Quotulatiousness

September 5, 2020

Chinese 7.62mm Sten Gun

Filed under: Cancon, China, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 13 May 2020

http://www.patreon.com/ForgottenWeapons

https://www.floatplane.com/channel/Fo…

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

During World War Two, Canada supplied some 73,000 Sten guns (made by the Long Branch arsenal) to Chinese Nationalist forces in an effort to help them fight the Japanese. These Stens were standard MkII pattern guns, chambered for the 9x19mm Parabellum cartridge. However, many of these were eventually converted to 7.62mm Tokarev ammunition, especially after the victory of the Communist forces over the Nationalists. The conversion involved a new barrel and new magazine and magazine well. The 7.62mm barrels were typically longer than the original ones, and the magazine of choice was that of the PPS-43. Some were done by installed a magazine adapter into the original magazine well, and some (like this one) were done by cutting off the original magazine well and replacing it with a new one. In addition, some Sten guns were made domestically in China, both in 9mm and 7.62mm. The 7.62mm Tokarev cartridge was popular both from Russian pistols and submachine guns and also from China’s long military use of the dimensionally-identical 7.63mm Mauser cartridge in C96 pistols.

Many thanks to the Royal Armouries for allowing me to film and disassemble this interesting submachine gun! The NFC collection there — perhaps the best military small arms collection in Western Europe — is available by appointment to researchers:

https://royalarmouries.org/research/n…

You can browse the various Armouries collections online here:

https://royalarmouries.org/collection/

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

September 4, 2020

The ϟϟ and Wehrmacht Murder Inc. – War Against Humanity 017 – August 1941, Part 2

Filed under: Europe, Germany, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 06:00

World War Two
Published 3 Sep 2020

Fegelein’s and Himmler’s actions to ‘comb’ the Pripet Marshes for Jews continues. The largest mass-murder yet is committed in Kamianets-Podilskyi, while new methods to commit genocide on an industrial scale are being devised.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Norman Stewart – https://oldtimesincolor.blogspot.com/
Spartacus Olsson
Mikolaj Uchman
Klimbim – https://www.flickr.com/photos/2215569…

Sources:
Bundesarchiv
Yad Vashem 4220/2, 9292/17, 1570, 4248/20, 953, 4788/72, 75EO4, 3150/122, 48AO4, 4220/3, 10470/23, 4572/3, 4613/1055, 7283/146, 5705/48, 4216/18, 94DO1, 90FO3, 4613/625
National Parliament Library of Georgia
Bildersammlung des Bistumsarchivs Münster, des Erbnehmers der Urheberrechte
USHMM
Corpses of Auschwitz prisoners in block 11 (Auschwitz I) February 1945, USHMM, courtesy of Instytut Pamięci Narodowej
Lithuanian militia force Jewish women to undress before execution in the Pajuoste Forest 1941-1942, USHMM, courtesy of Saulius Berzinis
www.auschwitz.org
Bletchley Park Trust
Narodowe Archiwum Cyfrowe
From the Noun Project: Skull by Muhamad Ulum from the Noun Project

Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Andreas Jamsheree – “Guilty Shadows 4”
Farell Wooten – “Blunt Object”
Fabien Tell – “Last Point of Safe Return”
Skrya – “First Responders”
Wendel Scherer – “Growing Doubt”
Jon Bjork – “For the Many”
Gunnar Johnsen – “Not Safe Yet”
Cobby Costa – “Flight Path”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

“The Final Solution” – The Holocaust – Sabaton History 083 [Official]

Filed under: Europe, Germany, History, Media, Military, WW2 — Tags: , , , , — Nicholas @ 04:00

Sabaton History
Published 3 Sep 2020

Since Adolf Hitler’s rise to power, the Jews of Germany had suffered years of harsh anti-Jewish policies, harassment and public humiliation. The Nazis wanted the Jews to never feel safe or welcome again. With the Third Reich’s expansion and the start of the Second World War, more and more European Jews fell victim to persecution, ghettoisation and violence. It was hard to imagine that the crimes against them could get any worse. But by December 1941, the Nazis began preparing for a “Final Solution of the Jewish question”.

It aimed at nothing less than the extermination of all Jewish life in Europe.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “The Final Solution” on the album Coat Of Arms:
https://music.sabaton.net/CoatOfArms

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.com

Sources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-B04489, Bild_183-B04491, Bild_152-23-07A, Bild_101I-134-0782-24, Bild_183-E13871, Bild_101I-134-0769-33
– Yad Vashem: 139BO1, 1554_1, 1427_85, 1605_1722, 12CO9, 1552/34
– Imperial War Museum: HU 51692, HU 51689

All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

September 2, 2020

Hitler’s Hangman and Himmler’s Protégé – Reinhard Heydrich – WW2 Biography Special

Filed under: Germany, History, Military, WW2 — Tags: , , , , , , — Nicholas @ 06:00

World War Two
Published 1 Sep 2020

After being taken in by Himmler as a sort of apprentice, Reinhard Heydrich rapidly climbed the Nazi political hierarchy. With the outbreak of World War Two, he expands his political power by ruthlessly carrying out political repression on the home front and genocidal racial policies of the Third Reich.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources
Written by: Francis van Berkel
Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Wolfgang Seitz and Ian Sowden
Edited by: Karolina Dołęga
Sound design: Marek Kamiński

Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Spartacus Olsson
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…

Visual Sources:
Bundesarchive
Yad Vashem: 153DO9, 1014/3/42, 4613/360, 48AO4, 2798/2, 1068/17, 3521/134, 3AO1, 1014 5 52, 5138/98, 3227 27, 1014/5/54, 112GO7, 75EO4, 07 1941, 4613_982, 1605/1431, 4613/1055
Riksarkivet: Fo30141711030060
Narodowe Archiwum Cyfrowe
National Archives NARA
Icon from The Noun Project: carlotta zampini
pellethepoet from filckr.jpg

Music:
“Last Point of Safe Return” – Fabien Tell
“March Of The Brave 10” – Rannar Sillard
“Not Safe Yet” – Gunnar Johnsen
“Moving to Disturbia” – Experia
“Easy Target” – Rannar Sillard
“Deflection” – Reynard Seidel
“Please Hear Me Out”- Philip Ayers
“Last Minute Reaction” – Phoenix Tail
“Never Forget” – Fabien Tell
“Other Sides of Glory” – Fabien Tell
“Split Decision” – Rannar Sillard

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

September 1, 2020

“John from America” and the South Pacific cargo cults

Filed under: Books, Economics, History, Pacific, Religion, WW2 — Tags: , , , , — Nicholas @ 03:00

Steven W. Aunan responds to Vicky Osterweil’s recent book on the joy of looting (which was clearly informed by her almost total innocence of any economic understanding) and also tells the story of the perhaps mythical “John from America” and the cargo cults of islanders in the South Pacific during and after World War II:

Ceremonial cross of John Frum cargo cult, Tanna island, New Hebrides (now Vanuatu), 1967.
Photo by Tim Ross via Wikimedia Commons.

In 1940, or so goes the myth, a man who identified himself as “John from America” appeared in a native village in the New Hebrides Islands with a message: Rebel against the colonizers, their missions, their schools, their laws, and John would reward them with free housing, clothing, food, and transportation.

The result was the “John Frum Cargo Cult” that persists to this day in the modern-day South Pacific nation of Vanuatu.

Frum’s message was remarkably similar to Vicky Osterweil’s message: rebel against settler domination, against the history of whiteness, and someone will reward you with all the free stuff you need.

Like Osterweil’s chaotic myth of impossibly contradictory Marxist worlds, we can’t be sure who the mythical John Frum was, how or when he arrived, whether he was a man or a spirit-being, if he lived in the U.S. or in the island’s active volcano, or if he first appeared as a tiger on an island where no tigers live, as a black man with a moustache, or as a white man who magically spoke the native language.

You can pick your own truth about Frum, because Marxists will tell you it’s no better than anyone else’s truth.

And, like every other false promise spoken by the fork-tongued followers of the dead white male devil Karl Marx, John Frum brought with him a vision of the future in which the old social order is violently dismantled, a new world is born, and the people emerge with material wealth, happiness, hope, and success.

After Frum left the islands, large numbers of Americans in their flying machines immediately and miraculously followed, building military airstrips and bringing in enormous quantities of cargo. Everything came to pass just as John Frum had promised.

The residents of the islands, of course, did not understand modern manufacturing or transportation, or that World War II was underway. The cargo simply arrived at the airstrip in the jungle, apparently by magic.

Kind of like the Target stores around the country that are repeatedly looted only to be magically restocked by the invisible hand of an invisible genius named John Galt.

August 30, 2020

The Allies Invade Iran, Barbarossa Continues – WW2 – 105 – August 29, 1941

World War Two
Published 29 Aug 2020

The British and Soviets work together invade Iran, while Barbarossa trudges ever on, with heavy losses. Bletchley Park intercepts German messages, and unease grows among the German public.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv
Check out our TimeGhost History YouTube Channel: https://www.youtube.com/c/timeghost?s…

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Adrien Fillon – https://www.instagram.com/adrien.colo…
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/

Sources:
– National Portrait Gallery
– Mil.ru
– Narodowe Archiwum Cyfrowe
– Yad Vashem: 1249_67, 1249_4, 4613_1055, 57_15, 7271_40a

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

August 29, 2020

Extermination Now! – War Against Humanity 016 – August 1941, Part 01

World War Two
Published 28 Aug 2020

Not all plans for Operation Barbarossa are as successful as hoped. In August 1941, Adolf Hitler and Heinrich Himmler push forward their plans to wage war on all Jews, unleashing the Einzatsgruppen and the SS Cavalry Brigade of Hermann Fegelein on the Jewish people of Eastern Europe.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Spartacus Olsson
Norman Stewart – https://oldtimesincolor.blogspot.com/
Mikolaj Uchman
Cassowary Colorizations – https://www.flickr.com/photos/cassowa…
Klimbim – https://www.flickr.com/photos/2215569…
Tzo15 – https://commons.wikimedia.org/wiki/Fi…

Sources:
Yad Vashem 4788/72, 5648/39, 139BO1, 2725/8, 5138/98, 4220/2, 48AO4, 4272/10, 75EO4, 2725/7, 2798/2, 4147/65, 48AO5, 3745/143, 3955/365, 1907/4, 3745/140, 3521/134
USHMM
Narodowe Archiwum Cyfrowe
Bundesarchiv
From the Noun Project: people by ProSymbols, Skull by Muhamad Ulum, Woman and boy by Studio Het Mes

Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johan Hynynen – “Dark Beginning”
Skrya – “First Responders”
Farrell Wooten – “Blun Object”
Fabien Tell – “Last Point of Safe Return”
Gunnar Johnsen – “Not Safe Yet”
Philip Ayers – “Under the Dome”
Cobby Costa – “From the Past”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

August 26, 2020

“Your Strict Thesis is not Correct!” – WW2 – Reading Comments

Filed under: Europe, Germany, History, Military, Russia, Weapons, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 25 Aug 2020

Indy and Sparty are back again for “Across the Airwaves”, where we look at interesting and unique comments from our videos and forums. In this episode, we will look at foreign volunteers in the SS, and the Polish experience in World War Two.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell & Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Maps: Eastory (https://www.youtube.com/c/eastory) & Karolina Dołęga

Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…

Visual Sources:
Imperial War Museums: KID1265, STT 4459, 009752., D26726, D26731
Bundesarchive
Auschwitz Memorial and Museum
Icons from The Noun Project by: Icon Lauk, iconixar, Evgeni Moryakov, Panzano, Adrien Coquet, Eucalyp, Eris Natansa, Gan Khoon Lay, sumirna, priyanka & Danishicon

Music:
“The Inspector 4” – Johannes Bornlöf
“Remembrance” – Fabien Tell
“Superior” – Silver Maple
“Rush of Blood” – Reynard Seidel
“London” – Howard Harper-Barnes
“Never Forget” – Fabien Tell
“Guilty Shadows 4” – Andreas Jamsheree

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Sir Anthony Blunt, the “Fourth Man”

Filed under: Britain, History, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 03:00

In The Critic, David Herman reviews a new book on the unmasking of Soviet spy … and close associate of the Royal family, Sir Anthony Blunt by Prime Minister Margaret Thatcher in 1979:

Anthony Blunt (1907-1983), was the “Fourth Man” in the Cambridge spy ring that supplied the Soviets with secret documents from within Britain’s WW2 intelligence services.

In November 1979, the newly elected Prime Minister, Margaret Thatcher, named Professor Sir Anthony Blunt, one of the most distinguished art historians in post-war Britain, as the “Fourth Man”, one of the traitors known as the “Cambridge Spies”, a group of spies working for the Soviet Union from the 1930s to at least the early 1950s. Mrs. Thatcher did not pull her punches. She regarded Blunt’s behaviour as “contemptible and repugnant”, and she was appalled by the evidence of treason and treachery at the heart of the British establishment.

What set Blunt apart from the others – Guy Burgess, Donald Maclean and Kim Philby – was his distinguished academic career. Blunt was professor of art history at the University of London, director of the Courtauld Institute of Art and Surveyor of the Queen’s Pictures. He was related to the Queen Mother. His students included such famous figures as Anita Brookner, Sir Nicholas Serota, Sir Neil Macgregor and Sir Alan Bowness. He also passed 1,771 documents to his Soviet spymasters during the war while working for MI5. For some of this time, the Soviet Union was a foreign enemy, allied to Nazi Germany.

The mix of homosexuality, 1930s Cambridge and treason, the scholar and the spy, made a compelling story and Blunt has been the subject of a famous essay in The New Yorker by George Steiner (“The Cleric of Treason”, 8 December, 1980), plays by Dennis Potter (Blade on the Feather, 1980), Alan Bennett (A Question of Attribution, 1988) and a novel by John Banville (The Untouchable, 1997). More recently, he has turned up in the third season of The Crown (2019), played by Samuel West. Had Alex Jennings not already played the Duke of Windsor in earlier series of The Crown, he would have been perfect casting.

After Mrs. Thatcher’s revelations in the House of Commons, Blunt was immediately stripped of his knighthood and he was subsequently forced to resign his Honorary Fellowship at Trinity College, Cambridge. The University of London, however, did not take away his Emeritus Professorship and the French government did not strip him of his Legion of Honour. There could be no criminal proceedings against Blunt because in 1964 he had only admitted his guilt in exchange for guaranteed immunity for any subsequent prosecution for the rest of his life.

The question then arose how should the British Academy respond? Blunt had been a Fellow for almost twenty years. He had served as a Vice-President and was talked of as a possible future President.

Almost immediately lines were drawn and leading figures like the historians John H. Plumb and A.J.P. Taylor threatened to resign from the Academy. It was a spectacular bunfight and the press had a wonderful time.

August 23, 2020

“There are no Soviet Prisoners of War, only Traitors” – WW2 – 104 – August 22, 1941

Filed under: Germany, History, Military, Russia, WW2 — Tags: , , , , , , — Nicholas @ 04:00

World War Two
Published 22 Aug 2020

Josef Stalin is forming new armies to fight off the German onslaught, and yet it continues gaining ground both in the north and in the south. He also issues Draconian orders to the Red Army concerning any form of surrender.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv
Check out our TimeGhost History YouTube Channel: https://www.youtube.com/c/timeghost?s…

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Cassowary Colorizations – https://www.cassowarycolor.com/

Sources:
– Imperial War Museum: E 5057
– Bundesarchiv, CC-BY-SA 3.0: Bild_101III-Alber-096-34, Bild_101I-136-0877-08

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
3 days ago (edited)
Orders, orders and more orders this week as both Stalin and Hitler try and get hold of the vast and chaotic situation along the battlefront, but nefarious war crimes and atrocities continue to lurk in the background. We cover the humanitarian crisis created both deliberately and by collateral effects that the war has on the world population in our War Against Humanity series that is now coming out every second week to keep up with the increasing pace of terror. To get the full experience of the chronological developments, follow those formats too:

WW2 Day by Day on Instagram: https://www.instagram.com/world_war_two_realtime/

War Against Humanity playlist: https://www.youtube.com/playlist?list=PLsIk0qF0R1j4cwI-ZuDoBLxVEV3egWKoM

August 21, 2020

British Deserters, Sword Fights, and Poison Gas – WW2 – OOTF 016

Filed under: Britain, China, Germany, History, Japan, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 06:00

World War Two
Published 20 Aug 2020

What happened to deserters in the British Army? Did Chinese and Japanese troops ever engage in sword to sword combat? Why didn’t Germany use poison gas on the battlefield? Find out the answers to all these questions in today’s Out of the Foxholes!

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Jakub Janiec
Sound design: Marek Kamiński

Colorizations:
Mikołaj Uchman

Visual Sources:
Imperial War Museums: HU 762498, Q 79508, El Alamein 1942, E 18542, B5114, MH 26392, F2845,
Library of Congress
Antoine from Flickr.com
National Archives NARA
Bundesarchive
Narodowe Archiwum Cyfrowe
The icons from Noun Project by: Milinda Courey, Arthur Shlain, Delwar Hossain, ahmad, Muhamad Ulum, Rooty, Simon Child, carlotta zampini, Wonmo Kang, Vectors Point, Eucalyp

Music:
“Break Free” – Fabien Tell
“Ancient Saga” – Max Anson
“Defeated” – Wendel Scherer

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

“Uprising” Pt. 2 – The Liberation of Paris 1944 – Sabaton History 081 [Official]

Filed under: France, Germany, History, Media, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

Sabaton History
Posted 20 Aug 2020

Mid-August 1944. The battle for France enters its decisive phase. With the Allied spearheads just 100 km away from Paris, the Résistance prepares for its long-awaited uprising. While collaborators and fascist officials flee the city in panic, many insurgents are eager to immediately rise up against the occupation and fight the Germans in the streets. But there is need for caution. The Germans are still there in force, and they have tanks and machine guns. The fear that this might turn into “another Warsaw” if the Allies don’t show up in time is very real.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Uprising” on the album Coat Of Arms:
https://music.sabaton.net/CoatOfArms

Watch the Official Music Video of “Uprising”:
https://www.youtube.com/watch?v=01IaK…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard, and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Archive by: Reuters/Screenocean https://www.screenocean.com
Community Manager: Maria Kyhle
All music by Sabaton

Sources:
– Imperial War Museum: B 9298
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-027-1477-16, Bild_183-2008-0710-500, Bild_183-2003-1112-500
– lubini from freesound.org

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

August 19, 2020

The Luftwaffe and Barbarossa, Part II – No Longer Masters of the Sky – WW2 Special

Filed under: Germany, History, Military, Russia, WW2 — Tags: , , , , , , — Nicholas @ 04:00

World War Two
Published 18 Aug 2020

As Barbarossa unfolds and the Germans take ever more Soviet territory, they have ever fewer planes with which to fly over it. What does this mean for the forces on the ground? What does this mean for their other theaters of war?

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Cassowary – https://www.flickr.com/photos/cassowa…
Norman Stewart – https://oldtimesincolor.blogspot.com/
Election1960 https://commons.wikimedia.org/wiki/Ca…

Sources:
Bundesarchiv
Stuka by Kaboldy https://commons.wikimedia.org/wiki/Fi…
from the Noun Project: Bomb by A184, explosion by Nico Tzogalis, Deteriorated building by Tokka Elkholy, Skull by Muhamad Ulum, Air Crash by Lee Mette

Soundtracks from the Epidemic Sound:
Rannar Sillard – “March Of The Brave 4”
Max Anson – “Maze Heist”
Philip Ayers – “Trapped in a Maze”
Johan Hynynen – “Dark Beginning”
Fabien Tell – “Last Point of Safe Return”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Dieppe 1942 – Slaughter on the Shingle

Filed under: Cancon, History, Military, WW2 — Tags: , , — Nicholas @ 02:00

Mark Felton Productions
Published 14 Mar 2020

Find out how and why the Dieppe Raid was launched in 1942 and why is went so disastrously wrong.

Visit my new audio book channel ‘War Stories with Mark Felton’: https://youtu.be/xszsAzbHcPE

Help support my channel:
https://www.paypal.me/markfeltonprodu…
https://www.patreon.com/markfeltonpro…

Disclaimer: All opinions and comments expressed in the ‘Comments’ section do not reflect the opinions of Mark Felton Productions. All opinions and comments should contribute to the dialogue. Mark Felton Productions does not condone written attacks, insults, racism, sexism, extremism, violence or otherwise questionable comments or material in the ‘Comments’ section, and reserves the right to delete any comment violating this rule or to block any poster from the channel.

Credits: YouTube Creative Commons; WikiCommons; Google Commons; Mark Felton Productions

August 16, 2020

Surviving the surrender of Japan as allied Prisoners of War

Filed under: Cancon, History, Japan, Military, USA, WW2 — Tags: , , — Nicholas @ 05:00

Seventy-five years ago, the war in the Pacific had ended with the surrender of Japanese imperial forces after the atomic bombing attacks at Hiroshima and Nagasaki. The war may have technically ended, but there was still plenty of danger for the surviving POWs in various camps around the Japanese home islands. George MacDonnell was a Canadian soldier who had been captured in the fall of Hong Kong early in the Japanese swathe of conquest that engulfed so many areas. He had been held as a slave labourer at a prison camp in the mountains of northern Honshu in Iwate Prefecture. In Quillette, he tells how his captivity came to an end:

US Navy aerial photo of Ohashi prison camp in 1945.

It was noon on August 15th, 1945. The Japanese Emperor had just announced to his people that his country had surrendered unconditionally to the Allied Powers.

To those of us being held at Ohashi Prison Camp in the mountains of northern Japan, where we’d been prisoners of war performing forced labour at a local iron mine, this meant freedom. But freedom didn’t necessarily equate to safety. The camp’s 395 POWs, about half of them Canadians, were still under the effective control of Japanese troops. And so we began negotiating with them about what would happen next.

Complicating the negotiations was the Japanese military code of Bushido, which required an officer to die fighting or commit suicide (seppuku) rather than accept defeat. We also knew that the camp commander — First Lieutenant Yoshida Zenkichi — had written orders to kill his prisoners “by any means at his disposal” if their rescue seemed imminent. We also knew that we could all easily be deposited in a local mine shaft and then buried under thousands of tons of rock for all eternity without a trace.

We had no way of notifying Allied military commanders (who still hadn’t landed in Japan) as to the location of the camp (about a hundred miles north of Sendai, in a mountainous area near Honshu’s eastern coast), whose existence was then unknown. Because of the devastating American bombing, Japan’s cities had been reduced to rubble, its institutions were in chaos, and millions of Japanese were themselves close to starvation, much like us. The camp itself had food supplies, such as they were, for just three days.

Lieut. Zenkichi seemed angry, and felt humiliated by the surrender. Yet he appeared willing to negotiate our status. And after some stressful hours, we reached an agreement: The Japanese guards would be dismissed from the camp, while a detachment of Kenpeitai (the much feared Military Police) would provide security for Zenkichi, who would confine himself to his office.

To our delight, the local Japanese farmers were friendly, and agreed to give us food in exchange for some of the items we’d managed to loot from the camp’s remaining inventory — though, unfortunately, not enough to feed the camp. Meanwhile, through a secret radio we’d been operating, we learned that the Americans were going to conduct an aerial grid search of Japan’s islands for prison camps. We followed the broadcasted instructions and immediately painted “P.O.W.” in eight-foot-high white letters on the roof of the biggest hut.

Two days later, with all of our food gone, we heard a murmur from the direction of the ocean. The sound turned into the throb of a single-engine airplane flying at about 3,000 feet altitude. Then, suddenly he was above us — a little blue fighter with the white stars of the US Navy painted on its wings and fuselage. But the engine noise began to fade as he went right past us. Please, God, I thought — let him see our camp.

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