Quotulatiousness

April 24, 2020

Prizes, patents, and the Society of the Encouragement of Arts, Manufactures and Commerce

In the most recent Age of Invention newsletter, Anton Howes explains why the Society of the Encouragement of Arts, Manufactures and Commerce (now the Royal Society of Arts) wasn’t a fan of the British patent system and preferred to award prizes in areas that were unlikely to generate monopoly situations:

The back of the Royal Society of Arts building in London, 25 August 2005.
Photo by C.G.P. Grey (www.CGPGrey.com) via Wikimedia Commons.

… the Society’s early members had an aversion to monopolies, and patents are, after all, temporary monopolies. But there was actually a more practical reason to not give rewards to patented inventions. In fact, quite a few active members of the Society were themselves patentees, and patents for inventions were not generally lumped together for condemnation with practices like forestalling and engrossing. The practical reason for banning patents was that there was no point giving a prize for something that people were already doing anyway. Patents were expensive in the eighteenth century — depending on how you account for inflation, it could cost about £300,000 in modern terms to obtain one — so the fact that there was a patent for a process was a clear indication that it might be profitable. The Society, by contrast, was supposed to encourage things that would not otherwise have been done.

Thus, when a patent had already been granted for a process the Society had been considering giving a premium for, it purposefully backed down — not because the prize would infringe on the patent, but because its encouragement was no longer necessary. And so the effect of the ban on patented inventions was that the Society received, even unsolicited, exactly the kinds of inventions that there was less monetary incentive to invent. Occasionally, this meant trivial improvements — minor tweaks, here and there, to existing processes. An engineer might patent one invention, but not see it worth their time patenting another — through the Society’s prizes, they might at least get a bit of cash for it, or some recognition. The improvement would also be promoted through the Society’s publications. Or, the Society received inventions that were far from trivial, like the scandiscope for cleaning chimneys [here], but which were not all that profitable: inventions that saved lives, or had other beneficial effects on the health and wellbeing of workers and consumers. And finally, the Society received innovations that could not be patented, such as agricultural practices and the opening of new import trades. In the early nineteenth century the Society awarded its prizes to a whole host of naval officers, including an admiral, who came up with flag-based signalling systems between ships — early forms of semaphore.

Another effect of the ban on patents was that the Society also attracted submissions from different demographics. Many of its submissions came from people who were too poor to afford patents, as well as from those who were too rich — wealthy aristocrats for whom commercial considerations might seem vulgar. The poor would generally go for the cash prizes, and the aristocrats for the honorary medals. And the prizes were used by people who might otherwise be socially excluded from invention. In 1758, for example, the Society instructed its members in the American colonies to accept submissions from Native Americans. It also allowed women to claim premiums (just as it allowed them to be members). My favourite example is Ann Williams, postmistress at Gravesend, in Kent, who won twenty guineas from the Society in 1778 for her observations on the feeding and rearing of silk-worms. She kept them in one of the post-office pigeon-holes, referring to them affectionately as “my little family” of “innocent reptiles”. Unlike other elements of society, the Society of Arts accepted, as she put it to them, that “curiosity is inherent to all the daughters of Eve.”

The Society thus encouraged the kinds of inventions that might not otherwise have been created, and catered to the kinds of inventors who might not otherwise have been recognised. Rather than competing with the patent system, it complemented it, filling in the gaps that it left. The Society operated at the margins, and only at the margins, to the better completion of the whole. It found its niche, to the benefit of innovation overall.

April 23, 2020

1945: Japan Joins the Allies | The Indonesian War of Independence Part 1

Filed under: Asia, Britain, Europe, History, Japan, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

TimeGhost History
Published 22 Apr 2020

In Indonesia, following the end of the Second World War catalyses the end of brutal Japanese rule. Their exit prompts the Dutch to begin restoring their prewar colonial status over the archipelago. But nationalist spirits are brewing, their opportunity to proclaim Indonesian independence is transpiring.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Watch the Prologue to the Indonesian War of Independence series right here: https://youtu.be/IkKJSRaeOik

Hosted by: Indy Neidell
Written by: Isabel Wilson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson and Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek Kaminski

Colorizations:
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…

Sources:
Archive by Screenocean/Reuters https://www.screenocean.com.
Tropenmuseum, part of the National Museum of World Cultures
Imperial War Museum Arts: Ronald Searle, SE5895 , SE-5865, SE5663, SE5724
Rijksmuseum

Music:
“Deviation In Time” – Johannes Bornlof
“Last Point of Safe Return” – Fabien Tell
“Deflection” – Reynard Seidel
“Disciples of Sun Tzu” – Christian Andersen
“Split Decision” – Rannar Sillard
“Other Sides of Glory” – Fabien Tell
“Last Man Standing 3” – Johannes Bornlöf
“Magnificent March 3” – Johannes Bornlöf
“Deviation In Time” – Johannes Bornlof

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
1 day ago (edited)
For the last decades, writing colonial histories on events such as the Indonesian War of Independence has been a difficult task. Due to the incriminating nature of the events, records were either never made or have been regularly “lost” since. Political interest in the events was minimal in both The Netherlands and Indonesia, but times are changing. In recent years, a lot more research power has been allocated to this topic by Dutch and Indonesian Universities and Research collectives. Finding colonial truths is a huge focus of academia right now and their work has allowed us to get real with colonialism in this series. We’re sure that even more sources and stories will surface in the coming years, allowing for more books and documentary such as ours to be made. We’re interested to hear what you think about this episode! Make sure to let us know in the comments!

Cheers,
Izzy

Trial by jury

Filed under: Britain, History, Law, Liberty — Tags: , , , , — Nicholas @ 03:00

Peter Hitchens recounts the essential role of the jury system in the evolution of the English (and, by inheritance, the Australian, Canadian, and even American) constitutional rights of the individual, which today seems to be in peril:

A still from the 1957 movie Twelve Angry Men, directed by Sidney Lumet, starring Henry Fonda, Lee J. Cobb, and Martin Balsam.

Am I going to have to fall out of love with juries? For decades I have defended these curious committees, which can ruin a man’s life in an afternoon. It has been a romance as much as it has been a reasoned position. Most people get their best lesson in jury trials from the 1957 movie Twelve Angry Men. In that version, a single determined juror, played by Henry Fonda, gradually wins the rest of the panel round to an acquittal, at great cost in emotion and patience. But what really won my heart was Thomas Macaulay’s account of the Trial of the Seven Bishops, in which a London jury defied the wishes of the would-be autocrat King James II in 1688. It was an astonishing event, a monarch’s authority challenged by — of all unlikely things — a collection of Anglican prelates. Their acquittal, perhaps more than anything else, led to James’s fall a few months later. It was the beginning of true constitutional monarchy in Europe, the genesis of the English Bill of Rights and the forerunner of the very similar American document of the same name. It could not have happened without a jury.

For without a jury, any trial is simply a process by which the state reassures itself that it has got the right man. A group of state employees, none of them especially distinguished, are asked to confirm the views of other state employees. With a jury, the government cannot know the outcome and must prove its case. And so the faint, phantasmal ideal of the presumption of innocence takes on actual flesh and bones and stands in the path of power. Juries grew up in England almost entirely by happy accident, and no government would nowadays willingly create them where they do not already operate. A brief fashion for them in 19th-century Europe was swiftly stamped out by governments that understood all too well how much they limited their power. I believe the last true Continental juries, sitting in the absence of a judge, were abolished in France in 1940 by the German occupation authorities. People in Anglosphere countries, unaware that true independent juries rarely exist outside the English-speaking world, have no idea what a precious possession they are.

I remember actually pounding the arm of my chair with delight as I read Macaulay’s account of the response of the bishops’ attorney, Francis Pemberton, when threatened by the chief Crown prosecutor, the solicitor general: “Record what you will. I am not afraid of you, Mister Solicitor!” So this was England after all, and even the majesty of the Stuart Crown could not overawe the defense. This was wholly thanks to the fact that the trial took place before a jury — which duly acquitted the bishops of “seditious libel,” the ludicrous charge by which James had hoped to crush opposition to his plans to reverse the Reformation. Without a jury, the king would of course have won his case, and England would have gone down the road to absolutism (already followed in France, Prussia, Russia, and the Habsburg dominions) with incalculable consequences for the whole world. Instead we had what came to be called the Glorious (or Bloodless) Revolution.

And my blood still runs faster when I recall this and other moments at which the mere existence of juries has made us all more free. Yet I also have terrible doubts. Is the independence of juries possible in the modern world, in which the English Bill of Rights is all but forgotten and a new dispensation reigns? All too often, I read reports of trials in my own country that fill me with doubt. I did my fair share of court reporting as an apprentice journalist many years ago, and I have a good understanding of how these things used to work and ought to work. Something has changed. There is a worrying number of sex cases now coming before the courts in which clear forensic proof of guilt is often unobtainable.

The alleged crimes themselves are repulsive, and the mere accusation is enough to nurture prejudice. The defendants have often been arrested in the scorching light of total publicity, in spectacular dawn raids totally unjustified by any immediate danger they present. Pre-trial media reporting has further undermined the presumption of innocence. In England there is still officially a strong rule against the media taking sides before the jury delivers its verdict. But this is not enforced as it once was. The prosecutions are frequently as emotional as they are unforensic, the opposite of the proper arrangement. Yet the defendants are often convicted even so (sometimes by majority verdicts, which in my view violate the whole jury principle). The state seems somehow to have turned the jury — often swayed by emotion — into its own weapon. And it is worse than the alternative. A wrongfully-convicted defendant, pronounced culpable by a jury of his peers, must feel a far deeper despair than one cast into prison by a mere panel of judges.

Quintinshill, the Worst Railway Disaster in British History

Filed under: Britain, History, Military, Railways, WW1 — Tags: , , , — Nicholas @ 02:00

The History Guy: History Deserves to Be Remembered
Published 15 Sep 2018

Railroads played a critical role for the United Kingdom in the Great War. But the increased burden on the nation’s railways had its cost. In the early morning hours of May 22, 1915, a crowded schedule resulted in the 1915 Quintinshill Rail Disaster, the worst railway disaster in British history. Its victims, mostly men of the 1/7 Royal Scots regiment, deserve to be remembered.

The History Guy uses media that are in the public domain. As photographs of actual events are sometimes not available, photographs of similar objects and events are used for illustration.

The episode includes historical photos involving the Great War and a 1915 railway disaster. Those photos are provided in context of the historical events. No graphic violence is shown.

Patreon: https://www.patreon.com/TheHistoryGuy

The History Guy: History Deserves to Be Remembered is the place to find short snippets of forgotten history from five to fifteen minutes long. If you like history too, this is the channel for you.

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The episode is intended for educational purposes. All events are portrayed in historical context.

#quintinshill #wwi #thehistoryguy

April 22, 2020

Tanks of the Early North Africa Campaigns, by The Chieftain – WW2 Special

Filed under: Africa, Britain, Germany, History, Italy, Military, Weapons, WW2 — Tags: , , — Nicholas @ 06:00

World War Two
Published 21 Apr 2020

The Chieftain takes us to North Africa, where he talks us through the tanks that were used during the first months of the Battles in North Africa between the Italians and Germans on the one side and British and Commonwealth forces on the other.

Check out The Chieftains channel: https://www.youtube.com/channel/UCp4j…

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Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: The Chieftain
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: The Chieftain
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Carlos Ortega Pereira,
BlauColorizations, https://www.instagram.com/blaucoloriz…
Adrien Fillon – https://www.instagram.com/adrien.colo…

Sources:
Bundesarchiv
IWM KID 502, H 20697, E 443, H 1148, E380, KID346, E 1002, E 5366, E676, F 4594, E 1416, E 6605, E 15182, O 747, E 5559, E 142, F 2919, E 5036, F 2441, E 1772, E 9562, NA 2304, E 7304, E 2138
Noun Project: company soldiers by Andrei Yushchenko, Radio by Pravin Unagar, gearbox by Baboons, Shield by Nikita Kozin, Weight by Vadim Solomakhin, Game by Ecem Afacan, Target by RITASYA

Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Johan Hynynen – “Dark Beginning”
Max Anson – “Ancient Saga”
Rannar Sillard – “Split Decision”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “The Inspector 4”
Rannar Sillard – “Easy Target”
Philip Ayers – “Trapped in a Maze”
Phoenix Tails – “At the Front”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

April 21, 2020

QotD: Admiral Jackie Fisher’s five keys to “lock up the world”

Filed under: Britain, History, Military, Quotations — Tags: , , , — Nicholas @ 01:00

Geography plays an important part in all of this. While the sea surface itself is without geography, naval forces are dependent on shore facilities for support. In the age of sail, this was mostly for supply and repair, while coaling stations defined naval geography during the early age of steam, giving the British a huge advantage over all opponents. The US, lacking such facilities, built bigger, longer-ranged ships. Today, we’ve created forward bases in Europe and Japan, to allow our ships to spend more time on station, and replenishment ships to allow ships to spend more time at sea.

Moreover, a huge fraction of global trade flows through a few key choke points. A century ago, Jackie Fisher described “Five keys [that] lock up the world! Singapore. The Cape. Alexandria [Suez]. Gibraltar. Dover.” Today, we’d have to add the Strait of Hormuz, but the basic truth remains the same. Control of trade through these critical areas gives immense power, and it is in the interest of a maritime power to have that control, or at least to have great influence over how it is used.

“bean”, “Basics of Naval Strategy”, Naval Gazing, 2018-01-22.

April 17, 2020

“Diary Of An Unknown Soldier” – Lost in the Great War – Sabaton History 063 [Official]

Filed under: Britain, France, History, Media, Military, WW1 — Tags: , , — Nicholas @ 04:00

Sabaton History
Published 16 Apr 2020

The bells rang on Armistice Day 1920 in the 11th hour, and two minutes of silence followed. One minute for the soldiers that had fought in the Great War and had come back. The second for those who did not. Those unfortunate souls that had been left behind. They had died like so many others, but had been denied a final resting place due to the violence of war. They had vanished, without a trace, without an identity. Those men where the Unknown Soldiers.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Diary of an Unknown Soldier” on the album The Last Stand:
CD: http://bit.ly/TheLastStandStore
Spotify: http://bit.ly/TheLastStandSpotify
Apple Music: http://bit.ly/TheLastStandItunes
iTunes: http://bit.ly/TheLastStandItunes
Amazon: http://bit.ly/TheLastStandAmz
Google Play: http://bit.ly/TheLastStandGooglePlay

Watch the official lyric video of “Diary Of An Unknown Soldier” here:
https://www.youtube.com/watch?v=Jhkz5…

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
– National Library of Scotland
– National Library of France
– Imperial War Museum: Q 10378, Q 100373, Q 57227, Q 100624, Q 53727, Q 29155, ART 3991 a, Q 109517, Q 100928, Q 100699, Q 100913, Q 45814, Q 23706, Q 14963, Q 31518, Q 31494, RAF-T 3129, Q 31514, Q 909, Q 87441, Documents.5323, Q 100486, Q 48929A, Q 78614

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago
Something different this time. Since we already have two episodes about the fighting in the Argonne, we thought this time we’d talk about the sacrifice and the legacy of the “Unknown Soldier”. Of those who fought and died but were not fortunate enough to have a last known resting place. We hope you still enjoy the episode!

QotD: Rommel arrives in North Africa

Filed under: Africa, Britain, Germany, History, Italy, Military, Quotations, WW2 — Tags: , , , , — Nicholas @ 01:00

Rommel arrived in February 1941 with fairly mundane orders to act as a Sperrband, a “blocker” to bolster the Italians after their mauling at Beda Fomm. The force he led was appropriately tiny: the reconnaissance battalion and an antitank detachment of the 5th Light Division (soon renamed the 21st Panzer Division). The rest of the division was still en route to Africa, and a second division, the 15th Panzer, would not arrive completely until the end of May.

Rommel had his orders, but he had ignored orders in the past and been decorated for it. With British forces stripped to fight an exceedingly ill-advised campaign in Greece, he carried out a quick personal reconnaissance in his trusty little Fieseler Storch airplane, then launched an offensive in concert with his Italian partners (Ariete armored division and the infantry divisions of X Corps, Bologna and Pavia). He penetrated British defenses at El Agheila on March 24th, then drove on to Mersa el Brega on March 31st, pausing only long enough to take (and ignore) a number of radio messages from Berlin and Rome warning him not to do anything rash. Finally, he smashed the British defenders at Agedabia (elements of the green 2nd Armoured Division, equipped partially with captured Italian M13/40 tanks), pinning them in front with the infantry of 5th Light Division while dispatching his Panzers on a ride around the open desert flank to the south, the first use of a tactic that would become his signature move.

These three tiny encounters, none of them exceeding regimental strength, were enough to unhinge the entire British defensive position in Cyrenaica. Rommel now expanded his “reconnaissance in force” into a general offensive, although the forces involved were still minuscule. One column headed up the coast road towards Benghazi, while two more sliced across the Cyrenaican bulge, scooping up a mountain of British supplies at Msus and Mechili. The British rear was in chaos. On April 6th, a German motorcycle patrol actually captured the British commander in Cyrenaica, General Philip Neame, as well as General Richard O’Connor, the victor of Beda Fomm. By April 11th, the Germans had surrounded the coastal fortress of Tobruk while smaller formations pressed on to the east, taking Bardia and reaching the Egyptian border at Sollum and Ft. Capuzzo.

This was top speed maneuver, and the distances were vast, with the Afrika Korps covering over 600 miles in less than two weeks. An amazing feat, to be sure, but may we not legitimately ask, Six-hundred miles to where? Rommel had lunged from central Libya to the Egyptian border in a great bound, but now he had an unconquered fortress sitting in his rear, a serious threat to his lines of communication and supply. Two hastily marshaled attempts to storm Tobruk went badly wrong. In the “Easter battle” (April 10th-14th) and the “battle of the Salient” (April 30th-May 4th), the defenders of the 9th Australian Division hung tough. Minefields channeled the German attacks, while direct fire from artillery, antitank guns, and supporting tanks shot up the assault forces quite badly and killed General Heinrich von Prittwitz, commander of 15th Panzer Division.

The very presence of an unconquered Tobruk rendered the drive across the desert pointless. Indeed, for all the fame it had brought Rommel in the world press, this first campaign won him few friends among command echelons in Berlin. General Halder was especially unimpressed. Rommel, he wrote, “storms around all day long with formations strewn all over the place.” The man had apparently “gone insane.” There was some justice to the complaint. A German division-plus had overrun territory — a vast wasteland, to be precise — but it hadn’t really won anything. There had been no battle of annihilation, no Kesselschlacht, nor could there have been. The Afrika Korps had come a long way, but now sat precariously on the edge of nowhere. Although Rommel and his command had shown a satisfying level of aggression, something the entire officer corps understood, most of them saw his drive to the Egyptian border as a misfire.

Robert Citino, “Drive to Nowhere: The Myth of the Afrika Korps, 1941-43″, The National WWII Museum, 2012. (Originally published in MHQ, Summer 2012).

April 15, 2020

The Industrial Revolution and the Society for the Encouragement of Arts, Manufactures and Commerce

Filed under: Britain, Economics, History, Technology — Tags: , , , , , — Nicholas @ 05:00

In the latest from Anton Howes’ Age of Invention newsletter, we are introduced to the Society for the Encouragement of Arts, Manufactures and Commerce:

The London Sweep (from a Daguerreotype by BEARD).
Image from London labour and the London poor : a cyclopaedia of the condition and earnings of those that will work, those that cannot work, and those that will not work, 1851, via the Wellcome Collection.

When we think of the British Industrial Revolution, the image that springs to mind tends to be of soot-belching factories and foundries, of child labour and squalid cities. The inventors who spring to mind tend to be James Watt and his steam engines, or Richard Arkwright and his cotton-spinning machines. But what people tend to forget is that the Industrial Revolution was unleashed by a much broader tide of accelerating innovation — as I never tire of repeating, it touched everything from agriculture to watchmaking, and everything inbetween. Just as some inventors pioneered the use of factories, other inventors sought solutions to industrialisation’s social ills.

Last time, I mentioned the Society for the Encouragement of Arts, Manufactures and Commerce, set up in 1754 in a London coffee house (the Society of Arts for short). What’s so fascinating about the organisation — which still exists today, now called “Royal” — is that it was closely involved with many of the more socially-oriented innovations of the period. By this, I mean the kinds of inventions that were rarely immediately profitable, but which aimed to save lives, to alleviate suffering, or to remedy some other social ill. The Society advertised premiums — cash prizes or honorary medals — for solutions to the problems that its members identified. And it offered similar rewards, which they called bounties, for unsolicited inventions.

It awarded a bounty of fifty guineas and a gold medal to Henry Greathead, for example, one of the claimants for the invention of the lifeboat. It gave another fifty guineas to a sergeant of the Royal Artillery, John Bell, for a method of firing a rope and grapple by mortar from a ship to the shore, to save people on board from shipwreck during storms. (Some years later, it even gave a gold medal to another inventor for a device that did the opposite, firing from shore to ship.) The Society awarded a medal to a Sheffield schoolmaster, John Hessey Abraham, for a magnetic apparatus that would prevent metal dust getting into the eyes and lungs of workers employed in grinding the points of needles. And in 1767 it awarded a bounty to a clockmaker, Christopher Pinchbeck, for a safer crane — cranes at the time were like gigantic hamster wheels, but for humans. When lines snapped, the results could be fatal, so Pinchbeck added a pneumatic braking mechanism.

The list goes on — in all, over the course of about a century, the Society of Arts awarded over two thousand premiums and bounties for inventions. But there is one that really stands out: a premium for the invention of a mechanical means of cleaning chimneys. With such an invention, the Society hoped to abolish the employment of children, sometimes as young as 4, who were forced to climb up inside chimneys in order to clean them. These children were sometimes abducted by the master chimney sweeps, and frequently perished in horrific accidents or of soot-induced cancers. Strikingly, the use of climbing boys was thought to be unique to Britain — the “peculiar disgrace of England” as the campaigners put it (though I don’t think this was quite true). The Society’s idea was that if a technological replacement could be found, then the case for outright abolition could be made — they wanted to create a machine to take the children’s jobs.

The Society of Arts played its role with the offer of a premium, but it acted alongside another campaign run by a few of its members, who ran the snappily titled “Society for Superseding the Necessity of Climbing Boys, by Encouraging a New Method of Sweeping Chimnies, and for Improving the Condition of Children and Others Employed by Chimney Sweepers”, founded in 1803 at the London Coffee-House on Ludgate Hill. Let’s call it the SSNCB for short. There had been earlier campaigns to abolish the use of climbing boys, one of the most prominent being run by Jonas Hanway (a prominent philanthropist, also a member of the Society of Arts, whose various claims to fame include being the first man in London to sport an umbrella). But the 1803 campaign was to prove the most successful, drawing on wider political support. The SSNCB’s key members included William Wilberforce, who later became famous for his zeal in abolishing the slave trade.

Girls Armed With Pitchforks – The Women’s Land Army – On the Homefront 002

Filed under: Britain, History, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 14 Apr 2020

Now that the labour-needs and the availability of manpower has changed due to the outbreak of World War Two, Women are required to join the workforce. They’re put to work in the Women’s Land Army.

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Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Anna Deinhard
Written by: Spartacus Olsson and Francis van Berkel
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Tom Meaden
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/

Sources:
IWM A 19891, Q 54607, Q 54601, Q 54602, D 8793, D 204, D 199, D 18050, D 8463, D 18062, D 20722, D 8833, D 2973, D 14123, D 115, D 11256, D 14090, D 8806, TR 911, D 21057, D 128, CH 4119, D 3324, TR 912, D 18057, IWM TR 1568, D 21958, D 8794, TR 913
Picture of Women’s Land Army memorial in Scotland, courtesy of IWM, Martin Briscoe (WMR-69248)
Library of Congress
Portrait of Hilda Gibson, taken 2008 at 10 Downing Street, courtesy BBC PM blog http://www.bbc.co.uk/blogs/pm/2008/07…

Soundtracks from the Epidemic Sound:
Johannes Bornlof – “Deviation In Time”
Wendel Scherer – “Defeated”
Johannes Bornlof – “Magnificent March 3”
Reynard Seidel – “Deflection”
Max Anson – “Ancient Saga”
Johannes Bornlof – “The Inspector 4”
Christian Andersen – “Quiet Contemplation”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
22 minutes ago (edited)
This is the second instalment of our monthly ‘On the Homefront’ series and it’s about the Women’s Land Army. Now, with these series we’re planning to cover the events and cultural and social changes that occurred during World War Two, as well as the organisations and individuals that lived through them. As with the other specials, we want to cover all the homefronts, from all nations all across the world. If you have any good ideas for future episodes, please let us know in the comments!
Cheers and stay safe!
Joram

April 14, 2020

History Summarized: England

Overly Sarcastic Productions
Published 10 Apr 2020

English history has a reputation for being nigh incomprehensible — what with all the kings, civil wars, succession crises, and slapfights with France. But with the right perspective (and a little royal-restraint), England can become quite a straightforward story. So let’s take a look at this slice of Britain, and see how it grew into the master of the Isles.

SOURCES & Further Reading: “History of England from the Tudors to the Stuarts”, lecture series for The Great Courses by Robert Bucholz, a great look at Renaissance and Early Imperial England.
“Ten Minute History of England and Britain” Parts 1-18, by History Matters, a lengthy chronicle of English history from the Roman conquest through the Union of the Crowns. Good watch if you have the time.
Foundation by Peter Ackroyd, the first book in a mammoth 6-volume History of England, which covers everything up to the death of Henry VII. If you really want to dig into English history, this is the book for you.

This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.

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April 13, 2020

Curator’s Tank Museum Tour: Tank Story Hall – Inter-War | The Tank Museum

Filed under: Britain, History, Military, Weapons — Tags: , , , , — Nicholas @ 06:00

The Tank Museum
Published 11 Apr 2020

Join Curator David Willey as he takes you on a tour of The Tank Museum’s Tank Story Hall, which houses over 30 key vehicles from Little Willie to Challenger 2. In this section he looks at the inter-war vehicles and gives you a potted history of the time period between the two World Wars.

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Tank 100 First World War Centenary Blog: ► http://tank100.com/

April 12, 2020

Nazis in the Balkans – The Invasion of Greece and Yugoslavia – WW2 – 085 – April 11, 1941

Filed under: Britain, Europe, Germany, Greece, History, Italy, Military, WW2 — Tags: , , , , , — Nicholas @ 06:00

World War Two
Published 11 Apr 2020

This week, the German army invades Greece and Yugoslavia as it launches Operation Marita and Operation 25 respectively. They also take some remarkable captives in North Africa.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Daniel Weiss
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Adrien Fillon – https://www.instagram.com/adrien.colo…
– Carlos Ortega Pereira, BlauColorizations
– Owen Robinson – https://www.instagram.com/owen.colori…

Sources:
– FORTEPAN / MARTIN DJEMIL, MARTIN DJEMIL
– FDR Presidential Library & Museum
– Bundesarchiv
– Narodowe Archiwum Cyfrowe
– Side cap and veteran icons by Andrei Yushchenko from the Noun Project
– IWM: E 2961, E 4702, E 2987, A 9796

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 days ago
This is the second double-length episode, with the Invasion of the Benelux and France being the first one (May 18th 1940). Now, there are two things I want to point out in this comment. First of all, like our May 18th episode, this episode is packed with the amazing maps made by Eastory. If you haven’t already, subscribe to www.youtube.com/c/eastory. Furthermore, this week the final episode of our Between Two Wars series aired, covering the world on the brink of World War Two. The entire series of 58 episodes long, covering all the events leading up to WW2, can be watched in this playlist (https://www.youtube.com/playlist?list=PLrG5J-K5AYAU1R-HeWSfY2D1jy_sEssNG) or simply by going to www.youtube.com/c/timeghost.
Cheers, Joram

Minimum alcohol pricing – a policy so good you have to lie about it

Filed under: Britain, Economics, Government, Health, Wine — Tags: , , , , , — Nicholas @ 05:00

Scotland has had legal minimum prices for alcoholic beverages since mid-2018. If you read a random selection of mainstream media coverage, you’d know that it’s been a huge success, with vastly improved public health results at a price to consumers measured in mere pennies. As with all propaganda efforts, if you tell the lies often enough, people may believe you:

There has been all sorts of rubbish written about minimum pricing since it was introduced in Scotland in May 2018. Nicola Sturgeon has lied about in the Scottish Parliament. The BBC has gone to extraordinary lengths to spin the policy as a success. The public have been told that alcohol-related hospital admissions have gone down when they have gone up. We have seen the media fall for blatant cherry-picking. We have been told that rates of problem drinking have gone down when we don’t have any evidence either way.

One of the few solid facts — that there were more alcohol-related deaths recorded in Scotland in 2018 than in 2017 — has been sidelined. Instead, the media have focused on a disputed, and relatively small, decline in alcohol sales as if that were an end in itself. Any port in a storm (fortified wine sales have definitely benefited from minimum pricing).

Figures from the calendar year of 2018 are of limited use because minimum pricing didn’t begin until May 1st. Today, for the first time, I can reveal the monthly mortality figures for Scotland, England and Wales. They show that there was no difference between the change in annual death rates from alcohol-related causes, regardless of whether the country had minimum pricing in place. Both England/Wales and Scotland saw a decline between May and December of seven per cent (compared to the previous year).

This graph is published in a new briefing paper I have written for the IEA. It summarises all the evidence gathered to date on deaths, hospitalisations and sales, plus exclusive new data.

Importantly, it contains estimates of the costs to consumers. Among the more outlandish claims made by the Sheffield modellers was the idea that moderate and low income consumers would be barely affected by minimum pricing. They predicted that a low income moderate drinker would only pay an extra 4p a year! This was never realistic, not least because it was based on the minimum price being set at 45p and they defined a moderate drinker as someone consuming the equivalent of just two pints of lager a week, but it worked from a PR perspective because it quelled politicians’ fears about the policy being regressive.

Tank Chats #67 Covenanter | The Tank Museum

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

The Tank Museum
Published 22 Feb 2019

Historian David Fletcher MBE talks through the Second World War British Cruiser tank, the Covenanter. Otherwise known as Tank Cruiser Mark V** A13.

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum

Visit The Tank Museum SHOP: ► https://tankmuseumshop.org/
Twitter: ► https://twitter.com/TankMuseum
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