Quotulatiousness

August 9, 2020

Tanks, but no Tanks – Hitler Hinders the Blitzkrieg – WW2 – 102 – August 8, 1941

Filed under: China, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , , , — Nicholas @ 04:00

World War Two
Published 8 Aug 2020

In Japan those in power are divided as to what to do as war with the Western powers looks more and more likely. Meanwhile in the USSR the war gets deadlier and deadlier, but also more and more confusing with leadership conflicts on both sides of the front.

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Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…

Sources:
– Mil.ru
– Narodowe Archiwum Cyfrowe
– FDR Presidential Library & Museum
– rgakfd.ru
– Yad Vashem: 10470_17, 5138_98
– Bundesarchiv, CC-BY-SA 3.0: Bild_101III-AhrensA-020-31A, Bild_101I-138-1091-07A
– papers icon by Pauline from the Noun Project

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 days ago
This war is getting bigger and bigger, and bloodier and bloodier. When we started out on this mega project we already anticipated this, and immediately started to cover the war on multiple fronts to provide the fullest coverage possible,

As Indy says in the episode we publish an essential event of the war every day on our Instagram WW2 Day by Day feed. Often these are events that Indy might not have place to cover here in the weekly videos.

Likewise we cover the humanitarian crisis created deliberately, and by collateral effects that the war has on the world population in our War Against Humanity series that is now coming out every second week to keep up with the increasing pace of terror. So, to get the full experience of the chronological developments, follow those formats too:

WW2 Day by Day on Instagram: https://www.instagram.com/world_war_two_realtime/
War Against Humanity playlist: https://www.youtube.com/playlist?list=PLsIk0qF0R1j4cwI-ZuDoBLxVEV3egWKoM

Canadian Art magazine’s “woke suicide pact”

Filed under: Bureaucracy, Business, Cancon, Media, Politics — Tags: , , , , , , , , — Nicholas @ 03:00

As a cultural barbarian and all-around Neanderthal, it will come as little surprise to both my readers that I’d never even heard of Canadian Art magazine. As a result, the recent decision to cease publication due to the unresolved (and almost certainly unresolvable) issues of needing to be funded by rich white people:

These evils were explained in a long article published by Canadian Art‘s former editor-in-chief, David Balzer (self-described “gay, fag, queer. Ambivalent Libra“), in which he complains that the progressive agenda of the magazine he edited was forever being undercut by the need to solicit funds from wealthy white donors. Or, as he describes it, the pursuit of: “white, liberal money — the champagne socialists.”

Shockingly, these donors are not especially fond an incessant slew of articles with titles such as Drop the Charges and Defund the Police, Says New Artists’ Letter for Black Lives, Give Us Permanence — Ending Anti-Black Racism in Canada’s Art Institutions, and A Crisis of Whiteness in Canada’s Art Museums.

Balzer’s analysis of the growing tension between establishment donor and do-good editor is spot on:

    Most boards, which are also majority white, are [interested] in going to where they believe the money is. So the argument goes: It takes a certain talent, panache, to be president, director, or CEO, to open those pocketbooks, and without these skills, culture cannot run. This argument implies that culture cannot run if its backrooms are not white … Many corporate partners make possible the lavish, yearly fundraising galas that cultural organizations host: ostentatious displays of whiteness and wealth that are the public-facing versions of the aforementioned work done by white presidents, directors and CEOs.

It’s a problem that every charity, art outlet, and activist organization in Canada will face. Supporting the arts is rarely an act of pure altruism. It has always been a status flex by the well-connected barons and baronesses of privilege. At its most cynical, arts funding is a high-class game of reputation laundering.

MGB 81, the Spitfire of the Seas | World War II gunboat review | Motor Boat & Yachting

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , — Nicholas @ 02:00

Motor Boat & Yachting
Published 16 Jan 2019

We have the immense privilege of getting behind the wheel (and guns) of MGB 81, the Spitfire of the seas.

Filmed by Paul Wyeth: http://www.pwpictures.com/

► For the latest reviews, new gear launches and tour news, visit our website here – http://www.mby.com

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QotD: The economic concept of “revealed preferences”

Filed under: Britain, Economics, Government, Media, Quotations — Tags: , , — Nicholas @ 01:00

Economists have a handy term called “revealed preferences”. In colloquial English it means “look at what people do, not what they say, and certainly never take notice of what they say others should do”.

Now, you can’t help but notice that there is a disparity between those who say that taxes should be higher and those who act as if they should be. Clearly, an individual who really believes that the Government is more effective at spending his money would voluntarily offer up more than the legal minimum of taxation. That we have fewer people acting in this manner than are to be found writing columns and making speeches calling for higher taxation shows a certain gap, does it not, between public utterances and private actions? Why, we could make such donations a litmus test for those believers in higher taxation and state spending who want to compel all of us to pay more. Only those who show their commitment by sending a cheque to the Treasury should be treated seriously.

Cheques, by the way, should be made out to “The Accountant, HM Treasury”, and sent to 1 Horse Guards Road, London SW1A 2HQ. A 2nd-class stamp is sufficient and you are encouraged to add a covering note so that your donation is spent in the way you like.

Tim Worstall, “Show us your cheques”, Times of London, quoted in Continental Telegraph, 2020-05-07.

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