Quotulatiousness

June 1, 2020

The true GOAT

Filed under: Britain, History, Military, Sports — Tags: , — Nicholas @ 03:00

Nigel Davies explains why even the greatest athletes and sportspersons of today are no match for the Greatest Of All Time – William the Marshal, 1st Earl of Pembroke:

Head of the effigy of William Marshal, 1st Earl of Pembroke, in Temple Church, London.
Photo by Kjetil Bjørnsrud via Wikimedia Commons.

William the Marshall is almost universally recognised as “the best knight that ever lived”, by all those who consider his extraordinary career as a fighter, warrior, war leader, political leader, guardian, and shining light of courtly and knightly achievements at the height of the chivalric and troubadouring shift (that moved culture from adoring thugs who hit hard, to adoring all round “renaissance men” who could dance, sing, write poetry, play chess, fight, and negotiate treaties that bought peace to generations). He was one of the men whom the word “paragon” — a person or thing regarded as a perfect example of a particular quality — was invented for.

But he was also the GOAT athlete and sportsman.

Tournament fighting and jousting were the Olympic Games of the medieval world, and — far from being an elitist sport, or an act of middle class pretention — tournament fighting in both its foot and horseback forms is a sport common to all classes from all cultures throughout most of human history … from the Olympics and gladiatorial combats, to the foot combat of Fencing and Kendo and Judo, to the horse archery of most of the nomadic tribes of Asia and Africa and even the American Indians: combat games are virtually the only universal human sport there has ever been.

William the Marshall was competing at a sport — armed combat — that is universal, worldwide, and largely classless. Admittedly he was competing at the most elite level (only the Samurai or Persian or Eastern Roman Cataphracts really come close to European kinghts for an equivalent dedication to a lifetime of training and specialist equipment and expense). But you can confidently say that here was a sport whose experts could face any other expert in any other combat sport in the world without confusion or fear.

And you could confidently predict that William the Marshall could defeat the equivalent character in any of those other combat sports … (As he apparently did when he fought Muslim horse archers or Mameluke foot soldiers in his brief years on Crusade.)

As a man whose prowess in his chosen field could adapt to all equivalent fields, he certainly outranks Muhammed Ali: who is the closest competitor on the above list to a world class showman and rough and tumble performer for the crowds.

As a person who statistically outperformed even Donald Bradman in comparison to his competition. He comes out in front there too.

As a winner above all others — his deathbed comment that he had bested more than 500 knights in hs career from all over Europe and the Middle East is not something that a squash player with 555 wins is likely to compare.

And as an athletic freak, even Usain Bolt or Michael Phelps — with their scant decade or so of dominance, could dream of competing with.

William the Marshall won his first international class tournaments in his teens, and was still winning them in his 60s. His unsurpassed competitiveness lasted not a few years, but several decades. He beat the GRANDCHILDREN of his previous conquests. And did so in a deadly serious full contact sport, not a namby pamby game like tennis or golf!

May 31, 2020

Sink the Bismarck! – The Pride of the Kriegsmarine‘s Demise – WW2 – 092 – May 30 1941

Filed under: Britain, China, Germany, History, Japan, Military, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 30 May 2020

This week, the Battle of Crete continues as the Bismarck and Prinz Eugen set sail to the Atlantic, starting one of the most dramatic episodes in the histories of the Royal Navy and the Kriegsmarine.

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Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: NN
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Daniel Weiss
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…

Sources:
– Imperial War Museum: A 6152, A 6155, A 3898, IWM A4057, HU 50190, HU 374, FL 2120, E 3464, E 450
– U.S. Naval History and Heritage Command Photograph
– Narodowe Archiwum Cyfrowe
– Drawing of Churchill from Museon
– Battlecruiser Renown shape by Emoscopes from Wikimedia

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

May 29, 2020

The contagion of fear and the progressive loss of perspective in the modern world

Filed under: Britain, Government, Health, Media — Tags: , , , , , — Nicholas @ 03:00

In the Hector Drummond Magazine, Dan C. discusses what he calls the “comfort of fear”:

Not actually the official symbol of Britain’s National Health Services … probably.

This is the sort of glib response (akin to “so you WANT people to die then?”) that has essentially hijacked all conversation and debate since the start of the Coronavirus outbreak. I didn’t respond, partly because I didn’t have the energy for an argument with a friend (at least Twitter rows tend to be anonymous) and quite frankly, what does one say to this? That we shouldn’t send out children back to school ever again in case one child happens to pass away from any illness or disease? That we should continue in lockdown until we cure death itself?

My concern is that this bizarre way of thinking is commonplace right now for many parents. Locked inside their houses for weeks on end, soaking up an endless stream of Netflix programs, mawkish Instagram feeds and daily Government briefings, convinced that Black Death Mk II has landed outside their front door, paid by the state to stop working and lapping up every rainbow-based hashtag that emerges from “our NHS”, all sense of balance and perspective has vanished. With such an unprecedented paradigm shift, this new state of heightened safety has led many to consider their view on illness and risk for the very first time in their lives and unfortunately the concept of critical thinking has been found lacking. Real life, which has been slowly eroded for many decades, has suddenly been switched off completely overnight and the worst of it is that most people don’t seem to care.

The scary part of all of this is that if the adults in the room have suddenly lost their desire to engage in the outside world, to have meaningful human interaction, to take risks (don’t get me started on the definition of “risk”) and to live their lives in the fullest possible way then what chance do children stand? After all, you can’t miss what you’ve never had.

Historians will look back in bewilderment at this period, noting that it took no more than a month during the spring of 2020 for fearlessness to completely evaporate in society. In its place is a comfortable sense of fear.

May 28, 2020

QotD: The decline and fall of the British aristocracy

Filed under: Britain, History, Quotations — Tags: , , , — Nicholas @ 01:00

Therein you have a microcosm of modern British aristocracy. A class system that used to distribute power and responsibility has collapsed into a source of therapeutic validation for the fragile individualism of its members. False merit thrives between narrow horizons — and few are narrower than the blue bloods of England. Enabling these delusions are the hangers-on who crowd Britain’s husks of aristocracy. It takes celebrities, journalists, and photographers to clothe their naked imperium and validate their feelings of uniqueness. And what does the intelligentsia get in return for this courtship? The answer, of course, is nothing. Because if Britain’s nobs know one thing, it is that they owe the world nothing. They have kept their noblesse but eschewed their oblige. In its place has come venality and codependence: rugged individualism without the actual ruggedness.

The historical way-markers to this implosion are well-documented. The First World War delivered a demographic and psychological blow of unprecedented proportion. Yet the next generation laughed into the void. The Roaring Twenties were a whirl of parties and bankruptcies. Only with the aid of married American fortunes did a carapace of their old values remain intact. The ’60s dissolved what remained of those values in a fug of dope and good tail. Those who didn’t succumb to the new addictions succumbed to old ones they could no longer afford. Titans of the British military like Sir David Stirling — cofounder of the SAS and a descendant of Charles II — gambled away their estates at the hands of unscrupulous Mayfair casino-owners who pretended to be their friends. The aristos were co-opted for their charm — read: money — by a new milieu that promoted the glamour of sexual and social transgression. Blinded by their inherited feelings of self-worth, they never realized they were being used by people who despised them. As a result, nowhere was Britain’s postwar political direction — dubbed “The Management of Decline” — internalized as effectively as among the people who had once driven its ascent.

[…]

How could a species that once steered Britain to greatness now claim the Darwin Award in every passing decade? The simple reason is that British aristocrats are the only people on earth among whom stupidity is not only accepted but prized. As the ultimate proof against meritocracy, it is the ultimate badge of honor. As Stendhal wrote in Le Rouge et Le Noir, “It is not doing something well or badly that is the crime: but doing it at all.”

“Bunky Mortimer III”, “Class Rejects: A Guide to the British Aristocracy”, Taki’s Magazine, 2018-03-02.

May 27, 2020

The Battle to Crack Enigma – The real story of ‘The Imitation Game’ – WW2 Special

World War Two
Published 26 May 2020

For the British, breaking the Germans’ seemingly unbreakable codes is one of the most vital battles of the war. If they fail, there is litte to stop the German U-Boats hunting down Allied shipping in the Atlantic.

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Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Norman Stewart, https://oldtimesincolor.blogspot.com/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…

Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
IWM D 23310, A 13709, A 23513
Picture of Enigma G model, courtesy Austin Mills https://flic.kr/p/2bQ9Q
reconstructed bombe machine at Bletchley Park, courtesy Gerald Massey
Picture of Enigma M4 model displayed at Bletchley Park, courtesy Magnus Manske
Picture of John Herivel, courtesy GCHQ
From the Noun Project: Letter by Mochammad Kafi, Desk by monkik, Phone by libertetstudio, person by Adrien Coquet, Letter by Bonegolem, Table by Creative Stall, documents by Johannes Hirsekorn, sitting at desk by IYIKON, Paper by James Kopina

Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”
Johannes Bornlof – “Deviation In Time”
Gunnar Johnsen – “Not Safe Yet”
Hakan Eriksson – “Epic Adventure Theme 3”
Howard Harper-Barnes – “London”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
4 hours ago (edited)
Hopefully you’re all staying safe in these difficult times. We’re still marching on so that we can keep all of you entertained when you’re stuck at home. But we can only continue doing so thanks to your ongoing support. Ad revenue has dropped significantly because of COVID, and we rely on your support now more than ever. If you can, please support us on www.patreon.com/timeghosthistory or https://timeghost.tv.

Please let us know what other specials you’d like to see. And if you would like to know something about a smaller topic, make sure to submit that as a question for our Q&A series, Out of the Foxholes. You can do that right here: https://community.timeghost.tv/c/Out-of-the-Foxholes-Qs.

Cheers,
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Webley 1913 Semiauto Pistol: History and Disassembly

Filed under: Britain, History, Military, Weapons, WW1 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 25 May 2017

William Whiting and the Webley company had high hopes for their self-loading pistols being adopted by the British military — but they never got the success they were hoping for.

After the poor performance of the Webley 1904 (https://www.youtube.com/watch?v=-hT38…) at trials, William Whiting decided to make sure his next attempt would be fully developed before he put it in the hands of the military. He did very well at that too, as the gun which would become the Model 1913 Webley did very well from its very first military tests. The Royal Navy was, in fact, quite enthusiastic about it, although the Army was not. The Navy would ultimately adopt the gun and purchase about 8,000 of them during World War One, while the Army acquired just a couple hundred and preferred to stick to its revolvers.

Thanks to Mike Carrick of Arms Heritage magazine for loaning me these pistols to bring to you!

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QotD: “Hate speech” is the new secular heresy

The cynical category of “hate speech” is openly used to police the parameters of acceptable thought and to punish those who are considered to hold heretical views that the guardians of moral correctness oppose. So not only are critics of Islam denounced as “hate speakers” — so are feminists who question the cult of transgenderism, Christians who disapprove of same-sex marriage, right-wing people who want stricter immigration controls, etc. These are all entirely legitimate political or moral opinions. The branding of them as “hate speech” — and therefore undeserving of the protections of freedom of speech — is really a way of calling these views heresy. And of course heretics must be cast out. Feminists, Catholics, critics of Islam — hound them off campus, get them off the airwaves, report them to the police for their crimes of hatred. This is an intolerant assault on heresy of the kind that has appeared many times throughout history. Those who say “It isn’t censorship” protest far too much. Deep down they know it is. Deep down they know they are to the 2020s what Joe McCarthy was to the 1950s.

Brendan O’Neill, “Why we must win the fight for free speech”, Spiked, 2020-02-26.

May 26, 2020

“No more pencils, no more books…”

Filed under: Britain, Education, History — Tags: , , , , , , — Nicholas @ 03:00

In the latest edition of the Libertarian Enterprise, Sean Gabb considers the demands from the British government to quickly re-open the schools over the concerns of the educational unions and administrations:

The latest turn in an increasingly dull coverage of the Coronavirus panic is a proposed reopening of the schools. The Government wants them open as soon as possible for at least some of their students. The teaching unions are bleating that no one should go back until their members can be sure of not catching anything. The headmasters are worried about compliance with the social distancing rules. As a conservative of sorts, I think I am supposed to side with the Government and the pro-Conservative journalists — denouncing the teachers as a pack of idlers where not cowards, and insisting that those factories of essential skills must be set back in full production before the summer holidays. Of course, my settled view as a libertarian is that the teaching unions deserve all the support I have never so far given them. The schools must remain closed until no one is in any danger of so much as an attack of hay fever. The schools have been largely closed since the end of March. The longer they stay largely closed, the better. Best of all if they never reopen — or never reopen as they have been since attendance was made compulsory at the end of the nineteenth century.

I quote John Stuart Mill on compulsory schooling:

    A general State education is a mere contrivance for moulding people to be exactly like one another: and as the mould in which it casts them is that which pleases the predominant power in the government, whether this be a monarch, a priesthood, an aristocracy, or the majority of the existing generation; in proportion as it is efficient and successful, it establishes a despotism over the mind, leading by natural tendency to one over the body.
    (On Liberty, 1859, Chapter 5, “Applications.”)

This has always been the case in some degree. The spread of state schooling in England after 1870, and particularly after it was made compulsory in 1880, and then extended in 1902, is probably inseparable from the nationalist hysteria that drove our participation in the Great War. It also may explain the perverse belief, general until the 1970s, in the unique goodness and honesty of our ruling class. This being said, reasonable patriotism is to be encouraged; and, compared with others, our ruling class was not until recently so bad. A further point is that compulsory state schooling used to be reasonably effective at giving the mass of people a basic education. By 1960, most people were literate and numerate. They could spell and write grammatical prose. They had some exposure to the English classics, and the means of exploring these to greater depth if they wished. They had some understanding of history and the sciences. You can tell much about the quality of a people by examining what is read and watched. Looking at the popular arts in England during much of the twentieth century explains why this passage in On Liberty was less often discussed than his arguments for freedom of speech. Mill was right in the abstract. He could be shown to be right in certain particulars. But the evils of compulsory state schooling were mostly potential.

All this, however, is in the past. Since about 1980, schooling of all kinds has been made into a concerted means of indoctrination. The cultural leftists have captured both the classrooms and the curriculum. I will not elaborate on this claim. Some will argue over terminology, some over the merits of the capture, but hardly anyone denies the broad fact. One of the main functions of modern schooling is to bring about and to protect a radical departure from the old intellectual culture of this country.

Much of this departure has been achieved by preaching in the classroom. But it is supplemented by a growing bureaucracy of surveillance. The teachers themselves are watched, and they can be punished for dissenting from the established discourse. There is, for example, the Government’s Prevent strategy, which applies to the whole state machinery. Its purpose is to identify and root out anyone defined as a “political extremist.” Anyone identified as such is effectively banned from working with children and young people, and probably in the state sector as a whole.

May 24, 2020

Invasion of Crete: a Bloody Mess – WW2 – 091 – May 23 1941

World War Two
Published 23 May 2020

Operation Mercury commences as fallschirmjäger airborne troops land on the Greek island of Crete. A bloody and messy battle follows as it turns out to be costly in more ways than one.

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Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…

Sources:
– Imperial War Museum: A 28473, E 3064E, A 4154, A 4153, A 4149, A 4144, E 3066E, E 3023E, A 4156, E 6066
– Archives municipales de Brest
– Museums Victoria
– Bundesarchiv, CC-BY-SA 3.0: Bild_141-0816, Bild_183-L04232, Bild_101I-166-0527-10A, Bild 101I-166-0527-22 / Weixler, Franz Peter, Bild_183-L19019, Bild 146-1977-115-04, Bild 141-0823, Bild_101I-166-0512-39, Bild_146-1981-159-22, Bild_146-1980-090-34, E 3022E

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

May 23, 2020

Failed Assassinations — History Hijinks

Overly Sarcastic Productions
Published 22 May 2020

If videogames have taught me anything, it’s that an assassin can solve a lot of problems. But sometimes plans fall apart, and sometimes it’s for the absolute DUMBEST reasons.

SOURCES & Further Reading: A History of Venice by Norwich, Rebellion by Ackroyd, The Poison King by Mayor.

This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.

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May 22, 2020

“Angels Calling” Pt. 2 – Guns, Gas and Steel – Sabaton History 068 [Official]

Filed under: Britain, Europe, France, Germany, History, Media, Military, WW1 — Tags: , , , , — Nicholas @ 04:00

Sabaton History
Published 21 May 2020

The shadow of trench warfare is a long one. In fact the soldiers at the front did not just rely on their guns and grenades alone, but on a wartime industry to keep them fighting. Everything had to be produced in the millions. Not only rifles, cartridges and shells, but boots, helmets, spades and everything else that was used on a daily basis. The Great War was a war that thrived on a nation-wide war-economy, the likes of which had never been seen or tried before.

We would like to thank the World of Tanks team for their contribution and help with the video filming. If you’re not yet a World of Tanks player, join the game and get your hands on cool in-game stuff for free via the link: https://redir.wargaming.net/w7fwclmx/…

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Watch the Official Video of “Angels Calling” here:
https://www.youtube.com/watch?v=JyZ8w…

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
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Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
Imperial War Museum: (E(AUS) 1497),(Q 87945), (HU_91107), (Q 109611), (IWM Q 3001), (Q 69229), (Q 14945), (Q 5855), (Q 110355), (Q30009), (Q 9340), (Q 10450), (Q 70680)
Bundesarchive
National Archives NARA
Library of Scotland
Internet Archive Book Images
Bulgarian Archive State Agency
The icons from Noun Project by: Creative Mania, Chanut is Industries, Ben Davis, Vichanon Chaimsuk, Assyifa Art, chiccabubble, Nociconist, Vectors Marke, lastspark, faisal, Nun, Setyo Ari Wibowo, Mohamad Arif Prasetyo, Nibras@design,Creative Stall, Bruno Bosse, ghufronagustian, Karla Design,Gan Khoon Lay, Eucalyp, Anton, Marta Botter, Iconic, Daniel Turner, Naufal Hudallah, Phạm Thanh Lộc, Ruben Vh, Vectorstall, Icon Lauk, Mahmure Alp, Luke Anthony, Deemak Daksina, Sergey Krivoy, Andrejs Kirma, Rflor, Andrejs Kirma, Shovel by David, ProSymbols, Jake Dunham, noSimon Child, Wonmo Kang, Nubaia Karim Barsha, Nikita Kozin, Dolly Holmes, Collicon, Made by Made & Graphic Enginer
Flag of Spain recreated by HansenBCN and SanchoPanzaXXI

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

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First War of Scottish Independence | 3 Minute History

Filed under: Britain, France, History, Military — Tags: , , — Nicholas @ 02:00

Jabzy
Published 22 Jun 2015

The First Scottish War of Independence

May 21, 2020

The Great Exhibition of 1851 also served (for some) as the 19th century equivalent of the “Missile Gap” controversy

In the latest edition of his Age of Invention newsletter, Anton Howes discusses the changing role of the British government and how the Great Exhibition was also useful as subtle domestic propaganda for a more active role for government in the British economy:

The Crystal Palace from the northeast during the Great Exhibition of 1851, image from the 1852 book Dickinsons’ comprehensive pictures of the Great Exhibition of 1851
Wikimedia Commons.

… a whole new opportunity for reform was provided by the Great Exhibition of 1851. As I explained in the previous newsletter, an international exhibition of industry functioned as an audit of the world’s industries. It, and its successors, the world’s fairs, gave some indication of how Britain stood relative to rival nations, especially France, Prussia, and the United States. And whereas some people saw the Great Exhibition as a clear mark of Britain’s superiority, for would-be reformers it was a chance to expose worrying weaknesses. Thus, Henry Cole and the other original organisers of the exhibition at the Society of Arts exacerbated fears of Britain’s impending decline, giving them an excuse to create the systems they desired.

They identified two areas of worry: science and design. Britain of course had many eminent scientists and artists — some of the best in the world — but other countries seemed to have become better at diffusing scientific training and superior taste throughout the workforce as a whole. Design skills were an issue because France appeared to be catching up with Britain when it came to the mechanisation of industry; if it caught up on machinery while maintaining its lead in fashion, then Britain would not be able to compete. And scientific training appeared more useful than ever, with the latest scientific advances “influencing production to an extent never before dreamt of”. Visitors to the Great Exhibition had marvelled at the recent inventions of artificial dyes, a method of processing beetroot sugar, and the latest improvements to photography and the electric telegraph. Thus, for Britain to maintain its lead, it would need to improve the education of its workers.

The reformers’ scare tactics worked. The aftermath of the Great Exhibition saw the creation of a government Department of Science and Art under the direction of Henry Cole, who in turn oversaw the agglomeration of various museums, design schools, and other cultural institutions to what is now the “Museum Mile” in South Kensington. (Curiously, the area was originally called Brompton, but when Cole opened a museum of design and industry there, he named it the South Kensington Museum. Kensington was a much more aristocratic area nearby, though it had no “south” at the time. The museum evolved, rather complicatedly, into what is now the Victoria & Albert Museum. But unlike so many top-down area re-brands, the name South Kensington stuck.)

And that was just the beginning. Cole and his allies then oversaw a dramatic expansion of the state into education, largely through the use of examinations. Although state-funding for education had initially centred on building new schools, getting any more involved was a highly contentious issue. Most schools were controlled and funded by religious organisations, but were split between the established Anglican church and dissenters. When the government first became involved in schools, it was thus bitterly opposed by many dissenters as they feared that their children might become indoctrinated to Anglicanism. And naturally, the government could not teach dissenting religions. Yet the proposed compromise of teaching no religion at all was unacceptable to both sides. Schools were crucial, the groups believed, to keeping religion alive.

So the utilitarians came up with a workaround. Rather than getting the state too involved directly in managing the schools themselves, it would instead influence the curriculum. By holding examinations, and then paying teachers based on the outcomes of the tests, they could incentivise the teaching of certain subjects and leave the schools free to teach whatever religious beliefs they pleased. Indeed, by diverting more and more time towards teaching particular subjects, the reformers saw it as a secularising blow “against parsonic influence”. The tactic was initially applied to adult education. The Society of Arts would first trial out examinations without payments, to test their viability. Then Cole would have his department take over the examinations, first for drawing, and later for science, using his budget to fund payment-by-results. The effects were dramatic. The Society’s relatively popular examinations in chemistry, for example, rarely had more than a hundred candidates a year. But when the department instituted its payments, it soon drew in thousands. By 1862, when the government wanted to improve the teaching of reading, writing, and arithmetic in schools, they adopted Cole’s suggestion that they also use payment-by-results.

Tank Chats #70 Sherman M4A4 | The Tank Museum

Filed under: Britain, History, Military, USA, Weapons, WW2 — Tags: , — Nicholas @ 02:00

The Tank Museum
Published 23 Mar 2019

In Tank Chat #70, David Fletcher talks through the Sherman M4A4. The M4A4 is a relatively new addition to The Tank Museum, which is on long term loan.

Used and loved by the British, find out what makes this tank different from other types of Sherman in The Tank Museum.

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May 20, 2020

Roald Dahl – Pilot, Seducer and Author – WW2 Biography Special

Filed under: Africa, Britain, Greece, History, Military, WW2 — Tags: , , , — Nicholas @ 04:00

World War Two
Published 19 May 2020

Roald Dahl is not just a beloved author, he is also a wartime adventurer. He saw plenty of action in North Africa and Greece, where he got the inspiration for many of his work to come.

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Hosted by: Indy Neidell
Written by: Isabel Wilson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński

Colorizations by:
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…

Sources:
IWM K 8588, CH 2377, ZZZ 11729, CM 1725, CM 354, CM 358, CM 43, CH 13555, CM 131, CH 1500, CH 1431, CM 2527, CM 1353
Portrait of Roald Dahl, courtesy Royal Air Force Benevolent Fund
“Shot Down over Libya”, courtesy The Saturday Evening Post
Portrait of Walt Disney, courtesy of Disney Archive
Bundesarchiv
USHMM

Johannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “Death And Glory 2”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”

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A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

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