That story, I need scarcely say, is anything but edifying. One rises from it, indeed with the impression that the misdemeanor which caused Wilde’s actual downfall was quite the least of his onslaughts upon the decencies — that he was of vastly more ardor and fluency as a cad and poltroon than ever he became as an immoralist. No offense against what the average civilized man regards as proper and seemly conduct is missing from the chronicle. Wilde was a fop and a snob, a toady and a social pusher, a coward and an ingrate, a glutton and a grafter, a plagiarist and a mountebank; he was jealous alike of his superiors and of his inferiors; he was so spineless that he fell an instant victim to every new flatterer; he had no sense whatever of monetary obligation or even of the commonest duties of friendship; he lied incessantly to those who showed him most kindness, and tried to rob some of them; he seems never to have forgotten a slight or remembered a favour; he was as devoid of any notion of honour as a candidate for office; the moving spring of his whole life was a silly and obnoxious vanity. It is almost impossible to imagine a fellow of less ingratiating character, and to these endless defects he added a physical body that was gross and repugnant, but through it all ran an incomparable charm of personality, and supporting and increasing that charm was his undoubted genius. Harris pauses more than once to hymn his capacity for engaging the fancy. He was a veritable specialist in the amenities, a dinner companion sans pair, the greatest of English wits since Congreve, the most delightful of talkers, an artist to his finger-tips, the prophet of a new and lordlier aesthetic, the complete antithesis of English stodginess and stupidity.
H.L. Mencken, “Portrait of a Tragic Comedian”, The Smart Set, 1916-09.
December 5, 2024
QotD: Oscar Wilde
November 26, 2024
QotD: Hesiod’s five ages of man
The only text I vividly remember from my university semester in Classics is a poem by Hesiod entitled Works and Days. I read Homer, of course, and Virgil, and Ovid, and the three tragedians, but their texts have long become a blur of strange names, strange desires, inventive use of parataxis and the word “destiny”. But I remember Hesiod. Memory is a peculiar thing.
Hesiod is the seventh century BC management book writer. He didn’t write about digital strategy, but his poems drone on in the earnest monotone of an old-school sociology lecturer who — after years of correcting student papers — decides to try his hand at fine letters. Hesiod is ace at conveying fact, but not at re-inventing it. This makes him a fine chronicler, but not a poet. I cannot imagine anyone reading Works and Days today for anything other than anthropological curiosity.
I don’t remember all eight hundred lines of Works and Days — just five stanzas: one for each of the Five Ages of Men. First came the Golden Age, in which the land was bounteous, the forests were rich with game, and men were decent, happy, and favoured by the gods. But this state of bliss didn’t last. Cracks began to appear during the next generation with the emergence of the Silver Race — small crooks and delinquents who “could not keep from sinning and from wrongdoing one another”. Zeus didn’t like them and eventually killed them off. The third generation, the Bronze Race, managed to be an even greater disgrace, a bunch of hoodlums of great physical strength with “unconquerable arms which grew from their shoulders on their strong limbs.” (I find this image rather powerful. It reminds me of my gym on a Friday night.) Things looked up momentarily during the subsequent Heroic Age, as Zeus created a “god-like race of hero-men called demi-gods”. But everything went definitively, irrevocably tits-up in the fifth and final age: the Iron Age. Land became barren, crops wilted, stock died of disease; men were poor, men were bitter, son betrayed father, neighbour killed neighbour, chaos and treachery ruled.
As a story of decline and fall, it’s a nice one (although I’ve seen better). In terms of literary merit, it’s nowhere near Homer. So why am I harping on Hesiod? (Now do pay attention, as here comes the point of this essay.) The key variable between the time when men were happy and the time when they were not, according to Hesiod, is work. “In the Golden Age,” he writes, men “lived like gods … remote and free from … hard toil …” But in the Iron Age, “men never rest from labour …” Writing about the Iron Age — the age of hard work and misery — Hesiod wrote about his own time, but he also wrote about our time. We live in the Iron Age. It is a sad age. It is the age when people have to work. And work kills the spirit.
Elena Shalneva “Work — the Tragedy of Our Age”, Quillette, 2020-01-29.
September 27, 2024
QotD: Nietzsche – a gamma male incel?
Nietzsche seems to elicit either frothing anger or dismissive contempt amongst Christians. This is understandable. He did after all write a book called The Antichrist, and coined such memorable phrases as “God is dead”. Characterizing Christianity as a form of slave morality doesn’t endear him to Christians either. As to the contemptuous dismissal, this is usually phrased along the lines that Nietzsche spent the last decade of his life as a catatonic madman, probably due to advanced syphilis, and that his life before this was marked by professional and social failure, continuous health problems such as severe migraines and painful digestive issues, and rejection by romantic interests. This “Ubermensch“, they say, was a loser. He was an incel. He was a gamma male.
If you aren’t familiar with Vox Day’s sociosexual hierarchy [SSH], you can find the definition of its categories at his Sigma Game Substack here. Briefly, the SSH classifies men (and only men) according to the ways they relate to one another, and therefore (since women are exquisitely socially sensitive), to women. It divides men into the following categories: alphas, the natural leaders who get most of the female attention; betas or bravos, who are not Pyjama Boy, but rather the alpha’s lieutenants and capos, enforcing the alpha’s rule and getting some of the female attention that spills out of his penumbra; gammas, who are essentially low-t nerds with poor social skills that scare the hoes; deltas, who are basically the workers, the ordinary joes who keep everything running, and are sometimes after much struggle successful in landing a waifu; omegas, who are at the bottom of the hierarchy, neither receiving much from it nor contributing anything to it, and never leave their dirty basements; sigmas, who are essentially lone wolves with an ambivalent relationship to the hierarchy, which they don’t really care about (they have their own, more interesting thing they’re doing, which they’re happy to do alone if necessary), but nevertheless do quite well within it, often challenging the alpha’s authority without intending to; and lambdas, who exist outside of the sociosexual hierarchy because they are literally gay.
If you want an image of the SSH, consider your typical American high-school in the 1980s. The alpha is the captain of the football team; the betas are the other football team players; the gammas are the chess club nerds; the deltas are the normal kids with nothing much remarkable about them; the sigma is the kid in the metal shirt who cuts class because it bores him and then shows up at the party with a hot girl from a different school that no one has met before; the omegas are the dropout welfare trash kids; and the lambdas are the theatre kids.
So, was Nietzsche a gamma male incel? Was he a loser and a nerd?
Of course he was. Vox is absolutely correct about this.
Christians will usually follow up the gamma male incel attack by noting the absurd contrast between Nietzsche’s lived reality, as a frail neurasthenic with a terminal case of oneitis who could be sent into days of migraines by a chance encounter with a caffeinated beverage, and the concept of the Ubermensch he preached in his writings, most notably in his very strange novel? prose poem? mental breakdown? Thus Spake Zarathustra. By the same token we might note that Virgil was no Aeneas. The character created by the artist is not the artist; if the artist was the character, he’d be too busy running around doing heroic character things, not hunched over in his scriptorium scribbling away with ink-stained fingers.
And make no mistake about it – Nietzsche was as much the poet as the philosopher, indeed, probably more poet than philosopher. One of the most common complaints you’ll hear about Nietzsche is that it’s not at all clear, much of the time, what he’s getting at. What is the actual argument here? people will ask. They’re used to philosophers whose turgid prose is a loose string of logical syllogisms, composed with all the charm of a mathematical derivation. The wild electricity of Nietzsche’s divine madness is an entirely different genre.
We call Nietzsche a philosopher because that’s the closest category we have to throw him in, but this is a poor categorization. Nietzsche’s mind – and yes, this may well be because it was broken by syphilis – did not proceed according to the narrow rails enforced by a rigid adherence to logic and reason. It was not weighed down by the gravity of methodological rigour. That is not to say that he did not apply reason, simply that he was not limited to it. He made use of revelation, of inspiration, just as much. He felt as much as he thought when he wrote, inhabiting the ideas he developed with his passion as much as his intellect. He thought with his whole brain, using both his left hemisphere and his right – in Nietzsche’s language, the Apollonian and the Dionysian. Being aware that philosophy specifically, and Western thought more generally, was to an extraordinary and even pathological degree locked into the left-hemisphere mode, into the Apollonian realm of rational dialectic, he went out of his way to cultivate the Dionysian instead, to get into touch with his intuitive, subconscious, “irrational” mind. As much as Nietzsche was a philosopher, he was also an artist, a poet1, a mystic, and even, dare I say it, a prophet.
None of which is to say that he was not also a giant loser.
But then, most philosophers are nerds who are bad with the ladies. There are exceptions, of course. There is no record of Plato being bad with the ladies; Plato’s tastes are reputed to have run in different directions.
John Carter, “The Prophet of the Twentieth Century”, Postcards from Barsoom, 2024-06-25.
1. He published a volume of actual poetry, which wasn’t very good; he also dabbled in musical composition, which was even worse.
August 29, 2024
Britain’s empire after WWII
From my readings about the behind-the-scenes negotiations among the western allies even before the United States formally entered the war in late 1941, I’ve always felt that the personal relationship between Winston Churchill and Franklin Delano Roosevelt was at least as important as the formal public proclamations and direct actions of the allies. It’s my belief that Churchill and FDR had a “wink and a nod” agreement for the US to continue supporting the British economy after the end of the war in Europe, probably in exchange for a gradual retreat from formal Imperial control over at least some of the remaining British colonies. This would have made Britain’s immediate postwar experience far less grim economically and politically and allowed the British economy to gracefully switch from full wartime production to fulfilling peacetime business and consumer needs.
Of course, with Roosevelt dead (and Truman certainly not “read-in” on any unwritten promises to the British) and Churchill out of office (which was as much of a shock to the Americans as it was to Churchill himself), whatever they may have hoped to do was now so much wishful thinking. Britain had to not just continue wartime rationing after VE and VJ Day, but to actually make it more stringent for nearly a decade just to avoid national bankruptcy … and the withdrawal from imperial outposts had to be done as quickly and as cheaply as possible. This often meant corners were cut, cheeses were pared, and shortcuts availed of, so that the experiences of the former colonies were more fraught with civil disturbances and commercial disruptions than they should have been.
All of this is a very long-winded way to introduce Joshua Treviño’s post at Armas which considers how an American imperial decline may or may not mirror the postwar British experience of de-imperialization:
We can guess that American decline under the present regime will look much like Britain’s. The British case is taken as so normative — of course a nation will decline after its empire is gone — that the normativity goes unquestioned. But this is the worst sort of history, determinative in retrospect, as if the loss of imperium (or more properly, the loss of imperial fiscal stability) set in motion dominoes that fell unstoppably until the latest squalid episode of Keir Starmer’s thought police. That isn’t how human events work, however: all things are contingent. Britain was, in the eyes of several European powers, reduced to a mid-tier power after the catastrophic loss of America at the opening of the 1780s — and a generation later it was the indispensable nation versus French hegemony. There was not any particular reason a comparable recovery ought not have happened in the generation after 1945, even with the loss the of the empire, and even with the great postwar crisis of the pound sterling. This was in fact the high-Tory view as set forth by Enoch Powell, who evolved toward a belief that the empire was a burden on Britain, which could ascend to its destiny and fulfillment by means of the British themselves.
That this did not happen is plausibly much the fault of the Americans, who did two major things — one of them unwittingly — to forestall this sort of recovery. The first act, undertaken with deliberation, was the credible American threat to destroy the United Kingdom’s finances and economy in the 1956 Suez crisis: in no way the act of an ally, and one whose psychological effects upon Britain’s governing elites were as significant as the hard-power effects upon Britain itself. (Though I am not a particular fan of De Gaulle, for reasons that may be discussed here later, he was unquestionably a better steward of the nation than his U.K. counterparts in his conclusion — admittedly coalescing a decade earlier — that a European state could be a major power, or it could be a junior partner to the United States, but not both.) The British regime’s reaction to the episode — to draw so close to the Americans as to abandon the nation’s strategic independence — thereby contributed powerfully to Britain’s subsequent diminishment. That diminishment was not simply in the realm of hard power: it was accompanied by a profound social and governmental malaise that has fluctuated across the decades but has yet to lift. Philip Larkin’s 1969 Homage to a Government captures it well:
Next year we are to bring all the soldiers home
For lack of money, and it is all right.
Places they guarded, or kept orderly,
Must guard themselves, and keep themselves orderly
We want the money for ourselves at home
Instead of working. And this is all right.It’s hard to say who wanted it to happen,
But now it’s been decided nobody minds.
The places are a long way off, not here,
Which is all right, and from what we hear
The soldiers there only made trouble happen.
Next year we shall be easier in our minds.Next year we shall be living in a country
That brought its soldiers home for lack of money.
The statues will be standing in the same
Tree-muffled squares, and look nearly the same.
Our children will not know it’s a different country.
All we can hope to leave them now is money.The superficial read of Larkin here is that he laments deriving purpose from other things closer to home. There is a baseness in the imperialist’s love of mission, and he misses the sublime in, say, the National Health Service. It is a dumb atavism: if the “tree-muffled squares … look nearly the same”, then why does it matter that “the soldiers [are] home”? This interpretation is wrong. What Larkin laments is the loss of the common and noble purpose in the civic partnership that makes the nation, as defined at the outset of Aristotle’s Politics — without which the nation fails to cohere, even if its regime persists. Despite the strenuous efforts of the left and progressivism across the past century, that virtuous end to which the nation has been directed has never been supplanted in its old forms — religion, glory, strength, creation — by any new ones of social programs or millennialist materialism. When Clement Attlee wrote in his 1920 The Social Worker that the Protestant Reformation was to blame for the moral degradation of charity, his solution was not the obvious one (which is to say, the restoration of Catholic England or at least its mores), but to interpose government where religion and its purposes used to be. His 1945 general-election invocation of building “Jerusalem” in England, directly quoting William Blake, logically followed.
But that is not how Jerusalem is built. It remains unbuilt, and the civic effects of the American fixation and what it facilitates redound across time. Nick Cohen accuses the modern British right of Americanizing itself, and that is largely accurate, but contra his indictment, the British left does the same in different ways. What the Americans did in 1956 was not a singular event — rather it was a punctuation on a process that had been unfolding in stages for the preceding forty years or so — but their objects got a vote too. That vote was to submit, a preference shared across right and left alike. That no American regime ever had Britain’s interest fully at heart (a truth with ample reminders, not just at Suez, but in Northern Ireland, in the Falklands, in Grenada, in Iraq, and in Afghanistan) did not alter this course, thereby making a triumph of theory unmoored from fact.
August 11, 2024
QotD: Greek and Roman notions of courage
That understanding of courage [of First Nations tribes of the Great Plains] was itself almost utterly alien to, for instance, the classical Greeks. While Greek notions of military excellence had their roots in Homer (on this, see J.E. Lendon, Soldiers and Ghosts: A History of Battle in Classical Antiquity (2005)) and an ethic of individual combat where honor was gained by killing notable enemies, by the fifth century this had been replaced by an ethic almost entirely focused on holding position in a formation. As Tyrtaeus, a Spartan poet, writes (trans. M.L. West):
I would not rate a man worth mention or account
either for speed of foot or wrestling skill,
not even if he had a Cyclops’ size and strength
or could outrun the fierce north wind of Thrace;
I would not care if he surpassed Tithonus’ looks,
or Cinyras’ or Midas’ famous wealth,
or were more royal than Pelops son of Tantalus,
or had Adrastus’ smooth persuasive tongue,
or fame for everything save only valour: no,
no man’s of high regard in time of war
unless he can endure the sight of blood and death,
and stand close to the enemy and fight.
This is the highest worth, the finest human prize
and fairest for a bold young man to win.
It benefits the whole community and state,
when with a firm stance in the foremost rank
a man bides steadfast, with no thought of shameful flight,
laying his life and stout heart on the line,
and standing by the next man speaks encouragement
This is the man of worth in time of war.This is not a daring courage, but a stoic (in the general sense) courage – the courage of standing a place in the line. And note for Tyrtaeus, that courage is more important than skill, or strength or speed; it matters not how well he fights, only that he “bides steadfast” “with a firm stance”. There is no place for individual exploits here. Indeed, when Aristodemus (another Spartan), eager to regain his honor lost by having survived the Battle of Thermopylae, recklessly charged out of the phalanx to meet the Persian advance at the Battle of Plataea, Herodotus pointedly notes that he was not given the award for bravery by the Spartans who instead recognized those who had held their place in line (Hdt. 9.71; Herodotus does not entirely concur with the Spartan judgement).
This was a form of courage that was evolving alongside the hoplite phalanx, where either shameful retreat or a reckless charge exposed one’s comrades to danger by removing a shield from the line. While, as Lendon is quick to note, there was still a very important aspect of personal competition (seeking to show that you, personally, had more bravery to hold your position than others), this is a fundamentally collective, not individual style of combat and it has values and virtues to match. Indeed, the Greeks frequently disparaged the fighting style of “barbarians” who would advance bravely but retreat quickly as cowardly.
And so the man who holds his place in the group and does not advance recklessly is the bravest of Greeks, but among the Crow Native Americans would seem a coward, while the bravest Crow who cleverly and daringly attacked, raided and got away before the enemy could respond would in turn be regarded by the Greeks as a reckless coward, unworthy of honor. These notions of courage aren’t merely different, they are diametrically opposed demanding entirely different actions in analogous circumstances!
The translator will call both of these ideas “courage”, but clearly when one gets down to it, they demand very different things. And these are just two examples. As Lendon notes (op. cit.), the virtus of the Roman was not the same as the andreia of the Greek, though both words might well be translated as “courage” or “valor” (and both words, etymologically mean “manliness”, lest we forget that these are very gender-stratified societies). Roman virtus was often expressed in taking individual initiative, but always restrained by Roman disciplina (discipline), making that system of military values still different from either the Crow or the Greek system.
Bret Devereaux, “Collections: The Universal Warrior, Part IIa: The Many Faces of Battle”, A Collection of Unmitigated Pedantry, 2021-02-05.
August 10, 2024
QotD: “The Gods of the Copybook Headings”
As I pass through my incarnations in every age and race,
I make my proper prostrations to the Gods of the Market Place.
Peering through reverent fingers I watch them flourish and fall,
And the Gods of the Copybook Headings, I notice, outlast them all.We were living in trees when they met us. They showed us each in turn
That Water would certainly wet us, as Fire would certainly burn:
But we found them lacking in Uplift, Vision and Breadth of Mind,
So we left them to teach the Gorillas while we followed the March of Mankind.We moved as the Spirit listed. They never altered their pace,
Being neither cloud nor wind-borne like the Gods of the Market Place,
But they always caught up with our progress, and presently word would come
That a tribe had been wiped off its icefield, or the lights had gone out in Rome.With the Hopes that our World is built on they were utterly out of touch,
They denied that the Moon was Stilton; they denied she was even Dutch;
They denied that Wishes were Horses; they denied that a Pig had Wings;
So we worshipped the Gods of the Market Who promised these beautiful things.When the Cambrian measures were forming, They promised perpetual peace.
They swore, if we gave them our weapons, that the wars of the tribes would cease.
But when we disarmed They sold us and delivered us bound to our foe,
And the Gods of the Copybook Headings said: “Stick to the Devil you know.”On the first Feminian Sandstones we were promised the Fuller Life
(Which started by loving our neighbour and ended by loving his wife)
Till our women had no more children and the men lost reason and faith,
And the Gods of the Copybook Headings said: “The Wages of Sin is Death.”In the Carboniferous Epoch we were promised abundance for all,
By robbing selected Peter to pay for collective Paul;
But, though we had plenty of money, there was nothing our money could buy,
And the Gods of the Copybook Headings said: “If you don’t work you die.”Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew
And the hearts of the meanest were humbled and began to believe it was true
That All is not Gold that Glitters, and Two and Two make Four
And the Gods of the Copybook Headings limped up to explain it once more.As it will be in the future, it was at the birth of Man
There are only four things certain since Social Progress began.
That the Dog returns to his Vomit and the Sow returns to her Mire,
And the burnt Fool’s bandaged finger goes wabbling back to the Fire;And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins,
As surely as Water will wet us, as surely as Fire will burn,
The Gods of the Copybook Headings with terror and slaughter return!Rudyard Kipling, 1919.
August 6, 2024
Britain’s immigration debate turns violent
At The Last Ditch, Tom discusses how the immigration issue has become the issue in modern Britain:
Margaret Thatcher famously quoted Kipling’s Norman and Saxon to President Mitterand of France in an EU meeting;
The Saxon is not like us Normans. His manners are not so polite.
But he never means anything serious till he talks about justice and right.
When he stands like an ox in the furrow – with his sullen set eyes on your own,
And grumbles, “This isn’t fair dealing”, my son, leave the Saxon alone.She was trying, perhaps not as delicately as her diplomats would have wished, to explain how the apparently calm British will react – eventually – to being wronged.
I spent twenty years in three other countries and worked closely in business with people from many more. I have often smiled to myself since returning when I hear British people speak of our unique sense of fair play. It’s not unique at all. Everyone has it. We do not own fairness. We do not own tolerance.
We do, however, traditionally pride ourselves on both and the way we see ourselves has shaped our reactions over the last twenty-five years as we welcomed more immigrants than in the previous two millennia. A few years ago I listened quietly to a Bangladeshi friend – a would-be human rights lawyer – talk about racism in our country. I asked her where in the world was a better place to live as a member of an ethnic minority. On reflection, she agreed with me that there is nowhere.
I am not saying we couldn’t treat each other better. Of course we could and should try. But let’s take a moment, as our streets burn and our elites condemn us as far-right racists, to be proud of how we’ve behaved in general towards so many new arrivals in such a short time.
[…]
One day history may reveal which politician in the capital of an old European empire realised there was a ready supply of workers in the former colonies. People who spoke our languages and were familiar with our systems of government – because both had been forced on their ancestors. It was a perilous idea that may yet prove to be the end of European civilisation but he must have looked like a genius to his peers.
The doors were opened and cheap labour flooded in. From the lofty heights where the elites survey us, it looked like a perfect solution. On the ground, not always so much. Mostly we’ve been welcoming, accepting and tolerant. We’ve sometimes even gone beyond tolerance and flattered our new arrivals that they’ve enhanced our magnificent old culture with their jerk chicken and curries.
Yet already when I was a youngster practising criminal law problems had begun to emerge. A custody sergeant with whom I used to chat when waiting to see clients in the cells told me suicide rates among Muslim girls in our Midlands city were disturbingly high. Asked why that was, he said they were not suicides, but honour killings – the first time I’d heard that phrase. No-one, he said, commits suicide by pouring paraffin over themselves and setting themselves alight. It’s just too painful. Muslim men were killing their daughters and sisters. Asked why there were no prosecutions, he said senior police officers made it clear to their subordinates that it was “racist” to suggest the dead girls’ families’ stories of suicide were untrue.
Fresh out of my university law faculty, I sneered that his bosses were right and he was a racist. I will never forget the last words he said to me;
Young man, then you’re part of the problem.
And I was. In that moment, I’d turned away from murdered women to preserve my smug world view. Just as, decades later, council staff and police officers in cities all over Britain turned away from young girls groomed and raped by Muslim men, for fear of being called bad names.
Gary Fouse in the New English Review asks whatever happened to Merry Olde England:
If you have been following the news out of England for the past week, you might think that the country has all but fallen into civil war. Riots and various forms of violent protests and counterprotests have broken out in cities all over the country in reaction to a shocking murder that occurred in the town of Southport last week. On July 29, a group of little schoolgirls were attending some sort of Taylor Swift-themed dancing class when a 17-year-old son of Rwandan immigrants (who was born in England) attacked them with a knife. Three of the schoolgirls (ages 6. 7, and 9) have died and eight others went to the hospital with serious knife wounds.
The entire nation has erupted in shock and anger. Obviously, the anger is being directed at immigrants in general — given the country’s out of control migration situation and long-simmering tensions with the largely-radicalized Muslim communities. It seems that now-finally — the people have had enough. At least one migrant shelter has been attacked, and several Muslim young men are showing up to counter-protest and do battle with young white men. Now the cops in several cities are trying to keep the two sides apart.
I should state at this point that I will not condone the violence and destruction that is taking place and the objects being thrown at police who are trying to keep order. While I do not condone the violence, I think I can understand why it is taking place. I recall back in the 1960s when there were many riots in inner city areas of the US during the Civil Rights era and in response to the murders of black civil rights leaders like Martin Luther King and Medgar Evers. Many responsible black leaders condemned the violence but also added that they could understand the reasons for it. It was a different era then in America, and in the South, segregation had the force of local laws behind it. Many blacks felt that the government was not responding to their grievances.
[…]
The fact is that far too many nations in the West, including ours, have suffered from bad political leadership. We see it in our cities, we see it in our state capitals, and we see it in Washington DC. Bad political leadership results in bad cities, bad states, and a bad country. The fish rots from the head, and what we need to do-in England-in France, in America, etc is elect responsible people who recognize that their government’s number one duty is to protect the citizens. When a government fails to do so, eventually what happens is what we see in England today.
July 11, 2024
“If -“, by Rudyard Kipling
Lindybeige
Published Jul 10, 2024A poem with an excellent popularity-to-title-length ratio.
The timeless classic. A father talks to his son about how to be a good man. If any son ever lived up to all the virtues described, he would certainly be impressive.
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise:If you can dream — and not make dreams your master;
If you can think — and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ’em up with worn-out tools:If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: “Hold on!”If you can talk with crowds and keep your virtue,
Or walk with Kings — nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more — you’ll be a Man, my son!
April 16, 2024
Gabriele D’Annunzio’s Impresa – the 1919 occupation of Fiume
Ned Donovan on the turbulent history of the Adriatic port of Fiume (today the Croatian city of Rijeka) after the end of the First World War:
Fiume was a port on the Adriatic coast with several thousand residents, almost half of whom were ethnic Italians that had been under Austro-Hungarian rule for several hundred years after it once having been a Venetian trade port. By some quirk, Fiume was missed in the Treaty of London, probably because it had never been envisioned by the Allies that the Austro-Hungarian Empire would ever truly disintegrate and the rump of it that would remain required a sea port in some form. The city’s other residents were ethnically Serbian and Croatian, who knew the city as Rijeka (as you will find it named on a map today). All of this complexity meant that the fate of Fiume became a major topic of controversy during the Versailles Peace Conference. President Woodrow Wilson had become so unsure of what to do that he proposed the place become a free city and the headquarters of the nascent League of Nations, under the jurisdiction of no country.
By September 1919 there was still no conclusion as to the fate of Fiume. Events had overtaken the place and through the Treaty of St Germain, the Austro-Hungarian Empire had been dissolved after the abdication of the final Habsburg Emperor Charles I. Once again, Fiume had not been mentioned in the treaty and the country it had been set aside for no longer existed. The city’s fate was still at play.
Enter Gabriele D’Annunzio, an aristocrat from Abruzzo on the eastern coast of Italy. Born in 1863, he was a handsome and intelligent child and was nurtured by his family to be exceptional, with a predictable side effect of immense selfishness. As a teenager, he had begun to dabble in poetry and it was praised by authors unaware of his age. At university he began to be associated with Italian irredentism, a philosophy that yearned for all ethnic Italians to live in one country – by retaking places under foreign rule like Corsica, Malta, Dalmatia and even Nice.
[…]
The Italian government’s lack of interest [in Fiume] was unacceptable to D’Annunzio and he made clear he would take action to prevent it becoming part of Yugoslavia by default. With his fame and pedigree he was able to quickly assemble a small private force of ex-soldiers, who he quickly took to calling his “legionaries”. In September 1919 after the Treaty of St Germain was signed, his small legion of a few hundred marched from near Venice to Fiume in what they called the Impresa – the Enterprise. By the time he had reached Fiume, the “army” numbered in the thousands, the vanguard crying “Fiume or Death” with D’Annunzio at its head in a red Fiat.
The only thing that stood in his way was the garrison of the Entente, soldiers who had been given orders to prevent D’Annunzio’s invasion by any means necessary. But amongst the garrison’s leaders were many [Italian officers] sympathetic to D’Annunzio’s vision, some even artists themselves and before long most of the defenders had deserted to join the poet’s army. On the 12th September 1919, Gabriele D’Annunzio proclaimed that he had annexed Fiume to the Kingdom of Italy as the “Regency of Carnaro” – of which he was the Regent. The Italian government was thoroughly unimpressed and refused to recognise their newest purported land, demanding the plotters give up. Instead, D’Annunzio took matters into his own hands and set up a government and designed a flag (to the right).
The citizens of what had been a relatively unimportant port quickly found themselves in the midst of one of the 20th Century’s strangest experiments. D’Annunzio instituted a constitution that combined cutting-edge philosophical ideas of the time with a curious government structure that saw the country divided into nine corporations to represent key planks of industry like seafarers, lawyers, civil servants, and farmers. There was a 10th corporation that existed only symbolically and represented who D’Annunzio called the “Supermen” and was reserved largely for him and his fellow poets.
These corporations selected members for a state council, which was joined by “The Council of the Best” and made up of local councillors elected under universal suffrage. Together these institutions were instructed to carry out a radical agenda that sought an ideal society of industry and creativity. From all over the world, famous intellectuals and oddities migrated to Fiume. One of D’Annunzio’s closest advisers was the Italian pilot Guido Keller, who was named the new country’s first “Secretary of Action” – the first action he took was to institute nationwide yoga classes which he sometimes led in the nude and encouraged all to join. When not teaching yoga, Keller would often sleep in a tree in Fiume with his semi-tame pet eagle and at least one romantic partner.
If citizens weren’t interested in yoga, they could take up karate taught by the Japanese poet Harukichi Shimoi, who had translated Dante’s works into Japanese. Shimoi, who quickly became known to the government of Fiume as “Comrade Samurai” was a keen believer in Fiume’s vision and saw it as the closest the modern world had come to putting into practice the old Japanese art of Bushido.
The whole thing would have felt like a fever dream to an outsider. If a tourist was to visit the city, they would have found foreign spies from across the world checking into hotels and rubbing shoulders with members of the Irish republican movement while others did copious amounts of cocaine, another national pastime in Fiume. The most fashionable residents of Fiume carried little gold containers of the powder, and D’Annunzio himself was said to have a voracious habit for it. Sex was everywhere one turned and the city had seen a huge inward migration of prostitutes and pimps within days of D’Annunzio’s arrival. Almost every day was a festival, and it was an odd evening if the harbour of Fiume did not see dozens of fireworks burst above it, watched on by D’Annunzio’s uniformed paramilitaries.
D’Annunzio himself lived in a palace overlooking the city, Osbert Sitwell describes walking up a steep hill to a Renaissance-style square palazzo which inside was filled with plaster flowerpots the poet had installed and planted with palms and cacti. D’Annunzio would cloister himself in his rooms for 18 hours a day and without food. Immaculate guards hid amongst the shrubs to ensure he would not be disturbed. In D’Annunzio’s study, facing the sea, he sat with statutes of saints and with French windows onto the state balcony. When he wanted to interact with his people he would wait for a crowd to form over some issue, walk to the balcony and then ask what they wanted.
March 9, 2024
QotD: Reading for snobs
I would like, for the sake of hipness, to be able to claim that I am reading some obscure French novelist of the inter-war period, in the original French. Unfortunately, the only thing I can read in the original French is no-smoking signs, and I hate most French novels written after 1890. Instead, I’m reaquainting myself with the poetry of Edna St. Vincent Millay and Dorothy Parker, the patron saints of light verse. When I was in college, I thought I wanted to be Dorothy Parker, until I realised that no matter how hard I tried I was never going to be talented, Jewish, or short, and that dying alone only sounds romantic so long as you continue to believe yourself to be immortal.
Megan McArdle, writing as “Jane Galt”, Asymmetrical Information, 2004-12.
December 9, 2023
QotD: A secret of effective writing
I’m in the process of editing a document for a technical project that is intended to be an introduction for newbies to certain fairly complex issues. While requesting feedback on the project mailing list, I realized that I had accidentally revealed a major secret of really top-grade writing, exactly the sort of thing that put The Cathedral and the Bazaar on the New York Times best-seller list.
I see no reason not to share it with my readers. So here is the relevant part of my request for feedback:
Please fix typos and outright grammatical errors. If you think you have spotted a higher-level usage problem or awkwardness, check with me before changing it. What you think is technically erroneous may be expressive voice.
Explanation: Style is the contrast between expectation and surprise. Poets writing metric poetry learn to introduce small breaks in scansion in order to induce tension-and-release cycles at a higher level that will hold the reader’s interest. The corresponding prose trick is to bend usage rules or change the register of the writing slightly away from what the reader unconsciously expects. If you try to “fix” these you will probably be stepping on an intended effect. So check first.
(I will also observe that unless you are already an unusually skilled writer, you should not try to replicate this technique; the risk of sounding affected or just teeth-jarringly bad is high. As Penn & Teller puts it, “These stunts are being performed by trained, professional idiots.”)
Eric S. Raymond, “A major secret of effective writing”, Armed and Dangerous, 2011-02-05.
October 18, 2023
George Orwell’s views on Rudyard Kipling’s worldview
David Friedman comments on Orwell’s essay “Rudyard Kipling“, published a few years after the poet’s death in Horizon, September 1941:
During five literary generations every enlightened person has despised him, and at the end of that time nine-tenths of those enlightened persons are forgotten and Kipling is in some sense still there.
Orwell’s essay on Rudyard Kipling in the Letters and Essays is both more favorable and more perceptive than one would expect of a discussion of Kipling by a British left-wing intellectual c. 1940. Orwell recognizes Kipling’s intelligence and his talent as a writer, pointing out how often people, including people who loath Kipling, use his phrases, sometimes without knowing their source. And Orwell argues, I think correctly, that Kipling not only was not a fascist but was further from a fascist than almost any of Orwell’s contemporaries, left or right, since he believed that there were things that mattered beyond power, that pride comes before a fall, that there is a fundamental mistake in
heathen heart that puts her trust
In reeking tube and iron shard,
All valiant dust that builds on dust,
And guarding, calls not Thee to guard,But while there is a good deal of truth in Orwell’s discussion of Kipling it is mistaken in two different ways, one having to do with Kipling’s view of the world, one with his art.
Orwell writes:
It is no use claiming, for instance, that when Kipling describes a British soldier beating a ‘nigger’ with a cleaning rod in order to get money out of him, he is acting merely as a reporter and does not necessarily approve what he describes. There is not the slightest sign anywhere in Kipling’s work that he disapproves of that kind of conduct — on the contrary, there is a definite strain of sadism in him, over and above the brutality which a writer of that type has to have.
There are passages in Kipling, not “Loot“, the poem Orwell quotes but bits of Stalky and Company, which support the charge of a “strain of sadism”. But the central element which Orwell is misreading is not sadism but realism. Soldiers loot when given the opportunity and there is no point to pretending they don’t. School boys beat each other up. Schoolmasters puff up their own importance by abusing their authority to ridicule the boys they are supposed to be teaching. Life is not fair. And Kipling’s attitude, I think made quite clear in Stalky and Company, is that complaining about it is not only a waste of time but a confession of weakness. You should shut up and deal with it instead.
A more important error in Orwell’s essay is his underestimate of Kipling as an artist, both poet and short story writer. Responding to Elliot’s claim that Kipling wrote verse rather than poetry, Orwell claims that Kipling was actually a good bad poet:
What (Elliot) does not say, and what I think one ought to start by saying in any discussion of Kipling, is that most of Kipling’s verse is so horribly vulgar that it gives one the same sensation as one gets from watching a third-rate music-hall performer recite ‘The Pigtail of Wu Fang Fu’ with the purple limelight on his face, AND yet there is much of it that is capable of giving pleasure to people who know what poetry means. At his worst, and also his most vital, in poems like ‘Gunga Din’ or ‘Danny Deever’, Kipling is almost a shameful pleasure, like the taste for cheap sweets that some people secretly carry into middle life. But even with his best passages one has the same sense of being seduced by something spurious, and yet unquestionably seduced.
I am left with the suspicion that Orwell is basing his opinion almost entirely on Kipling’s best known poems, such as the two he cites here, both written when he was 24. He was a popular writer, hence his best known pieces are those most accessible to a wide range of readers. He did indeed use his very considerable talents to tell stories and to make simple and compelling arguments, but that is not all he did. There is no way to objectively prove that Kipling wrote quite a lot of good poetry and neither Orwell nor Elliot, unfortunately, is still alive to prove it to, but I can at least offer a few examples …
September 23, 2023
QotD: In which we discover why they’re called antimacassars
“Antimacassar” is such a lovely Victorianism. We still have antimacassars — they’re those pieces of protective fabric you see at the top of your train or plane seat — but do you know why antimacassars are so called? Because in the nineteenth century Rowland’s Macassar Oil became such a popular unguent for gentlemen’s coiffures that the land was full of oily-haired chaps who, upon entering your drawing room, would settle back in your favorite chair — and uh-oh, there goes the fabric. Hence, the vital deployment of the antimacassar. Rowland’s Macassar Oil was one of the first products to be marketed nationally (and, indeed, internationally), and so universally known that Lewis Carroll put it in Alice Through the Looking-Glass:
His accents mild took up the tale:
He said ‘I go my ways,
And when I find a mountain-rill,
I set it in a blaze;
And thence they make a stuff they call
Rowlands’ Macassar-Oil –
Yet twopence-halfpenny is all
They give me for my toil.’Better yet, in Don Juan Lord Byron managed to rhyme it:
In virtue, nothing earthly could surpass her
Save thine ‘incomparable oil’, Macassar!Mark Steyn, “Self-Knitting Antimacassars”, Steyn Online, 2019-08-02.
September 22, 2023
QotD: Progressive hollow men
Ever feel like you’re living in a bad movie? I’ve recently found there’s a worse sensation: Feeling like you’re living in a good movie. There’s a scene in Apocalypse Now where Marlon Brando’s Col. Kurtz recites the opening stanzas of T.S. Eliot’s “The Hollow Men:”
Shape without form, shade without colour,
Paralysed force, gesture without motion;The poem was written in 1925, but that’s why Eliot was a great artist — he anticipated the soyboi, the soulless urban bugman, by almost 100 years. The Left is nothing but “Hollow Men”-style contrasts. They’re religious fanatics without a religion. They Fucking Love Science™, but think gravity is a social construction. They insist that Blacks are literally being lynched in Current Year America, and yet hardly a day goes by without news that yet another professional race hustler is really White. Their political campaigns, it goes without saying, are Cults of Personality without the personality. Above all, they are moralizers without morality – the things they scold us about are so self-contradictory, or so absurd on their face, that one is forced to conclude that this by design.
Severian, “The Hollow Men”, Rotten Chestnuts, 2020-12-19.
September 21, 2023
QotD: The Iliad as Bronze Age gangsta rap
A few months ago I tried moving the Iliad from the list of books I’m good at pretending to have read to the list of books I’ve actually read, and to my surprise I bounced off of it pretty hard. What I wasn’t expecting was how much of it is just endlessly tallied lists of gruesome slayings, disses, shoutouts to supporters, more killings, women taken by force, boasts about wealth, boasts about blinged-out-equipment, more shoutouts to the homies from Achaea who here repreSENTing, etc. The Iliad is basically one giant gangster rap track, and gangster rap is kinda boring.
What was cool though is I felt like I came away with a much better understanding of Socrates, Plato, and that whole milieu. Much like it’s easy to miss the radicalism of Christianity when you come from a culture steeped in it, it’s easy to miss the radicalism of Socrates if you don’t understand that this is the culture he was reacting against. Granted, the compilation of the Homeric epics took place centuries before the time of classical Athens, but my sense is that in important respects things hadn’t changed all that much. In our society, even people who aren’t professing Christians have been subliminally shaped by a vast set of Christian-inflected moral and epistemic and metaphysical assumptions. Well in the same way, in the Athens of Socrates and of the Academy, the “cultural dark matter” was the world of the Iliad: honor, glory, blinged out bronze armor, tearing hot teenagers from the arms of their lamenting parents, etc.
We have a tendency to think of the Greek philosophers as emblematic of their civilization, when in reality they were one of the most bizarre and unrepresentative things that happened in that society. But Numa Denis Fustel de Coulanges is here to tell us it wasn’t just the philosophers! So much of our mental picture of Ancient Greece and Rome is actually a snapshot of one fleeting moment in the histories of those places, arguably a very unrepresentative moment at which everything was in the process of collapsing. It’s like if [POP CULTURE ANALOGY I’M TOO TIRED TO THINK OF]. And actually once you think about it this way, everything makes way more sense. All those weird customs the Greeks and Romans had, all the lares and penates and herms and stuff, those are what these societies were about for hundreds and hundreds of years, and the popular image is just this weird encrustation, this final flowering at the end.
Jane and John Psmith, “JOINT REVIEW: The Ancient City, by Numa Denis Fustel de Coulanges”, Mr. and Mrs. Psmith’s Bookshelf, 2023-02-20.