TimeGhost History
Published 16 Dec 2020Racist conspiracies are on the rise in America. But other hysterias are also lessening. Will there be a return to normalcy?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Indy Neidell and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell and Francis van Berkel
Image Research by: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…
Spartacus Olsson
Mikolaj UchmanSources:
Some images from the Library of Congress
Portrait from Bibliotheque Nationale FrancaiseFrom the Noun Project:
– agreement by Vectors Point
– film camera by Chanut is Industries, TH
– cowboy man by Adrien Coquet
– Protest by Juan Pablo Bravo
– Immigrants by Luis Prado
– pair figure skating by Andrei Yushchenko
– singles figure skating by Andrei Yushchenko
– Letter by Mochammad Kafi
– speech by Juan Pablo Bravo, CL
– universe by Icongeek26
– Arrow by IconTrack
– Galaxy By VictorulerSoundtracks from Epidemic Sound
– One More for the Road – Golden Age Radio
– “First Responders” – Skrya
– “Guilty Shadows 4” – Andreas Jamsheree
– “Slow Discovery” – Cobby Costa
– “Try and Catch Us Now” – David Celeste
– “The Inspector 4” – Johannes Bornlöf
– “Deviation In Time” – Johannes Bornlof
– “Disciples of Sun Tzu” – Christian AndersenArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
December 17, 2020
Henry Ford and the Mass Marketing of Hatred | BETWEEN 2 WARS: ZEITGEIST! | E.07 – Spring 1920
November 22, 2020
Douglas Murray’s Bosie: The Tragic Life of Lord Alfred Douglas
Melanie McDonagh reviews the re-released early work by Douglas Murray:
It would probably have been better for Lord Alfred Douglas to have died young. Had he died when he was still beautiful and youthful looking, he would have remained forever the gilded youth Oscar Wilde loved. That golden Alfred Douglas survives in the famous photograph on the front of Douglas Murray’s book, with Wilde sitting near Bosie, his arm extended behind the boy with something like possessiveness. Instead the boy survived until 1945, worn, lonely and poverty-stricken, his looks withered, his nose pinched, contemptuous of modernity, but still with a redemptive, blistering integrity.
Twenty years after it was first written, Douglas Murray has reissued his fine biography of Bosie: his first book, written in his gap year before he went to Oxford. Looking back now on his precocious work, he thinks he overdid a little his enthusiasm for Douglas’s poetry, understated his toxic anti-Semitism and didn’t quite do justice to the pederastic element of his early sexuality – as Bosie preferred to put it, his tastes were for youth and softness. In practice this could mean 14-year-old boys, even younger, at a time when he and Wilde had reunited following Wilde’s release from prison. Actually, I think Murray’s original estimate of Alfred Douglas’s sonnets was absolutely right; they vary in quality, but as he said, at their best they equalled the poets he most venerated.
Trouble is, not many people think of Alfred Douglas as a poet, even though they might unknowingly quote perhaps his most famous line, about the love that dares not speak its name. But there were literary critics in his own day who compared him to Shakespeare as a writer of sonnets. Remarkably he has fallen almost entirely off the literary radar now, known only as a player in Wilde’s drama, and it is a pity that the success of this biography hasn’t changed that.
One of the services Douglas Murray performs in his biography is simply to reproduce some of his finest verses so we can judge it for ourselves. Indeed, while writing the book he managed to persuade the Home Office to release the copybook in which Alfred Douglas wrote his prison verses, In Excelsis, which the authorities refused to do in his lifetime.
Even in his own time, most people thought of him as the lover of Oscar Wilde, a byword for a bugger, the boy who brought about Wilde’s destruction through the vengeful malice of his unbalanced father. That perception was powerfully reinforced by Wilde’s terrible letter written from prison, De Profundis, in which he empties his bitterness against the youth he loved in an outpouring of emotion which was in many respects unjust and untrue, especially about Bosie’s financial support for Wilde. Fatally, the letter was never given to him by Robert Ross, Wilde’s friend, and only released in full during a devastating court case.
November 17, 2020
QotD: Prejudice
For instance, when an Islamic terrorist murders people, there’s an instant rush to fret over and condemn any sort of “anti-Muslim backlash.” Never mind that such backlashes have been vastly rarer than we’re usually told, the principle is correct: It is wrong to blame innocent Muslims for the things other Muslims did.
Or just think about how much ink has been spilled arguing that it is unfair and unjust to assume that one black youth is a criminal or a threat just because he resembles in some way a negative stereotype. I’m not mocking this argument; I am agreeing with it.
As I’ve been saying until I’m blue in the face on my book tour, one of the greatest things about this country is the ideal — always in tension with the lesser devils of our natures — that says we should take people as we find them. My objection to identity politics is that it reduces millions of people to a single attribute or grievance. It assumes that, simply by accident of birth, some people are more noble or more evil than others.
If you think that all you need to know about an African-American person to size up his character or humanity is his skin color, then you’re a racist. […]
You can run similar thought experiments about virtually any group. If all you need to know about Oscar Wilde is that he was a gay dude, just like Richard Simmons or Milo what’s-his-name, you’re a bigot. If Meyer Lansky and Albert Einstein are merely two Jews to you, you’re an anti-Semite. If Margaret Thatcher, Joan of Arc, and Lizzie Borden are just three chicks, you’re a sexist.
And again, historically, this is mostly a left-wing or liberal (both in the classical and modern senses of the word) insight. But for some bizarre reason, for many people, this idea evaporates like water off a hot skillet when you replace any of these categories with “white” or, very often, “male.”
Suddenly fancy words and phrases fly like sawdust from a wood chipper: “structures of oppression!” “decontextualized!” “ahistoricized!” etc. It’s all so clever and complicated. The same people who take to the streets at the slightest suggestion that Muslims can be judged by the evil deeds of other Muslims will lecture and harangue you for hours, mob you on Twitter, or condescendingly dismiss you for not understanding that all white people have it coming.
I am not denying the history of white racism in America. I’m more than eager to acknowledge it. But what these people are basically saying is that you can say bigoted things about all white people based on things other white people have done. And spare me the argument that some 70-hour-a-week truck driver in Appalachia has it coming because he’s a grand beneficiary of white supremacy.
Jonah Goldberg, “The G-File”, National Review, 2018-08-03.
September 30, 2020
America First – Patriots or Nazis? – WW2 Special
World War Two
Published 29 Sep 2020In 1941, the question of whether America should join the European War still isn’t settled. Different groups whip up opposition to it, and those such as the America First Committee seem suspiciously sympathetic to Hitler’s message and cause.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Francis van Berkel and Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: James Newman
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Daniel Weiss
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
from the Noun Project: people by ProSymbolsSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Philip Ayers – “Trapped in a Maze”
Johannes Bornlof – “Deviation In Time”
Phoenix Tail – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
September 4, 2020
“The Final Solution” – The Holocaust – Sabaton History 083 [Official]
Sabaton History
Published 3 Sep 2020Since Adolf Hitler’s rise to power, the Jews of Germany had suffered years of harsh anti-Jewish policies, harassment and public humiliation. The Nazis wanted the Jews to never feel safe or welcome again. With the Third Reich’s expansion and the start of the Second World War, more and more European Jews fell victim to persecution, ghettoisation and violence. It was hard to imagine that the crimes against them could get any worse. But by December 1941, the Nazis began preparing for a “Final Solution of the Jewish question”.
It aimed at nothing less than the extermination of all Jewish life in Europe.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “The Final Solution” on the album Coat Of Arms:
https://music.sabaton.net/CoatOfArmsListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comSources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-B04489, Bild_183-B04491, Bild_152-23-07A, Bild_101I-134-0782-24, Bild_183-E13871, Bild_101I-134-0769-33
– Yad Vashem: 139BO1, 1554_1, 1427_85, 1605_1722, 12CO9, 1552/34
– Imperial War Museum: HU 51692, HU 51689All music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
August 30, 2020
Battle of Warsaw – Turning Point of Polish-Soviet War I THE GREAT WAR 1920
The Great War
Published 29 Aug 2020Sign up for Curiosity Stream and get Nebula bundled in: https://curiositystream.com/thegreatwar
In the summer of 1920 the new Poland under Josef Pilsudksi stood with their backs to Warsaw against the Red Army. The Bolsheviks had advanced in the North and in the South and some of the Soviet leadership wanted to carry the revolution into Western Europe.
» SUPPORT THE CHANNEL
Patreon: https://www.patreon.com/thegreatwar» OUR PODCAST
https://realtimehistory.net/podcast – interviews with World War 1 historians and background info for the show.» BUY OUR SOURCES IN OUR AMAZON STORES
https://realtimehistory.net/amazon *
*Buying via this link supports The Great War (Affiliate-Link)» SOURCES
Borzecki, Jerzy. The Polish-Soviet Peace of 1921 and the Creation of Interwar Europe (New Haven and London: Yale University Press, 2008)
Engelstein, Laura. Russia in Flames (Oxford University Press, 2017).
Lehnstaedt, Stephan. Der Vergessene Sieg. Der Polnisch-Sowjetische Krieg 1919-1921 und die Entstehung des modernen Osteuropa (CH Beck, 2019)
Davies, Norman. White Eagle Red Star (Random House, 2003 (1972)
Böhler, Jochen. Civil War in Central Europe, 1918-1921 (Oxford University Press, 2019)
Hux Reed, Vivian, ed. An American in Warsaw (University of Rochester Press, 2018)» MORE THE GREAT WAR
Website: https://realtimehistory.net
Instagram: https://instagram.com/the_great_war
Twitter: https://twitter.com/WW1_Series
Reddit: https://reddit.com/r/TheGreatWarChannel»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Jose Gamez, Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdContains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
August 14, 2020
How Feminism Came to the Middle East – Women’s Emancipation – WW2 – On the Homefront 006
World War Two
Published 13 Aug 2020While battles rage across the world, women at home are fighting for their basic emancipation. In Egypt, Huda Shaarawi stands at the centre of this struggle.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Anna Deinhard
Written by: Spartacus Olsson and Fiona Rachel Fischer
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel Fischer
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Daniel Weiss
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
TIMEA
Bundesarchiv
IWM E 817
USHMM
From the Noun Project: Letter by Mochammad KafiSoundtracks from the Epidemic Sound:
Rune Dale – “Scented Nectar”
Deskant – “Genie’s Bane”
Deskant – “Divine Serpent”
Deskant – “Dunes of Despair”
Sight of Wonders – “Call of Muezzin”
Philip Ayers – “Trapped in a Maze”
Skrya – “First Responders”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 13, 2020
QotD: Anti-semitism
… if anti-semitism was “only about Jews” it would still matter. Jews matter not because they are Jews, but because they are human. No different qualification is required. That anyone thinks a better qualification than being a human is required to enjoy particular human rights is precisely what is wrong with our society today. Every time someone speaks of “Gay Rights” or “Women’s Rights” or “Black Rights” or “Muslim Rights” or uses the phrase “hate crimes” I am immediately on my guard. Such people are more than likely to be a threat to human rights in general.
Damn it, how often does this need to be said before tribalists stop blathering? The whole point of the post-Enlightenment West is that every individual matters, regardless of who they are. Not just anti-semitism but tribalism in general is the virus that, as Rabbi Sacks says, keeps mutating. The only valid reason to regard an individual as better or worse is, as Dr King famously said (but as the Left seems to have forgotten) “the content of his character.” The only valid reason to treat an individual differently before the law is his or her conduct.
Tom Paine, “What Is It About The Jews?”, The Last Ditch, 2018-04-12.
July 8, 2020
June 30, 2020
David Irving – Can you trust ANYTHING he wrote?
TIK
Published 29 Jun 2020Can you trust ANYTHING that David Irving wrote? In 1996, David Irving sued Deborah Lipstadt for libel (in the “Irving vs Penguin Books Ltd” trial) because Deborah Lipstadt had said Irving was a Holocaust Denier. Historian Richard Evans was called upon as an expert witness, and he examined Irving’s works for two years, discovering many major factual errors in David Irving’s works. Richard Evans came to the conclusion that Irving cannot even be classed as a “historian”, and says “not one sentence” in any of his speeches or written works can be trusted. Richard Evan’s Telling Lies About Hitler presents a solid case against David Irving that casts serious doubt about every “historical” text that Irving wrote, and this video presents 3 examples from Evan’s brilliant book (this video is not a sponsored video, I genuinely think Evan’s book is brilliant and you should get yourself a copy) that really should make you question the opinions of those who still promote Irving’s works.
Holocaust deniers may continue to deny that the “Final Solution to the Jewish Question” took place, but in actively distorting the evidence, they undermine their own cause. The term “distorian” describes their “writers” better than the term “historian”.
And, in case it isn’t blatantly obvious, I’m NOT a Fascist, NOT a Nazi, NOT a Marxist, and am NOT promoting said evil ideologies. This video is for educational and historical purposes, so that we may learn from the past and prevent it from repeating.
– – – – –
📚 BIBLIOGRAPHY / SOURCES 📚
Evans, R. In Defence of History. Granta Books, Kindle.
Evans, R. Telling Lies About Hitler: The Holocaust, History and the David Irving Trial. Verso, 2002.
Irving, D. Hitler’s War:1939-1942. PAPERMAC 1983.
Irving, D. Hitler’s War:1942-1945 PAPERMAC 1983.
Lipstadt, D. Denying the Holocaust: The Growing Assault on Truth and Memory Penguin Books, 2016.
Rees, L. The Holocaust: A New History. Penguin Books, 2017.
Seidel, G. The Holocaust Denial: Antisemitism, Racism, & the New Right. Beyond the Pale Collective, 1986.
Shermer, M. & Grobman, A. Denying History: Who Says the Holocaust Never Happened and Why Do They Say It? University of California Press, 2009.
Steinbacher, S. Auschwitz: A History. Penguin Books, 2005.The FULL list of all my sources: https://docs.google.com/spreadsheets/…
– – – – –
⭐ SUPPORT TIK ⭐
A big thank you to my Patreon, Craig Heinrich, for asking today’s question!
Do you want to ask a question? Please consider supporting me on either Patreon or SubscribeStar and help make more videos like this possible. For $5 or more you can ask questions which I will answer in future Q&A videos. Thank you to my current Patrons! You’re AWESOME! https://www.patreon.com/TIKhistory or https://www.subscribestar.com/tikhistory
– – – – –ABOUT TIK 📝
History isn’t as boring as some people think, and my goal is to get people talking about it. I also want to dispel the myths and distortions that ruin our perception of the past by asking a simple question – “But is this really the case?” I have a 2:1 Degree in History and a passion for early 20th Century conflicts (mainly WW2). I’m therefore approaching this like I would an academic essay. Lots of sources, quotes, references and so on. Only the truth will do.
This video is discussing events or concepts that are academic, educational and historical in nature. This video is for informational purposes and was created so we may better understand the past and learn from the mistakes others have made.
May 22, 2020
QotD: “Scientific” racism
… the intellectualized racism that infected the West in the 19th century was the brainchild not of science but of the humanities: history, philology, classics, and mythology. In 1853, Arthur de Gobineau, a fiction writer and amateur historian, published his cockamamie theory that a race of virile white men, the Aryans, spilled out of an ancient homeland and spread a heroic warrior civilization across Eurasia, diverging into the Persians, Hittites, Homeric Greeks, and Vedic Hindus, and later into the Vikings, Goths, and other Germanic tribes. (The speck of reality in this story is that these tribes spoke languages that fell into a single family, Indo-European.) Everything went downhill when the Aryans interbred with inferior conquered peoples, diluting their greatness and causing them to degenerate into the effete, decadent, soulless, bourgeois, commercial cultures that the Romantics were always whingeing about. It was a small step to fuse this fairy tale with German Romantic nationalism and anti-Semitism: The Teutonic Volk were the heirs of the Aryans, the Jews a mongrel race of Asiatics. Gobineau’s ideas were eaten up by Richard Wagner (whose operas were held to be re-creations of the original Aryan myths) and by Wagner’s son-in-law Houston Stewart Chamberlain (a philosopher who wrote that Jews polluted Teutonic civilization with capitalism, liberal humanism, and sterile science). From them the ideas reached Hitler, who called Chamberlain his “spiritual father.”
Science played little role in this chain of influence. Pointedly, Gobineau, Chamberlain, and Hitler rejected Darwin’s theory of evolution, particularly the idea that all humans had gradually evolved from apes, which was incompatible with their Romantic theory of race and with the older folk and religious notions from which it had emerged. According to these widespread beliefs, races were separate species; they were fitted to civilizations with different levels of sophistication; and they would degenerate if they mixed. Darwin argued that humans are closely related members of a single species with a common ancestry, that all peoples have “savage” origins, that the mental capacities of all races are virtually the same, and that the races blend into one another with no harm from interbreeding. The University of Chicago historian Robert Richards, who traced Hitler’s influences, ended his book titled Was Hitler a Darwinian? (a common claim among creationists) with “The only reasonable answer to the question … is a very loud and unequivocal No.”
Steven Pinker, “The Intellectual War on Science”, Chronicle of Higher Education, 2018-02-13.
May 8, 2020
Sending the Jews to Madagascar? – War Against Humanity 011 – May 1941
World War Two
Published 7 May 2020The War Against Humanity is accelerating and accelerating. Across the world, people live under oppression. In Nazi Europe, solutions to the so-called “Jewish Question” has taken on new, fantastical, proportions.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Francis van Berkel, Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Olga Shirnina https://klimbim2014.wordpress.com
Dememorabilia – https://www.instagram.com/dememorabilia/
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
IWM HU 106212
USHMM
Bundesarchiv
Narodowe Archiwum Cyfrowe
Glaser family photo, courtesy Willie Glaser
from the Noun Project: Letter by Mochammad Kafi, people by ProSymbols, Deteriorated building by Tokka Elkholy, workshop by Gan Khoon Lay from the Noun Project
Page 1 of La Loi Portant Status Des Juifs with Pétain’s annotations, courtesy Mémorial de la ShoahSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Farell Wooten – “Blunt Object”
Philip Ayers – “Trapped in a Maze”
Wendel Scherer – “Growing Doubt”
Gavin Luke – “Drifting Emotions 3”
Johannes Bornlof – “The Inspector 4”
Andreas Jamsheree – “Guilty Shadows 4”
Peter Sandberg – “Document This 1”
Jo Wandrini – “Dawn Of Civilization”
Gunnar Johnsen – “Not Safe Yet”
Philip Ayers – “Under the Dome”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
April 30, 2020
Palestine, 1948 – the origins of the still-ongoing refugee issue
In Quillette, Benjamin Kerstein reviews a new book by Adi Schwartz and Einat Wilf, which covers the origins of the Palestinian refugee problem that still hinders any kind of lasting peace between Israel and neighbouring Arab countries:

Arab attacks in May and June 1948.
United States Military Academy Atlas, Link.
Wilf and Schwartz’s comprehensive history of the refugee issue begins with the UN’s adoption in November 1947 of a plan to partition British Mandatory Palestine into an Arab state and a slightly smaller Jewish state. Violence erupted shortly after, and once the British left the territory, hostilities escalated into a full-scale war, during which fighting between the Zionist movement’s Haganah defense force and various Palestinian Arab militias was followed by an invasion by the surrounding Arab countries. Israel prevailed with truncated borders, but the Arab world remained steadfastly committed to the new state’s elimination. Refugees are a byproduct of every military conflict, but the exodus of the Palestinian Arabs would have uniquely consequential ramifications that continue to haunt the conflict and thwart its resolution to this day.
It is now fashionable for historians sympathetic to the Palestinian narrative to downplay the threat that the Jewish community in Mandatory Palestine — the Yishuv — faced in the 1948 conflict. Wilf and Schwartz show conclusively that such attempts, be they sincere or dishonest, are simply untrue. The secretary-general of the Arab League, they note, openly stated that the war was intended to be genocidal, saying, “This will be a war of extermination and momentous massacre, which will be spoken of like the Mongolian massacre and the Crusades.” Meanwhile, the Palestinian Arabs’ most influential leader, the Nazi collaborator Mufti Hajj Amin al-Husseini, said the Arabs would “continue to fight until the Zionists are eliminated, and the whole of Palestine is a purely Arab state.”
Correctly believing that their individual and collective existence were threatened, the Zionist militias, which eventually coalesced into the nascent Israel Defense Forces, sometimes destroyed villages and expelled their inhabitants, and there was a mass flight of Arabs from cities like Haifa and Jaffa. By the end of the war, what emerged was a Jewish state with a comfortable Jewish majority along with a substantial though not overwhelming Arab minority. The refugees, for the most part, were settled in camps in the surrounding Arab nations of Syria, Lebanon, and Jordan, as well as in the West Bank and Gaza, which were occupied by Jordan and Egypt, respectively. Jordan alone granted the refugees citizenship and absorbed them into the general population. Elsewhere, however, refugees remained stateless, left to the tender mercies of the international community.
From the beginning, pressure was brought to bear on Israel to allow the refugees to return, and from the beginning Israel steadfastly refused to do so, believing that it would destroy Israel’s Jewish character and precipitate another, perhaps even more brutal war. Wilf and Schwartz reveal that this was in fact precisely the Arabs’ intention. The Arab media spoke openly of establishing a “fifth column” within Israel by repatriating the refugees, and the authors record Palestinian historian Rashid Khalidi’s view that the Arab mood at the time made it clear that the right of return “was clearly premised” on “the dissolution of Israel.” In addition, the Palestinian leadership was initially unenthusiastic about the return of refugees, which they believed would imply a recognition of Israel’s existence to which they remained implacably opposed. For a society deeply rooted in concepts of honor, dignity, and humiliation, such an acknowledgement of defeat was simply unthinkable.
Contrary to the claims of Israel’s opponents, Wilf and Schwartz persuasively argue that the new state was under no moral or legal obligation to allow the refugees to return. During the late 1940s and early 1950s, the concept of population exchange between belligerent national groups in conflict over territory was considered lamentable but inevitable. Consequently, the laws pertaining to refugees often forbade the opposite: States could not force refugees to return to places when to do so might cause further conflict or instability. Emphasis was therefore on resettlement in host countries, usually with a corresponding ethnic or religious majority. This held true for the mass expulsions of ethnic Germans from Poland after World War II, and the almost contemporaneous exodus of both Muslims and Hindus to Pakistan and India, respectively. Importantly, it also applied to the hundreds of thousands of Jewish refugees expelled from Arab and Muslim countries following the 1948 war, who were resettled in the new State of Israel.
Once the Arab and Palestinian position on return shifted from a fear of recognizing Israel to the idea of building a fifth column within the state to wage an indefinite war against Zionism, Wilf and Schwartz write, “The state of Israel … was being asked by the Arabs to perform an extraordinary act: it was called on to admit to its sovereign territory hundreds of thousands of Arabs, against international norms of the time, without a peace treaty, and while the Palestinians and the Arab world continued to threaten it with another war — even calling the refugees a pioneer force toward this end.”
Although anti-Zionists today insist that Israel’s refusal to accept a return of the refugees was a uniquely heinous violation of human rights and international law, it was entirely consistent with the moral and legal norms of the time.
April 24, 2020
Field Rations, Foreign Legion, and French Anti-Semitism – WW2 – OOTF 010
World War Two
Published 23 Apr 2020What did soldiers eat on the frontlines? What happened to the French Foreign Legion? And how is the legacy of Alfred Dreyfus handled in the anti-semitic Vichy France? Find out in this exciting episode of Out of the Foxholes!
Submit your own question for Out of the Foxholes: https://community.timeghost.tv/c/Out-…
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Bundesarchiv
German soldiers eating (courtesy Josef Gierse)
Narodowe Archiwum Cyfrowe
IWM E 3799
From the Noun Project: Spam by Jay Adams, Biscuits by Xela Ub, can by Anniken & Andreas, Bread by Vallone Design, Jam by Vichanon Chaimsuk, honey by Marta Ambrosetti, Coffee by Larea, stew by Smalllike, Soup by Ben DavisSoundtracks from the Epidemic Sound:
Trabant 33 – “When in Bavaria”
Rannar Sillard – “March Of The Brave 4”
Johannes Bornlof – “Deviation In Time”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
March 28, 2020
Poland Will Not Bow to Nazis & Stalinists – WW2 – War Against Humanity 010
World War Two
Published 27 Mar 2020Poland faces two brutal occupiers led by Hitler and Stalin, hellbent on wiping Poland off the map. But the Poles have been preparing to stand up and resist since before the war — and now they do.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Francis van Berkel and Spartacus Olsson
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Dememorabilia – https://www.instagram.com/dememorabilia/
Owen Robinson – https://www.instagram.com/owen.colori…Sources:
IWM IWM HU 128078, HU 17589, ((MOI) FLM 1117)
Narodowe Archiwum Cyfrowe
Muzeum Historii Polski
USHMM
Letter by Bonegolem from the Noun Project
Letter by Mochammad Kafi from the Noun Project
oil barrel by BomSymbols from the Noun Project
sugar by Maria Zamchy from the Noun Project
Poison by Ben Davis from the Noun Project
Food by Made from the Noun Project
broken hammer by Graphic Enginer from the Noun Project
photo©ErlingMandelmann.ch http://www.erlingmandelmann.ch/portra…Soundtrack from the Epidemic Sound:
Johannes Bornlof – “Deviation In Time”
Johannes Bornlof – “Death And Glory 3”
Reynard Deidel – “Deflection”
Gunnar Johnsen – “Not Safe Yet”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “The Inspector 4”
Peter Sandberg – “Document This 1”
Fabien Tell – “Other Sides of Glory”
Farell Wooten – “Blunt Object”
Jo Wandrini – “Dawn of Civilization”
Phoenix Tail – “At the Front”
Andreas Jamsheree – “Guilty Shadows 4”
Philip Ayers – “Under the Dome”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
17 minutes ago (edited)
We’re back in Poland to look at the resistance movement. Now, this is still a very controversial topic in 2020. So let us be crystal clear: the whole idea of blaming Poland, or holding Poles responsible for the Word censored by YouTube is absolutely ridiculous. But it is also not correct to claim that not a single Pole did anything to the word censored by YouTube during WW2, that is simply not correct. However, in difference to the rest of occupied Europe there was no organized collaboration, no systematic cooperation with the word censored by YouTube to round up, incarcerate, and murder the word censored by YouTube population. Acts of anti-word censored by YouTube were individual, isolated, and opportunistic in nature. The general rule in Poland was resistance and non-collaboration. We will cover the situation of the word censored by YouTube in Poland in 1940 and 1941 in our next War Against Humanity episode.An then there are the Soviets … we will not bow to revisionism and propaganda and whitewash history. The way we portray the situation in Soviet occupied Poland in this episode and others is factually correct. Any attempts to obfuscate the Soviet part in the destruction of Poland, the incarceration of Poles, and the mass murders by the NKVD will not be tolerated here. That also goes for arguments to justify, or trivialize these crimes in any way — just like we won’t tolerate word censored by YouTube apologist rhetoric, we will not tolerate Stalinist apologist rhetoric, We will also not debate this, so save yourself the effort and just don’t even start. We have made several videos about the interwar era in Poland in our Between Two wars episode where we also talk about all the things that are usually dragged out to somehow make an argument that the war of aggression and dismantling of Poland by the Red Army and NKVD was the right thing to do have been addressed in those videos. They are here: https://www.youtube.com/playlist?list=PLrG5J-K5AYAWDpPU1GbLYBKAPXfqkOipm













