Sabaton History
Published 3 Sep 2020Since Adolf Hitler’s rise to power, the Jews of Germany had suffered years of harsh anti-Jewish policies, harassment and public humiliation. The Nazis wanted the Jews to never feel safe or welcome again. With the Third Reich’s expansion and the start of the Second World War, more and more European Jews fell victim to persecution, ghettoisation and violence. It was hard to imagine that the crimes against them could get any worse. But by December 1941, the Nazis began preparing for a “Final Solution of the Jewish question”.
It aimed at nothing less than the extermination of all Jewish life in Europe.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “The Final Solution” on the album Coat Of Arms:
https://music.sabaton.net/CoatOfArmsListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comSources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-B04489, Bild_183-B04491, Bild_152-23-07A, Bild_101I-134-0782-24, Bild_183-E13871, Bild_101I-134-0769-33
– Yad Vashem: 139BO1, 1554_1, 1427_85, 1605_1722, 12CO9, 1552/34
– Imperial War Museum: HU 51692, HU 51689All music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
September 4, 2020
“The Final Solution” – The Holocaust – Sabaton History 083 [Official]
September 2, 2020
Hitler’s Hangman and Himmler’s Protégé – Reinhard Heydrich – WW2 Biography Special
World War Two
Published 1 Sep 2020After being taken in by Himmler as a sort of apprentice, Reinhard Heydrich rapidly climbed the Nazi political hierarchy. With the outbreak of World War Two, he expands his political power by ruthlessly carrying out political repression on the home front and genocidal racial policies of the Third Reich.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources
Written by: Francis van Berkel
Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Wolfgang Seitz and Ian Sowden
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Spartacus Olsson
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Visual Sources:
Bundesarchive
Yad Vashem: 153DO9, 1014/3/42, 4613/360, 48AO4, 2798/2, 1068/17, 3521/134, 3AO1, 1014 5 52, 5138/98, 3227 27, 1014/5/54, 112GO7, 75EO4, 07 1941, 4613_982, 1605/1431, 4613/1055
Riksarkivet: Fo30141711030060
Narodowe Archiwum Cyfrowe
National Archives NARA
Icon from The Noun Project: carlotta zampini
pellethepoet from filckr.jpgMusic:
“Last Point of Safe Return” – Fabien Tell
“March Of The Brave 10” – Rannar Sillard
“Not Safe Yet” – Gunnar Johnsen
“Moving to Disturbia” – Experia
“Easy Target” – Rannar Sillard
“Deflection” – Reynard Seidel
“Please Hear Me Out”- Philip Ayers
“Last Minute Reaction” – Phoenix Tail
“Never Forget” – Fabien Tell
“Other Sides of Glory” – Fabien Tell
“Split Decision” – Rannar SillardArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Luger Model 1902 Carbine
Forgotten Weapons
Published 2 Sep 2016Failed to sell at auction.
With the advent of successful self-loading pistols, one of the additional markets that many companies tried to appeal to was the compact carbine. Self-loading rifles in proper rifle cartridges would not be developed as quickly as the pistols because their much greater chamber pressures represented a more difficult engineering problem. However by simply attaching a stock and long barrel to a pistol, many ambitious manufacturers hoped to sell a weapon as a sporting carbine. These were done by DWM with the Luger, as well as Mauser’s C96, Mannlicher 1894 pistol, and many others.
Model 1902 was the designation of the major batch of commercially made Luger carbines, although there were several small batches of prototypes prior. Only a couple thousand were made, and they ultimately took quite a long time to all sell — it turned out this type of firearm was simply not very popular for its cost. The same story was true with the other contemporary pistol-carbines — none would be very successful. DWM did make another group of carbines in the 1920s, although those were made from various leftover parts and are both not as nice as the original 1902 guns (which were mostly made in 1904 and 1905) and widely faked.
August 30, 2020
August 29, 2020
August 28, 2020
“Killing Ground” – The Battle of Fraustadt – Sabaton History 082 [Official]
Sabaton History
Published 27 Aug 2020Poland, February 1706. Near the small town of Fraustadt the taste of battle fills the air. General Rehnskiöld of the Swedish Empire readies his 10,000 soldiers. Their enemy? The numerically superior Saxon army of General Schulenburg, numbering 20,000.
At stake? The fate of thrones and empires.Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Killing Ground” on the album Carolus Rex:
Carolus Rex (English Version) – https://music.sabaton.net/CarolusRexEN
Carolus Rex (Swedish Version) – https://music.sabaton.net/CarolusRexSEListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comAll music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago
Not for the first time, and certainly not for the last, an important battle is fought on Polish territory. This time, however, neither of the armies involved belong to Poland. Looking at the troop numbers counts, the outcome would seem settled before it even began. Yet, if we have learned anything from other battles on Polish soil, unpredictability is a word that can be applied time and time again.With the help of Indy and the TimeGhost team you can learn more about future battles on Polish territory in these two episodes from our own channel and the “World War Two In Real Time” series:
“40:1” – The Battle of Wizna – Sabaton History 001 [Official]
https://www.youtube.com/watch?v=Qpb8gTSMUboThe Polish-German War – WW2 – 001 – September 1, 1939 [IMPROVED]
https://www.youtube.com/watch?v=2b7GY4BSUmU
August 26, 2020
“Your Strict Thesis is not Correct!” – WW2 – Reading Comments
World War Two
Published 25 Aug 2020Indy and Sparty are back again for “Across the Airwaves”, where we look at interesting and unique comments from our videos and forums. In this episode, we will look at foreign volunteers in the SS, and the Polish experience in World War Two.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell & Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Maps: Eastory (https://www.youtube.com/c/eastory) & Karolina DołęgaColorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…Visual Sources:
Imperial War Museums: KID1265, STT 4459, 009752., D26726, D26731
Bundesarchive
Auschwitz Memorial and Museum
Icons from The Noun Project by: Icon Lauk, iconixar, Evgeni Moryakov, Panzano, Adrien Coquet, Eucalyp, Eris Natansa, Gan Khoon Lay, sumirna, priyanka & DanishiconMusic:
“The Inspector 4” – Johannes Bornlöf
“Remembrance” – Fabien Tell
“Superior” – Silver Maple
“Rush of Blood” – Reynard Seidel
“London” – Howard Harper-Barnes
“Never Forget” – Fabien Tell
“Guilty Shadows 4” – Andreas JamshereeArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
August 25, 2020
Berlin’s experiment with rent control has already made huge changes in the housing market
Sadly, for advocates of rent control in other cities, the changes are not positive for renters or landlords:
In the beginning of this year, the city government of Berlin brought in a rent freeze, a particularly crude form of rent control. Predictably, this led to calls from certain quarters for introducing similar measures here in London. I had several discussions about this, making the standard economic case against rent controls, but to no avail. I was told that I was blinded by neoliberal dogma, that the world is not as simple as my Econ 101 textbook, and that this was a brilliant and necessary measure to rein in the power of greedy landlords and speculators.
The first results are already in now, and they can be interpreted as the revenge of Econ 101. In Berlin, the supply of new rental properties coming on the market has fallen by a quarter compared to last year. No, this is not because of the virus: in other big cities such as Hamburg, Munich and Cologne, supply has increased by a third over the same period.
In fact, the one subsector of Berlin’s rental market which is exempt from the rent cap, namely new-built properties, is not that different from the rental markets of other big cities. In this subsector, the number of new rental properties coming on the market has increased by a quarter. Yet in the main market, where the cap does apply, supply has fallen by almost half – a drastic reduction, which more than cancels out any gains made elsewhere.
There has also been an increase in the number of properties that are up for sale, rather than rent, because while rents have been capped, sales prices have not.
So whether you compare the rent-capped part of Berlin’s rental property market to its counterpart in other cities, to its cap-exempt counterpart in Berlin itself, or to the owner-occupier sector – the result is always the same. The rent cap clearly is having a negative impact on supply, and this is happening astonishingly quickly: even I was not expecting to see any impact in this year, or the next.
None of the arguments against rent controls are new. You can already find them all in Verdict on Rent Control, a book which the IEA published in 1972. The book is actually a collection of papers on the subject, some of which are much older than that. It contains one paper by Milton Friedman and George Stigler on wartime rent controls in the US, which were still lingering after the war had ended. It was first published in 1946, but they were already having the same arguments then that we are still having today.
August 24, 2020
Why the British Army was so effective in 1914 – Learning lessons from the Boer War
History West Midlands
Published 10 Oct 2014When Britain despatched an Expeditionary Force (the BEF) to the Continent in August 1914, the German Kaiser issued an order of the day to his generals to “walk over General French’s contemptible little army”.
But despite being heavily outnumbered, this small force, including many men from the West Midlands, played a vital role in stopping the seemingly overwhelming German advance across Belgium and into France.
Small in size compared with the much larger armies of France and Germany, the BEF was highly effective. This was in stark contrast to the disasters that the British Army had experienced a few years earlier at the start of the Second Boer War (1899-1902) in South Africa.
August 23, 2020
August 21, 2020
British Deserters, Sword Fights, and Poison Gas – WW2 – OOTF 016
World War Two
Published 20 Aug 2020What happened to deserters in the British Army? Did Chinese and Japanese troops ever engage in sword to sword combat? Why didn’t Germany use poison gas on the battlefield? Find out the answers to all these questions in today’s Out of the Foxholes!
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Jakub Janiec
Sound design: Marek KamińskiColorizations:
Mikołaj UchmanVisual Sources:
Imperial War Museums: HU 762498, Q 79508, El Alamein 1942, E 18542, B5114, MH 26392, F2845,
Library of Congress
Antoine from Flickr.com
National Archives NARA
Bundesarchive
Narodowe Archiwum Cyfrowe
The icons from Noun Project by: Milinda Courey, Arthur Shlain, Delwar Hossain, ahmad, Muhamad Ulum, Rooty, Simon Child, carlotta zampini, Wonmo Kang, Vectors Point, EucalypMusic:
“Break Free” – Fabien Tell
“Ancient Saga” – Max Anson
“Defeated” – Wendel SchererArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
“Uprising” Pt. 2 – The Liberation of Paris 1944 – Sabaton History 081 [Official]
Sabaton History
Posted 20 Aug 2020Mid-August 1944. The battle for France enters its decisive phase. With the Allied spearheads just 100 km away from Paris, the Résistance prepares for its long-awaited uprising. While collaborators and fascist officials flee the city in panic, many insurgents are eager to immediately rise up against the occupation and fight the Germans in the streets. But there is need for caution. The Germans are still there in force, and they have tanks and machine guns. The fear that this might turn into “another Warsaw” if the Allies don’t show up in time is very real.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Uprising” on the album Coat Of Arms:
https://music.sabaton.net/CoatOfArmsWatch the Official Music Video of “Uprising”:
https://www.youtube.com/watch?v=01IaK…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard, and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Archive by: Reuters/Screenocean https://www.screenocean.com
Community Manager: Maria Kyhle
All music by SabatonSources:
– Imperial War Museum: B 9298
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-027-1477-16, Bild_183-2008-0710-500, Bild_183-2003-1112-500
– lubini from freesound.orgAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
August 19, 2020
August 16, 2020
August 13, 2020
Hitler’s screen idol – Leni Riefenstahl – WW2 Biography Special
World War Two
Published 12 Aug 2020Leni Riefenstal’s film techniques were groundbreaking and are still influential today. She did, though, create her most famous works in the service of Adolf Hitler.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Madeline Johnson
Edited by: Monika Worona
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/Sources:
– BundesarchivArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
4 hours ago
Thanks to Madeline Johnson for the research for this episode. In many ways it’s our community who keep TimeGhost going. If you want to be part of this then join the TimeGhost Army on www.patreon.com/timeghosthistory or https://timeghost.tv.Please let us know what other Bios you’d like to see. And if you have a question about the war you’re dying to have answered, submit it for our Q&A series, Out of the Foxholes at: https://community.timeghost.tv/c/Out-of-the-Foxholes-Qs.


















