November 3, 2012
October 6, 2012
Here’s a potentially viable secondary market for SF hardcovers
Charles Stross updates his readers on what’s in the writing and production pipeline, and in the process discovers a niche market that might just be viable:
[…] Because if there’s one thing guaranteed to annoy everyone, it’s embarking on a project that is bound to be at least a year late …
What’s the problem? Well, I only get one slot per 12 months with my main publishers, and they’re nailed down years in advance. And the 2013 slot is currently occupied by Neptune’s Brood, which I finished writing in July this year, about six months later than originally expected. Neptune’s Brood is notionally a space opera, but I prefer to think of it as a parable about the banking liquidity crisis of 2008; the setting is recycled from Saturn’s Children, albeit 5000 years later and without the overt Heinlein homage (and the characters). Unfortunately I’m a slow learner. A chunk of the action takes place on (or rather in) an aquatic super-earth with no land masses: consequently, the early cover art treatments rely on the theory that the book will sell best if, rather than somehow conveying the message that it’s about fractional-reserve banking fraud in a slower than light universe, the cover promises MERMAID BOOBIES!!!1!!
Hmm.
(I wonder if there’s a secondary market for fake dust-jackets for the easily-embarrassed reader, bearing the correct name and title but a different illustration? Signed by the author, even …!)
For example, here is the original cover for Saturn’s Children:
September 18, 2012
Don’t give up hope for warp engines just yet
As we all know, Star Trek‘s faster-than-light warp engines were mere plot devices, not actual ones. There’s no way to travel faster than light, so even our great-grandkids won’t be tripping off to distant (or even nearby) star systems. But wait … NASA’s Harold White looks poised to become the latest hero of the “we wanna go faster than light” brigade:
A top NASA boffin has outlined ongoing lab experiments at the space agency aimed at first steps towards the building of a warp-drive spacecraft theoretically capable of travelling at 10 times the speed of light.
The latest developments at the “Eagleworks” super-advanced space drive lab at NASA’s Johnson Space Center were outlined by NASA physicist Harold White at a conference on Friday. The Eagleworks lab was set up at the end of last year to look into such concepts as the Quantum Vacuum Plasma Thruster and also so-called “warp drives” along the lines proposed by Mexican physicist Miguel Alcubierre in the 1990s.
[. . .]
Unfortunately, subsequent investigation appeared to show that while the warp drive might work it would be unfeasibly power hungry: it would require a minimum amount of energy equivalent to completely annihilating the mass of the planet Jupiter.
However White and his NASA Eagleworks colleagues say that’s not necessarily so: it’s all down to the shape of the ring. An improved doughnut design, as opposed to a flat ring, would get the requirement down to something more like just annihilating the Voyager One probe craft.
Voyager masses in the region of 800kg, so by our calculations one would still need a lump of antimatter (or other reasonably compact super power source) which — if it were mishandled — would explode with a force of some 17,000 megatons, equivalent to several global nuclear wars all in one (or 600-odd Tunguska meteor strikes etc). This would inconveniently take humanity’s current atom labs billions of years to make, and there would be other practical issues (see our previous antimatter-bomb analysis here, and then there’d be the exoto-doughnut to fabricate etc).
August 4, 2012
Seeking Mars colonists for one way trip
Chris Brandrick on the first civilian recruitment drive for Martian colonization:
Just as NASA’s latest rover prepares to land on the surface of Mars, one Dutch company is looking to up the ante, with plans to send humans to the distant red planet. But before you sign up for travels to faraway lands, you may want to take note that the trip is a one-way deal, meaning you’ll never be able to return home to Earth.
Mars One, the ambitious company behind the planned mission, is hoping that a number of brave civilians will be willing to embark upon the mission to be the first to occupy the planet.
The company, founded by Bas Lansdorp, wants to send a number of humans to live on our neighboring planet indefinitely by 2023. The timeline for the mission will see Mars One send out a communications satellite in 2016, with a rover being sent in 2018 to find a suitable site for a settlement. Once the company finds a suitable location, it’ll send settlement units to Mars in 2020, which the existing rover will then set-up.
Once it gets the settlement established, Mars One hopes to send a small crew that would leave Earth in December of 2022, and arrive in April of 2023.
Visiting Mars would be fantastic, but I think I’ll wait until a return booking is possible.
July 12, 2012
Firefly 10th anniversary TV special to air in November
James Hibberd has the details:
To celebrate the cult-favorite sci-fi drama’s 10th anniversary, Science Channel is shooting a new one-hour special chronicling the Firefly cast reunion at Comic-Con this week.
The special — titled Browncoats Unite — will include footage from Friday’s reunion panel, featuring several members of the original team including star Nathan Fillion and creator Joss Whedon. Plus, the cast is shooting an in-depth behind-the-scenes roundtable interview that will dive deeper into burning fan questions about the beloved series. Both the panel and the roundtable will be moderated by Entertainment Weekly‘s own Jeff Jensen.
June 30, 2012
A sneak peek at Lois McMaster Bujold’s next SF novel
If you’d like to get a taste of the next novel in the Vorkosigan series by Lois McMaster Bujold, the first six chapters of Captain Vorpatril’s Alliance have been posted for your reading pleasure.
June 29, 2012
Coming soon: The Apocalypse Codex by Charles Stross
His latest novel is number 4 in the “Laundry” series, as Bob Howard recovers from his injuries accumulated over the course of The Fuller Memorandum. It should be on sale in North America next week, and a couple of weeks after that in the UK and (I assume) other European markets.
If you want to order signed copies, right now your only option is Transreal Fiction in Edinburgh, who call me in to sign books. (I will normally sign anything you shove under my nose except a cheque, but I don’t have a signing tour scheduled for The Apocalypse Codex and this is a nose-to-the-grindstone working month for me.)
If you want to know which sales channel give the author most money, the order is: ideally an undiscounted hardback from a small retailer (like Transreal), followed by a discounted hardback from a big box store or Amazon or the undiscounted UK trade paperback, then an ebook, then a discounted trade paperback from a big box store … the book will be available as a mass market paperback or discounted ebook in July 2013, which makes the author even less money, but more than a remaindered copy or a pirate download or library loan.
Want a taster of the contents? Orbit, my UK publisher, are posting extracts over the next week, starting here … or you can look below the cut!
My connection to Charles is pretty obscure: we worked for the same company (in different countries) briefly, and I met him in that context for a few minutes (this was before his writing career had taken off). His political views and mine differ pretty substantially (he thinks libertarians are, at best, deluded), but he’s a very good writer and I’ve enjoyed reading everything of his I’ve encountered.
June 6, 2012
Cassy’s guide to naming spaceships
You have to put a bit more thought into how you name your spaceships, people of the future!
Dear People of the Future,
Congratulations! If you’re reading this, you’ve just received a state-of-the-art spacecraft, and you’re probably about to take it on an extremely dangerous mission. Your journey may even concern the safety and continued survival of the human race.
But don’t worry! I’m betting your new ride is pretty sick. It’s probably got a warp drive and maybe a solar sail and lots of other technology I couldn’t even begin to understand.
At this point, you’re probably wondering: What should I name my spacecraft?
It’s good advice. Really. But I was surprised to find that there had been a USS Custer, a USS General Burnside, and even the USS Benedict Arnold.
H/T to John Turner for the link.
June 5, 2012
The US military’s SF research emporium
John Turner sent me a link to this amusing little survey of what the US military’s R&D organization is willing to admit they’re working on and how it might be helpful in case of an alien invasion:
As summer blockbuster season kicks into high gear, big-budget action movies like The Avengers, Battleship, and Prometheus remind us that there’s one thing that unites Americans: Our shared fear of an alien attack. They also remind us that when the invading space fleet arrives, humanity is not going to surrender without a fight to our intergalactic invaders. Instead, we will band together to fight off their incredibly advanced weaponry with our … well, with what, exactly? Are we really ready to battle our would-be alien overlords?
Luckily, the Pentagon’s Defense Advanced Research Projects Agency, better known as DARPA, as well as some of the world’s largest weapons manufacturers, are dreaming up the weapons of the future today. With the help of everything from lasers on jets to hypersonic planes to invisibility cloaks, we just might be able to make the battle for Earth a fair fight. You may think we’re joking, but why else would NASA be uploading The Avengers to the International Space Station if not as a training manual? Here’s a look at some of the most space-worthy inventions being cooked up now.
An issue for any unmanned, armed vehicle (whether land, sea or air) is the security of communications from the controller to the vehicle. Recent use of such devices has almost always been in combat against relatively low-tech opponents who did not have jamming or hacking capabilities (although the UAV forced down in Iran may signal the end of the easy period for combat UAVs). Earlier discussions of benefits and drawbacks to unmanned fighters are here, here, and here.
May 15, 2012
The Singularity, ruined by lawyers
Credit to Tom Scott. H/T to Michael O’Connor Clarke.
May 5, 2012
Why most SF (and SF-ish) movies suck
In a long post about the death of genre, Charles Stross explains why most science fiction movies are awful:
Well, the process has already begun (indeed, is well under way) in some other media: in film, for example, around 30% of the big budget movies to come out of Hollywood each year are recognizably science fiction. I mean, aliens: that’s a pretty obvious signifier, isn’t it? And Hollywood feels no need to market these movies as SF; they just are, big budget glossy special-effects beanfests featuring aliens. They’re grown-up, quite capable of finding their own audiences. But something is missing upstairs. They’re the sixty-foot-tall armoured cyborg idiot children of our genre. All fire and tantrums and no cerebral context whatsoever. There’s no internal genre dialog going on, and precious little introspection. (Yes, you can name exceptions like “GATACA”; the fact that you have to note the exceptions is itself a warning sign.)
I am not sure it is possible to write introspective, complex SF as a screen medium. The natural length of a feature movie is around 120 minutes; the traditional movie script runs at one page per minute, with 250 words per page — that buys you, in literary terms, a novella. Add in the expectations of studio executives and the dumbing-down effects of editing by committee you end up with huge pressure to make the script commercial rather than complex. Some director/scriptwriters have the clout to get what they want: but then you end up, as often as now, with George Lucas. Nor is there much scope for a dialog in which directors build on someone else’s ideas. So a large chunk of cinematic SF is stuck, spinning its wheels, mistaking ever better special effects and ever bigger first weekend box-office draws for progress.
April 24, 2012
An excerpt from John Scalzi’s latest novel, Redshirts
John Scalzi felt some sympathy for the poor lads and lasses who wear the Redshirt … the ones who only show up for the first few minutes of the show and die gruesomely, leaving the heroes to carry on. His latest novel is a bit of payback for all the members of the “away teams” who never came back.
Click the image to see the first five chapters at the Tor.com website
March 25, 2012
Time Capsule: Red Mike’s review of Starship Troopers
Robert A. Heinlein’s Starship Troopers is still one of my all-time favourite science fiction books. For that reason alone, I avoided going to see Verhoeven’s film “adaptation”. To more than make up for that, here’s a great review of the film … by that, I mean the review is great, not the film:
We start off with a news report from the surface of the planet Klendathu, the bugs’ home world, where you will instantaneously flash on that Korean-war era song,
“Hear the sound of runnin’ feet
It’s the old First Cav in full retreat
They’re haulin’ ass,
Not savin’ gas,
They’ll soon be gone.”Things are bad and getting worse, as a mob of Mobile Infantry types mill about, getting in each others’ lines of fire, screaming things like “Run for your life!” or words to that effect. It isn’t until later in the film that you discover that milling about is the only formation they practice regularly, and aimless running is their chief tactical mode.
[. . .]
Our heroes head to the surface, where they mill about some more. The concepts of formation, organization, and command and control appear to have been lost. They top a rise and stand in dumb amazement, one thumb in their mouth and one in their ass playing switch, as they see giant bugs expand with gas, then lift tail toward the sky and blast a blue-white fart of anti-spaceship gas up to where the fleet is in orbit.
Our guys stand shoulder to shoulder, firing at the mass of bugs, using a set of tactics that hasn’t worked well since Gettysburg. Actually, the guys at Gettysburg were a bit better better equipped for what they were doing, since they had artillery (a concept that has been lost, apparently) and weapons with an accurate range of over eight feet. Other lost concepts that would have proved Really Helpful here include close air support, mortars, air-dropped mines, barbed wire, fire, maneuver, cover, concealment, objectives, and useful orders. (I mean, “Kill everything that has more than two legs” is really neat, but “Go to coordinates XXYY, and set up a perimeter. Your covered arc runs from AA through CC. You’ll be linking up with Unit Name on your left and Other Unit Name on your right. Hold the position until you’re relieved by Unit Name. At that time go to YYZZ and await further orders” would have actually been helpful.) Nor, for that matter, do we have armored fighting vehicles, heavy machineguns, shoulder-launched missiles, or other stuff (a spray can of Raid?) that might have come in handy.
[. . .]
We go bug hunting again. And after an engagement that proves that a British Square from Waterloo would have done better than the MI at fighting bugs, we win anyway. We have a party! Dizzy and Johnny finally get it on. (I have to comment that I really liked the Special Effects in this film. Especially Dizzy’s left special effect and her right special effect. Carmen has even bigger special effects, but she never whips her shirt off so it’s hard to be sure.)
March 17, 2012
Schiaparelli’s ambiguous word choice and the lasting obsession with Mars
Scott Van Wynsberghe reviews the hold that fictitious Mars has held on the imagination since “canals” were observed:
Mars, the most obsessed-about extraterrestrial body in the universe, has come our way again. On March 9, Hollywood unveiled John Carter, the first film adaptation of a famous series of Martian adventures written by Edgar Rice Burroughs, better known as the creator of the jungle hero Tarzan. Burroughs’s Martian yarns act as a portal to 135 years of cultural history that really is out of this world.
The bizarre story of humanity’s modern entanglement with the Red Planet began in 1877, when Italian astronomer Giovanni Schiaparelli reported the existence of “canali” on the Martian surface. In Italian, that word can mean both “channels,” which are natural formations, and “canals,” which are not. According to science writer John Noble Wilford, that ambiguity was never cleared up.
[. . .]
Caught between science fiction and the supernatural, actual scientists were in trouble. French astronomer Camille Flammarion, for example, alternately wrote about Mars and reincarnation (1889) and Mars and science (1892). In 1900, the inventor Nikola Tesla announced that he had monitored transmissions from either Mars or Venus, but he was jeered (biographer Margaret Cheney thinks he was just detecting natural electromagnetic patterns in space). In 1921, radio pioneer Guglielmo Marconi thought he had received a signal from Mars, but that, too, went nowhere. The biggest offender, however, was American astronomer Percival Lowell.
In 1895, Lowell released the first of a series of books proclaiming that Mars was inhabited. The canali, he said, really were canals, supporting a civilization struggling to survive on a dying globe. Although rightly scorned by other astronomers, Lowell was a superb writer and a frequent lecturer — Robert Goddard, the father of American rocketry, heard him speak — so his message spread. (And, in a way, it is still spreading: Think of that recent, much-debunked conspiracy theory about a giant, sculpted face on the Martian surface.)
March 11, 2012
Conflicting reviews of John Carter
First up, Tim O’Reilly (of O’Reilly Books), who wasn’t impressed with the new movie:
Well, I was disappointed. Here are a few reasons:
1. The character of John Carter was all wrong — brutish and stupid, far from the chivalrous Virginia gentleman of the books. They abandoned the unabashed romanticism of Burroughs in favor of a modern anti-hero whose tortured path to falling in love with Dejah Thoris, a Princess of Mars, was completely unconvincing.
I wonder at this failure to grasp the simplicity of emotion that suffused the golden age of science-fiction. George Lucas nailed it perfectly in the first Star Wars trilogy. Nobility of purpose, idealism, the pure romance of a boy (or girl) who hasn’t yet experienced the complications of the real thing, adventure and the chance to make a big difference against impossible odds: these are the motivations of the genre.
2. Too much spectacle, not enough attention to character and story. And what spectacle there was was undistinguished. There was a certain steampunk grandiosity to the way they did the flying ships of Barsoom that I liked, and there were some stretches of Lake Powell as the River Iss that I found visually compelling.
On the other hand, ESR went in expecting to be disappointed and instead quite enjoyed the movie:
I’ve read all of the Barsoom novels the movie was based on, but they’re not important in the furniture of my imagination in the way that (say) Robert Heinlein’s books are. They’re very primitive pulp fiction which I sought out mainly because of their historical importance as precursors of later and more interesting work. Still, they are not without a certain rude, innocent charm. The heroes are heroic, the villains villainous, the women are beautiful, dying Mars is a backdrop suffused with barbaric splendor, and the prose is muscular and vigorous.
This translation to movie form retains those virtues quite a bit more faithfully than one might have expected. In doing so it reminded me very much of the 2009 Sherlock Holmes movie with Robert Downey Junior (see my review, A no-shit Sherlock). I didn’t get the powerful sense Sherlock Holmes gave me of the lead actors caring passionately about the source material, but the writers of John Carter certainly cared as much. A surprising amount of Burrough’s Barsoomian mythology and language made it into the movie. The barbarian Green Martians are rendered with gratifying unsentimentality, and the sense of Barsoom as an ancient planet with time-deep history and ancient mysteries is well conveyed.
If you’re me, reading the Barsoom novels is also an entertaining exercise in in origin-spotting tropes that would recur in later planetary romances and space operas clear down to the present day. The designers and writers of John Carter are alive to this; there are a number of points at which the movie visually quotes the Star Wars franchise in a funny, underlined way that reminds us that Barsoom was actually the ur-source for many of the cliches that Star Wars mined so successfully.
