Overly Sarcastic Productions
Published on 7 Aug 2017There’s a fascinating history from just northwest of American history that is too often ignored. But that’s a damn shame, because it’s a damn cool history, and I’m going to talk about it dammit!
No, I didn’t accidentally misspell the title of this video when I sleepily uploaded this after I woke up. That’s absurd.
EXTRA CREDITS: HIAWATHA: https://youtu.be/79RApCgwZFw
This video was produced with assistance from the Boston University Undergraduate Research Opportunities Program.
PATREON: http://www.patreon.com/OSP
February 12, 2019
History Summarized: Iroquois Native Americans
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February 10, 2019
A debate on the impact of Brutalism on British cities
In Prospect magazine, James Stevens Curl and Barnabas Calder disagree on how Brutalist architecture has influenced destroyed urban areas in so many British cities. This is Curl’s opening salvo:
20 Fenchurch Street in London has been nicknamed the “Walkie-Talkie” due to its distinctive design.
Image by Toa Heftiba via Wikimedia Commons.
Visitors to these islands who have eyes to see will observe that there is hardly a town or city that has not had its streets — and skyline — wrecked by insensitive, crude, post-1945 additions which ignore established geometries, urban grain, scale, materials, and emphases.
Such structures were designed by persons indoctrinated in schools of architecture in ways that made them incapable of creating designs that did not cause immense damage and offend the eye, the sensibilities, and the spirit. Harmony with what already exists has never been a consideration for them, as it was not for their teacher: following the lead of “Le Corbusier” (as Swiss-French architect Charles-Édouard Jeanneret called himself), they have, on the contrary, done everything possible to create buildings incompatible with anything that came before. It seems that the ability to destroy a townscape or a skyline was the only way they have been able to make their marks. Can anyone point to a town in Britain that has been improved aesthetically by modern buildings?
Look at the more recent damage done to the City of London, with such crass interventions as the so-called “Walkie-Talkie” (which, through its reflectivity, has caused damage on the street below), or the repellent stuff inflicted on several cities by the infamous John Poulson and some of his bent cronies (from the 1950s until they were jailed in 1974). Quod erat demonstrandum.
How has this catastrophe been allowed to happen? A series of totalitarian doctrinaires reduced the infinitely adaptable languages of real architecture to an impoverished vocabulary of monosyllabic grunts. Those individuals rejected the past so that everyone had to start from scratch, reinventing the wheel and confining their design clichés to a few banalities. Today, form follows finance, when modern architecture is dominated by so-called “stars,” and becomes more bizarre, egotistical, unsettling, and expensive, ignoring contexts and proving stratospherically remote from the aspirations and needs of ordinary humanity. Their alienating works, inducing unease, are, without exception, inherently dehumanising and visually repulsive.
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February 9, 2019
HMS Dreadnought – Guide 001
Drachinifel
Published on 12 Dec 2018HMS Dreadnought, the first dreadnought battleship and game changer for the British Royal Navy, is today’s subject.
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February 8, 2019
Smashing China to Pieces, the Background | Between 2 Wars | 1925 Part 1 of 2
TimeGhost History
Published on 7 Feb 2019The 19th century throws all kinds of terror and misfortune on China, which not long before was the most powerful nation in the world. While many other Western, Asian and even American nations seek to gain influence in China through politics, wars and trade, China itself tries to hold on to its glory days.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Directed by: Spartacus Olsson
Written by: Spartacus Olsson
Produced by: Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Edited by: Wieke Kapteijns
Research by: Spartacus OlssonThumbnail depicts Ataturk colorised by Olga Shirnina aka Klimbim.
Colorized Pictures by Olga Shirnina and Norman Stewart
Olga’s pictures: https://klimbim2014.wordpress.com
Norman’s pictures https://oldtimesincolor.blogspot.com/Video Archive by Screenocean/Reuters http://www.screenocean.com
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH
From the comments:
TimeGhost History
1 day ago (edited)Hey all!
After we decided to do Between Two Wars episodes on China in the 20’s, we quickly discovered that the historical context is necessary if you want to understand modern China. Therefore, we present to you a pre-war introduction of China. The end of the mighty empires is an exciting part of history that is often overlooked. That’s no longer the case.
Cheers,
Joram
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QotD: Sex toys and sexbots
The global market in these abominations is currently valued at more than £12 billion, and that’s not counting the monstrous regiment of aforementioned sex dolls, the ‘high end’ of which began in Japan in the 1980s. Also coming soon will be sex robots, beginning with a robot ‘Fellatio Café’ in Paddington, due to open later this year. Even though I describe myself as a feminist, I can’t wait to mock the self-appointed spokeswomen for my gender slamming this set-up after years of bigging up broads bringing themselves off using battery-operated devices. As the rather rabid David Mills, an atheist activist and admirer of sex dolls, ranted to Vanity Fair: ‘Women have enjoyed sex toys for 50 years, probably 5,000 years, if the truth be known, but men are still stigmatised! We have to correct that! I want to be the Rosa Parks of sex dolls! Men are not going to sit in the back of the bus any more!’
Indeed, you could argue that a blowjob from a humanoid sexbot is far more indicative of a healthy desire to be connected to humanity than a quick once-over with a gilded pebble or a faceless phallus. But that won’t stop the lady columnists from penning predictable screeds about the woeful immaturity of men, and their willingness to risk having their tackle snagged in a faulty man-trap rather than ‘commit’ to a living, breathing female.
So can I (for once) put my head above the parapet and say that I totally get the appeal of sexbots in the current climate? Sex is, generally, a rather basic thing. Yet somewhere along the line some women have adopted the notion that it should be akin to a trip to Disneyland on gossamer wings for a playdate with Barbie and her pet unicorn. Some women seem to think sex should be about communicating, sharing, scented candles, two-hour massages, three-hour role play, kissing, cuddling and then… that other thing, if you must… whereas men generally tend to believe that sex is about having sex, the rotters. So can you blame them for wanting to keep it short and simple with a sexbot? And if it’s OK for women to pleasure themselves with friends electric, why not men?
Julie Burchill, “The other sexual double-standard: Why is self-love for women so cool and feminist? For men it’s seen as sad and sleazy”, The Spectator, 2017-03-23.
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February 7, 2019
Dunkirk (2017) | Based on a True Story
The Cynical Historian
Published on 25 Jan 2018Dunkirk is a 2017 war film written, directed, and produced by Christopher Nolan that depicts the Dunkirk evacuation of World War II. Its ensemble cast includes Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, Harry Styles, Aneurin Barnard, James D’Arcy, Barry Keoghan, Kenneth Branagh, Cillian Murphy, Mark Rylance, and Tom Hardy. The film is a British, American, French, and Dutch co-production, and was distributed by Warner Bros.
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Wiki:
Dunkirk portrays the evacuation from three perspectives: land, sea, and air. It has little dialogue, as Nolan sought instead to create suspense from cinematography and music. Filming began in May 2016 in Dunkirk and ended that September in Los Angeles, when post-production began. Cinematographer Hoyte van Hoytema shot the film on IMAX 65 mm and 65 mm large-format film stock. Dunkirk has extensive practical effects, and employed thousands of extras as well as historic boats from the evacuation, and period aeroplanes.
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Hashtags: #History #Dunkirk #WWII #Review #BasedOnATrueStory #PhoneyWar
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February 6, 2019
“The haggis croquette is the most London-thing ever done in London”
At the IEA, Andy Mayer reports on the first attempted Burns Night Supper in the City of London:
Haggis is a traditional Scottish dish made with sheep’s heart, liver and lungs, and stomach (or sausage casing); onion, oatmeal, suet, and spices. It’s either a local delicacy or an elaborate joke played on the English (take your pick).
Photo by “Lordvolom1” via Wikimedia Commons.
Last week the City of London held their first attempt at a Burns night supper, with the First Minister and representatives of the Scottish Government as guests of honour.
It is a difficult tradition to get wrong. Largely it requires steaming piles of Scotland’s revenge on the sausage, poetry that the English politely pretend to understand while feeling vaguely threatened, and bonhomie to overcome it, enabled through litres of distillate infused with the flavour of an entire peat bog.
The City served haggis croquettes, with wine.
There’s possibly a Glaswegian satirist somewhere who’s just given up. “Ach I canne compete. The sassenach dough-monkeys just served wee Nicola a haggis croquette, on Rabbie Burns night! I’m breaking-me pen.”
Meanwhile in Shoreditch two Millenials have just set up the Haggis Croquette Cafe, serving Organic Iron-Bru made from recycled plastic girders. The haggis croquette is the most London-thing ever done in London.
I spent much of the evening talking to trade officials. Their job is to sell Scottish opportunity around the world and open up its markets.
This was interesting – how would descendants of Adam Smith visiting the birthplace of trade economist David Ricardo define their comparative advantage? What can Scotland do better than anyone else? What might they do well enough that they can carve out positions, despite larger rivals, better off leaving such things to Scotland? Fundamentally, how are they going to compete?
There was an uneasy pause after these questions. And then to paraphrase, “Oh no, we don’t want to compete, we want to cooperate! With everyone! Not being threatening, that’s our advantage!”
I feel very sure that Smith, on hearing this, would have reached out, to extend the invisible hand of history across time, to give this official a mild slap. “Encouraging competition, with and from other places, and then getting out of the way, is the whole point”, he might say.
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Yes, Minister – The North
Greger Tomasson
Published on 9 Oct 2012
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February 5, 2019
Tiger vs. Comet – Germany 1945
Mark Felton Productions
Published on 18 Dec 2018The Comet was Britain’s newest tank in 1945, and led the charge into Northern Germany. In this episode, find out what happened when Royal Tank Regiment Comets encountered a lone German Tiger in the forest.
Help support Marks’ channel – see below for more details;
https://www.patreon.com/markfeltonpro…
https://www.paypal.me/markfeltonprodu…Film: YouTube Creative Commons
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February 4, 2019
Jane Austen – Sarcasm and Subversion – Extra History
Extra Credits
Published on 2 Feb 2019Jane Austen wrote in the name of making critical social commentary of the privileges she and others held while the rest of Europe was in political turmoil. Her novels like Pride and Prejudice, Mansfield Park, and Emma made waves in their time for how they criticized
VictorianRegency-era society.
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From the comments:
Extra Credits
2 days ago
Jane Austen saw the hypocrisy of an entire class of the most powerful empire on Earth taking tea and planning balls while the world burned. And from a young age she took up arms against that hypocrisy with the only weapon she had: her pen.(Comment from Belinda) I don’t know if anyone else has had this experience with Jane Austen’s works, but in the educational culture I grew up in, the historical context of Austen’s writing was almost never emphasized. Pride & Prejudice in particular is frequently reduced to being the original formula for romantic comedies (to say nothing of its own spin-off movies of the same name). I remember in high school class it seemed really weird to me that we would be talking about this 19th century novel as a progressive feminist work because it’s already a given in the 21st century world that marrying for love is extremely commonplace. I’m really proud of our writers Jac and Rob, and our artist Ali, for bringing to life the “extra History” of Jane Austen that gets glossed over by popular culture. <3
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January 30, 2019
The past is a foreign country, part umpteen-and-one
At Rotten Chestnuts, Severian tries to gin up some sympathy for Millennial snowflakes, who feel cheated by fate (and their parents’ generation, but mostly their parents’ generation):
One of the toughest parts of looking at The Past (note capital letters) is grasping the pace of change. Oversimplifying (but not too much), you’d need to be a PhD-level specialist to determine if a given cultural production dated from the 11th century, or the 14th. The worldview of most people in most places didn’t change much from 1000 to 1300. Even in modern times, unless you really know what you’re looking for, a writer from 1830 sounds very much like a writer from 1890.*
Until you get to the 20th century. Then it’s obvious.
This isn’t “presentism” — the supposed cardinal sin of historical study, in which we project our values onto the past.** It really is obvious, and you can see it for yourself. Take Ford Madox Ford. A hot “Modernist” in his day — he was good friends with Ezra Pound, and promoted all the spastic incomprehensibles of the 1920s — he was nevertheless a man of his time… and his time was the High Victorian Era (born 1873). Though he served in the Great War, he was a full generation older than his men, and it shows. Compare his work to Robert Graves’s. Though both were the most Advanced of Advanced Thinkers — polygamy, Socialism, all that — Graves’s work is recognizably “modern,” while Ford’s reads like the writing of a man who really should’ve spent his life East of Suez, bringing the Bible and the Flag to the wogs. The world described in such loving detail in a work like Parade’s End — though of course Ford thought he was viciously criticizing it — might as well be Mars.
We’re in the same boat when it comes to those special, special Snowflakes, the Millennials. A Great War-level change really did hit them, right in their most vulnerable years. While we — Gen X and older — lived through the dawn of the Internet, we don’t live in the Internet Age (TM). Not like they do, anyway.
He does a bit of a Fisking (that’s an olde-tyme expression from when we used to knap our own flint, kiddies) of an article by a Millennial writer trying to make the case that the plight of the Millennials is comparable to that of the Lost Generation. But some actual sympathy is eventually located and delivered:
I titled this piece “Sympathy for Snowflakes,” and finally we’ve arrived. The days of life on the cul-de-sac with the white picket fence are indeed gone… but they’ve been gone for thirty years or more. They were in terminal decline since before Rush started singing about suburbs — that was 1982, if you’re keeping score at home — and what awful conformist hells they are. Ever heard the phrase “sour grapes?” I’m not going to say we invented that — after all, anything worth saying was already said by Dead White Males hundreds of years ago — but that’s why Gen X pop culture is full of rants against “conformism.” Slackers, Mallrats, all of it — sour grapes, buddy. If you in fact grew up on a cul-de-sac behind a white picket fence, your parents, who must’ve been early Gen Xers, were among the lucky few.
The difference between your generation and mine, Mr. Lafayette, isn’t what we wanted once we matured enough to start actually knowing what we wanted. It’s that my generation received rigorous-enough educations to figure out that the house on the cul-de-sac with the white picket fence is an aberration, just a flicker of static. Only one tiny group of people — middle class Americans, born roughly 1945-1965 — ever got to experience it. Young folks in the 1220s probably lived much as their parents did back in the 1180s, but modern life doesn’t work that way. These days, everyone makes do with what he has, gets on as best he can. Your generation, Mr. Lafayette, was taught to regard The Past as one long night of Oppression, and because of that, you never learned to take any lessons from it.
That’s why I’m sympathetic, even as I’m mocking you (but gently, lad, gently). That’s the real parallel between yourselves and the Lost Generation — it was done to you. You had no choice, and unlike the Lost Generation, you can’t even pin the blame anywhere. It just….kinda… happened. No wonder you feel adrift and powerless. No wonder “stand up straight” and “clean your room” seem like adages of life-altering wisdom.
So take an old guy’s advice, and READ. Read just about anything, so long as it’s published before 1950. Don’t think, don’t analyze, don’t snark, just read it. The change will come.
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January 27, 2019
Churchill Tank vs German 88 – Tunisia 1943
Mark Felton Productions
Published on 19 Dec 2018The Battle of Steamroller Farm in Tunisia in 1943 is notable for how much damage a pair of British Churchill tanks managed to inflict on the Germans, whom they surprised after climbing a ‘tank-proof’ ridge. Find out the full thrilling story of the tough Churchill in action.
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January 25, 2019
QotD: Unacceptable facts
If one harbours anywhere in one’s mind a nationalistic loyalty or hatred, certain facts, although in a sense known to be true, are inadmissible. Here are just a few examples. I list below five types of nationalist, and against each I append a fact which it is impossible for that type of nationalist to accept, even in his secret thoughts:
BRITISH TORY: Britain will come out of this war with reduced power and prestige.
COMMUNIST: If she had not been aided by Britain and America, Russia would have been defeated by Germany.
IRISH NATIONALIST: Eire can only remain independent because of British protection.
TROTSKYIST: The Stalin regime is accepted by the Russian masses.
PACIFIST: Those who ‘abjure’ violence can only do so because others are committing violence on their behalf.
All of these facts are grossly obvious if one’s emotions do not happen to be involved: but to the kind of person named in each case they are also intolerable, and so they have to be denied, and false theories constructed upon their denial. I come back to the astonishing failure of military prediction in the present war. It is, I think, true to say that the intelligentsia have been more wrong about the progress of the war than the common people, and that they were more swayed by partisan feelings. The average intellectual of the Left believed, for instance, that the war was lost in 1940, that the Germans were bound to overrun Egypt in 1942, that the Japanese would never be driven out of the lands they had conquered, and that the Anglo-American bombing offensive was making no impression on Germany. He could believe these things because his hatred for the British ruling class forbade him to admit that British plans could succeed. There is no limit to the follies that can be swallowed if one is under the influence of feelings of this kind. I have heard it confidently stated, for instance, that the American troops had been brought to Europe not to fight the Germans but to crush an English revolution. One has to belong to the intelligentsia to believe things like that: no ordinary man could be such a fool. When Hitler invaded Russia, the officials of the MOI issued ‘as background’ a warning that Russia might be expected to collapse in six weeks. On the other hand the Communists regarded every phase of the war as a Russian victory, even when the Russians were driven back almost to the Caspian Sea and had lost several million prisoners. There is no need to multiply instances. The point is that as soon as fear, hatred, jealousy and power worship are involved, the sense of reality becomes unhinged. And, as I have pointed out already, the sense of right and wrong becomes unhinged also. There is no crime, absolutely none, that cannot be condoned when ‘our’ side commits it. Even if one does not deny that the crime has happened, even if one knows that it is exactly the same crime as one has condemned in some other case, even if one admits in an intellectual sense that it is unjustified — still one cannot feel that it is wrong. Loyalty is involved, and so pity ceases to function.
George Orwell, “Notes on Nationalism”, Polemic, 1945-05.
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January 24, 2019
The Sinking of HMS Glorious: An Avoidable Tragedy?
Historigraph
Published on 27 Aug 2018The Sinking of HMS Glorious, on June 8 1940, was one of the worst British naval disasters of the Second World War. Over 1500 losing their lives as two German battleships sunk three British ships. In this video, we will recount the events and the heroism of Glorious’ two escorts (HMS Ardent and HMS Acasta), before looking at the post-war controversy over whether the disaster was ‘covered up’ by the Admiralty.
If you enjoyed this video and want to see more made, consider supporting my efforts on Patreon: https://www.patreon.com/historigraph
► Twitter: https://twitter.com/historigraph
►Patreon: https://www.patreon.com/historigraph
►Discord: https://discord.gg/f8JZw93
►My Gaming Channel: https://www.youtube.com/c/AddawaySources:
John Winton, Carrier Glorious (Cassell: 1986)
Stephen Roskill, Churchill and the Admirals (Pen and Sword, 1977)
Corelli Barnett, Engage The Enemy More Closely: The Royal Navy in the Second World War (Penguin, 1991)
Henrik Lunde, Hitler’s Preemptive War: The Battle for Norway, 1940. (kindle edition)
Earl Ziemke, German Northern Theater of Operations 1940-1945. (kindle edition)
Record of the Hansard Debate from 1999: https://api.parliament.uk/historic-ha…
Full Casualty List for HMS Glorious can be found here: http://www.naval-history.net/xDKCas19…
From the comments:
1. Unlike the Battle of the River Plate from my last video, we do not know the precise movements of the ships, particularly the British ones, during the battle. The movements in this video should thus be taken as purely illustrative.
2. As you might be able to tell there is still a pretty intense debate over the reasons for Glorious’ sinking, particularly over what knowledge the officers on board Devonshire had or didn’t have about Glorious’ trouble. In particular there is testimony from one midshipman that the ship’s captain and Admiral Cunningham (who was on board) knew what was happening and took no action. It is only his word, so many of the historians I have read do not seem to have bought much into it, but it appears in this documentary from 1997: https://www.youtube.com/watch?v=1yAahSUiXt4
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January 22, 2019
Rowan Atkinson Live – Headmaster kills student
Rowan Atkinson Live
Published on 24 Jan 2014One of the most loved clips from Rowan’s vast back catalogue, a hilarious sketch where the angry teacher played by Rowan invites a father in to talk about the trouble with son…
Whether mesmerising us with the sheer visual mastery of Mr. Bean, beguiling us with the acerbic wit of Edmund Blackadder, or simply entertaining us as the suave, but rather hapless British Secret Agent Johnny English, you surely won’t have escaped the comic genius that is Rowan Atkinson.
In Rowan Atkinson Live, co-written with Richard Curtis (4 Weddings & a Funeral, Notting Hill, Love Actually) and Ben Elton, Atkinson runs the whole gamut of his remarkably versatile 30 year career, with sketches, mimes and monologues that are guaranteed to have you shedding tears of laughter. Performing live on stage alongside ‘straight man’ Angus Deayton, the show features a number of original and familiar routines, including sketches that appeared in the original Mr. Bean series.
I first heard this sketch many years ago (pre-internet days when we knapped our own flint) on an audio tape of clips from the Dr. Demento radio show, put together by my friend William. He didn’t know the performer, so he titled it “Fatal beatings”.
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