Atun-Shei Films
Published 30 Oct 2020🎃 Get 50% OFF 👉🏻 your first 6 months of Babbel 🕰 limited time only! HERE: http://bit.ly/AtunSheiFilms
An in-depth analysis of Dracula, the original 1897 book by Bram Stoker, possibly the most influential horror novel ever written. Why has the Count enjoyed such longevity in popular culture? What made Dracula so scary for Victorian readers? And what – pray tell – makes vampires so attractive?
Support Atun-Shei Films on Patreon ► https://www.patreon.com/atunsheifilms
Leave a Tip via Paypal ► https://www.paypal.me/atunsheifilms
Buy Merch ► teespring.com/stores/atun-shei-films
#BramStoker #Dracula #Analysis
Reddit ► https://www.reddit.com/r/atunsheifilms
Twitter ► https://twitter.com/atun_shei~REFERENCES~
[1] “Dracula Movies” (2016). IMDB https://www.imdb.com/list/ls058255047/
[2] Leslie S. Klinger. The New Annotated Dracula (2008). W.W. Norton & Company, Page xvi
[3] Klinger, Page xxi
[4] Dr. Andrzej Diniejko. “Slums and Slumming in Late-Victorian London.” The Victorian Web http://www.victorianweb.org/history/s…
[5] Gill Davies. “London in Dracula; Dracula in London” (2004). Literary London: Interdisciplinary Studies in the Representation of London, Volume 2 Number 1 http://www.literarylondon.org/london-…
[6] Klinger, xxxii-xli
[7] “An 1897 Review of Bram Stoker’s Dracula” (2019). Literary Hub https://bookmarks.reviews/an-1897-rev…
[8] “The Spectator‘s Review of Dracula, 1897″ (2012). The Spectator https://www.spectator.co.uk/article/t…
[9] olly Furneaux. “Victorian Se•ualities” (2014). British Library https://www.bl.uk/romantics-and-victo…
[10] Klinger, Page xvii-xviii
[11] Greg Buzwell. “Daughters of Decadence: The New Woman in the Victorian Fin De Siécle” (2014). British Library https://www.bl.uk/romantics-and-victo…
October 31, 2020
Atun-Shei’s Dracula
The Banality of Death – War Against Humanity 021 – October 1941 Pt. 2
World War Two
Published 29 Oct 2020French resistance members liquidate a high-ranking German officer, triggering a series of retaliatory actions by the German occupiers. Meanwhile, actions in the “Holocaust of Bullets” continue in the east as German forces move further into the USSR, taking Odessa.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Mikołaj Uchman
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Norman Stewart – https://oldtimesincolor.blogspot.com/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Carlos Ortega Pereira – BlauColorizations, https://www.instagram.com/blaucolorizations
Tzo15 – https://commons.wikimedia.org/wiki/Fi…Sources:
– Berkhoff, Karel (ed.), Basic Historical Narrative of the Babi Yar Holocaust Memorial Center (2018).
– Cobb, Matthew, The Resistance (2009).
– Desbois, Patrick, The Holocaust by Bullets: A Priest’s Journey to Uncover the Truth Behind the Murder of 1.5 Million Jews (2008).
– Fox, Holquist and Martin, The Holocaust in the East: Local Perpetrators and Soviet Responses (2014).
– Kay, Alex and David Stahel, Mass Violence in Nazi-Occupied Europe (2018).
– Klee, Dressen and Reiss, The Good old Days: The Holocaust as Seen by Its Perpetrators and Bystanders (1991).
– Longerich, Peter, The Unwritten Order: Hitler’s Role in the Final Solution (2001)
– Longerich, Peter, Holocaust: The Nazi Persecution and Murder of the Jews (2010).
– Mitter, Rana, Forgotten Ally: China’s World War II, 1937-1945 (2013).
– Müller, “The Brutalisation of Warfare, Nazi Crimes and the Wehrmacht”, In: Erickson & Dilks, Barbarossa: The Axis and the Allies.
– Parrish, Michael, The Lesser Terror Soviet State Security, 1939-1953.
– Rutherford, Jeff, Combat And Genocide on the Eastern Front: The German Infantry’s War, 1941-1944 (2014).
– Snyder, Timothy, Bloodlands: Europe Between Hitler and Stalin (2010).
– United States Holocaust Memorial Museum, Encyclopaedia of Camps and Ghettos, 1933-1945, volume II, Part A (2012).
– United States Holocaust Memorial Museum, Encyclopaedia of Camps and Ghettos, 1933-1945, volume II, Part B (2012)Visual sources:
Yad Vashem 75EO4, 933/3/5, 94DO1, 75FO4, 75DO3, 3065/2, 4359/45, 2725/6, 86FO2, 3199/5, 7904/172, 3745/138, 90FO3, 4359/83, 4359/21, 4359/55, 4216/34, 86DO8, 3150/129, 4613/89, 142BO7, 3150/122
Bundesarchiv
Visuotinė lietuvių enciklopedija
Narodowe Archiwum Cyfrowe
Picture of Lavrentiy Beria in court, courtesy of Фотограф – Ист.доки https://commons.wikimedia.org/wiki/Fi…
Picture of Gilbert Brustlein, courtesy of Fbrustlein https://commons.wikimedia.org/wiki/Fi…
Picture of Jewish officials of the Vilnius ghetto, courtesy of United States Holocaust Memorial Museum, William Begell
Picture of Jewish and Lithuanian police guarding the entrence to the Vilnius ghetto, courtesy of United States Holocaust Memorial Museum, William Begell
from the Noun Project: Skull by Muhamad Ulum, students by Piotrek Chuchla, person by Adrien Coquet, Injury by Adraino Emerick, Man by Milinda Courey, Woman by Maxim Kulikov, Child by RocketDictionSoundtracks from Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Johannes Bornlof – “Deviation In Time”
Farell Wooten – “Blunt Object”
Peter Sandberg – “Document This 1”
Gunnar Johnsen – “Not Safe yet”
Jon Bjork – “For the Many”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Modern Halloween costumes show us how wealthy we have become
Richard Lorenc looks back at the “costumes” for Halloween from the 1970s and 1980s to help illustrate how much our general economic picture has improved since those dark days:
While my husband and I were recently struggling to figure out our costumes for this Halloween (and we still don’t have any idea), he pulled up some old commercials on YouTube. The off-the-shelf options that trick or treaters had were, in a word, pitiful.
Basically, costume makers thought it was ok to make a front-only plastic mask (in any color, really) of a character and top it off with a plastic smock featuring an illustration of said character with either its name or the name of the show or movie it comes from. There was no attempt to dress in the character’s actual attire. If you wanted that, you’d either have to know a professional costumer or cobble together something from your closet.
Take a look for yourself at just how costume-poor we used to be:
Obviously, every costume is an opportunity to generate interest in a brand or franchise, and slapping on a logo is an easy way to get a name out there, but these costumes truly heralded a dark time for Halloween. Some may even argue that it demonstrated crass consumerism at its worst, with cynical companies taking the easiest route to grabbing a couple of bucks from desperate parents.
The truth of the tragedy of terrible old Halloween costumes has to do with a simple idea: specialization.
[…]
The next time you compare our screen-accurate store-bought costumes of Darth Vader and Mr. Incredible to those of yesteryear, remember that we enjoy them today not because previous generations didn’t care for accurate costuming, but because growing trade across the globe has generated so much wealth for each of us that we can now demand things we may have only imagined previously.
I only realized as I got ready to schedule this post that it was an article I’d blogged a couple of years back, but the point of the story is still relevant even in our pandemic-wracked economy of 2020.
Halloween Special: Edgar Allan Poe
Overly Sarcastic Productions
Published 30 Oct 2015Happy halloween! Today we’re looking into the mind of one of the most well-known horror writers, Edgar Allan Poe!
On today’s roster: “The Pit And The Pendulum”, “The Mask of Red Death”, “The Cask of Amontillado”, and “The Tell-Tale Heart”.
QotD: Swords
A properly balanced sword is the most versatile weapon for close quarters ever devised. Pistols and guns are all offense, no defense; close on him fast and a man with a gun can’t shoot, he has to stop you before you reach him. Close on a man carrying a blade and you’ll be spitted like a roast pigeon — unless you have a blade and can use it better than he can.
A sword never jams, never has to be reloaded, is always ready. Its worst shortcoming is that it takes great skill and patient, loving practice to gain that skill; it can’t be taught to raw recruits in weeks, nor even months.
Robert A. Heinlein, Glory Road, 1963.
October 30, 2020
“We Burn” – The Road to Srebrenica – Sabaton History 091 [Official]
Sabaton History
Published 29 Oct 2020Srebrenica in the summer of 1995. The road to the bloodiest massacre since the end of the Second World War was paved by the violence that followed the breakdown of Yugoslavia. A series of wars and brutal atrocities accompanied the individual struggles for independence as old ethnic and nationalist hatred resurged. The Bosnian Serbs who followed the leadership of politician Radovan Karadžić and General Ratko Mladić sought to separate themselves within Bosnia. However their views soon radicalized and Kradazic began to advocate for a Serbian ethno-state utopia, free of the Muslim Bosniaks. And he was willing to use extreme violence to achieve it.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “We Burn” on the album Attero Dominatus: https://music.sabaton.net/AtteroDomin…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kaminski
Archive: Reuters/Screenocean – https://www.screenocean.comVisual Sources:
– Library of Congress
– Portrait of Slobodan Milosevic courtesy of Stevan Kragujevic with the approval of daughter Tanja Kragujevic
– Icons from The Noun Project: Arrow by Dolly Holmes
– Pictures from Siege of Sarajevo, Portrait of Mladić & Karadžić and more courtesy of Mikhail Evstafiev
– Photograph of execution in Brcko in 1992 – Photograph provided courtesy of the ICTY
All music by: SabatonAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Covid Mask – Monster Mash parody – Halloween lightshow 2020
Paul Glozeris
Published 15 Oct 2020lyrics by Dale Officer
H/T to Melanie Nilles for the link.
Cancelling Halloween? I thought the Grinch only worked Christmas…
At The Line, Jen Gerson argues against cancelling the Halloween trick-or-treat candy hoarding:
Look, I can empathize with the impulse to do something, DO ANYTHING, to stem the concerning growth of COVID-19 cases. But if you were to craft a low-risk family holiday that offered a psychologically necessary reprieve from the joyless grind of the last year, you couldn’t do much better than trick-or-treating.
It’s children (low risk), outdoors (low risk), in masks (low risk), engaging in the briefest possible social interactions (medium risk). Yet Canadians have received mixed advice about the tradition; some jurisdictions have cautioned parents to skip it. Gatineau has, reasonably, restricted Halloween parties, but permitted trick-or-treating with restrictions.
I’ve asked several doctors — The Line‘s personal panel of COVID-19 experts — to weigh in on Halloween. Their responses on trick-or-treating prohibitions ranged from: “(this is) extraordinarily dumb” and “I would write something about it but I wouldn’t be able to express myself without extreme profanity.” To “pretty safe” and “shouldn’t be cancelled” as long as reasonable precautions are enacted — like masking, distancing, and perhaps re-thinking trick-or-treating in apartment buildings. Leaving a bowl filled with candy on the porch, rather than opening the door for every little germy ghoul, is also a reasonable precaution.
One person expressed concern that trick-or-treating would inevitably lead to adult schmoozing — but this does not bear a resemblance to any version of this tradition that I have ever experienced. The purpose of trick-or-treating is to maximize the efficient collection of candy; any adult who dawdled or took a drink at a neighbour’s house would find himself deeply at odds with his screaming and fitful progeny. But then, I was somebody’s particularly terrible progeny.
Then there’s this piece of advice from Oregon, noted in the video above, in which a beclowned public health official advised against “trick or treat events because of the high risk of people crowding and people congregating in areas close together.”
If your memory has not yet blanked this absurdity out, it’s vaguely similar to the logic of Ottawa public health officials who last April advised against chatting over the fence with a neighbour because: “It kind of starts with that and then a couple more people add on and before you know it you have a parking lot party or a backyard party.”
(Ottawa walked that recommendation back shortly afterward.)
Halloween Special: H. P. Lovecraft
Overly Sarcastic Productions
Published 31 Oct 2018HAPPY HALLOWEEN IT’S TIME TO GET SPOOKY WITH HISTORY’S MOST PROBLEMATIC HORROR WRITER LET’S GOOOOO
While there’s something to be said for separating the art from the artist, I think there’s a lot of merit in CONTEXTUALIZING the art WITH the artist. Did Lovecraft write some pretty incredible horror? Sure! Was he also a raging xenophobe? Absolutely! Are his perspectives on life connected with the stories he felt compelled to tell? Duh! If you look at Lovecraft’s writing through the lens of his life, clear patterns emerge that allow us to pin down what exactly he built his horror cosmology out of. It’s an invaluable analytical tool that allows us to take apart his writings by getting inside his head. So before you yell at me for Not Separating The Artist From The Art, know that it was completely intentional and I’m not sorry.
3:20 – THE CALL OF CTHULHU
8:40 – COOL AIR
10:36 – THE COLOR OUT OF SPACE
14:38 – THE DUNWICH HORROR
19:32 – THE SHADOW OVER INNSMOUTHPATREON: www.patreon.com/user?u=4664797
MERCH LINKS:
Shirts – https://overlysarcasticproducts.threa…
All the other stuff – http://www.cafepress.com/OverlySarcas…
From the comments:
Overly Sarcastic Productions
1 year ago
Hey gang! Can’t help but notice the comment section is a little bit on fire. That’s all good with me, but one recurring complaint I’ve noticed has started to get under my skin – namely that my explanation of non-euclidean geometry was insufficient, or even – dare I say – inaccurate. Now this is a fair complaint, because after a lifetime of experience finding that people’s eyes glaze over when I talk math at them, I concluded that interrupting a half-hour horror video with a long-winded explanation of a mathematical concept wouldn’t go over too well. I put it in layman’s terms and used a simple example to illustrate the point. However, since some of the more mathematically-inclined of you took offense, I now present in full a short (but comprehensive) explanation of what exactly non-euclidean geometry is.First, we axiomatically establish euclidean geometry. Euclidean geometry has five axioms:
1. We can draw a straight line between any two points.
2. We can infinitely extend a finite straight line.
3. We can draw a circle with any center and radius.
4. All right angles are equal to one another.
5. If two lines intersect with a third line, and the sum of the inner angles of those intersections is less than 180º, then those two lines must intersect if extended far enough.Axiom #5 is known as the PARALLEL POSTULATE. It has many equivalent statements, including the Triangle Postulate (“the sum of the angles in every triangle is 180º”) and Playfair’s Axiom (“given a line and a point not on that line, there exists ONE line parallel to the given line that intersects the given point”).
Euclidean geometry is, broadly, how geometry works on a flat plane.
However, there are geometries where the parallel postulate DOES NOT hold. These geometries are called “non-euclidean geometries”. There are, in fact, an infinite number of these geometries, and because the only defining characteristic is “the parallel postulate does not hold”, they can be all kinds of crazy shapes. (As you can see, my explanation of “this is just how geometry works on a curved surface” is quite reductive, but at the same time serves to get the general impression across without going into too much detail.)
An example of a non-euclidean geometry is “Elliptic geometry”, geometry on n-dimensional ellipses, which includes “Spherical geometry” as a subset. Spherical geometry is, predictably enough, how geometry works on the two-dimensional surface of a three-dimensional sphere.
In spherical geometry, “points” are defined the same as in euclidean geometry, but “line” is redefined to be “the shortest distance between two points over the surface of the sphere”, since there is no such thing as a “straight line” on a curved surface. All “lines” in spherical geometry are segments of “great circles” (which is defined as the set of points that exist at the intersection between the sphere and a plane passing through the center of that sphere).
The axiom that separates spherical geometry from euclidean geometry and replaces the parallel postulate is “5. There are NO parallel lines”. In spherical geometry, every line is a segment of a great circle, and any two great circles intersect at exactly two points. If two lines intersect when extended, they cannot be parallel, and thus there are no parallel lines in spherical geometry.
Since the Parallel Postulate is equivalent to Playfair’s Axiom, the fact that no parallel lines exist in spherical geometry negates Playfair’s Axiom, which thus negates the Parallel Postulate and defines spherical geometry as a non-euclidean geometry. Also, since the Triangle Postulate is another equivalent property to the Parallel Postulate, it is thus negated in spherical geometry. Hence, my use in-video of an example of a triangle drawn on the surface of a sphere whose inner angles sum greater than 180º.
Hope that cleared things up (and helped explain why I didn’t want to say “see, non-euclidean geometry is just a geometry where Euclid’s Parallel Postulate doesn’t hold – hold on, let me get the chalkboard to explain what THAT is-” in the video)
Peace!
-R ✌️
QotD: Artillery “duels”
Each afternoon we creep unostentatiously into subterranean burrows, while our respective gunners, from a safe position in the rear, indulge in what they humorously describe as “an artillery duel.” The humour arises from the fact that they fire, not at one another, but at us.
Ian Hay (Major John Hay Beith), The First Hundred Thousand: Being the Unofficial Chronicle of a Unit of “K(1)”, 1916.
October 29, 2020
Cranking This War Up to Eleven – Hideki Tojo – WW2 Biography Special
World War Two
Published 28 Oct 2020A man who was both Japan’s War Minister and Prime Minister, who played a large role in escalating the already daunting scale of the war in China to a world war against multiple world powers. We learn about his life from his birth in Tokyo in 1884 to his execution at Sugamo prison in Tokyo in 1948.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Karolina Dołęga & Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Mikołaj Uchman
Norman Stewart – https://oldtimesincolor.blogspot.com/Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
The Legendary Scottish Infill Plane
Rex Krueger
Published 28 Oct 2020Learn about the famous infill planes of Scotland and England. Do they deliver on the hype?
More video and exclusive content: http://www.patreon.com/rexkrueger
Links from this video:
Hans Bruner’s Book on Infills (affiliate): https://amzn.to/3mlwXpj
(It’s $42.00, which is more than I remembered when I called it “reasonably priced.”)
Patrick Leach, renowned tool dealer: http://supertool.com/oldtools.htm
(READ the page and sign up for the email list to see what Patrick is selling. The list comes out on the 1st of each month. I have no affiliation with Patrick and I pay full retail for anything I get from him.)
Mortise and Tenon Magazine: https://www.mortiseandtenonmag.com/
(No affiliation.)Sign up for Fabrication First, my FREE newsletter: http://eepurl.com/gRhEVT
Wood Work for Humans Tool List (affiliate):
*Cutting*
Gyokucho Ryoba Saw: https://amzn.to/2Z5Wmda
Dewalt Panel Saw: https://amzn.to/2HJqGmO
Suizan Dozuki Handsaw: https://amzn.to/3abRyXB
(Winner of the affordable dovetail-saw shootout.)
Spear and Jackson Tenon Saw: https://amzn.to/2zykhs6
(Needs tune-up to work well.)
Crown Tenon Saw: https://amzn.to/3l89Dut
(Works out of the box)
Carving Knife: https://amzn.to/2DkbsnM
Narex True Imperial Chisels: https://amzn.to/2EX4xls
(My favorite affordable new chisels.)
Blue-Handled Marples Chisels: https://amzn.to/2tVJARY
(I use these to make the DIY specialty planes, but I also like them for general work.)*Sharpening*
Honing Guide: https://amzn.to/2TaJEZM
Norton Coarse/Fine Oil Stone: https://amzn.to/36seh2m
Natural Arkansas Fine Oil Stone: https://amzn.to/3irDQmq
Green buffing compound: https://amzn.to/2XuUBE2*Marking and Measuring*
Stockman Knife: https://amzn.to/2Pp4bWP
(For marking and the built-in awl).
Speed Square: https://amzn.to/3gSi6jK
Stanley Marking Knife: https://amzn.to/2Ewrxo3
(Excellent, inexpensive marking knife.)
Blue Kreg measuring jig: https://amzn.to/2QTnKYd
Round-head Protractor: https://amzn.to/37fJ6oz*Drilling*
Forstner Bits: https://amzn.to/3jpBgPl
Spade Bits: https://amzn.to/2U5kvML*Work-Holding*
Orange F Clamps: https://amzn.to/2u3tp4X
Screw Clamp: https://amzn.to/3gCa5i8Get my woodturning book: http://www.rexkrueger.com/book
Follow me on Instagram: @rexkrueger
War, Cinema, and Cheese! | BETWEEN 2 WARS: ZEITGEIST! | E.01 – Harvest 1918
TimeGhost History
Published 28 Oct 2020War, poverty, and disease continue to pummel the word in the wake of the Great War. But still, humanity carries on, not only surviving but creating a host of futuristic opportunities in the arts, the economy, and … cheese.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Indy Neidell, Francis van Berkel, and Spartacus Olsson.
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell, Francis van Berkel, and Spartacus Olsson.
Archive Research: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…
(BlauColorizations) – https://www.instagram.com/blaucolorizations
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
From the Noun Project:
iron cross By Souvik Maity, IN
poverty By Phạm Thanh Lộc, VN
Skull_51748Soundtracks from Epidemic Sound:
– “One More for the Road” – Golden Age Radio
– “Dark Shadow” – Etienne Roussel
– “Not Safe Yet” – Gunnar Johnsen
– “Rememberance” – Fabien Tell
– “Last Point of Safe Return” – Fabien Tell
– “Steps in Time” – Golden Age Radio
– “What Now” – Golden Age Radio
– “Sunday Worship” – Radio Night
– “Astray” – Alec Slayne
– “Break Free” – Fabien TellArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 day ago
Welcome back to Between Two Wars! Strap in for what is going to be an exciting ride through the massive cultural, social, economic, and technological shifts that take place after the Great War. We can’t guarantee this will always be a positive tale. These changes entail plenty of fear and suffering, and even ‘fun’ things like the Jazz Age have their darker sides.But that doesn’t alter the fact that the interwar era is a time of promise where people envision modern futures to replace old pasts. There is everything to play for in this brave new world and a vision of progress all around in politics, culture, food, and more.
How to fix the CBC
… aside from cutting off the massive subsidies from the federal government, which would be my preferred solution if “nuke it from orbit” isn’t a viable choice. Let it sink or swim as a purely private media entity — I’d be betting on the “sink”, personally because they don’t currently have to compete thanks to their funding from the feds and are not noted for their quick adaptation skills. However, Peter Menzies isn’t quite as anti-CBC as I am:
In a recent piece here at The Line, I lamented the current status of the CBC. That’s easy enough to do, but it’s fair to ask what can actually be done to fix it. These ideas don’t provide all the answers but, implemented with conviction and speed, here’s where to start. Because there are some things that can be done, and relatively quickly, to revitalize the institution: the CBC may well be hell-bent on its own destructive dualism but clarifying its role and purifying its soul are still possible by getting it out of the advertising business and turning it into a proper public media.
Right now, the CBC is neither fish nor fowl. Sometimes, as with radio, it is a popular public broadcaster. At others, with its television channels, it fancies itself a commercial broadcaster, albeit a publicly-funded and relatively unpopular one. It plows both of those personalities into its commercial online operations and supplements them with reportage of the kind traditionally associated with newspapers. Like a creature of mythology, it shape-shifts through all of these roles as best suits its needs and moods.
On top of that, its OMG obsession with Trump’s America has drawn it far away from its content mandate to ensure Canadians learn about each other wherever they live in this vast and beautiful country. While its performance indicates otherwise, CBC’s purpose is not to secure a large audience share in the GTA or, in French, in Montreal, in order to earn more revenue. Nor is CBC News Network’s mandate to compete with CNN. The Corp’s raison d’etre, as defined in legislation, is to tell Canadians each other’s stories — even if the GTA and Montreal don’t care.
The only way to purify the CBC then, is to ban it — once and for all — from collecting advertising revenue from domestic consumption of its product. As its radio operations are already advertising-free this means no more ads on its TV or websites. Done. Finished.
The Curse of the Mad Butcher: A New Orleans Folktale
Atun-Shei Films
Published 22 Oct 2019Spooky season is upon us, and leading up to Halloween, I’ll be sharing with you “true” New Orleans folktales and ghost stories popular among our city’s ghost tour guides. The 700 block of Ursulines Avenue in the French Quarter would be completely unremarkable… if not for the three eerily similar murders that have been committed there over the last 120 years.
Support Atun-Shei Films on Patreon ► https://www.patreon.com/atunsheifilms
#NewOrleans #GhostStory #Folklore
Watch our film ALIEN, BABY! free with Prime ► http://a.co/d/3QjqOWv
Reddit ► https://www.reddit.com/r/atunsheifilms
Twitter ► https://twitter.com/alienbabymovie
Instagram ► https://www.instagram.com/atunsheifilms
Merch ► https://atun-sheifilms.bandcamp.com