The Armchair Historian
Published on 27 Jul 2018Potential History’s Video: https://youtu.be/QB2GINNs3Aw
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Sources:
The Rise and Fall of the Third Reich, William L. Shirer
Fascist Italy’s Military Struggles from Africa and Western Europe to the Mediterranean and Soviet Union 1935-45, Frank Joseph
Hitler’s Italian Allies: Royal Armed Forces, Fascist Regime, and the War of 1940-1943, MacGregor Knox
August 25, 2018
Why was Italy so Ineffective in WWII? | Animated History
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August 10, 2018
“The banality of evil”
Anthony Daniels in the most recent issue of Quadrant:
“The banality of evil” is a phrase that suddenly entered the English language, probably for ever, in 1963, on the publication of Hannah Arendt’s book about Adolf Eichmann’s trial in Jerusalem, Eichmann in Jerusalem: A Report on the Banality of Evil.
It hardly matters that Hannah Arendt, after much arduous study and conscientious effort, got Eichmann entirely wrong, and had the wool pulled comprehensively over her eyes by the man she thought an utter mediocrity. Surely scum like him were no match for a much-garlanded political philosopher? But far from having been a faceless bureaucrat as she portrayed him, or mere pen-pusher who somehow, as if by accident, wandered into the organisation of genocide, Eichmann was an ardent and committed Nazi, an idealist of evil so to speak, who knew exactly what he was doing and regretted only that he had been unable to do more and finish the job. Bettina Stangneth’s book Eichmann Before Jerusalem should have put paid once and for all to the notion of Eichmann as a kind of sleep-walking little man, the post office clerk of extermination. But image often triumphs over reality, and in any case, the banality of evil could well survive as a concept, even if it had been grotesquely misapplied on its first outing.Recently, I seem to be surrounded by the banality of evil: in books, I mean, not in real life (assuming that books are not part of real life, that is). For example, I just picked up a book by the well-known French forensic psychiatrist Daniel Zagury, titled La Barbarie des hommes ordinaires: Ces criminels qui pourraient être nous (The Barbarity of Ordinary Men: These Criminals Who Could Be Us). The very title, of course, makes reference to Arendt’s famous phase, and I had not gone many pages into it when her name cropped up: because Zagury is writing about men (mainly men in contrast to women) who commit appalling violent crimes without being obviously mad, he makes reference to Arendt and her banality of evil. The banality lies in the absence of all thought or reflection, of foresight or imagination. The most atrocious acts occasion no more mental trouble than, say, that entailed in the making of a sandwich.
Before I took up Zagury, I had just read Behind the Shock Machine, a book by the Australian psychologist and writer Gina Perry, about the famous, or infamous, experiments carried out by Stanley Milgram in the early 1960s at Yale on man’s obedience to authority. These experiments, as written up by Milgram in his book Obedience to Authority, have more or less entered common consciousness, at least that of intellectuals, as proving that there is in most of us an inner Eichmann, if not quite struggling to get out, at least prepared to obey the most frightful orders if authority gives them.
Milgram published his book in 1974, which was twelve years after the conclusion of his experiments and eleven years after the publication of Arendt’s book. He was, I surmise, much influenced by Arendt’s masterfully summarising — or one might say misleading — phrase, for the truth behind which he retrospectively tried to supply some psychological evidence. Gina Perry, by examining the records of his experiments in detail, found that Milgram had misrepresented his results, exaggerating his subjects’ willingness to comply with orders in his eagerness to show man’s tendency to obey, a tendency which demonstrates that the Holocaust could happen again — by implication anywhere.
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July 29, 2018
QotD: The third Great Awakening
We are now — in the Me Decade — seeing the upward roll (and not yet the crest, by any means) of the third great religious wave in American history, one that historians will very likely term the Third Great Awakening. Like the others it has begun in a flood of ecstasy, achieved through LSD and other psychedelics, orgy, dancing (the New Sufi and the Hare Krishna), meditation, and psychic frenzy (the marathon encounter). This third wave has built up from more diverse and exotic sources than the first two, from therapeutic movements as well as overtly religious movements, from hippies and students of “psi phenomena” and Flying Saucerites as well as charismatic Christians. But other than that, what will historians say about it?
The historian Perry Miller credited the First Great Awakening with helping to pave the way for the American Revolution through its assault on the colonies’ religious establishment and, thereby, on British colonial authority generally. The sociologist Thomas O’Dea credited the Second Great Awakening with creating the atmosphere of Christian asceticism (known as “bleak” on the East Coast) that swept through the Midwest and the West during the nineteenth century and helped make it possible to build communities in the face of great hardship. And the Third Great Awakening? Journalists (historians have not yet tackled the subject) have shown a morbid tendency to regard the various movements in this wave as “fascist.” The hippie movement was often attacked as “fascist” in the late 1960s. Over the past several years a barrage of articles has attacked Scientology, the est movement, and “the Moonies” (followers of the Reverend Sun Myung Moon) along the same lines.
Frankly, this tells us nothing except that journalists bring the same conventional Grim Slide concepts to every subject. The word fascism derives from the old Roman symbol of power and authority, the fasces, a bundle of sticks bound together by thongs (with an ax head protruding from one end). One by one the sticks would be easy to break. Bound together they are invincible Fascist ideology called for binding all classes, all levels, all elements of an entire nation together into a single organization with a single will.
The various movements of the current religious wave attempt very nearly the opposite. They begin with … “Let’s talk about Me.” They begin with the most delicious look inward; with considerable narcissism, in short. When the believers bind together into religions, it is always with a sense of splitting off from the rest of society. We, the enlightened (lit by the sparks at the apexes of our souls), hereby separate ourselves from the lost souls around us. Like all religions before them, they proselytize — but always on promising the opposite of nationalism: a City of Light that is above it all. There is no ecumenical spirit within this Third Great Awakening. If anything, there is a spirit of schism. The contempt the various seers have for one another is breathtaking. One has only to ask, say, Oscar Ichazo of Arica about Carlos Castaneda or Werner Erhard of est to learn that Castaneda is a fake and Erhard is a shallow sloganeer. It’s exhilarating! — to watch the faithful split off from one another to seek ever more perfect and refined crucibles in which to fan the Divine spark … and to talk about Me.
Whatever the Third Great Awakening amounts to, for better or for worse, will have to do with this unprecedented post-World War II American development: the luxury, enjoyed by so many millions of middling folk, of dwelling upon the self. At first glance, Shirley Polykoff’s slogan — “If I’ve only one life, let me live it as a blonde!” — seems like merely another example of a superficial and irritating rhetorical trope (antanaclasis) that now happens to be fashionable among advertising copywriters. But in fact the notion of “If I’ve only one life” challenges one of those assumptions of society that are so deep-rooted and ancient, they have no name — they are simply lived by. In this case: man’s age-old belief in serial immortality.
Tom Wolfe, “The ‘Me’ Decade and the Third Great Awakening”, New York Magazine, 1976-08-23.
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July 2, 2018
Mark Steyn on 49th Parallel
His annual Canada Day post this year featured a World War 2 British film about Canada intended for Americans:
The film stars, in order of billing, Leslie Howard, Laurence Olivier, Raymond Massey, Anton Walbrook, Eric Portman “and the music of Ralph Vaughan Williams”, which gets an above-the-title credit – as well it should. Vaughan Williams’ score is an integral part of the picture and, if not especially Canadian (save for a very short evocation of Calixa Lavallée’s “O Canada” right at the beginning), accompanies the country’s physical landscape beautifully, particularly in the opening travelogue, mostly shot by Freddie Young leaning out of a plane with a hand-held camera and edited back in England by David Lean. (Lean and Young, of course, subsequently worked together on Lawrence of Arabia, Doctor Zhivago and Ryan’s Daughter.) And, if you’re thinking that (with one exception) none of these participants seems terribly Canuck, well, if it’s any consolation, the English also get to play all the Nazis, too. The Canadians are largely relegated to small roles and extras – like the real seamen who play the survivors of the Canadian ship torpedoed in the Gulf of St Lawrence at the opening of the picture. “So,” pronounces the German U-boat commander, “the curtain rises on Canada.”
U-37 decides to flee to Hudson’s Bay to evade the RCAF and RCN patrols looking for it. Six Germans are put ashore to scout for supplies. But, even as they set foot on land, they hear the swoop of planes and look back to see Canadian bombers destroying their submarine. In order to lend verisimilitude to the scene, Michael Powell destroyed a real – or real-ish – sub, built for him in Halifax, Nova Scotia. The RCAF gave him two thousand-pound bombs to make it look good, and he put them on “U-37” and was cunning enough to neglect to tell the actors, lest it made them nervous. The sub was then towed to the Strait of Belle Isle between Labrador and Newfoundland to be blown sky high. That was Powell’s only mistake. Notwithstanding that he named the film after Canada’s southern border, the director’s grip on the country’s eastern border was a little hazier. He had forgotten that Newfoundland was not (yet) in Canada but was a British possession in its own right. So HM Customs impounded “U-37” and Powell had to go directly to the Governor to get it back.
Other than that, he and Pressburger didn’t put a foot wrong. The location footage was impressive in its day, and still striking in ours; Pressburger’s script is subtle and humane; and the episodic structure allows for plenty of variety. Following the loss of U-37, the six Germans are now beached in northern Canada and have to figure out a way to get to safe, neutral America. They make their way to a Hudson’s Bay trading post, where the factor (played by the great Scots actor Finlay Currie) is welcoming back an old friend who’s spent the last eleven months hunting in the wilds and so has no idea Canada is at war. Johnny is a French-Canadian trapper played by – who else? – Laurence Olivier. We first meet him in the bath tub singing “Alouette”, and, as often with Olivier, the attention to detail on the accent is so good that it becomes oddly intrusive: “Diss is one big country, but verra few pipple. Ever-wan know ever-body. You can’t make goosestep trew it widdout da police fine out,” he tells the senior German officer (Eric Portman).
The window shot Michael Powell uses to get the Nazis into the factor’s small cabin is cool and clinical and all the more chilling for it. The six Germans enter and announce that they’re now in control. When you’ve just come in off the tundra after eleven months and you want to have a soak in the tub and unwind, the Master Race showing up is a bit of a downer. “Okay, you are German. Why yell about it? I am Canadian,” says the Frenchie. “He is Canadian” – he points to the Scots factor – “and he is Canadian” – and to the smiling eskimo lad: French, English and Inuit all with the same unhyphenated label “Canadian”. That’s a lot simpler than the fractious diversity at Parliament Hill earlier today.
The Nazi lieutenant attempts to beguile his captives with a copy of Mein Kampf, but Trapper Johnny isn’t interested. “What’s the matter with Negroes?” he asks.
“They’re semi-apes,” explains the German. “One step above the Jews.” This is something of a remote concern at a Hudson’s Bay trading post. The Nazis seems as enraged by their prisoners’ geniality as by anything else. As they depart, one tears a portrait of the King and Queen off the wall and carves a swastika into the space.
Pressburger’s plot follows as you’d expect: There are six Germans, and soon there will be five, and then four, three, two… From Hudson’s Bay, they commandeer a seaplane that crashes near a Hutterite community in Manitoba, where a young pre-Mary Poppins Glynis Johns is sweetly trusting of them. They make their way to Indian Day in Banff National Park, for a rather Hitchcockian scene, and thence to a camp in the Rockies, where an arty pacifist (Leslie Howard) is discoursing on Thomas Mann. The tone is set by Olivier’s Frenchie coming in from the bush: He may not be interested in war, and nor is Glynis Johns or Leslie Howard. But war is interested in them. This was the purpose of the film, as the British Ministry of Information saw it: That’s why they wanted it set in Canada, rather than in, say, England, across the Channel from Occupied Europe. These trappers, Hutterites, and pacifists didn’t come looking for trouble. But, even five thousand miles from the fighting, trouble came looking for them – in big, empty, peaceable Canada. And the implicit message to America was: In the end, it will come for you, too. There is no 49th Parallel. Whichever side of it you’re on, it’s the same side.
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June 23, 2018
June 17, 2018
May 29, 2018
QotD: Gandhi on the Holocaust
I am aware that for many not privileged to have visited the former British Raj, the names Gujarat, Rajasthan, and Deccan are simply words. But other names, such as Germany, Poland, Czechoslovakia, somehow have a harder profile. The term “Jew,” also, has a reasonably hard profile, and I feel all Jews sitting emotionally at the movie Gandhi should be apprised of the advice that the Mahatma offered their coreligionists when faced with the Nazi peril: they should commit collective suicide. If only the Jews of Germany had the good sense to offer their throats willingly to the Nazi butchers’ knives and throw themselves into the sea from cliffs they would arouse world public opinion, Gandhi was convinced, and their moral triumph would be remembered for “ages to come.” If they would only pray for Hitler (as their throats were cut, presumably), they would leave a “rich heritage to mankind.” Although Gandhi had known Jews from his earliest days in South Africa — where his three staunchest white supporters were Jews, every one — he disapproved of how rarely they loved their enemies. And he never repented of his recommendation of collective suicide. Even after the war, when the full extent of the Holocaust was revealed, Gandhi told Louis Fischer, one of his biographers, that the Jews died anyway, didn’t they? They might as well have died significantly.
Richard Grenier, “The Gandhi Nobody Knows”, Commentary, 1983-03-01.
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May 10, 2018
Enter ADOLF HITLER stage left I BETWEEN 2 WARS I 1919 Part 4 of 4
TimeGhost History
Published on 8 May 2018The fledgling democracy in Germany struggles to survive as the German Revolution escalates into a downright civil war. In one of the German States Bavaria, Adolf Hitler appears on the stage within the context of the Bavarian Soviet Revolution.
Click here for the rest of the Between 2 Wars series: http://goo.gl/enXJWf
Join the TimeGhost Army at https://timeghost.tv
or on Patreon: https://www.patreon.com/TimeGhostHistoryHosted by: Indy Neidell
Written by Spartacus Olsson and Indy Neidell
Directed by: Spartacus Olsson
Produced by: Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus OlssonA TimeGhost chronological documentary produced by OnLion Entertainment GmbH
CORRECTION: Article 48 of the Weimar Constitution gave the PRESIDENT of the German Reich the power to suspend civil rights and take armed action, nothing else… our apologies. In this episode we meet Adolf Hitler for the first time. Now some might be surprised about how we portray Hitler and his political views in 1919 and this needs some commentary. Before you go off in any specific direction about Hitler and Naziism, you should therefore read our commentary here https://community.timeghost.tv/t/enter-adolf-hitler-from-the-left-between-2-wars-1919-part-4-of-4/262/3:
Commentary regarding our portrayal of Hitler:
Those of you who follow our work since a longer time will know that we are loath to tell a skewed or biased version of the events we portray. Our aim with how we tell Hitler’s story is neither to exonerate him, nor to vilify him; the facts speak for themselves and we are convinced that we neither need to add, nor subtract emphasis to the story of Hitler and the Nazis.
In many other works covering Hitler you will see a tendency to hang the events of this epoch on the leaders that rose to power in the period. While it is unquestionable that the impact of those leaders was far reaching and instrumental in how the events evolved, it should not be forgotten that these men (and a few women) were not created in a bubble. As postulated in the main historiographical theory dealing with the impact of leadership, Zeitgeist Theory (from where we take or brand name btw.) it is easily seen at that it was not the characters that created the times, but the times that created the characters who then steered the events as they evolved.
This is an uncomfortable position to take, because it leads to the next conclusion: Germany, Japan and Italy did also not exist inside bubbles. This in turn leads us to have to look at the entire picture of the world to understand the events that followed. Inevitably this will not lead to a black and white picture of good guys vs. bad guys. Instead we face a complex situation where many cogwheels interact to bring about the situation that eventually leads to war.
To be clear: once again we are not seeking to exonerate, or vilify anyone. What with the extensive crimes against humanity perpetrated by the Axis powers before and during the war, there is always the risk of comparing apples and oranges when you dive into this area. To avoid that conundrum, the war crimes perpetrated by the Allies are often brushed aside, or simply justified as an unfortunate part of war. Again to be clear: while the firebombing of Dresden, Hamburg, Tokyo, Osaka and many other cities does constitute war crimes, it does not exonerate the murder of tens of millions of people by the Nazis. Furthermore the sheer difference in numbers and method speak for themselves (if you must look at a comparison of who was worse than the other).
Our interest will always be to tell the story as accurately as we can and let the story itself provide judgement. At no point will we waiver from telling a part of the story just because it makes one side or the other look better or worse. Also, we will not get involved in the moral arguments surrounding this, such as that certain acts were justified because they led to victory, or were the lesser evil. It is not our job to make that kind of moral judgement – that is up to the philosophers of the world and we’re mere tellers of history.
Regarding Hitler’s political views in 1919:
The fact that Hitler had liberal sympathies in 1919, should not be misunderstood as a foundation for an argument that Naziism was a left wing ideology. While Hitler and Drexler did incorporate social welfare concepts and anti-capitalist ideas into their agenda, the national socialist doctrine is clearly a derivative of conservatism, not progressivism.
Contrary to communism that focuses on class and internationalism, Naziism focuses on race and nationalism. Naziism espouses traditional social conservative views regarding gender roles, division of labour, social values, and foreign relations. Communism claims to be egalitarian while Naziism espouses an elitist world view. Communism seeks to create a completely new economic system based on overthrowing traditional trade and profit ideas, Naziism espouses economic protectionism and state regulated capitalism. In one aspect the two ideologies do share a common denominator, namely in the repression of the financial transfer economy (money lending, property speculation and so on). This last bit has often been misrepresented as proof that Naziism is a left-wing ideology, but that would be a fallacious conclusion as this is not at the centre of the ideology, but rather an artifact of the somewhat contradictory antisemitic ideas of Naziism.
Last but not least the main unique feature of Naziism that differentiates it from Fascism is the outspoken antisemitism at the heart of the ideology. Absurdly Hitler came to equate Jews with robber capitalists AND communism. As strange as that is, it’s a way of thinking that was not only prevalent with Hitler, but also with other political thinkers like Charles Maurras, a Frenchman who formulated an early form of Naziism already in the late 1880s and 1890s (yes we will cover him). The basis of this is their belief in a world conspiracy led by the Jews that was aimed at the overthrow of what they perceived as ‘their race.’ Based on that, robber capitalism and Bolshevik Communism were seen as instruments in this imaginary war of the races. The idea was also promoted within the context of the Russian Revolution, where for instance the fabricated Protocols of The Elders of Zion, aimed to show that the ‘Jewish conspiracy’ was a driving force behind the revolution.
April 26, 2018
March 22, 2018
Feature History – Spanish Civil War
Feature History
Published on 12 Mar 2017Hello and welcome to Feature History, featuring The Spanish Civil War, zero mic etiquette, and a super subtle political lesson.
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February 22, 2018
DicKtionary – E is for Eugenics – Otmar von Verschuer
TimeGhost
Published on 21 Feb 2018E for eugenics, pseudo science about race,
Selective breeding of humans can make the world a purer place,
When saying, “that’s scary”, those words are ne’er truer,
Then of the main man today, Otmar von Verschuer.Hosted by: Indy Neidell
Written by: Spartacus Olsson
Produced and Directed by: Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Camera by: Jonas Klein
Edited by: Spartacus Olsson, Jonas KleinA TimeGhost chronological documentary produced by OnLion Entertainment GmbH
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February 9, 2018
DicKtionary – C is for Car – Henry Ford
TimeGhost
Published on 8 Feb 2018C is for car – the automobiles
And nothing is cooler than a boss set of wheels,
From selling some cars, this man made a horde,
Mechanic and boss man, here’s Henry Ford.Hosted and Written by: Indy Neidell
Based on a concept by Astrid Deinhard and Indy Neidell
Produced by: Spartacus Olsson
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Camera by: Ryan
Edited by: Bastian BeißwengerA TimeGhost documentary format produced by OnLion Entertainment GmbH
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December 21, 2017
The bloody 20th century and the leaders who helped make it so
Walter Williams on the terrible death toll of the 20th century, both in formal war between nations and in internal conflict and repression:
The 20th century was mankind’s most brutal century. Roughly 16 million people lost their lives during World War I; about 60 million died during World War II. Wars during the 20th century cost an estimated 71 million to 116 million lives.
The number of war dead pales in comparison with the number of people who lost their lives at the hands of their own governments. The late professor Rudolph J. Rummel of the University of Hawaii documented this tragedy in his book Death by Government: Genocide and Mass Murder Since 1900. Some of the statistics found in the book have been updated here.
The People’s Republic of China tops the list, with 76 million lives lost at the hands of the government from 1949 to 1987. The Soviet Union follows, with 62 million lives lost from 1917 to 1987. Adolf Hitler’s Nazi German government killed 21 million people between 1933 and 1945. Then there are lesser murdering regimes, such as Nationalist China, Japan, Turkey, Vietnam and Mexico. According to Rummel’s research, the 20th century saw 262 million people’s lives lost at the hands of their own governments.
Hitler’s atrocities are widely recognized, publicized and condemned. World War II’s conquering nations’ condemnation included denazification and bringing Holocaust perpetrators to trial and punishing them through lengthy sentences and execution. Similar measures were taken to punish Japan’s murderers.
But what about the greatest murderers in mankind’s history — the Soviet Union’s Josef Stalin and China’s Mao Zedong? Some leftists saw these communists as heroes. W.E.B. Du Bois, writing in the National Guardian in 1953, said, “Stalin was a great man; few other men of the 20th century approach his stature. … The highest proof of his greatness (was that) he knew the common man, felt his problems, followed his fate.” Walter Duranty called Stalin “the greatest living statesman” and “a quiet, unobtrusive man.” There was even leftist admiration for Hitler and fellow fascist Benito Mussolini. When Hitler came to power in January 1933, George Bernard Shaw described him as “a very remarkable man, a very able man.” President Franklin Roosevelt called the fascist Mussolini “admirable,” and he was “deeply impressed by what he (had) accomplished.”
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November 7, 2017
Le Corbusier
Theodore Dalrymple could never be called a fan of Le Corbusier’s architecture:
The French fascist architect Charles-Édouard Jeanneret, better known as Le Corbusier, was another of this charmless ilk, though cleaner than Brecht (a Marxist, the latter’s decision not to wash was his tribute, albeit not a very flattering one, to the proletariat). Jeanneret’s inhumanity, his rage against humans, is evident in his architecture and in his writings. He felt the level of affection and concern for them that most people feel for cockroaches.
Like Hitler, Jeanneret wanted to be an artist, and, as with Hitler, the world would have been a better place if he had achieved his ambition. Had he been merely an artist, one could have avoided his productions if one so wished; but the buildings that he and his myriad acolytes have built unavoidably scour the retina of the viewer and cause a decline in the pleasure of his existence.
One of Jeanneret’s buildings can devastate a landscape or destroy an ancient townscape once and for all, with a finality that is quite without appeal; as for his city planning, it was of a childish inhumanity and rank amateurism that would have been mildly amusing had it remained purely theoretical and had no one taken it seriously.
A book has just been published — Le Corbusier: The Dishonest Architect, by Malcolm Millais — that reads like the indictment of a serial killer who can offer no defense (except, possibly, a psychiatric one). The author shares with me an aesthetic detestation of Jeanneret, and also of his casual but deeply vicious totalitarianism; but, unlike me, the author both has a scholarly knowledge of his subject’s life and writings, of which the perusal of only a few has more than sufficed for me, and is a highly qualified structural engineer. Mr. Millais is able to prove not only that Jeanneret was a liar, cheat, thief, and plagiarist in the most literal sense of the words, a criminal as well as being personally unpleasant on many occasions, but that he was technically grossly ignorant and incompetent, indeed laughably so. His roofs leaked, his materials deteriorated. He never grasped the elementary principles of engineering. All his ideas were gimcrack at best, and often far worse than merely bad. To commission a building from Jeanneret was to tie a ball and chain around one’s own ankle, committing oneself to endless, Sisyphean bills for alteration and maintenance, as well as to a dishonest estimate of what the building would cost to build in the first place. A house by Jeanneret was not so much a machine for living in (to quote the most famous of his many fatuous dicta) as a machine for generating costs and for moving out of. In the name of functionality, Jeanneret built what did not work; in the name of mass production, everything he used had to be individually fashioned. Having no human qualities himself, and lacking all imagination, he did not even understand that shade in a hot climate was desirable, indeed essential.
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QotD: Crony capitalism
Fascism is actually an economic system, of which “crony capitalism”, an illegitimate partnership between government and business, is an excellent example. Known otherwise as corporate socialism or simply corporatism, other eras (Adam Smith‘s for instance, in his book Wealth of Nations) have called it Mercantilism.
L. Neil Smith, “The American Zone”, The Libertarian Enterprise, 2016-03-20.
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