The Reformation’s great complaint against the late-medieval Church is that it, the Church, had turned Catholicism entirely into a process. Those naive folks who argue that life wasn’t so hard for the medieval peasant because he had all those days off — 180 some odd saints’ days, feast days, and so on — have a bit of a point for all that. Ritual life simply was community life; “free time” as we understand it just wasn’t a thing in the middle ages, and not just because life was such a constant struggle. Every hour of your day carried its obligation to someone; there’s a reason the very best sources for “daily life in the middle ages” are called books of hours.
Your hotter Protestants, your John Calvins and Oliver Cromwells and so on, saw all of this as mere ritual. And to be fair to them, late-medieval Catholicism was very elaborate, and very, very weird — slog through a few chapters of The Stripping of the Altars if you want the details. To the Prods, this was cheating — you can’t just go through the motions and expect to get into Heaven. They made a similar distinction between “natural magic” and the unlawful stuff — the one was undertaken only after deep study and the most rigorous self-purification, while the other “worked” entirely mechanically, because what the sorcerer was really doing was cheating; he was really making a deal with a (or The) devil, to short-circuit the natural processes.
Now, it’s important to realize that the Protestants were not saying anything close to “do your own thing, man”. They were NOT hippies, encouraging everyone to read the Bible and decide for themselves how best to commune with the Big JC. The German peasants thought that’s what Martin Luther was saying back in 1524, but Luther himself was out there urging the authorities to smash the peasants with extreme prejudice. The Protestants were, in fact, extremely concerned about ritual. It just had to be the right ritual, the Biblically sanctioned ritual, and nothing but that — that’s what “Puritanism” (originally an insult) means.
Severian, “Faith vs. Works”, Rotten Chestnuts, 2021-09-07.
November 19, 2024
QotD: The Reformation
November 13, 2024
QotD: The 1990s
Remember The Matrix? It spawned a zillion pop-academic books with titles like The Matrix and Philosophy, and for once it wasn’t just a marketing gimmick. I doubt the filmmakers intended this — given that at least one of the Wachowski Brothers is now a trannie, I suppose their intended message was “let your freak flag fly, because that makes you Secret Jesus” — but all that Baudrillard stuff that inevitably attaches itself to a movie about virtual reality was actually kinda true.
Consider that if we really do live in a computer simulation, then everything the #wokesters are always going on about is actually true. Everything really IS a “social construction”, because “society” was literally constructed. All that stuff about “systemic racism” is true, too, because again, we’re dealing with a design. Nothing evolves organically inside The Matrix, because there’s nothing organic in there at all. It’s ALL on purpose …
… and you, #wokester, are the only one who can see it. Unlike Karl Marx, who was able to see beyond his class situation enough to say that no one can see beyond his class situation, because reasons, you, #wokester, can do it because you’re Neo. That, too, is built into the system. It’s an endless recursion … but one that entails that you, and you alone, are special, on purpose.
That, kameraden, was the 1990s. Even those movies our author mentioned — Beverly Hills Cop III, Lethal Weapons 3 and 4 — weren’t just copies of copies, they were ironic, snarky commentaries on copies of copies. See also Scream, which was a “deconstruction” of every slasher picture ever made. If you can’t beat ’em, join ’em … but since both beating ’em and joining ’em entail making a sincere effort and sincerity is forbidden, all you can do is mock ’em. That’s what “deconstruction” is, one long polysyllabic mockery of the very idea of excellence. It’s the perfect philosophy for people who know themselves to be mediocre but have been told from day one that they’re special.
See also the tv show Friends, where five ludicrously attractive people and David Schwimmer all pretend to be just normal folks (who happen to live in 3,000 square foot apartments in Manhattan) — each episode is “the one that’s just like The Brady Bunch, but snarky”. Or Seinfeld, which was deliberately designed to be a grating mockery of stuff like The Odd Couple. All snarky mockeries of the very concept of sincerity.
See what I mean? That’s normal now, which is why the 90s must be dragged into an alley and shot, for Western Civ’s sake.
Severian, “Why the 90s Was the Worst Decade Ever”, Rotten Chestnuts, 2021-07-04.
November 7, 2024
QotD: Fear of … freedom
When Rousseau said you’d need to force men to be free, he wasn’t joking. It’s hard to admit the truth of that statement, especially as Rousseau, like all Leftists, quite obviously pleasured himself to the thought of forcing great masses of people to do things, but he’s right for all that. As Nikolai points out, so many people quite obviously enjoy the COVID madness, because it gives structure to their otherwise stressfully chaotic lives. Everyone, even the most rugged Marlboro Man individualist, has experienced “analysis paralysis”, that rising sense of near-panic that comes from having too many choices. Your developmentally normal person quickly snaps out of it — a mental slap upside the head in the form of “it’s just peanut butter, dummy!” usually does it — but a vast and increasing number of people never do.
Since this is my blog and it’s Friday and all that, I’ll go ahead and expand this into a nebulous Theory of Everything: What people really want, deep down, is drama within limits. Ideally, you have the sense that something better is possible — and that something worse is possible — but, most importantly, the sense that if you follow the rules, and make sure everyone else follows the rules, neither of them will happen.
If you reach what appears to be an end state — that is, there’s no realistic possibility of anyone going higher or lower — you see nasty Karen-ish behavior. From everyone, everywhere, always. The Z Man did a piece the other day on Sayre’s Law, which anyone who has ever dealt with eggheads instinctively understands: “The fighting is so vicious because the stakes are so small”. If you read the bios of the real lunatics — the insane-by-egghead-standards, I’m talking — you almost always see that they’re tenured at some second rate academy. They’re topped out, and they know it. Hang around the faculty lounge long enough, and you learn to spot it in their eyes — that precise moment when they realize that Harvard won’t be calling, so they’re stuck here at Flyover State. They can’t move up, and thanks to tenure there’s no realistic (in their minds) possibility of falling down. The only drama left, then, is interpersonal drama, which is why they’re such vicious, obnoxious bitches to everyone, everywhere, always.
It works outside the academy too, of course. The two main CRT loons, Robin De Angelo and that Ibram X. Kendi guy, are maxed out and they know it. They weep, because they’ve seen they have no more worlds to conquer. Ever-escalating lunacy is the only emotional escape hatch they have left. You saw the same deal with “the workers” under Communism. They’re stuck there, forever, and they know it. They can’t move up — wrong class background, comrade, plus you lack Party connections — but they can’t really move down, either, if for no other reason than the KGB, vast as it is, can’t bother with every moribund tractor factory in Krasnoyarsk. Can’t move up, can’t move down, so you drink yourself into oblivion and spend your still-conscious hours in petty backbiting.
Severian, “Mailbag Etc.”, Rotten Chestnuts, 2021-07-06.
November 1, 2024
QotD: J.D. Vance, a Führer for the rest of us
Expert: JD Vance’s selection as Trump’s running mate marks the end of Republican conservatism
Quoted for the lulz. Ol’ JD, a Führer for the rest of us.
But since we’re here … a fascinating footnote in Jaynes informs us that schizophrenics, who Jaynes thinks might be throwbacks to the “bicameral mind”, have no problem with “diffused identity” or whatever the term was. Jaynes hypothesizes that ancient, preconscious peoples didn’t see images of their gods in cult objects; they saw the actual, physical gods. We unicameral people can’t wrap our heads around it, since there are lots of statues and they can’t ALL be god — even if we grant that the biggest statue in the best temple can be god, or if we allow that the black meteorite or whatever is really god to them, still, god can’t be diffused like that: Either your statue is god or mine is; or neither of them are, but they can’t both be.
Schizophrenics, at least according to Jaynes, would be down with that. He notes that you can put two guys who think they’re Napoleon in the same padded cell, and you don’t get a schizo bum fight, you get complete agreement: They’re both Napoleon, somehow. The law of the excluded middle, personal identity version, simply doesn’t apply.
And since my hypothesis is that smartphones are re-decameralizing (it’s a word) us at Ludicrous Speed, well … here you go. Donald Trump is Hitler, but J.D. Vance is somehow also Hitler. It’s not like the real, historical Hitler lacked for shitty, evil underlings — J.D could easily be Heinrich Himmler or somebody. But no, he’s gotta be Hitler, the same way Trump has to be Hitler, and if that means they’re somehow both Hitler, well … there it is. Bicamerality for the win.
Severian, “Catching Up With the Crazies”, Founding Questions, 2024-07-29.
October 26, 2024
QotD: Henry VIII
Barbara Tuchman […] said something about medieval nobles once, to the effect of “the reason some of their decisions seems so childish to us is that a lot of them were children”. I don’t think she’s right about that — kids grew up pretty damn fast in the Middle Ages — but if you expand it a bit to “rookies make rookie mistakes”, she’s got a big, important point. No account of the reign of Henry VIII, for instance, can really be complete without considering that when he took the throne he was only 17, and had only been heir apparent for a few years before that. He was most definitely the “spare” in the old “heir and a spare” formula for medieval dynastic success; it’s likely that his father was preparing him for a Church career when his elder brother Arthur died suddenly in 1502, when Henry was 11. What Arthur had been in training his whole life to do, Henry got at most six frantic years of, under an increasingly feeble father.
Leaving all of Henry’s personal quirks aside — and his was a very strong, distinctive personality — that’s got to affect you.
So many of the changes in Henry’s reign, then, must have been driven in part by the fact that it was the same man, reflecting on a lifetime’s experience in a job he was never expected to have, wasn’t really prepared for, and didn’t seem to want (aside from the lifestyle). There’s been lots of pop-historical theorizing about what was “wrong” with the later Henry — senility, syphilis, the madness of power — but more naturalistic explanations of his later actions must take into account simple age. A man nearing the end of his life, knowing that his succession was very much in doubt and fearing for the state of his soul, will do things differently than a young man in the prime of life.
[…]
Life was hard back then, and cheap. When every other child dies before the age of five and the average life expectancy is 35, I imagine, you live your life cranked to 11 every waking moment. Accounts of grown men weeping like little girls at the theater aren’t an exaggeration; the whole age was given to extreme outbursts. And that’s just the baseline! Now consider that a guy like Henry never had a moment to himself, and I do mean never — not once, in his entire life. He even had a guy with him on the crapper, who would wipe his ass for him. The relationship between Henry and a guy like Wolsey, then — to say nothing of his relationship with the Groom of the Stool — must’ve been intimate in a way we can’t possibly grasp. Compared to that, you and your wife are barely on speaking terms. If Henry seemed sometimes to set policy just because he was pissed at Wolsey, we must consider the possibility that that’s exactly what happened.
The best you can do, then, is imagine yourself back there as best you can, and make your interpretations in that light, acknowledging your biases as best you can (I’m not a medievalist, obviously, but I’m a much better read amateur than most, and though Henry VIII is a very hard guy to like, he’s equally hard not to admire). Most of all — and this, I think, is the hardest thing for academic historians, more even than recognizing their presentist biases — you have to keep your humility. Perhaps Henry’s decision about ___ was part of a gay little frenemies spat with Wolsey. That’s sure what it seems like, knowing the man, and having no contrary evidence …
… but contrary evidence might always emerge. It might not have been the optimal decision, but it might’ve been a much better one than you thought, because Henry had information you didn’t, but now do. It makes for some restless nights, knowing that your life’s work could be overturned by some grad student finding some old paper at a yard sale somewhere, but … there it is.
Severian, “Writing Real History”, Rotten Chestnuts, 2021-08-18.
October 20, 2024
QotD: The “Spirit of the Sixties”
Quick, ask the Boomers what was so great about The Sixties™. I hope you’ve got a few months to spare, but if you boil it all down, it’s “the spirit”. They really thought they were fundamentally transforming the world, and may God have mercy on all our souls, they were right. Same thing with the WWII generation, the Progressive Era, whatever. Even those who wax nostalgic for the 80s will talk about the feeling of the age — “the last golden Indian summer of America”, as someone quoted in the comments yesterday, and doesn’t it break your heart?
Not to get all Classical Rhetoric up in here, but for prior generations, things like “The Beatles” are synecdoche. They’ll go to their graves insisting that The Beatles were “the greatest band ever”, but if you press them on it, most of them are honest enough to admit that Ringo et al weren’t such great shakes, musically. At their best, The Beatles’ songs are musically simplistic and lyrically gibberish; at their worst, they’re “Rocky Raccoon”. The Beatles are “great” because they were innovators, not so much musically but because they were so goddamn pretentious. They wanted to be not mere entertainers, but artistes, and we indulged them, and that combo — pretentiousness and indulgence — became The Spirit of the Sixties.
Thus if you answer “The Beatles” to the question “What’s so great about The Sixties?”, it’s a synechdoche for “the spirit of the age”.
Severian, “Why the 90s Was the Worst Decade Ever”, Rotten Chestnuts, 2021-07-04.
October 14, 2024
QotD: Americans and their cars
Given that, for “Americans”, cars are a pretty good proxy for personality. What you drive, and more importantly how you drive, shows everyone else on the road the state of your soul. There are entire models of car — Toyota Priuses (Prii?), Subaru Outbacks — that are only driven by SJWs. Karen drives a late-model SUV, almost universally, but if she’s forced to drive a minivan or, God help us all, a standard four-door, she’ll festoon it with a thousand of those “passive-aggressive” (or whatever we end up calling them) bumper stickers: My broomstick is in the shop. Stick-figure families in rainbow colors. Hate is not a family value (often juxtaposed, with brain-breaking obtuseness, next to one wishing that various “conservatives” would die in fires). And so on.
Severian, “Cars, Bikes, Motorcycles”, Rotten Chestnuts, 2021-07-25.
October 8, 2024
QotD: The competitive instinct
I once saw an interview with basketball player Charles Barkley, in which he discussed his retirement. Barkley was a Hall of Fame player, and like most of those guys, he hung on a few seasons too long. Even having lost a step or three, Sir Charles was still a decent player, but that’s all he was — a decent player, but getting paid like a superstar and with a superstar’s reputation. A few seasons after retiring, he admitted as much. He said something like (from memory) “I’d guard a guy and think, ‘this is going to be easy, this guy is terrible’. And then he’d beat me, and I’d realize I just got beat by some guy who’s terrible, and then I knew it was time to hang it up.”
One thing chicks of both sexes and all however-many-we’re-up-to genders don’t realize these days is how competitive men — actual biological males — are hardwired to be. Things like World of Warcraft and fantasy football only exist because the genius who invented those figured out a way to tap into that heretofore-unexpressed male competitiveness. And indeed, it’s the guy who’d never even dream of putting on shoulder pads who’s the most insanely competitive guy in a fantasy football league or (I’m certain) a whatever-they’re-called in World of Warcraft. Even the uber-dorks in the Math Club and the Speech and Debate Society went after each other like Mickey Ward and Arturo Gatti. It’s just how guys are … or, at least, how guys used to be.
[…]
When it comes right down to it, that’s why men of a certain age simply don’t get “women’s sports”. Few will be as crustily chauvinistic as yer ‘umble narrator, and come right out and say it, but here goes: Women’s “sports” are just a shoddy knockoff of the real thing, because women just aren’t wired that way. That’s not to say that there aren’t competitive women, or athletic women — obviously there are, some very athletic and very competitive — but the female of the species just isn’t wired to put in the work the way males are. When faced with the prospect of three straight hours in the batting cage, swinging at curve after curve until your blisters have blisters and your shoulders feel like they’re falling out of their sockets, most women will quite sensibly ask “why bother?” Competition-for-competition’s-sake, even when it’s only against yourself in those long, long, looooong hours in the cage, just doesn’t motivate them the way it does us.
Which is why a person’s reaction to Simone Biles, or the USA Women’s soccer team, or the WNBA, or what have you is an almost perfect predictor of their age, not just their “gender”. I judge sports as sports. I don’t care about soccer, but if I did, I’d care about it as soccer — meaning, I’d want to see the best possible players, playing at the highest possible level. Women’s Olympic teams — that is to say, all star teams, the very best players — routinely get smoked by teams of 15 year old boys. Sir Charles is pushing sixty, but he could dominate the WNBA right now, in street clothes. Obviously this doesn’t apply to Pee Wee or rec leagues, but if you’re going to take a paycheck for doing it, then I want to see exactly what I paid for.
In estrogen-drenched, synchronized-ovulation Clown World, it’s all about appearances. Sure, she let her team down and wussed out (while still talking up how great she is), but can’t you see that it gave her the sadz? Sure, Megan Rapinoe et al keep getting smoked by 14 year old boys, then choking in international competition, but can’t you see her out there, with her pink hair and her tats and her Strong, Confident Empowerment? The “competition”, such as it is, is an excuse for the display. Michael Jordan ought to give baseball another shot. We know he can cry. These days, that’d get him a first-class ticket to Cooperstown.
Severian, “On Competition”, Rotten Chestnuts, 2021-08-02.
October 2, 2024
September 26, 2024
QotD: The Asshole License, First Class
Here’s the “official” definition of “passive-aggressive”:
Passive-aggressive behavior is characterized by a pattern of passive hostility and an avoidance of direct communication. Inaction where some action is socially customary is a typical passive-aggressive strategy (showing up late for functions, staying silent when a response is expected). Such behavior is sometimes protested by associates, evoking exasperation or confusion. People who are recipients of passive-aggressive behavior may experience anxiety due to the discordance between what they perceive and what the perpetrator is saying.
There’s definitely a lot of that going around, but it doesn’t describe the behavior of the apple polishers, or the people who have issued themselves the Asshole License. You know the ones I mean: SJWs, of course, but also CrossFitters, vegans, cyclists … basically, anyone who takes up a certain cause or lifestyle seemingly for the sole purpose of being an enormous douchebag about it in every possible social situation. Neither I nor anyone else would have a problem with vegans, say, if they really were doing it for their health, as they so often claim, because if they really were doing it for their health, they’d bring it up once, and then forever shut the fuck up about it.
But they don’t. Similarly, nobody would have a problem with bike riders if they’d just follow the goddamn rules of the road. But they don’t, and the more “cyclist” shit they own — the racing bikes made out of space station parts, the lycra bodysuits, the helmets that look like cranial jockstraps — the less the rules of the road apply to them. Spot one of those fuckers in full kit, and you’re guaranteed to see him weaving in and out of four lanes, turning abruptly without signaling, and blowing through stop signs at full speed, with nary a glance at cross traffic. They’re possessors of the Asshole License First Class, you see, so obviously the rules don’t apply when they’re doing their Official Asshole Thing.
See what I mean? That’s not “passive-aggressive”. But it’s not “active-aggressive” either. They’re not trying to pick a fight. It’s like virtue-signaling, in that you, the audience, are absolutely necessary, but unlike the standard virtue-signal, which is strictly an intra-Leftist competition, this one entails hostility towards the rest of the world, not just toward fellow Leftists …
Severian, “The Passive-Aggressive Society”, Rotten Chestnuts, 2021-07-24.
September 20, 2024
QotD: The Matrix, Harry Potter and “The One Pop Culture Thing”
Part of the appeal of Harry Potter must be that can somehow be intellectualized, though — at least, if the number of people incorporating it, in all apparent seriousness, into college classes can be believed. Here again, I’m not talking the English Department, which might have a legitimate reason — to study the narrative technique or whatever (for certain stretched-farther-than-Trigglypuff’s-sweatpants values of “legitimate”, anyway). I mean classes like “PHIL 101: Harry Potter and Philosophy”, which started showing up first in goofy California colleges, then all over the damn place, somewhere around 2002.
That certainly seems to be the appeal of The Matrix, and indeed The Matrix stopped being The One Pop Culture Thing very quickly, I hypothesize, because it made “intellectualizing” it too easy. The Matrix is pretty much just Jean Baudrillard: The Movie, and while that’s fun and even useful — Baudrillard did have a point, despite it all — it’s just too clever … by which I mean, The Matrix did too much of the heavy lifting, so that you don’t get too many Very Clever Persyn points for noting that we’re all, just, like, simulations in other people’s minds, dude. Descartes can go fuck himself; Keanu Reeves has solved the mind-body problem with kung fu.
Also, Baudrillard-lite is everywhere now. We’re all Postmodernists, in the same way we’re all Marxists, so even the kids who slept through most of their one required Humanities course has at least vaguely heard of this stuff. A show like True Detective, on the other hand, hearkens back to much older philosophy — as tiresome as the wannabe-Foucaults were back in the late 1980s, as a culture we’ve pretty much forgotten about them, so the brooding wannabe existentialist douchebag seems new now. I just googled up “best true detective quotes”. Here’s a small sampling:
This is a world where nothing is solved. You know, someone once told me time is a flat circle. Everything we’ve ever done or will do, we’re gonna do over and over and over again.
Also:
… to realize that all your life, all your love, all your hate, all your memory, all your pain, it was all the same thing. It was all the same dream you had inside a locked room — a dream about being a person. And like a lot of dreams, there’s a monster at the end of it.
That “flat circle” thing is a direct quote from Schopenhauer, I’m pretty sure, and the idea of “eternal recurrence” came from Vedic philosophy via him to Nietzsche. Here, for instance, the Manly Mustache Man summarizes the plot of True Detective, season 1:
What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: “This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence — even this spider and this moonlight between the trees, and even this moment and I myself. The eternal hourglass of existence is turned upside down again and again, and you with it, speck of dust!”
Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: “You are a god and never have I heard anything more divine.” If this thought gained possession of you, it would change you as you are or perhaps crush you. The question in each and every thing, “Do you desire this once more and innumerable times more?” would lie upon your actions as the greatest weight. Or how well disposed would you have to become to yourself and to life?
Here again, I don’t blame the average HBO viewer for having their minds blown by this (or at least pretending to), but people with PhDs should damn well know better. This is existentialism for dummies, but since they spent most of their off hours in grad school reading Harry Potter …
Severian, “The One Pop Culture Thing”, Rotten Chestnuts, 2021-09-16.
September 14, 2024
QotD: Academia
… the ivory tower — that is to say, an institution where all the drama is entirely self-manufactured by vain, petty people who think they’re much smarter than they actually are. That rules out most genres people actually enjoy reading right there. There’s comedy, I guess, and I considered giving that a go, but the modern university is beyond parody. Maybe Joseph Heller at his absolute apex could pull it off, but I’m no Joseph Heller. Nor am I Franz Kafka, who is the onlie begetter of the only other genre that would cover academia: Surrealist, absurdist, dystopian horror. The adjective “Kafkaesque” describes graduate school perfectly, no doubt, but if you somehow need a dose of that, just go read The Trial. Or watch the film Brazil, and imagine everyone is twice as polysyllabically self-important …
Severian, “Storytelling Fail”, Rotten Chestnuts, 2021-07-13.
September 8, 2024
QotD: Life in pre-mechanical times
Anyway, because I’m actually interested in how people are and how they lived, I love “living history”. I know, I know, I’m the one who brought up the Civil War, but though I admire (in a very limited sense) the dedication of “reenactors”, we ain’t going there, lest the comments get way off track. Instead, I’ll refer you to the works of Ruth Goodman. She apparently shows up on a lot of “living history” shows in Britain, which are apparently quite popular over there, and she writes good books about the experience, most with “How to” in the title: I’ve read How to be a Victorian and How to be a Tudor, and they’re both great fun.
The thing you’ll notice right away if you read them is how utterly tedious life was pre-electricity. Actually, no, tedious is the wrong word, since in our usage it implies “mindless” and that’s exactly the opposite of Victorian and especially Tudor life. A much better word is “laborious”, maybe even just “hard”. Life was hard back then. Even the simplest tasks took hours, because everything had to be done by hand. You had a few simple machines, of course — simple in the mechanical sense, though nearly every page brings its “gosh, I never would’ve thought of that!” surprise — but mostly it’s muscle power. If you’re lucky, a horse’s or a donkey’s muscles do some of the heaviest work, but mostly it’s straight-up human effort.
And it’s far from mindless. How to be a Tudor has a long section on baking bread, for instance, and it’s fascinating. There’s a reason bakers had their own guild and were considered tradesmen; it takes a lot of well-honed skill to make anything but the coarsest peasant stuff. And of course that coarse peasant stuff takes a decent amount of skill itself, which is just one of a zillion little skills your average housewife would have. If you read the section on bread-baking and really try to imagine doing it, you’ll find yourself almost physically exhausted … and that’s just one minor chore among dozens, maybe hundreds, that everyday people had to do each and every day.
In other words, everyday Tudor people were “simple”, in the old sense that means “unsophisticated”, but they were never, ever bored. Even the relatively well-off, even when everything was peaceful and prosperous and functioning perfectly, were constantly mentally engaged with the world. They had to be. Imagine if getting your daily bread took not just two hours’ labor, but an actual plan. If you didn’t start your day figuring out how you were going to get fed that day, you wouldn’t eat. They had dozens, probably hundreds, more daily tasks than we ever have, and while any one of those tasks can probably be performed on autopilot if taken in isolation, they were never taken in isolation. Maybe the housewife could bake bread on autopilot, but while her hands were doing that seemingly of their own volition, her mind was lining up the zillion other things she had to do that day. Her mind was constantly engaged.
And “housewife” was a deeply meaningful term back then. The next thing that strikes you, after the sheer amount of effort everything took, is the necessity of communal life. Just the basics of day-to-day living pretty much requires a nuclear family — husband, wife, a few kids. And that’s your hardy yeoman type on the edge of starvation on the forest’s fringes. In any larger settlement, everyone knows everyone, intimately, because your very life depends on it — not only do you know the miller personally, you’ve got a major, indeed mortal, interest in how he lives his life, because if he’s shorting you, you die … or, at least, your already hard life gets a whole lot harder. There’s basically no such thing as privacy, because there can’t be.
Severian, “On Boredom”, Rotten Chestnuts, 2021-08-17.
September 2, 2024
August 27, 2024
QotD: Who were the good guys?
The Valkyrie plot was really a thing that happened (the cognoscenti call it the Schwarze Kapelle), and it’s got all the makings of a great spy thriller … except one: There’s no good guy. Claus von Stauffenberg was a better guy than Hitler, I suppose, but that’s a bar so low it’s subterranean. Von Stauffenberg was a Wehrmacht colonel who’d seen action in pretty much every theater up to that point, including the invasions of Poland and Russia. It’s safe to say that one does not rise to the rank of colonel via combat in the Nazi armed forces without being involved in some shady shit. Indeed, as Wiki informs us, von Stauffenberg was fine with the way things ran in Poland, and initially declined to participate in the resistance out of a sense of personal loyalty to the Führer.
A movie can get away with showing mostly shades of gray, but in the case of the Valkyrie plot, both shades are pretty damn close to black.
Nor was the 2008 movie, starring Tom Cruise, an isolated case. A few years earlier, Jude Law and Ed Harris squared off as dueling snipers in Enemy at the Gates … set during the Battle of Stalingrad. Who do you root for, the Nazi or the Commie? The producers opt for “commie”, obviously, but their attempts to humanize the Jude Law character are embarrassing — even if we accept Law’s character as totally apolitical, no movie featuring a political commissar in a vital supporting role, not to mention “cameos” by Khrushchev and Stalin himself, can fail to remind viewers that everyone involved was awful. Even the most gripping battle scenes (and to be fair, some of them were pretty good) can’t make up for the fact that the world would be a far, far better place if they somehow both could’ve lost.
Those are high-level failures, conceptual mistakes, the kind that professional storytellers simply shouldn’t make. Not only that, though, both movies have unforgivable mistakes in the execution, at almost every level. Tom Cruise, for instance, is comically miscast as Stauffenberg. I’ve written before about how weird it is that casting directors seem to obsess over finding actors who look like even obscure historical figures. Cruise looks a bit like Stauffenberg, I guess, but there’s simply no way a guy with his … ummm … distinctive acting style should be anywhere near a historical drama. Tom Cruise only ever really plays Tom Cruise, so “Tom Cruise dressed up as a Nazi” is really jarring.
And that’s before you consider the accents. Maybe Tom Cruise can’t do a German accent, I dunno. I seem to recall he did an Irish accent in a movie once, and that turned out ok, but again, whatever character he was playing was just “Tom Cruise with an Irish accent.” So maybe if you feel you must cast him as a German, letting him use his “natural” American accent is the way to go. But if you’re going to do that, please, for pete’s sake, make everyone else do an American accent, too. I know Kenneth Branagh can do one. So either cast guys who can do the right accent, or, failing that, who can do each other’s accent. Otherwise you get a huge, distracting mess.
Enemy at the Gates was actually worse: Law, Joseph Fiennes (the commissar), and Rachel Weisz (the love interest) all used their native British accents … but they’re different kinds of British accent, at least in Law’s case. Meanwhile, Ed Harris (the Nazi antagonist) uses the “neutral” American accent, while supporting player Ron Perlman, who is American, does a comically over-the-top Russian … as do the guys playing Khrushchev and Stalin. It’s just weird. In both movies, you’ve got supposedly tight groups of friends (or, at least, co-conspirators) talking to each other in wildly different accents. That kind of thing is bad enough in a movie like Robin Hood, Prince of Thieves, which made no pretenses to historical accuracy; it’s movie-destroying in a supposedly serious, historically-based thriller.
Severian, “Storytelling Fail”, Rotten Chestnuts, 2021-07-13.