Sabaton History
Published 19 Nov 2020The defeat in the Battle of Poltava had shattered the Swedish Army of King Charles XII. Retreating south into the territory of the Ottoman Empire, the “Northern Paladin” becomes the honored guest of the Sultan. But Charles XII. is restless. Despite the comforts and luxury, he enjoys at the fortress of Bender, the King yearns for a chance to regain the initiative. More and more he gets involved in Ottoman politics, urging the High Porte to renew its enmities with the Russian Tsar. But even a famous King has to learn that hospitality has its limits.
Support Sabaton History on Patreon:
https://www.patreon.com/sabatonhistoryListen to “Shadows” on the album Metalizer: https://music.sabaton.net/Metalizer
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kamiński
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comSources:
The Poltava Battle History Museum
Library o of Congress
Livrustkammaren
Nationalmuseum
Musée de l’Ermitage
Battle of Prut 1711 courtesy of Charles Alexis Gérard
Cannon by Graphic Nehar from the Noun ProjectAll music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
November 20, 2020
A Swedish Trilogy Pt. 3 – Return of the … King – Sabaton History 094 [Official]
September 28, 2020
The Elgin Marbles as oversized bargaining chips
Michael Curtis on the renewed demands that the British government return the Elgin Marbles to Athens:
The internecine wars in Washington, D.C., continue over government funding, a coronavirus relief bill, government shutdown, but on September 9, 2020 one form of political truce between Republicans and Democrats on foreign affairs was announced. Eighteen members of the U.S. Congress, bilateral members of the Congressional Caucus on Hellenic issues, including the chairs of the House Oversight and Rules committees, and Foreign Affairs subcommittee on issues relating to Europe, had written a letter to British Prime Minister Boris Johnson.
It informed him, in case he didn’t know, that the Elgin marbles, EM, had been the source of controversy among allies for many decades. The letter urged the British government, already saddled by labyrinth Brexit discussions, to negotiate with the Greek government in earnest over the return of the Elgin marbles to Greece by 2021, the 200th anniversary of the modern Greek nation. The eighteen Congress people joined other Americans intruding in British affairs. On September 16, 2020 both Joe Biden and Nancy Pelosi said there can be no US-UK trade deal if Brexit negotiations undermined the 1998 Good Friday peace agreement. However, the letter of the Congress group has raised the problem of the restitution of cultural objects taken from their country of origin.
Prime Minister Johnson does not need reminding that it was Thomas Bruce, Earl Elgin, British Ambassador to the Ottoman Empire, which included Greece, who took the marbles from the Parthenon in Athens, 1801-1805. The Parthenon, the central building of the Acropolis of Athens. was built around 488 B.C. to honor a goddess called Athena, and was at different times a Christian church and a mosque. The pillars and sculptures of the Parthenon were made of marble.
Elgin, with a passion for classical antiquities, made the case that the art works in the temples of Greece, then under Ottoman control would be destroyed because of Turkish indifference. Some had been destroyed in 1687 when the Venetians attacked Athens. The Sublime Porte granted Elgin’s request to take away pieces of stone with old inscriptions or figures. Perhaps this was gratitude for British action in blocking the advance of Napoleon in Egypt. Elgin took pediment sculptur friezes, metopes, and fragmented pieces from the walls of the Parthenon, and brought them to Britain. In 1816 he sold the sculptures to the British government which then sent them to the British Museum where they have remained.
Though the letter by the 18 members of Congress might be considered impertinent, it contained no threat of any kind but attempted to spark action on a disputed issue which has emotional appeal and symbolic importance, the presence of the Elgin marbles in the British Museum. In recent years the issue has been raised by officials of the European Union as well as by celebrated private citizens such as the actor George Clooney and his wife, and co-stars Bill Murray and Matt Damon, who while working on the 2014 film The Monuments Men, about art stolen by the Nazis, thought return of the Elgin marbles to Greece was the “right thing” to do.
September 27, 2020
Dividing Up The Middle East – The Creation of Lebanon I THE GREAT WAR 1920
The Great War
Published 26 Sep 2020Sign up for Curiosity Stream and get Nebula bundled in: https://curiositystream.com/thegreatwar
In the summer of 1920 it became clear that the many different voices and local opinions on the future of the former Ottoman provinces were going to be mostly ignored. France and Britain had their own ideas for the new mandate states in the region.
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*Buying via this link supports The Great War (Affiliate-Link)» SOURCES
Sicker, Martin. The Middle East in the Twentieth Century (Greenwood Publishing, 2001)Gontaut-Biron, Roger. Comment la France s’est installée en Syrie (Paris: Plon, 1922). https://archive.org/details/commentla…
Cornwallis, K. Notes on the Middle-East No.4. 1920. File 756/1917 Pt 2-3 “ARAB BULLETIN Nos 66-114” [374r] (756/834), British Library: India Office Records and Private Papers, IOR/L/PS/10/658.
Miller, David Hunter. My Diary. At the Conference of Paris. Vol 4. (New York, 1924). https://archive.org/details/MyDiaryAt…
D’Andurain, J. “Gouraud, Henri” in: 1914-1918-online. International Encyclopedia of the First World War, ed. by Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson, issued by Freie Universität Berlin, Berlin 2014-10-08. DOI: 10.15463/ie1418.10303. https://encyclopedia.1914-1918-online…
Naamany, B. “A hundred years since Sykes-Picot, maps’ reading”. General Secretariat of the Arab League. Tunis. Tunisia. 2018. http://nna-leb.gov.lb/en/show-news/98…
Meouchy, N. “Les temps et les territoires de la révolte du Nord (1919-1921).” In: Alep et ses territoires: Fabrique et politique d’une ville (1868-2011). (Beyrouth – Damas: Presses de l’Ifpo, 2014).
Raymond, André. “III – La Syrie, du Royaume arabe à l’indépendance (1914-1946)”. In La Syrie d’aujourd’hui. Aix-en-Provence: Institut de recherches et d’études sur les mondes arabes et musulmans, 1980. (pp. 55-85)
Kouyoumdjian, O. “Le Liban à la veille et au début de la Grande Guerre: Mémoires d’un gouverneur, 1913-1915″. Revue D’histoire Arménienne Contemporaine. Paris: Centre d’histoire arménienne contemporaine. 2003.
Government of New Zealand, Ministry for Culture and Heritage. “Anzac troops take revenge on Arab civilians at Surafend” https://nzhistory.govt.nz/page/anzac-….
Ministère de la Guerre. Etat-major des armées. Service historique. Les armées françaises dans la Grande guerre. Tome IX. 9, 1, ANNEXES. Imprimerie Nationale. Paris. France. 1935.
Australian Imperial Force unit war diaries. 1914-1918 War. Light Horse. Item number: 10/3/47. Title : 3rd Australian Light Horse Brigade. December 1918. AWM4 Class 10 – Light Horse. https://www.awm.gov.au/collection/C13…
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdContains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
August 16, 2020
Greco-Turkish War – Treaty of Sèvres I THE GREAT WAR 1920
The Great War
Published 15 Aug 2020Sign up for Curiosity Stream and get Nebula bundled in: https://curiositystream.com/thegreatwar
While the Greco-Turkish War was still raging, the last of the peace treaties between the Allies and the Central Powers was finalized in Paris. But the Turkish Nationalist Movement under Mustafa Kemal would not accept the terms of the Treaty of Sèvres – even though the Ottoman government had signed it.
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https://realtimehistory.net/amazon *
*Buying via this link supports The Great War (Affiliate-Link)» SOURCES
Halide Edib Adivar, The Turkish Ordeal: Being the Further Memoirs of Halidé Edib, (Piscataway: Gorgias Press, 2012)John Darwin, Britain, Egypt and the Middle East, (London: Macmillan Press, 1981)
M.L. Dockrill and J. D. Goold, Peace Without Promise: Britain and the Peace Conferences, 1919-1923, (Connecticut: Hamden, 1981)
T G Fraser, Andrew Mango and Robert McNamara, The Makers of the Modern Middle East, (London: Gingko Library, 2015)
Phillip S Jowett, “Armies of the Greek-Turkish War: 1919-1922”, Men at Arms, no 501, (2015)
Michael Llewellyn Smith, Ionian Vision: Greece in Asia Minor 1919-1922, (London: Allen Lane, 1973)
Margaret Macmillan, Paris 1919: Six Months That Changed the World, (London: Macmillan, 2019)
A.E. Montgomery, “The Making of the Treaty of Sèvres of 10 August 1920”, The Historical Journal Vol. 15, No. 4 (December, 1972)
New York Times, “Turk Nationalists Capture Beicos” (July 6, 1920) https://timesmachine.nytimes.com/time…
George Riddell, Lord Riddell’s Intimate Diary of the Peace Conference and After: 1918-1923, (London: Victor Gollancz Ltd, 1933)
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Yves Thimian
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
April 27, 2020
Spoils of War for Britain and France – Redrawing the Map of the Middle East I THE GREAT WAR 1920
The Great War
Published 25 Apr 2020Sign up for Curiosity Stream and Nebula – and get 40% off annual plans right now: https://curiositystream.com/thegreatwar
100 years ago at the conference of San Remo, one thing became clear: Great Britain and France wanted control over the Middle East. Justified by the fighting in the previous years and painted as “liberators” of the Middle Eastern minorities, the new map of the Middle East emerged – under the cover of the League of Nations Mandate system.
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Karsh, Efraim & Karsh, Inari, Empires of the Sand: The Struggle for Mastery in the Middle East 1789-1923, (Cambridge, MA : Harvard University Press, 1999)“Dans Le Levant” Le Temps, August 31, 1919 issue, https://gallica.bnf.fr/ark:/12148/bpt…
Lloyd George, David, Memoirs of the Peace Conference, (New Haven : Yale University Press, 1939) vol. 2
“Mounted Rifles Units” New Zealand History, https://nzhistory.govt.nz/war/aucklan…
Paris, Timothy J. Britain, The Hashemites and Arab Rule 1920-1925, (London : Frank Cass, 2003)
Provence, Michael, The Last Ottoman Generation and the Making of the Modern Middle East, (Cambridge : Cambridge University Press, 2017)
O’Neill, Robert, Official History of Australia in the War of 1914–1918, Volume VII – The Australian Imperial Force in Sinai and Palestine, 1914–1918, (Australian War Memorial, 1941)
“King-Crane Commission Digital Collection” Oberlin College Library. http://dcollections.oberlin.edu/cdm/s…
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
February 1, 2020
The Greco-Turkish War & The Turkish War Of Independence I THE GREAT WAR 1920
The Great War
Published 31 Jan 2020Sign up for Curiosity Stream and Nebula: https://curiositystream.com/thegreatwar
The Ottoman Empire was among the losing powers of World War 1 and left a power vacuum after the armistice of Mudros. The Great Powers had already made plans for the territory beforehand and now Greece had ambitions to take over the parts of Turkey where Greeks lived.
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Merchandise: https://shop.spreadshirt.de/thegreatwar/» SOURCES
Criss, Nur Bilge: “Occupation during and after the War (Ottoman Empire)”, in: 1914-1918-online. International Encyclopedia of the First World War, ed. by Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson, issued by Freie Universität Berlin, Berlin 2015-08-05 https://encyclopedia.1914-1918-online…Leonhard, Jörn. Der überforderte Frieden. Versailles und die Welt 1918-1923 (CH Beck, 2018).
Macmillan, Margaret. The Peacemakers: Six Months that Changed the World (London: John Murray, 2001).
Karsh, Efraim and Inari Karsh. Empires of the Sand (London: Harvard UP, 1999).
Llewllyn Smith, Michael. Ionian Vision: Greece in Asia Minor (London: Hurst, 2016 (1973))
Gerwarth, Robert. The Vanquished. Why the First World War Failed to End, 1917-1923 (Penguin, 2017).
Fromkin, David. A Peace to End All Peace (New York: Avon, 1989)
McMeekin, Sean. The Ottoman Endgame (Penguin, 2015)
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian Wittig ChannelDesign: Alexander Clark
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A Mediakraft Networks Original Channel
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2019
December 20, 2019
“Seven Pillars of Wisdom” – T. E. Lawrence of Arabia – Sabaton History 046 [Official]
Sabaton History
Published 19 Dec 2019The British T.E. Lawrence played a major role in bringing together a coalition of Arab factions to rise up against the Ottoman Empire. Their efforts helped the British war effort in the Middle East, but the British-Arab coalition was not as stable as it might have seemed.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to The Great War (Where “Seven Pillars of Wisdom” is featured):
CD: http://nblast.de/SabatonTheGreatWar
Spotify: https://sabat.one/TheGreatWarSpotify
Apple Music: https://sabat.one/TheGreatWarAppleMusic
iTunes: https://sabat.one/TheGreatWarItunes
Amazon: https://sabat.one/TheGreatWarAmazon
Google Play: https://sabat.one/TheGreatWarGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Production Intern: Rune Væver Hartvig
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– National Portrait Gallery
– Boston Public Library
– IWM: Q 59294, Q 73536, Q 115096, Q 73535, Q 60212, Q 103747, Q 67234, Q 59703A, Q 59576, Q 58858A, Q 58861, Q 58863, Q 59193, Q 58823, Q 58938, Q 59078, Q 59190, Q 58841, Q 58704, Q 59422, Q 58891, Q 60035, Q 59073, Q 60102, Q 60096, HU 123936, Q 12629, Q 58752, Q 59314, Q 59314A, Q 58830, Q 58845, Q 12364, ART 3198, ART 2510, Q 105583, Q 103750, Q 59324, Q 59312, Q 12363, Q 103770, Q 86295, Q 59061, Q 72565, Q 12332An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago (edited)
Thats right, it’s Indy of Arabia! Even though “Seven Pillars of Wisdom” is a crew-favourite, we have waited with this episode until we could show off some exclusive material from the “Seven Pillars of Wisdom” music video. With none other than Indy Neidell in the role of Lawrence (or Peter O’Toole?). This episode sure is among our favourite episodes to this date — we hope you enjoy it as well. If you do (and you weren’t already convinced by Joakim’s awesome Call To Action (17:20), please consider supporting this project on Patreon. It is thanks to those who are already there that we’re able to keep making these episodes! -> https://www.patreon.com/sabatonhistoryCheers,
The Sabaton History Team
December 3, 2019
Turkish Conehammer “Broomhandle” C96 Mauser
Forgotten Weapons
Published 13 Oct 2019This is Lot 2493 in the upcoming October Morphy Extraordinary auction.
The “cone hammer” was the first commercial version of the Mauser C96, so named for the stepped conical sides of its hammer. The C96 did not sell particularly well in the first few years after its introduction, and the only major bulk sale was to Sultan Abdul Hamid II of the Ottoman Empire, who bought 1,000 of the guns for his palace guard. These guns were numbered in Farsi in their own range from 1 to 1000, and were all sold with matching shoulder stocks. The order was signed in December of 1897 and the guns were shipped a few months later, in May of 1898.
Under the Sultan’s rule, there was significant concern over potential military coups, and most arms were locked away in armories, including many of the C96 pistols. After the revolution in 1908/9, guns were more liberally distributed to the military and police, and these C96 pistols were issued out to both groups for service use. Some were used in combat in World War One, and after the war they were considered surplus, available for purchase inexpensively by Army or police officers. This meant that they saw a lot of use, and as a result few survive today, with many of them in rather rough condition.
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Forgotten Weapons
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October 3, 2019
The Crimean War – History Matters
History Matters
Published on 7 Apr 2019Twitter: https://twitter.com/Tenminhistory
Patreon: https://www.patreon.com/user?u=4973164This episode covers the Crimean War (1853-1856) between the Russian Empire and the Ottomans, the British, the French and the Sardinians. It began largely out of Russo-Ottoman rivalry and because French Emperor Napoleon III had been appointed the protector of Christians within the Ottoman Empire, at the expense of the Russian Emperor Nicholas I. The war really kicked off in 1854 with the British and French invasion of Crimea and largely ended with the capture of Sevastopol in 1855, after which the Russians sued for peace.
September 20, 2019
“Cliffs of Gallipoli” Part 2 – The Great War – Sabaton History 033 [Official]
Sabaton History
Published on 19 September 2019The second part of our coverage of the Sabaton song “Cliffs of Gallipoli” is about the brutal fighting that took place once the landings had come to a standstill. A stalemate similar to the Western Front caused thousands of Ottoman and Allied soldiers to have to endure endless charges, barrages, sniper fire in addition to the hot summer climate of South-Eastern Europe.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Watch Part 1 of Cliffs of Gallipoli here: https://youtu.be/oDac6Oswyns
Listen to The Art of War (where “Cliffs of Gallipoli” is featured):
CD: http://bit.ly/TheArtOfWarStore
Spotify: http://bit.ly/TheArtOfWarSpotify
Apple Music: http://bit.ly/TheArtOfWarAppleMusic
iTunes: http://bit.ly/TheArtOfWariTunes
Amazon: http://bit.ly/TheArtOfWarAmz
Google Play: http://bit.ly/TheArtOfWarGooglePlayWatch the Official Lyric Video of Cliffs of Gallipoli here: https://www.youtube.com/watch?v=oOCe2…
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sourses:
– IWM: Q 13450, 2509-07, Q 13324, Q 13249, Q 13219, HU 57426, Q 13585, Q 13676, Q 13667, Q 13637, Q 13714, Q 13663, Q 13680, Q 13709, Q 13335, Q 13285, Q 13447, Q 56637, HU 105641, Q 13622, Q 13633, Q 13647, Q 13689, Q 13677, Q14394, Q 13625
– Australian War Memorial
– A soldier of the Indian Labour Corps courtesy of National Army Museum of New ZealandAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
September 13, 2019
“Cliffs of Gallipoli” Part 1 – The Great War – Sabaton History 032 [Official]
Sabaton History
Published on 12 Sep 2019While the British were already dying by the thousands in the trenches in Western Europe, their high command decided to try to break the stalemate with an attack on the Ottoman Empire in the Dardanelles. This is the first episode on the Sabaton song “Cliffs of Gallipoli” about the Allied landings on the shores off Gallipoli.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to The Art of War (where “Cliffs of Gallipoli” is featured):
CD: http://bit.ly/TheArtOfWarStore
Spotify: http://bit.ly/TheArtOfWarSpotify
Apple Music: http://bit.ly/TheArtOfWarAppleMusic
iTunes: http://bit.ly/TheArtOfWariTunes
Amazon: http://bit.ly/TheArtOfWarAmz
Google Play: http://bit.ly/TheArtOfWarGooglePlayWatch the Official Lyric Video of “Cliffs of Gallipoli” here: https://www.youtube.com/watch?v=oOCe2…
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– IWM: Q 57165, Q 1309, Q 515124, Q 13550, Q 13411, Q 53319, Q 13297, Art. IWM ART 4279, Q 112876, IWM ART 2452
– Photos of Ottoman Cavalry courtesy of the National Library of Israel
– Archives New Zealand
– New Zealand troops landing at Gallipoli taken by Joseph McBrideAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago (edited)
Thats right, “Cliffs of Gallipoli” will be featured in not one but two Sabaton History episodes! The next episode will dive into a different but equally perspective of the battle.Joakim already mentions it in the call to action of this episode, but we’re making Sabaton History Special Editions of all the older Sabaton albums, just like we did with The Great War. Those who support us at a certain level on Patreon before the end of November will be rewarded with the Sabaton History Edition of the Sabaton album Heroes. Check out our Patreon page to find out more! -> https://www.patreon.com/sabatonhistory
Cheers!
August 8, 2019
QotD: Austrians – strudel-eating surrender monkeys
Oh yes, did I mention the Austrians? A grand military tradition. The Radetzky march, all that stuff. Let’s look at their record more closely, shall we?
The Austrians (or rather the Habsburgs) built up a moderately large empire by persuading the Magyars that they could be sort of equal partners in the empire in an unequal sort of way, expert politicking and setting one lot of Slavs against another in the Balkans and central Europe, and marrying into the right ducal families in bits of what was later to become Italy. They never quite managed to sort out the Serbs, however, who felt that fighting nobly against the Turks was their speciality, and they were forced out of Switzerland early on by a small boy with an apple on his head.
The year 1683 may reasonably be considered a turning point for Western Christendom. Over the preceding century or so the Turkish Ottoman Empire had steadily advanced up the Balkan peninsula and after being balked, as it were, for many years by Macedonians, Bulgars, Albanians, Serbs, Bosnians, Croats, Slovenians, Slavonians and some I’ve probably forgotten, finally got as far as the Habsburg capital, Vienna, to which they laid siege. The siege failed, and the Turks were repelled, never again to return. Why? Because Austria was rescued by the Poles under Jan III Sobieski.
Under the noted and renowned Empress Maria Theresa, a War of the Austrian Succession was held. In keeping with tradition, it was mainly fought between the French and the English in Belgium (the French, opposed to Austria, won), except for an unimportant sideshow which appears to have been between the French and the Indians in Saratoga. The upshot was naturally that the Austrians let the Prussians have Silesia. Twice, to be on the safe side. A few years later the Seven Years War, largely fought between the English and the French in Belgium (the English, opposed to the Austrians, won) confirmed the result.
When it came to the French revolutionary and the Napoleonic wars, the Habsburgs were naturally on the side of the divine right of kings (well, Marie-Antoinette was a Habsburg herself) and against mob rule, liberty, fraternity, and most certainly equality. In furtherance of this cause, the Austrians fought the French at such places as Marengo, Austerlitz, and Wagram – among other names listed on the Arc de Triomphe in Paris. By 1812 the Austrians decided to try being on the same side as Napoleon for a change. Napoleon promptly invaded Russia, with predictable results. Following Napoleon’s final defeat at a battle in Belgium which the Austrians fortunately weren’t in time to get to, they regained most of their possessions in Italy at the peace talks due to diplomatic manoeuvrings by the master of the art, Metternich, but lost influence in Germany.
In the 1850s Austria failed to back her treaty partner Russia when the latter was invaded by the Turks, French and English in the Crimean war. Sardinia/Savoy/Piedmont, the leading state in the Italian peninsula, fought with the Allies, gaining international favour when it came to removing the Austrian influence during the subsequent wars of the Italian unification. Austria lost battles at places like Magenta and Solferino, and with them most of its Italian possessions except Venice.
In 1864 the Austrians did actually win a battle, a small naval engagement near Heligoland in the North Sea, against the Danes, against whom they were fighting in support of the Prussians over the Schleswig-Holstein question, of course. Emboldened by this masterstroke, they promptly came to blows with their erstwhile allies and were soundly whipped at the battle of Sadowa-Königgratz. The Italians got most of the rest of their country back in the resulting confusion.
The Austrians managed to stay out of trouble for another few decades after that, building up a national economy based on cheap dance music and diplomatic manoeuvrings in the Balkans. Unfortunately they got out of their depth in this respect; in 1914 the foreign minister [actually Chief of the General Staff] Conrad von Hötzendorff, believing himself to be the reincarnation of Metternich, decided to start the First World War to impress a woman he fancied. It could reasonably be argued that all the countries involved lost the First World War, even the winners, but Austria, after some Pyrrhic successes against the Serbs, a certain amount of back-and-forth against the Russians in Galicia and a cheap and ultimately futile win at Caporetto after the Russians had pulled out and the Germans had sent rather a lot of extra troops, ended up losing its entire empire, its monarchy, access to the sea and any self-respect whatsoever. It also managed to export Adolf Hitler to Germany during this period, which was singularly unfortunate; he absorbed Austria into a Greater Germany and then lost a rather big war in the most spectacular of fashions, as you are probably aware. This ended the military involvement of Austria in world affairs, at least for the moment.
I rest my case.
Albert Herring, “Why neither the French nor the Italians are the worst military nation”, Everything2, 2002-01-07.
July 19, 2019
“Long Live the King” – Swedish King Karl XII – Sabaton History 024 [Official]
Sabaton History
Published on 18 Jul 2019The Sabaton song “Long Live the King” is about the aftermath of the Battle of Poltava in June 1709. The future of Sweden lay in the hands of the parliament at home while the King was in voluntary exile with the Ottomans. What followed was a dark time in Swedish history where everything was uncertain, with an unexpectedly dark ending.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Carolus Rex (where “Long Live the King” is featured):
CD: http://bit.ly/CarolusRexStore
Spotify: http://bit.ly/CarolusRexSpotify
Apple Music: http://bit.ly/CarolusRexAppleMusic
iTunes: http://bit.ly/CarolusRexiTunes
Amazon: http://bit.ly/CarolusRexAmz
Google Play: http://bit.ly/CarolusRexGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
Sources:
– Photo of the bullet
– Bairuilong on Wikimedia Commons,
– Swedish National Museum© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago
THREE MORE NIGHTS! I think that most of you expected this episode to be from the new album that will be released next Friday, but as we all like a little unexpected Sabaton every now and then, we went with the 18th century instead. While we (of course) will continue with these videos, it feels like we have been working towards the 19th of July ever since we started this channel in February this year. Thank you all for being a part of this journey! We mean it when we say that this wouldn’t have been possible without all of you who watch our videos and especially those who support us on Patreon!
May 19, 2019
Siege of Vienna & Queen Nzinga – Lies – Extra History
Extra Credits
Published on 18 May 2019Writer Rob Rath talks about all the cool stories and facts we didn’t get to cover in our two special short series on the Siege of Vienna, and the life of Queen Nzinga.
Join us on Patreon! http://bit.ly/EHPatreon
From the comments:
Extra Credits
Timestamps:
2:00 – Demonetization sucks. THANK YOU PATRONS!
7:15 – Istanbul was Constantinople now it’s Istanbul not Constantinople been a long time gone oh Constantinople
11:07 – the arrival of the Winged Hussars wasn’t exactly the same as Rohan answering Gondor’s call for aid
16:20 – Nzinga’s controversial role in slavery
19:25 – what’s next on Extra History?
21:02 – SIX DEGREES OF WALPOLERecommended reading:
The Enemy at the Gate: Habsburgs, Ottomans, and the Battle for Europe by Andrew Wheatcroft
The Siege of Vienna: The Last Great Trial Between Cross & Crescent by John Stoye
Hispanics and the Civil War: From Battlefield to Homefront by the National Park ServiceMusic videos:
Queen Nzinga: https://www.youtube.com/watch?v=N94H6F0WObcSiege of Vienna: https://www.youtube.com/watch?v=jQ_HV57cgbg
April 15, 2019
Siege of Vienna – Tunnel War – Extra History – #2
Extra Credits
Published on 13 Apr 2019The siege presses on from its initial active resistance phase to the long, routine drudgery of survival on the inside and elaborate defense building on the outside: earthworks and revelins designed by Georg Rimpler. Meanwhile, the Ottomans prepared to attack via gunpowder prepared inside mining tunnels.
Winter was coming — that’s what had doomed Suleiman when he’d tried to take Vienna back in 1529. The bitter cold. The Grand Vizier swore history would not repeat itself. Because soon, his mining tunnels would be ready.
Join us on Patreon! http://bit.ly/EHPatreon