Obviously it is not desirable that a Government department should have any power of censorship (except security censorship, which no one objects to in wartime) over books which are not officially sponsored. But the chief danger to freedom of thought and speech at this moment is not the direct interference of the M.O.I. [Ministry of Information] or any official body. If publishers and editors exert themselves to keep certain topics out of print, it is not because they are frightened of prosecution but because they are frightened of public opinion. In this country, intellectual cowardice is the worst enemy a writer or journalist has to face, and that fact does not seem to me to have had the discussion it deserves.
Any fair‐minded person with journalistic experience will admit that during this war official censorship has not been particularly irksome. We have not been subjected to the kind of totalitarian “co-ordination” that it might have been reasonable to expect. The press has some justified grievances, but on the whole the Government has behaved well and and has been surprisingly tolerant of minority opinions. The sinister fact about literary censorship in England is that it is largely voluntary. Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines — being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that “it wouldn’t do” to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralized, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right thinking people will accept without question. It not exactly forbidden to say this, that or the other but it is “not done” to say it, just as in mid‐Victorian times it was “not done” to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.
At this moment what is demanded by the prevailing orthodoxy is an uncritical admiration of Soviet Russia. Everyone knows this, nearly everyone acts on it. Any serious criticism of the Soviet regime, any disclosure of facts which the Soviet Government would prefer to keep hidden, is next door to unprintable. And this nation-wide conspiracy to flatter our ally takes place, curiously enough, against a background of genuine intellectual tolerance. For though you are not allowed to criticize the Soviet Government, at least you are reasonably free to criticize our own. Hardly anyone will print an attack on Stalin, but it is quite safe to attack Churchill, at any rate in books and periodicals. And throughout five years of war, during two or three of which we were fighting for national survival, countless books, pamphlets and articles advocating a compromise peace have been published without interference. More, they have been published without exciting much disapproval. So long as the prestige of the U.S.S.R. is not involved, the principle of free speech has been reasonably well upheld. There are other forbidden topics […] but the prevailing attitude toward the U.S.S.R is much the most serious symptom. It is, as it were, spontaneous, and is not due to the action of any pressure group.
The servility with which the greater part of the English intelligentsia have swallowed and repeated Russian propaganda from 1941 onward would be quite astounding if it were not that they have behaved similarly on several earlier occasions. On one controversial issue after another the Russian viewpoint has been accepted without examination and then publicized with complete disregard to historical truth or intellectual decency. To name only one instance, the B.B.C. celebrated the twenty-fifth anniversary of the Red Army without mentioning Trotsky. This was about as accurate as commemorating the battle of Trafalgar with out mentioning Nelson, but evoked no protest from the English intelligentsia. In the internal struggles in the various occupied countries, the British press has in almost all cases sided with the faction favored by the Russians and libeled the opposing faction, sometimes suppressing material evidence in order to do so. A particularly glaring case was that of Colonel Mihailovich, the Jugoslav Chetnik leader. The Russians, who had their own Jugoslav protégé in Marshal Tito, accused Mihailovich of collaborating with the Germans. This accusation was promptly taken up by the British press: Mihailovich’s supporters were given no chance of answering it, and facts contradicting it were kept out of print. In July, 1943, the Germans offered a reward of 100,000 gold crowns for the capture of Tito, and a similar reward for the capture of Mihailovich. The British press “splashed” the reward for Tito, but only one paper mentioned (in small print) the reward for Mihailovich; and the charges of collaborating with the Germans continued. Very similar things happened during the Spanish civil war. Then, too, the factions on the Republican side which the Russians were determined to crush were recklessly libeled in the English leftwing press, and any statement in their defense, even in letter form, was refused publication. At present, not only is serious criticism of the U.S.S.R. considered reprehensible, but even the fact of the existence of such criticism is kept secret in some cases. For example, shortly before his death Trotsky had written a biography of Stalin. One may assume that it was not an altogether unbiased book, but obviously it was saleable. An American publisher had arranged to issue it and the book was in print — I believe the review copies had been sent out — when the U.S.S.R. entered the war. The book was immediately withdrawn. Not word about this has ever appeared in the British press, though clearly the existence of such a book, and its suppression, was a news item worth a few paragraphs.
George Orwell “The Freedom of the Press”, 1945 (written as the introduction to Animal Farm, but not published in Orwell’s lifetime).
August 1, 2020
QotD: Voluntary self-censorship
July 31, 2020
July 29, 2020
What was TEKOI?
CGP Grey
Published 28 Jul 2020## Related Videos
Exploring Tekoi: https://www.youtube.com/watch?v=ABMV4…
Defeated by Tumbleweeds: https://www.youtube.com/watch?v=7FeXP…
## Special Thanks
Gregory Waltz
## Crowdfunders
Steven Snow, Bob Kunz, John Buchan, Nevin Spoljaric, Donal Botkin, BN-12 , Chris Chapin, Richard Jenkins, Phil Gardner, Martin, Steven Grimm, سليمان العقل, Elliot Lepley, Colin Millions, David F Watson, Saki Comandao, Ben Schwab, Jason Lewandowski, Bobby, rictic, Marco Arment, Shallon Brown, Shantanu Raj, emptymachine, George Lin, Jeffrey Podis, Ben Delo, Henry Ng, Thunda Plum, Awoo, David Tyler, Fuesu, iulus, Jordan Earls, Joshua Jamison, Nick Fish, Nick Gibson, Tyler Bryant, Zach Whittle, Oliver Steele, Kermit Norlund, Derek Bonner, Derek Jackson, Mikko, Orbit_Junkie, Ron Bowes, Tómas Árni Jónasson, Andrew Bereza, Rebecca Wortham, Bryan McLemore, Bear, chrysilis, David Palomares, Emil, Erik Parasiuk, Esteban Santana Santana, Freddi Hørlyck, John Rogers, ken mcfarlane, Leon, Maarten van der Blij, Peter Lomax, Rhys Parry, ShiroiYami, Tristan Watts-Willis, Veronica Peshterianu, Dag Viggo Lokøen, Essa omar, Ryan Richards, Alex Simonides, Felix Weis, John Lee, Maxime Zielony, Melvin Sowah, Elizabeth Keathley, Christopher Mutchler, Giulio Bontadini, Paul Alom, Ryan Tripicchio, Scot Melville, Kyle Wayman, Julien Dubois
## Music
David Rees: http://www.davidreesmusic.com
Update: CGP Grey posted a corrected version of this video here – https://www.youtube.com/watch?v=PCeMCwxayp0
He also posted the Director’s Commentary video (originally intended only for his Patrons) here – https://www.youtube.com/watch?v=ufsYK3Eecw4
There is also a video explaining how the whole process worked and how the error was missed, if you’re interested.
July 26, 2020
July 25, 2020
“The Ballad of Bull” Pt.2 – Combat Medics – Sabaton History 077 [Official]
Sabaton History
Published 24 Jul 2020Sometimes war is killing, sometimes war is saving lives.
In the first episode we have seen Leslie “Bull” Allen become a hero, not through the death of his enemies, but by saving his comrades’ lives. And there were others like him. Soldiers and medics, whose first duty it was to preserve lives during war, even when it meant endangering their own safety. Here are three short stories of men and women, who served as medics at the front line of the Second World War, and became heroes to their country.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “The Ballad of Bull” on the album Heroes:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by SabatonColorizations:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/Sources:
– Photos of Desmond Doss Courtesy of the Desmond Doss Council
– Frame vector created by milano83 – www.freepik.com
– Arkiv i Nordland
– P.Fisxo from WikimediaAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago
The medical staff in war — combat medics, field surgeons and nurses, ambulance drivers and medevac crews — are often the unsung heroes of war, literally and figuratively.That doesn’t mean that they don’t deserve to be remembered and their sacrifices honored. There are undoubtedly many instances of exceptional bravery among the medical staff of wars throughout history — for which they rightly should be praised. But they should also be remembered for their everyday work in trenches or field hospitals, in jungles and deserts, at sea or in mid-air. Treating a seemingly endless stream of incoming wounded, trying to give relief to those in pain, comfort to those in agony, and hope to to those who have lost theirs — day in and day out, for as long as the war will last.
If you missed part one of “The Ballad of Bull” you can see it right here.
Walter Duranty, Stalin’s tame “journalist”
Francis X. Maier makes the case that the Holodomor — the Soviet Union’s deliberate starvation of millions of its own people in Ukraine and surrounding regions — killed even more than the better-known Nazi Holocaust, then identifies one of the key apologists who lied serially and deliberately to hide the genocide:
[S.J.] Taylor’s 1990 article was timed to the release of Stalin’s Apologist, her withering biography of journalist Walter Duranty. A Pulitzer Prize winner, celebrated political analyst, and Moscow correspondent for the New York Times during the 1930s, Duranty interviewed Stalin twice. He also played a significant role in securing American diplomatic recognition for the Soviet regime. Less publicly, he was a prodigious womanizer, longtime opium buddy of Satanist Aleister Crowley, compulsive exploiter of friends, a spendthrift, occasional drunk, and an inventive, always-reliable flack for the Soviet regime.
One of Duranty’s lifelong memories involved his religious grandmother who, after catching the adolescent Duranty in a lie, had warned him that “liars go to hell.” He never forgot or forgave the correction. As an adult, he simply erased all family ties and falsely claimed in his autobiography that he’d been orphaned at age ten. Massaging the truth became one of his core skills. Brilliant, engaging, and widely respected at the time, he was, in the words of Malcolm Muggeridge, who also reported from Moscow and saw Duranty in action, “the greatest liar of any journalist I have met in 50 years of journalism.”
Committed to protecting his own influence and to a future “greater good” promised by the Soviet regime, Duranty at first dismissed rumors of the Ukrainian Famine. Then he downplayed them. Then he claimed that Ukraine’s “food shortages” were the result of local mismanagement and the work of “wreckers” and “spoilers” intent on undermining Soviet progress. He repeatedly denied the mass starvation in his reporting. But he did suggest that “you can’t make an omelet without breaking eggs” … especially when the omelet is the task of modernization, and the cooks are tough-minded Bolsheviks intent on a better tomorrow.
As Taylor notes in her book, Western powers struggling with the Great Depression and the rise of Hitler in Germany had little interest in rumors from Ukraine that might antagonize Stalin as a potential ally. Muggeridge had arrived in Russia in 1932 to string for the Manchester Guardian. A convinced socialist at the time, he intended to stay in Russia and renounce his British passport for Soviet citizenship. Reality interfered. By March 1933, he was reporting on Ukraine’s famine as “one of the most monstrous crimes in history,” and his disillusionment with the Soviet paradise was complete. But back in England, thanks in part to Duranty’s counter-reporting and Soviet propaganda, Muggeridge’s work was dismissed as “a hysterical tirade.” Muggeridge himself was slandered, vilified, and unable to find employment. And that might have buried the Holodomor story successfully, except for one man.
Welshman Gareth Jones was a young Russian Studies graduate of Cambridge and a former secretary to British Prime Minister Lloyd George. Stringing for the same Manchester Guardian as Muggeridge, he eluded Soviet press controls and spent three weeks on his own, walking through the hellish conditions of a starvation-ravaged Ukraine. Then he wrote about it in the spring of 1933, confirming and compounding the impact of Muggeridge’s recent work. Walter Duranty led the ferocious, Soviet-prodded attack on Jones’s credibility. He also bullied most other Moscow-based Western journalists — to their enduring disgrace — into doing the same, lest they lose their visas. Jones, however, had a spine. He did not back off. He continued writing and speaking about the famine in Ukraine with lasting effect, until his death under suspicious circumstances two years later.
July 24, 2020
War Diplomats, Japanese/Soviet Neutrality, and why not Sweden? – WW2 – OOTF 015
World War Two
Published 23 Jul 2020What happened to Allied ambassadors? And how did Hitler react to the Soviet-Japanese Neutrality Pact? And why didn’t he invade Sweden? Once again, Indy is in the Chair of Infinite Knowledge answering all your exciting questions about World War Two!
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Norman Stewart – https://oldtimesincolor.blogspot.com/
Daniel WeissSources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
Portrait of Charles Howard Smith, courtesy National Portrait GallerySoundtracks from the Epidemic Sound:
Howard Harper-Barnes – “London”
Fabien Tell – “Other Sides of Glory”
Johannes Bornlof – “The Inspector 4”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 22, 2020
July 21, 2020
The Destruction of Convoy PQ17: Merchant Ships Left Defenceless
Historigraph
Published 18 Jul 2020For unlimited access to the world’s top documentaries and nonfiction series go to http://go.thoughtleaders.io/166892020… and use the promo code ‘
historigraph
‘ to get 30 days free access.Buy Historigraph Posters here! teespring.com/stores/historigraph
Support the channel on Patreon: https://www.patreon.com/historigraph#ConvoyPQ17 #Historigraph #CuriosityStream
► Twitch: https://www.twitch.tv/addaway
► Twitter: https://twitter.com/historigraph
► Instagram: https://www.instagram.com/historigraphMusic:
“Rynos Theme” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/b…The Descent by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song…
License: http://creativecommons.org/licenses/b…Crypto by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song…
License: http://creativecommons.org/licenses/b…
July 20, 2020
To Save the World Takes Only One Good Man | The Cuban Missile Crisis | Day 13
TimeGhost History
Published 19 Jul 2020On Sunday, 28 October, 1962 the Cuban Missile Crisis comes to an end to end all things, and almost everything. Only one young man, Vasili Arkhipov will stand between humanity and nuclear armageddon.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek KaminskiColorizations:
– Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…Sources:
http://www.jproc.ca/crypto/hotline.htmlSoundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “From the Depths” – Walt Adams
– “Moving to Disturbia” – Experia
– “When They Fell” – Wendel Scherer
– “Under the Dome” – Philip Ayers
– “Scope” – Got Happy
– “Symphony of the Cold-Blooded” – Christian Andersen
– “City Night Lights” – Elliot Holmes
– “Secret Cargo” – Craft Case
– “Too Young for This Shirt” – Elliot Holmes
– “Juvenile Delinquent” – Elliot Holmes
– “Drifting Emotions 3” – Gavin LukeArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
59 minutes ago (edited)
When we recorded this the first time, we didn’t have the chance to release these day by day. It took us almost half a year from when we had the idea until the last episode came out. We still felt that it was a revelation to see it chronologically. For me as writer it was in any case a deep dive into a story that I thought I knew, but rediscovered by reassembling the source documents in the exact order things happened. I learnt new aspects and gained an incredibly more detailed understanding of both the events and the people involved. But today, on Sunday July 19, 2020 it is the fourteenth day that both Indy, Astrid and I watch the remade episodes completed as they are released every day, I haven’t even watched this last episode yet, and even though I know exactly what is going to happen, I’m excited. This is crazy, crazy stuff.And now, the three of us are sitting in the garden in Bavaria preparing to shoot the next months shows. And when we look back and talk about it it we’re all so glad that we got the chance to make this even better. Astrid could go full out on the set, and do even more with Indy’s costume. We had fun adding drama with the light. Indy make the delivery even better by changing the tenses to the present and altering the script slightly so that it felt more immediate. But perhaps more than anything, we could get more, better archive, get our editors added touch, and rethink the music score so that it was more consistent and period appropriate.
We also want to take this moment to thank:
The TimeGhost Army – it is your membership that enabled us to improve to this level from 2017 until now – you are the souls of TimeGhost.
Wieke, who directed the post-production and put his personal flair into it – especially grateful for the choice of music.
Daniel and Karolina who did a fantastic job on the editing.
All of our colorizers that made the portraits come alive in technicolor splendor (OK, OK… RGB splendor, but same, same)
Marek who sound engineered and made it sound so much better than what I managed in the first round.
Joram who made sure that we had all the publishing in order so that it worked day by day.And all of the rest of the TimeGhost team that as usual had their hands full with this and all the mad stuff we do.
For Astrid, Indy and myself,
I’m Spartacus.
July 19, 2020
Black Saturday, Nuclear War on Autopilot | The Cuban Missile Crisis | Day 12
TimeGhost History
Published 18 Jul 2020On October 27, 1962 a deal to resolve the Cuban Missile Crisis is ever so close, but then almost everything that can go wrong, goes wrong. The world is left teetering on the brink, and someone has to die.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek KaminskiColorizations:
– Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…
– Daniel Weiss
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?Sources:
From the Noun Project:
diary By Astoe
Handshake By priyanka
telegraph By Luke Anthony FirthSoundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “Nightclub Standoff” – Elliot Holmes
– “From the Depths” – Walt Adams
– “When They Fell” – Wendel Scherer
– “Juvenile Delinquent” – Elliot Holmes
– “Kissed by Thunder” – Elliot HolmesArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
26 minutes ago
Just when everything looks OK again, the house of cards that the USSR and USA have built starts to crumble. To us in 2020 that should serve to remind us that words matter. Because that’s all it was to begin with — words like “give it to the Reds!” and “down with the Bourgeoisie!” But words easily become bluster, and bluster easily becomes action, and action is always hard to control.Remembering the past so that we can learn from it, without ideological bias, without demagoguery, and proposing oversimplified solutions to complex problems. That is our mission here at TimeGhost Become a part of that effort by joining the TimeGhost Army at https://www.patreon.com/TimeGhostHistory or https://timeghost.tv
July 18, 2020
The Invasion of Cuba | The Cuban Missile Crisis I Day 11
TimeGhost History
Published 17 Jul 2020On 26 October 1962, US President John F Kennedy at first continues to plan an invasion of Cuba, but while the politicians make new plans, their previous military plans take on a life of their own
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Spartacus Olsson, Jonas Klein & Karolina Dołęga
Sound design: Marek KamińskiColorizations:
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…Music:
“Try and Catch Us Now” – David Celeste
“Cold Eyes” – Elliot Holmes.mp3
“Under the Dome” – Philip Ayers
“Mexican Standoff” – Walt Adams
“Car Chase in Virginia” – White Bones
“When They Fell” – Wendel Scherer
“Moving to Disturbia” – Experia
“Kid Me Not” – Elliot Holmes
“From the Depths” – Walt Adams
“Nightclub Standoff” – Elliot Holmes
“Potential Redemption” – Max AnsonArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 17, 2020
Showdown in the United Nations | The Cuban Missile Crisis | Day 10
TimeGhost History
Published 16 Jul 2020On October 25, 1962 while the US Navy are looking for something to do in the Caribbean, US Ambassador to the UN Adlai Stevenson is about to face off with USSR Ambassador to the UN, Valerian Zorin in a historic showdown at the United Nations headquarters in New York.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Spartacus Olsson, Jonas Klein & Karolina Dołęga
Sound design: Marek KamińskiColorizations:
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…
KlimbimArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 16, 2020
Killer Submarines Sneaking Through the Blockade | The Cuban Missile Crisis | Day 09
TimeGhost History
Published 15 Jul 2020On October 24, 1962, the US-led blockade on Cuba goes into effect, but it’s not the showdown that it looks like! At least not on the surface …
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Spartacus Olsson, Jonas Klein & Karolina Dołęga
Sound design: Marek KamińskiColorizations:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
Dememorabilia – https://www.instagram.com/dememorabilia/Visual Sources:
National Archives NARAMusic:
“Car Chase in Virginia” – White Bones
“Mexican Standoff” – Walt Adams
“Moving to Disturbia” – Experia
“Symphony of the Cold-Blooded” – Christian Andersen
“Under the Dome” – Philip Ayers
“When They Fell” – Wendel Scherer
“Try and Catch Us Now” – David Celeste
“Cold Eyes” – Elliot HolmesArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.