunt was immediately stripped of his knighthood and he was subsequently forced to resign his Honorary Fellowship at Trinity College, Cambridge. The University of London, however, did not take away his Emeritus Professorship and the French government did not strip him of his Legion of Honour. There could be no criminal proceedings against Blunt because in 1964 he had only admitted his guilt in exchange for guaranteed immunity for any subsequent prosecution for the rest of his life.
The question then arose how should the British Academy respond? Blunt had been a Fellow for almost twenty years. He had served as a Vice-President and was talked of as a possible future President.
Almost immediately lines were drawn and leading figures like the historians John H. Plumb and A.J.P. Taylor threatened to resign from the Academy. It was a spectacular bunfight and the press had a wonderful time.
August 23, 2020
August 21, 2020
British Deserters, Sword Fights, and Poison Gas – WW2 – OOTF 016
World War Two
Published 20 Aug 2020What happened to deserters in the British Army? Did Chinese and Japanese troops ever engage in sword to sword combat? Why didn’t Germany use poison gas on the battlefield? Find out the answers to all these questions in today’s Out of the Foxholes!
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Jakub Janiec
Sound design: Marek KamińskiColorizations:
Mikołaj UchmanVisual Sources:
Imperial War Museums: HU 762498, Q 79508, El Alamein 1942, E 18542, B5114, MH 26392, F2845,
Library of Congress
Antoine from Flickr.com
National Archives NARA
Bundesarchive
Narodowe Archiwum Cyfrowe
The icons from Noun Project by: Milinda Courey, Arthur Shlain, Delwar Hossain, ahmad, Muhamad Ulum, Rooty, Simon Child, carlotta zampini, Wonmo Kang, Vectors Point, EucalypMusic:
“Break Free” – Fabien Tell
“Ancient Saga” – Max Anson
“Defeated” – Wendel SchererArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
“Uprising” Pt. 2 – The Liberation of Paris 1944 – Sabaton History 081 [Official]
Sabaton History
Posted 20 Aug 2020Mid-August 1944. The battle for France enters its decisive phase. With the Allied spearheads just 100 km away from Paris, the Résistance prepares for its long-awaited uprising. While collaborators and fascist officials flee the city in panic, many insurgents are eager to immediately rise up against the occupation and fight the Germans in the streets. But there is need for caution. The Germans are still there in force, and they have tanks and machine guns. The fear that this might turn into “another Warsaw” if the Allies don’t show up in time is very real.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Uprising” on the album Coat Of Arms:
https://music.sabaton.net/CoatOfArmsWatch the Official Music Video of “Uprising”:
https://www.youtube.com/watch?v=01IaK…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard, and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Archive by: Reuters/Screenocean https://www.screenocean.com
Community Manager: Maria Kyhle
All music by SabatonSources:
– Imperial War Museum: B 9298
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-027-1477-16, Bild_183-2008-0710-500, Bild_183-2003-1112-500
– lubini from freesound.orgAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
August 19, 2020
Dieppe 1942 – Slaughter on the Shingle
Mark Felton Productions
Published 14 Mar 2020Find out how and why the Dieppe Raid was launched in 1942 and why is went so disastrously wrong.
Visit my new audio book channel ‘War Stories with Mark Felton’: https://youtu.be/xszsAzbHcPE
Help support my channel:
https://www.paypal.me/markfeltonprodu…
https://www.patreon.com/markfeltonpro…Disclaimer: All opinions and comments expressed in the ‘Comments’ section do not reflect the opinions of Mark Felton Productions. All opinions and comments should contribute to the dialogue. Mark Felton Productions does not condone written attacks, insults, racism, sexism, extremism, violence or otherwise questionable comments or material in the ‘Comments’ section, and reserves the right to delete any comment violating this rule or to block any poster from the channel.
Credits: YouTube Creative Commons; WikiCommons; Google Commons; Mark Felton Productions
August 16, 2020
Surviving the surrender of Japan as allied Prisoners of War
Seventy-five years ago, the war in the Pacific had ended with the surrender of Japanese imperial forces after the atomic bombing attacks at Hiroshima and Nagasaki. The war may have technically ended, but there was still plenty of danger for the surviving POWs in various camps around the Japanese home islands. George MacDonnell was a Canadian soldier who had been captured in the fall of Hong Kong early in the Japanese swathe of conquest that engulfed so many areas. He had been held as a slave labourer at a prison camp in the mountains of northern Honshu in Iwate Prefecture. In Quillette, he tells how his captivity came to an end:
It was noon on August 15th, 1945. The Japanese Emperor had just announced to his people that his country had surrendered unconditionally to the Allied Powers.
To those of us being held at Ohashi Prison Camp in the mountains of northern Japan, where we’d been prisoners of war performing forced labour at a local iron mine, this meant freedom. But freedom didn’t necessarily equate to safety. The camp’s 395 POWs, about half of them Canadians, were still under the effective control of Japanese troops. And so we began negotiating with them about what would happen next.
Complicating the negotiations was the Japanese military code of Bushido, which required an officer to die fighting or commit suicide (seppuku) rather than accept defeat. We also knew that the camp commander — First Lieutenant Yoshida Zenkichi — had written orders to kill his prisoners “by any means at his disposal” if their rescue seemed imminent. We also knew that we could all easily be deposited in a local mine shaft and then buried under thousands of tons of rock for all eternity without a trace.
We had no way of notifying Allied military commanders (who still hadn’t landed in Japan) as to the location of the camp (about a hundred miles north of Sendai, in a mountainous area near Honshu’s eastern coast), whose existence was then unknown. Because of the devastating American bombing, Japan’s cities had been reduced to rubble, its institutions were in chaos, and millions of Japanese were themselves close to starvation, much like us. The camp itself had food supplies, such as they were, for just three days.
Lieut. Zenkichi seemed angry, and felt humiliated by the surrender. Yet he appeared willing to negotiate our status. And after some stressful hours, we reached an agreement: The Japanese guards would be dismissed from the camp, while a detachment of Kenpeitai (the much feared Military Police) would provide security for Zenkichi, who would confine himself to his office.
To our delight, the local Japanese farmers were friendly, and agreed to give us food in exchange for some of the items we’d managed to loot from the camp’s remaining inventory — though, unfortunately, not enough to feed the camp. Meanwhile, through a secret radio we’d been operating, we learned that the Americans were going to conduct an aerial grid search of Japan’s islands for prison camps. We followed the broadcasted instructions and immediately painted “P.O.W.” in eight-foot-high white letters on the roof of the biggest hut.
Two days later, with all of our food gone, we heard a murmur from the direction of the ocean. The sound turned into the throb of a single-engine airplane flying at about 3,000 feet altitude. Then, suddenly he was above us — a little blue fighter with the white stars of the US Navy painted on its wings and fuselage. But the engine noise began to fade as he went right past us. Please, God, I thought — let him see our camp.