Quotulatiousness

May 4, 2020

The No 4, Mk I* Lee-Enfield: Introduction

Filed under: Britain, Cancon, History, Military, Weapons, WW2 — Tags: , , — Nicholas @ 06:00

britishmuzzleloaders
Published 21 Aug 2018

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Errata –
The labelling of the “wrongly stamped” Mk III sight should be better described as “confusingly stamped” … the designation refers to the leaf …

It should be clarified that the rifle has at some point spent time in India with resultant modifications and maintenance…

Also, as of the 1937 Manual, the safety catch should be applied with the forefinger of the right hand.

For your Martini and Snider needs email Martyn at xringservices@yahoo.com

And for further reading on all British Victorian (and earlier) arms stop by the British Militaria Forum and say hello. http://britishmilitariaforums.yuku.com

May 3, 2020

How To… Drink Tea in a Tank | The Tank Museum

Filed under: Britain, Food, History, Military, Weapons, WW1, WW2 — Tags: , , — Nicholas @ 06:00

The Tank Museum
Published 30 Apr 2020

In the 1st episode of The Tank Museum’s brand new “How To” series, Wargaming’s Richard Cutland and historian James Holland explore how British tank crews managed to drink tea, while in a tank!

Download World of Tanks for free and claim your exclusive £15 starter kit: https://tanks.ly/2SiJPje
You can also share the invite code 1TANKIE with your friends.
Starter kit: Matilda Black Prince Tier V tank, 7 days of World of Tanks premium account & T-34-85M rental. Valid for new players only.

Using a WW1, WW2 and modern tank from The Tank Museum’s collection, the duo will discover how tea was made while soldiers were at war.

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Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/

Balkans in Nazi Hands – A Greek Tragedy – WW2 – 088 – May 02, 1941

World War Two
Published 2 May 2020

Greece falls as Axis troops push through the last Allied defences. New plans are made for a German invasion of Crete, and a new war breaks out between Great Britain and Iraq.

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Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…

Sources:
– Bundesarchiv, CC-BY-SA 3.0, Bild_146-1977-163-05A, Bild 146-1977-122-16, Bild_141-0816, Bild 101I-757-0023-32
– National Portrait Gallery
– Imperial War Museum: Q 69840, HU 52264

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 days ago (edited)
Now, we have decided to leave out any Call to Action (the bit where Indy tells you to subscribe and support us on Patreon) to give room to the dramatic speech on Radio Athens. So allow me to write it right here: If you want to learn more about how Kurt Student’s Fallschirmjäger were developed and used earlier in the war, you can check out our Special Episode about that right here: https://youtu.be/RNr3E3Hr0bo. I don’t want to deny anyone the chance to get a random name shoutout in the video by writing it here, but it is thanks our supporters that we can continue to make content like this. You can join the TimeGhost Army on www.patreon.com/timeghosthistory or https://timeghost.tv. Don’t forget to subscribe, ring the notification bell and see you next time!
Cheers, Joram

The Great Exhibition of 1851

In the latest Age of Invention newsletter, Anton Howes looks at one of the biggest popular events of Queen Victoria’s reign, the Great Exhibition:

The Crystal Palace from the northeast during the Great Exhibition of 1851, image from the 1852 book Dickinsons’ comprehensive pictures of the Great Exhibition of 1851
Wikimedia Commons.

On this day, in 1851, Londoners were finally allowed to enter one of the most spectacular edifices to grace their city. Over the previous months they had watched it spring up in Hyde Park — the largest enclosed structure that had ever been built, and made with three hundred thousand of the largest panes of glass ever produced. Set against the blackened, soot-stained buildings of London, the massive glass edifice gleamed. It soon became known as the Crystal Palace.

Although it no longer exists — it was rebuilt in Sydenham, but the new version burnt down in the 1930s — the fame of the Crystal Palace endures. The same goes for the event that it was originally built for, the Great Exhibition of 1851. But, despite that name-recognition, I’ve found that most people don’t really know what the Great Exhibition was for. Yes, it attracted six million visitors in the space of just a few months — an estimated two million people, almost a tenth of the entire population of Great Britain, most of them returning again and again. But why? I must admit, despite having mentioned the event before in some of my work, I’d never really considered it properly before I started researching the history of the Society of Arts.

The idea of such an exhibition in Britain originated with the Society’s secretary in the 1840s, the civil engineer Francis Whishaw. He had seen the use of industrial exhibitions in France, as a means of catching up with Britain in terms of technology. Every few years since 1798, the French government had held an exhibition of its national industries in Paris. The state paid for everything — a grand temporary building, as well as the expenses of the exhibitors — and the head of state himself awarded medals and cash prizes for the bet works on display. Some of the very best exhibitors were even admitted to the Légion d’honneur, France’s highest order of merit. The benefits to exhibitors were so high that essentially every manufacturer wished to take part. In the days before GDP statistics, the exhibitions were thus an effective means of getting a detailed snapshot of the nation’s manufacturing capabilities. An exhibition served as the nation’s industrial audit.

[…]

Although there had been a few local exhibitions of industry in Britain in the late 1830s and early 1840s, there had been nothing on a national scale to rival the French ones. So Francis Whishaw began the work of getting the Society to organise such an event — a national exhibition of industry for Britain. His initial plan came to nothing, partly as he left the Society to take another job, but in the late 1840s the project was resurrected by a new member of the Society, a civil servant named Henry Cole. In fact, Cole almost entirely took over the Society in the late 1840s, turning it into an exhibition-holding organisation. It held exhibitions devoted to particular living artists, on ancient and medieval art, on inventions, and especially on industrial design — what Cole liked to call “art-manufactures”. And, at the 1849 national exhibition in Paris, he adopted an idea that had already been floated for some years by French officials: an international exhibition, to show the industry of all nations.

This was the crucial step. The idea of an international exhibition of industry appealed to the free trade movement in Britain, which had achieved success in the 1840s with the abolition of the Corn Laws. By displaying the products of other nations, the argument went, British consumers would demand that they be able to buy them more cheaply. And free trade would hopefully bring an end to war, too. Free trade campaigners argued that the productive classes of rival nations competed peacefully, simply by trying to outdo one another in the quality and quantity of what they produced. It was the landed aristocracy, they argued, who let the competition become violent, feeding their pride by causing destruction. Thus, a grand exhibition of the products of all nations — the Great Exhibition — would be a physical manifestation of free trade and international harmony: a “competition of arts, and not of arms”.

The Great Exhibition thus had many roles. It was partly born of national paranoia, about French industrial catch-up, as well as about Britain being the first to hold such an event. It was also about exciting competitive emulation between manufacturers, showing consumers what they did not know they wanted, and achieving world peace and free trade. It certainly spurred on dozens of examples of international cooperation. In fact, just the other day I discovered that the first international chess tournament was held in London to coincide with the exhibition. And it served as an audit of the world’s industries, allowing people to judge who was ahead and who was behind. It thereby gave domestic reformers the ammunition to push for changes in areas where Britain seemed to be falling behind, in areas like education, intellectual property, and design. But more on those another time.

Scottish army ration (MRE) with radioactive heater

Filed under: Britain, Food, Humour, Military — Tags: , , — Nicholas @ 02:00

bigclivedotcom
Published 17 Jan 2020

A review of a VERY rare Scottish army ration. Carbohydrate-rich to match the Scottish diet and protect against the harsh cold environment of war and Scotland in general.

It appears to be made of all the key Scottish, Irish and Canadian food groups with the bonus of a slightly dangerous ration heater based on radioactive components also used by the Russian army.

It almost seems to be engineered to encourage fighting.

If you enjoy these videos you can help support the channel with a dollar for coffee, cookies and random gadgets for disassembly at:-
http://www.bigclive.com/coffee.htm
This also keeps the channel independent of YouTube’s advertising algorithms allowing it to be a bit more dangerous and naughty.

May 1, 2020

Why Pearl Harbor? Peaceful Portugal, and the poor Kriegsmarine – WW2 – OOTF 011

Filed under: Britain, Europe, Germany, History, Japan, Military, WW2 — Tags: , , , — Nicholas @ 06:00

World War Two
Published 30 Apr 2020

How were relations between Japan and the United States at the beginning of the war? What were both sides doing to try and make Portugal enter the war? And to what extent did the Kriegsmarine match the Royal Navy? Find out as we answer these questions in this Out of the Foxholes episode!

Links to the Between 2 Wars videos mentioned in the episode:
Japan, the Bureaucratic War Machine | BETWEEN 2 WARS I 1931 Part 2 of 3: https://youtu.be/vVgCy6iwrHQ
The World Takes Advantage of American Isolationism | BETWEEN 2 WARS | 1933 part 3 of 3: https://youtu.be/-iuQcxXAdfw
Did WW2 Start in 1937? – The Rape of China | BETWEEN 2 WARS I 1937 Part 1 of 2: https://youtu.be/_3vPGpamtDI

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Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
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Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…
Dememorabilia – https://www.instagram.com/dememorabilia/

Sources:
BIBLIOTECA DE ARTE DA FUNDAÇÃO CALOUSTE GULBENKIAN
Bundesarchiv

Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “Deviation In Time”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

The Scottish Sentencing Council recommends that no under-25s be sent to prison

Filed under: Britain, Law — Tags: , , , , , — Nicholas @ 05:00

Theodore Dalrymple isn’t impressed with this proposal:

A judges’s wig and advocate’s wig on temporary display in Parliament Hall, Edinburgh, 26 October 2013.
Photo by Kim Traynor via Wikimedia Commons.

Just as one begins to imagine that the liberal pseudo-conscience can go no further in foolishness, it comes up with new schemes to make the world a little worse. Its inventiveness, in fact, is infinite, and no victory over it by common sense is ever more than temporary. The price of sanity, at least in the modern world, is eternal vigilance.

This is not to say, of course, that no liberal reform in the past was ever justified or did no good, or that none will ever do any good in the future. It is simply that, as a matter of contingent sociological fact, many liberals seem to have lost their minds.

The Scottish Sentencing Council, an advisory body with no legislative powers but whose recommendations judges disregard at their peril, put forward a proposal earlier this year that those under the age of 25 should not be sent to prison because research shows that their brains have not yet fully matured. It is difficult to know where to begin in arguing with this fatuity.

Let us then start with the notion that no man under 25 is sufficiently mature to know that it is wrong to strangle old ladies in their beds and the further proposition that, until that age, they are unable to control their impulse to do so.

[…]

The idea that a man’s brain is so immature before age 25 that he does not know that all manner of crimes are wrong would suggest a revision of our electoral laws, for if a man can neither distinguish right from wrong nor control his impulses, should he have the vote? Should he, in fact, be considered of legal age? Should he be allowed even to choose his own career? I doubt that the Sentencing Council would preen itself on the corollaries of its proposal.

There is, of course, an element of truth in what the Sentencing Council says. Our characters are not fully formed by the age of 25 — mine certainly wasn’t. It is true also that there is a biological component to crime, inasmuch as the vast majority of criminals in all societies in which crime is a category of behaviour are young and male. The rate at which even recidivist criminals commit crimes declines with age and most often reaches zero. Time is the great therapist.

But punishment is not therapy. It is a very good thing, of course, if punishment (such as imprisonment) reforms the criminal, and I think that it is a moral obligation of the state, if it is to lock up people, to try to give them something purposeful and worthwhile to do. But that is not the primary purpose of punishment. If it could be shown that rewarding criminals with large fortunes would change their behaviour — as almost certainly it would in most cases — we should not advocate such a course, even if it were a better way of reforming them in the sense of reducing their recidivism rate.

Theodore Dalrymple on the authoritarian innovations we’ve so meekly accepted thanks to the Wuhan Coronavirus epidemic

Filed under: Britain, Government, Health, Law, Liberty — Tags: , , , , , — Nicholas @ 03:00

Getting back to “normal” is going to be much more difficult now that the powers-that-be know for certain that we’re all quite comfortable tugging the forelock and bending the knee given the right kind of orders:

Armed Metropolitan Police near Downing Street in London.
Photo by Stanislav Kozlovskiy via Wikimedia Commons.

As for the collective or political lessons of the epidemic, I fear them more than rejoice in them. They seem to me likely to reinforce a tendency to authoritarianism, and to embolden bureaucrats with totalitarian leanings. One of the surprising things (or perhaps I should say the things that surprised me) was how meekly the population accepted regulations so drastic that they might have made Stalin envious, all on the say-so of technocrats whose opinions were not completely unopposed by those of other technocrats. There was, as far as I can tell, no popular demand for the evidence that supposedly justified the severe limitations on freedom that were imposed on the population. I suppose an encouraging interpretation of this readiness of the population to do as it was told is that it demonstrated that, all the froth and foam of opposition to political leaders notwithstanding, fundamentally the authorities were trusted by the population to do the right thing. Much as we lament, therefore, the intellectual and moral level of our political class, there are limits to how much we despise it. In other words, we believe that our institutions still work even when guided or controlled by nullities.

A less optimistic interpretation, as usual, is possible. Our population is now so used to being administered, supposedly for its own good, under a regime of bread and circuses, that it is no longer capable of independent thought or action. We have become what Tocqueville thought the Americans would become under their democratic regime, namely a herd of docile animals. Only at the margins — for example, the drug-dealers of banlieues of Paris — would the refractory actually rebel against the regulations, and that not for intellectual reasons or in the name of freedom, but because they wanted to carry on their business as usual. (I should perhaps mention here that I number myself among the sheep.)

In Britain, at any rate, the epidemic revealed how quickly the police could be transformed from a civilian force that protects the population as it goes about its business into a semi-militarised army of quasi-occupation. This transformation is not entirely new, alas; it has been a long time since the policeman was the decent citizen’s friend. Under various pressures, not the least of them emanating from intellectuals, he has become instead a bullying but ineffectual keeper of discipline, whom only the law-abiding truly fear.

I first sensed this development many years ago this when a traffic policeman asked to see my licence. “Well, Theodore …” he started, calling me by my first name when a few years before he would have called me “Sir.” This change was significant. I had gone from being his superior, as a member of the public in whose name he exercised his authority, to being a kind of minor, whom it was his transcendent right to call to order. He was now the boss, and I was now the underling.

The change in uniform, too, has worked in the same direction. Traditionally, since the time of Sir Robert Peel, the uniform of the British policeman was unthreatening, deliberately so, his authority moral rather than physical. Now, he is festooned with the apparatus of repression, if not of oppression, though in effect he represses very little of what ought to be repressed in case it fights back. The modern police intimidate only those who do not need deterring; those who do need it know that they have nothing much to fear from these whited sepulchres, these empty vessels. Incidentally, the French police have undergone a similar deterioration in appearance: gone is the reassuring képi in favour of the moron’s baseball cap, and some of them now dress in jeans with a black shirt with the word POLICE across its back, which is not difficult to imitate and makes it impossible to know whether a policeman really is a policeman or a lout in disguise.

French Gendarmerie at the Eurockéennes of 2007.
Photo by Rama via Wikimedia Commons.

The Covid-19 epidemic has come as a great boon to the British police. Increasingly criticised for their concentration on pseudo-crimes such as hate speech at the expense of neglecting real crimes such as assault and burglary, to say nothing of organised sexual abuse of young girls by gangs of men of Pakistani origin, they could now bully the population to their heart’s content and imagine that in doing so they were performing a valuable public service, preserving the law and public health at the same time. Thus they transformed their previous moral and physical cowardice into a virtue.

Of course, in bullying the average citizen who was very unlikely to retaliate they took no risks, unlike with genuine wrongdoers and law-breakers, who tend to be dangerous; but the fact remains that most individual policemen joined the force motivated by some kind of idealism, a desire to do society some service, though they soon had these naïve fantasies knocked out of them by the morally corrupt or bankrupt leadership of the hierarchy which owes its ascendency to its willingness to comply with the latest nostrums of political correctness. The faint embers of the policeman’s initial idealism were no doubt rekindled by the opportunity to prevent the spread of the virus, as they supposed that they were doing, but some of them, at least, far exceeded even their flexible and vaguely-defined authority and began to inspect citizens’ shopping bags to determine whether they were hoarding goods that might be in short supply. This was a step too far, and at last there were protests; the police desisted.

April 29, 2020

Curator’s Tour of The Tank Museum | Blitzkrieg | WW2: Part 1

Filed under: Britain, Europe, France, Germany, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 04:00

The Tank Museum
Published 25 Apr 2020

Join Curator David Willey as he takes you on a tour of The Tank Museum’s Tank Story Hall, which houses over 30 key vehicles from Little Willie to Challenger 2. In this section he looks at early Second World War vehicles and gives you a potted history of the Blitzkrieg.

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Tank 100 First World War Centenary Blog: ► http://tank100.com/
#tankmuseum #tanks #MuseumFromHome

Feudalism: A Brief Explanation

Thersites the Historian
Published 26 Oct 2017

In this video, I try to bring order to the chaos that is feudalism and render it comprehensible.

April 27, 2020

Spoils of War for Britain and France – Redrawing the Map of the Middle East I THE GREAT WAR 1920

The Great War
Published 25 Apr 2020

Sign up for Curiosity Stream and Nebula – and get 40% off annual plans right now: https://curiositystream.com/thegreatwar

100 years ago at the conference of San Remo, one thing became clear: Great Britain and France wanted control over the Middle East. Justified by the fighting in the previous years and painted as “liberators” of the Middle Eastern minorities, the new map of the Middle East emerged – under the cover of the League of Nations Mandate system.

» SUPPORT THE CHANNEL
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» SOURCES
Karsh, Efraim & Karsh, Inari, Empires of the Sand: The Struggle for Mastery in the Middle East 1789-1923, (Cambridge, MA : Harvard University Press, 1999)

“Dans Le Levant” Le Temps, August 31, 1919 issue, https://gallica.bnf.fr/ark:/12148/bpt…

Lloyd George, David, Memoirs of the Peace Conference, (New Haven : Yale University Press, 1939) vol. 2

“Mounted Rifles Units” New Zealand History, https://nzhistory.govt.nz/war/aucklan…

Paris, Timothy J. Britain, The Hashemites and Arab Rule 1920-1925, (London : Frank Cass, 2003)

Provence, Michael, The Last Ottoman Generation and the Making of the Modern Middle East, (Cambridge : Cambridge University Press, 2017)

O’Neill, Robert, Official History of Australia in the War of 1914–1918, Volume VII – The Australian Imperial Force in Sinai and Palestine, 1914–1918, (Australian War Memorial, 1941)

“King-Crane Commission Digital Collection” Oberlin College Library. http://dcollections.oberlin.edu/cdm/s…

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»CREDITS
Presented by: Jesse Alexander
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A Mediakraft Networks Original Channel

Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020

April 26, 2020

Another Last Stand at Thermopylae – The Battle of Greece – WW2 – 087 – April 25, 1941

Filed under: Africa, Britain, Europe, Germany, Greece, History, Italy, Military, WW2 — Tags: , , , , , , — Nicholas @ 06:00

World War Two
Published 25 Apr 2020

The Battle of Greece continues as forces clash once more at the historic site of Thermopylae.

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Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabilia

Sources:
– Bundesarchiv, CC-BY-SA 3.0, Bild 101I-163-0318-09/Bauer, Bild 101I-163-0319-03A/Bauer
– Edo leitner from Wikimedia
– Imperial War Museum: E 3830, TR 1762, IWM ART LD 3355, E 676, E 3182, E 3187, E 3178, E 3183, E 2363
– Roll by rivercon from the Noun Project
– Grains by Gan Khoon Lay from the Noun Project

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 days ago (edited)
The war keeps on growing, and were doing our best to keep up with it. As you notice the episodes are often longer these days, but there are still many details we just can’t cover in the weekly episodes for time reasons. That’s why we do our specials and also why we have our Instagram and Facebook feed with headlines of the war day by day. For instance, while we cover the Allied retreat at Thermopylae, Indy just didn’t have space to go into the details about how Australian and New Zealand forces hold back the Wehrmacht while the others retreat. That will instead be the topic of our post on Instagram / Facebook on April 24 here: https://www.instagram.com/world_war_two_realtime/ and on the TimeGhost facebook page. We also dedicated the thumb to that event by featuring a soldier of the 28th (Māori) Battalion of the NZ forces, photographed in North Africa somewhat later in 1941 while doing the Haka. His unit was part of the rear guard at Thermopylae.

And on that note we would like to acknowledge that we would never be able to do this massive endeavor without the TimeGhost Army and their financial contribution. Valantis who supported this episode by dedicating it to the Cypriots fighting for the Allies in the war is not only a member of the TG Army, he’s also a valuable contributor in our comment sections and volunteers his time to help us sift through and read every comment posted under any of our videos. So, in this place we would like to once again thank Valantis and the entire TimeGhost Army for keeping us in kit, supplies, and manpower to continue the good fight for remembrance and education, especially in these trying times. You can join our forces here https://www.patreon.com/TimeGhostHistory or here https://timeghost.tv

Spartacus on behalf of the entire TimeGhost team.

Where have all the airships gone? | James May’s Q&A (Ep 8) | Head Squeeze

Filed under: Britain, Germany, History, Military, Technology, WW1 — Tags: , — Nicholas @ 02:00

BBC Earth Lab
Published 21 Feb 2013

James May talks us through the rise and fall of airships.

James May’s Q&A:
With his own unique spin, James May asks and answers the oddball questions we’ve all wondered about from “What Exactly Is One Second?” to “Is Invisibility Possible?”

April 25, 2020

History-Makers: Shakespeare

Overly Sarcastic Productions
Published 24 Apr 2020

“The Bard” is not only an essential class in any D&D party, but a byword for England’s most famous writer. We’ve covered a bit of Shakespeare before on OSP — just a bit, really, nothing major, only a dozen — but today we’ll look at how William got to Bard-ing, and how he accidentally became England’s biggest Historian.

SOURCES and Further Reading: The Introduction and play-texts of the Folger Shakespeare Library (The best way to read Shakespeare), “Shakespeare: A Very Short Introduction” by Wells

This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.

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Professor Neil Ferguson – “I wrote the code (thousands of lines of undocumented C) 13+ years ago to model flu pandemics…”

Filed under: Britain, Government, Health — Tags: , , , — Nicholas @ 03:00

An anonymous guest post at Hector Drummond’s blog pivots on the disturbing quote in the headline from one of the key advisors to the British government on the Wuhan Coronavirus epidemic:

To say I was gobsmacked at his admission is an understatement. He’s one of the experts advising the government about the Covid-19 pandemic, and was consulted in previous health crises such as Foot & Mouth disease. Like the approach to combating that, we’re seeing a kind of scorched earth approach to containing another transmissible disease.

Even though the “C” programming language that Ferguson used is nearly 50 years old, the language chosen isn’t the problem. Undocumented means that modules and other code fragments are not commented, so their purpose may be unclear to someone unfamiliar with the code. In the worst case it means that modules and variables don’t have self-documenting names. For example, an accounting program could have the variables BalanceBroughtForward and BalanceCarriedForward, but a sloppy programmer might call them B1 and B2 instead – a sure recipe for confusion.

The “C” language is good to work with but has some inherent issues which can lead to subtle bugs affecting the output without causing an error. A common problem is the conditional which uses two equals signs rather than one.

To compare variables A and B for equality you would write this: if (A == B). However, it’s easy to accidentally write this: if (A = B). The latter always returns true and assigns the value of variable B to A. I have no idea whether Ferguson’s code contains any bugs, this is just one minor example of the need for strict testing.

The reason for commenting code extensively and properly is so that the programmer himself, and anyone else who maintains it, can understand what it does and how it works, reduce the chance of mistakes and avoid unnecessary effort. During my IT career I would have terminated the contract of any contractor working for me who wrote thousands of lines of undocumented code. Not only is such code a nightmare for others to work on, it can be difficult for the original programmer to maintain if coming back to it after a long time. Sloppiness in the coding raises the worry of a concomitant lack of rigour in testing, although that’s not to assert Ferguson’s code isn’t working as intended and/or wasn’t tested.

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