Quotulatiousness

November 19, 2020

QotD: The true purpose of quotations

Filed under: Humour, Quotations — Nicholas @ 02:00

A facility for quotation covers the absence of original thought.

Dorothy Sayers, Gaudy Night, 1935.

November 17, 2020

Private SNAFU “Censored” WW2 US Army cartoon

Filed under: History, Humour, Military, Pacific, USA, WW2 — Tags: , , , — Nicholas @ 02:00

PeriscopeFilm
Published 11 Aug 2020

Want to support this channel and help us preserve old films? Visit https://www.patreon.com/PeriscopeFilm

Visit our website www.PeriscopeFilm.com

Censored is one of 26 Private SNAFU (Situation Normal, All F*cked Up) cartoons made by the U.S. Army Signal Corps to educate and boost the morale of the troops. The SNAFU character was created by Theodore Geisel (Dr. Seuss) and Phil Eastman, and most were animated by Warner Brothers Animation Studios. They were voiced by actors including Mel Blanc and scored by Carl Stalling. This cartoon Censored, depicts the lengths to which Private SNAFU will go to sneak an uncensored letter in the mail — with terrifying results. Fortunately it all turns out to be a dream, but SNAFU is so shaken that he censors his own mail. The film was obviously inspired by the mass censorship of personal letters by the Army during the war, to reduce the chance that enemy spies would be able to gain intelligence by intercepting them.

Much of the military correspondence during the war took place via V-mail, short for Victory Mail. This was a hybrid mail process used as the primary and secure method to correspond with soldiers stationed abroad. To reduce the cost of transferring an original letter through the military postal system, a V-mail letter would be censored, copied to film, and printed back to paper upon arrival at its destination. The V-mail process is based on the earlier British Airgraph process

During World War II, both the Allies and Axis instituted postal censorship of civil and military mail. The largest organizations were those of the United States, though the United Kingdom employed about 10,000 censor staff while Ireland, a small neutral country, only employed about 160 censors. Both blacklists and whitelists were employed to observe suspicious mail or listed those whose mail was exempt from censorship. In the United States censorship was under the control of the Office of Censorship whose staff count rose to 14,462 by February 1943.

We encourage viewers to add comments and, especially, to provide additional information about our videos by adding a comment! See something interesting? Tell people what it is and what they can see by writing something for example: “01:00:12:00 — President Roosevelt is seen meeting with Winston Churchill at the Quebec Conference.”

This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com

November 15, 2020

QotD: Early successes in recruit training

Filed under: Britain, History, Humour, Military, WW1 — Tags: , — Nicholas @ 01:00

Still, we are getting on. Number Three Platoon (which boasts a subaltern) has just marched right round the barrack square, without —

(1) Marching though another platoon.

(2) Losing any part or parts of itself.

(3) Adopting a formation which brings it face to face with a blank wall, or piles it up in a tidal wave upon the verandah of the married quarters.

They could not have done that a week ago.

Ian Hay (Major John Hay Beith), The First Hundred Thousand: Being the Unofficial Chronicle of a Unit of “K(1)”, 1916.

November 10, 2020

Colonel Joshua L. Chamberlain on Clutch Little Round Top Win | Potomac-N.Virginia Postbattle

Filed under: History, Humour, Military, USA — Tags: , , — Nicholas @ 04:00

Atun-Shei Films
Published 9 Nov 2020

Colonel Joshua Lawrence Chamberlain’s postbattle interview following the 20th Maine’s successful defense of Little Round Top at the extreme left of the Union line during the Battle of Gettysburg in the 1863 Civil War season.

Support Atun-Shei Films on Patreon ► https://www.patreon.com/atunsheifilms

Leave a Tip via Paypal ► https://www.paypal.me/atunsheifilms

Buy Merch ► https://teespring.com/stores/atun-she…

#Gettysburg #UnionArmy #CivilWar

Reddit ► https://www.reddit.com/r/atunsheifilms
Twitter ► https://twitter.com/atun_shei

~SOURCES~

“Joshua Lawrence Chamberlain’s Report on the 20th Maine at Gettysburg” (2020). IronBrigader https://ironbrigader.com/2020/06/29/j…

William B. Styple. Generals in Bronze: Interviewing the Commanders of the Civil War (2005). Belle Grove Publishing, Page 222-227

November 7, 2020

History Summarized: Wales

Overly Sarcastic Productions
Published 6 Nove 2020

Wale, Wale, Wale(s), what have we here? I’ll tell you! A look at the oft-forgotten history of Britain’s secret third country Wales, where the population is about 50% bards just by sheer cultural osmosis.

SOURCES & Further Reading: A Concise History of Wales by Jenkins, A History of Wales by Davies

This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/

Our content is intended for teenage audiences and up.

PATREON: https://www.Patreon.com/OSP

PODCAST: https://overlysarcasticpodcast.transi…

DISCORD: https://discord.gg/osp

MERCH LINKS: http://rdbl.co/osp

OUR WEBSITE: https://www.OverlySarcasticProductions.com
Find us on Twitter https://www.Twitter.com/OSPYouTube
Find us on Reddit https://www.Reddit.com/r/OSP/

QotD: “Hate speech”

Filed under: Humour, Law, Liberty, Quotations — Tags: , , — Nicholas @ 01:00

In an attempt to put down “racism”, the concept of “hate terms” was introduced into English law for the first time. This makes many words and expressions unlawful, and punishable by fines and imprisonment. It is the most comprehensive system of censorship since the days of Hitler’s Germany and Stalin’s Russia, and means there are more restrictions on freedom of expression in England than at any other time since Hogarth’s days.

It is, of course, fatal to humour, if enforced and persisted in. For one vital quality of humour is inequality, and striking visual, aural, and physical differences. Differences in sex, age, colour, race, religion, physical ability, and strength lie at the source of the majority of jokes since the beginning of human self-consciousness. And all jokes are likely to provoke discomfort if not positive misery among those laughed at. Hence any joke is liable to fall foul of those laws. The future for humourists thus looks bleak, at the time I write this. The ordinary people like jokes, often crude ones, as George Orwell pointed out in his perceptive essay on rude seaside picture postcards. But are ordinary people, as opposed to minor officials, in charge any more? Democracy doesn’t really seem to work, and people are insufficiently dismayed at its impotence.

Paul Johnson, Humourists: From Hogarth to Noël Coward, 2010.

October 31, 2020

Halloween Special: Edgar Allan Poe

Filed under: Books, Humour — Tags: , , — Nicholas @ 02:00

Overly Sarcastic Productions
Published 30 Oct 2015

Happy halloween! Today we’re looking into the mind of one of the most well-known horror writers, Edgar Allan Poe!

On today’s roster: “The Pit And The Pendulum”, “The Mask of Red Death”, “The Cask of Amontillado”, and “The Tell-Tale Heart”.

October 30, 2020

Covid Mask – Monster Mash parody – Halloween lightshow 2020

Filed under: Health, Humour, USA — Tags: , , , — Nicholas @ 04:00

Paul Glozeris
Published 15 Oct 2020

lyrics by Dale Officer

H/T to Melanie Nilles for the link.

Halloween Special: H. P. Lovecraft

Overly Sarcastic Productions
Published 31 Oct 2018

HAPPY HALLOWEEN IT’S TIME TO GET SPOOKY WITH HISTORY’S MOST PROBLEMATIC HORROR WRITER LET’S GOOOOO

While there’s something to be said for separating the art from the artist, I think there’s a lot of merit in CONTEXTUALIZING the art WITH the artist. Did Lovecraft write some pretty incredible horror? Sure! Was he also a raging xenophobe? Absolutely! Are his perspectives on life connected with the stories he felt compelled to tell? Duh! If you look at Lovecraft’s writing through the lens of his life, clear patterns emerge that allow us to pin down what exactly he built his horror cosmology out of. It’s an invaluable analytical tool that allows us to take apart his writings by getting inside his head. So before you yell at me for Not Separating The Artist From The Art, know that it was completely intentional and I’m not sorry.

3:20 – THE CALL OF CTHULHU
8:40 – COOL AIR
10:36 – THE COLOR OUT OF SPACE
14:38 – THE DUNWICH HORROR
19:32 – THE SHADOW OVER INNSMOUTH

PATREON: www.patreon.com/user?u=4664797

MERCH LINKS:
Shirts – https://overlysarcasticproducts.threa…
All the other stuff – http://www.cafepress.com/OverlySarcas…

From the comments:

Overly Sarcastic Productions
1 year ago
Hey gang! Can’t help but notice the comment section is a little bit on fire. That’s all good with me, but one recurring complaint I’ve noticed has started to get under my skin – namely that my explanation of non-euclidean geometry was insufficient, or even – dare I say – inaccurate. Now this is a fair complaint, because after a lifetime of experience finding that people’s eyes glaze over when I talk math at them, I concluded that interrupting a half-hour horror video with a long-winded explanation of a mathematical concept wouldn’t go over too well. I put it in layman’s terms and used a simple example to illustrate the point. However, since some of the more mathematically-inclined of you took offense, I now present in full a short (but comprehensive) explanation of what exactly non-euclidean geometry is.

First, we axiomatically establish euclidean geometry. Euclidean geometry has five axioms:
1. We can draw a straight line between any two points.
2. We can infinitely extend a finite straight line.
3. We can draw a circle with any center and radius.
4. All right angles are equal to one another.
5. If two lines intersect with a third line, and the sum of the inner angles of those intersections is less than 180º, then those two lines must intersect if extended far enough.

Axiom #5 is known as the PARALLEL POSTULATE. It has many equivalent statements, including the Triangle Postulate (“the sum of the angles in every triangle is 180º”) and Playfair’s Axiom (“given a line and a point not on that line, there exists ONE line parallel to the given line that intersects the given point”).

Euclidean geometry is, broadly, how geometry works on a flat plane.

However, there are geometries where the parallel postulate DOES NOT hold. These geometries are called “non-euclidean geometries”. There are, in fact, an infinite number of these geometries, and because the only defining characteristic is “the parallel postulate does not hold”, they can be all kinds of crazy shapes. (As you can see, my explanation of “this is just how geometry works on a curved surface” is quite reductive, but at the same time serves to get the general impression across without going into too much detail.)

An example of a non-euclidean geometry is “Elliptic geometry”, geometry on n-dimensional ellipses, which includes “Spherical geometry” as a subset. Spherical geometry is, predictably enough, how geometry works on the two-dimensional surface of a three-dimensional sphere.

In spherical geometry, “points” are defined the same as in euclidean geometry, but “line” is redefined to be “the shortest distance between two points over the surface of the sphere”, since there is no such thing as a “straight line” on a curved surface. All “lines” in spherical geometry are segments of “great circles” (which is defined as the set of points that exist at the intersection between the sphere and a plane passing through the center of that sphere).

The axiom that separates spherical geometry from euclidean geometry and replaces the parallel postulate is “5. There are NO parallel lines”. In spherical geometry, every line is a segment of a great circle, and any two great circles intersect at exactly two points. If two lines intersect when extended, they cannot be parallel, and thus there are no parallel lines in spherical geometry.

Since the Parallel Postulate is equivalent to Playfair’s Axiom, the fact that no parallel lines exist in spherical geometry negates Playfair’s Axiom, which thus negates the Parallel Postulate and defines spherical geometry as a non-euclidean geometry. Also, since the Triangle Postulate is another equivalent property to the Parallel Postulate, it is thus negated in spherical geometry. Hence, my use in-video of an example of a triangle drawn on the surface of a sphere whose inner angles sum greater than 180º.

Hope that cleared things up (and helped explain why I didn’t want to say “see, non-euclidean geometry is just a geometry where Euclid’s Parallel Postulate doesn’t hold – hold on, let me get the chalkboard to explain what THAT is-” in the video)

Peace!

-R ✌️

QotD: Artillery “duels”

Filed under: Britain, Germany, History, Humour, Military, WW1 — Tags: , , — Nicholas @ 01:00

Each afternoon we creep unostentatiously into subterranean burrows, while our respective gunners, from a safe position in the rear, indulge in what they humorously describe as “an artillery duel.” The humour arises from the fact that they fire, not at one another, but at us.

Ian Hay (Major John Hay Beith), The First Hundred Thousand: Being the Unofficial Chronicle of a Unit of “K(1)”, 1916.

October 27, 2020

QotD: Trader Joe’s

Filed under: Business, Food, Humour, Quotations, USA — Tags: , — Nicholas @ 01:00

Remember grocery shopping? You might not have done it in a while, at least in person. But one place that’s fun to shop is Trader Joe’s. Describing itself as “your neighborhood grocery store,” Trader Joe’s has some pretty good products at pretty good prices. It’s the place to go if you like Whole Foods but you can’t afford Whole Foods. The vibe is laid back, the staff is always friendly, there are fun little oddities you can’t get anywhere else, and it has inexpensive but almost always drinkable booze. Usually the biggest problem with shopping at TJ’s is navigating through the crowd of rude liberals who don’t think they need to be civil to other people in real life because they donate to Greenpeace and the Sierra Club.

Jim Treacher, “Trader Joe’s Apologizes for Being Racist”, P.J. Media, 2020-07-20.

October 26, 2020

Kathy Shaidle tells the story of Hamilton’s 1970s cult children’s TV show

Filed under: Cancon, Humour, Media — Tags: , , , , — Nicholas @ 03:00

I still have fond memories of CHCH TV’s Hilarious House of Frightenstein and Kathy Shaidle clearly does too:

The Hilarious House of Frightenstein was produced in 1971 by our one and only TV station, CHCH. This hour-long, 130-episode kids’ show combined the mid-century sensibility of Famous Monsters of Filmland with the then-hip look and sound of psychedelia: kaleidoscopic “special effects” plus Top 40 hits spun by “The Wolfman,” an affectionate rip-off of legendary DJ Wolfman Jack.

The show’s “plot” concerned a banished count’s attempts to revive his comatose monster, Brucie, but that was just a flimsy excuse to mount a fast-paced series of corny sketches, semi-serious “educational” segments, and — years before The Simpsons and Pixar — “over the kids’ heads” jokes aimed at adults who might find themselves awake at dawn, or earlier.

The part that always puzzled me as a kid was that a local southern Ontario low-budget TV show for kids had international movie star Vincent Price in it. Kathy explains how it happened:

Older and “uncool” (despite receiving the imprimatur of another rising Hollywood director, Roger Corman), Price was out of fashion.

At the same time, CHCH had a limited budget, but wanted and needed some star power for their single camera kid’s show.

Who better to host this “monster mash” than Vincent Price, still one of the all-time great horror-movie icons?

Frightenstein‘s producer tracked down Price, who agreed to work for $3000 a day, one quarter of his usual per-diem appearance rate.

He loved children, he explained simply. And the gig sounded like fun.

CHCH checked their tiny budget. They could only afford Price for four days, tops.

Four days it would have to be.

Everyone signed on the dotted line.

I’ve heard the story of what happened next from different sources, and it never ceases to warm my heart:

Price arrived at the modest TV studio, got into makeup and costume and was handed reams of doggerel poems about some crazy characters he’d never heard of before.

He’d read each piece once, put his head down, then look up at the camera’s red light and utter his lines perfectly in one take.

Next!

New makeup, new costume, same perfect delivery, hour after hour.

Finally, it was time for a break. The weary yet exhilarated crew turned off the cameras and lights.

Then they looked around and realized that Vincent Price had disappeared.

Oh well, they said to each other, what do you expect? He’s a big star and all. Plus he’s, like, 60 years old, so he probably went for a nap…

The studio door opened a few minutes later.

It was Vincent Price and a cab driver, hauling “two-fours” of beer from the nearby Brewer’s Retail.

He handed cold stubbies out to the cast and crew and regaled them with tales of old Hollywood, his days working with Karloff and Peter Lorre and Gene Tierney and Cecil B. DeMille and all the other greats he’d known.

October 24, 2020

QotD: Dealing with the Ordnance Office

Filed under: Britain, Bureaucracy, Humour, Military, WW1 — Tags: — Nicholas @ 01:00

For instance, in the case of the machine-gun washers — by the way, in applying for them, you must call them Gun, Machine, Light Vickers, Washers for lock of, two. That is the way we always talk at the Ordnance Office. An Ordnance officer refers to his wife’s mother as Law, Mother-in-, one — you should state when the old washers were lost, and by whom; also why they were lost, and where they are now. Then write a short history of the machine-gun from which they were lost, giving date and place of birth, together with a statement of the exact number of rounds which it has fired — a machine-gun fires about five hundred rounds a minute — adding the name and military record of the pack-animal which usually carries it. When you have filled up this document you forward it to the proper quarter and await results.

The game then proceeds on simple and automatic lines. If your application is referred back to you not more than five times, and if you get your washers within three months of the date of application, you are the winner. If you get something else instead — say an aeroplane, or a hundred wash-hand basins — it is a draw. But the chances are that you lose.

[…]

Olympus will not disgorge your washers until it has your receipt. On the other hand, if you send the receipt, Olympus can always win the game by losing the washers, and saying that you have got them. In the face of your own receipt you cannot very well deny this. So you lose your washers, and the game, and are also made liable for the misappropriation of two washers, for which Olympus holds your receipt.

Truly, the gods play with loaded dice.

On the whole, the simplest (and almost universal) plan is to convey a couple of washers from some one else’s gun.

Ian Hay (Major John Hay Beith), The First Hundred Thousand: Being the Unofficial Chronicle of a Unit of “K(1)”, 1916.

October 23, 2020

QotD: Every military organization

Filed under: Bureaucracy, Humour, Military, Quotations — Tags: , , , — Nicholas @ 01:00

Regardless of T.O., all military bureaucracies consist of a Surprise Party Department, a Practical Joke Department, and a Fairy Godmother Department. The first two process most matters as the third is very small; the Fairy Godmother Department is one elderly female GS-5 clerk usually out on sick leave.

Robert A. Heinlein, Glory Road, 1963.

October 22, 2020

QotD: The needs of creative people

Filed under: Economics, Humour, Media, Quotations — Tags: , — Nicholas @ 01:00

… I can’t help feeling there’s a message here about supply and demand, dreary things like that. Something to bear in mind when, say, leaving school or choosing your degree course. The glamour of the artistic and literary life is, I fear, beginning to look quite thin:

    The question of where to live on such a low income while trying to write becomes crucial: in the middle of nowhere with cheap rent, or in the city where day jobs help pay for housing? Compromise clouds every decision.

And this simply will not do. You see, creative people, that’s people like Ms Delaney, must live in locales befitting their importance, not their budget. You, taxpayer, come hither. And bring your wallet.

    The city of Sydney recently tried to address the problem of artists being priced out by introducing six rent-subsidised studio spaces in Darlinghurst. Those chosen get a year-lease and pay reduced rent of $250 a week on a one-bedroom with work studio.

Creative people, being so creative, deserve nothing less than special treatment. I mean, you can’t expect a creative person to write at any old desk in any old room in any old part of town. What’s needed is a lifestyle at some other sucker’s expense. And so that garret has to be in a fashionable suburb or somewhere happening, where the creative vibrations are at their strongest and genius will surely follow. And that pad of choice has to come before the publishing deal and film rights and the swimming pool full of cash. Indeed, it has to materialise before the book itself, or any part thereof. How else can their brilliance flourish, as it most surely will, what with all that creativity. Our betters just need a little cake before they eat those damn vegetables. And possibly ice cream. Here’s some money that other, less glamorous people had to actually earn. You fabulous creature, you.

David Thompson, “The Humble Among Us”, David Thompson, 2014-01-21.

« Newer PostsOlder Posts »

Powered by WordPress