Yorkshire Photo Walks
Published Jun 9, 2024In this video Tom outlines a five-step process for turning your landscape photos from flat, boring shots to professional looking images.
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December 8, 2024
Why your landscape photos are boring π₯±
December 3, 2024
David Starkey’s view of history
At the Daily Sceptic, James Alexander summarizes how historian David Starkey’s views of history — British history specifically — provide a useful way to analyze British political issues today:
What David Starkey is trying to do is deliver to the British (or English) public a jeremiad informed not by moral posturing or theoretical commitment but by a sense of history. This is so valuable it should almost come without criticism. I think that Starkey’s vision of history is so arresting it deserves to be expressed in short form and so I will attempt a summary of the position. Starkey is an admirably entertaining speaker, and offers a vision that is several dimensions more complicated than we hear from anyone else at the moment. He is full of prepared lines, and has a ready mind: “Niall Ferguson, the good Niall Ferguson, not the bad Neil Ferguson …”; “All bad ideas begin with the French”; “The Union of England and Scotland made the modern world”; “The monarch changes religion as he crosses the border: he begins Anglican, and becomes Presbyterian”; “The Labour party is the equivalent of the Nomenklatura of Soviet Russia: a privileged class”; etc.
I have some criticisms. But first, his vision of our history.
Let me begin by summarising Starkey’s view of history as it conditions the present. He argues the following:
1. On the nature and relevance of history. History is fundamental. We cannot understand ourselves using theory. Avoid abstraction. Use history instead. It is concrete. He suggests that we have always studied history for the sake of the present, though in recent centuries we have also studied it for its own sake. He adds that we should make analogies between past and present.
2. On English history. Starkey says that we were first part of Greater Scandinavia, then, from 1066, were part of an Anglo-French order. The third stage of our history began with the Reformation. Starkey likens the Latin Christendom of the Papacy to the European Union: and so calls Henry VIII the first Brexiteer. The consequence of the Reformation was that Britain and Europe become antagonists. For the first time the sea was reconfigured as a barrier, defended by the navy: and this happened at the same time that energies were thrown outward to the rest of the world. What the English managed to do, along with the Scots, was build something out of the strong language that rises from Chaucer to Shakespeare: the two home countries united to make it impossible to be invaded; they united to make an empire in the world; and they united to make use of remarkable innovations in finance and later industry.
One of Starkey’s great themes is this Union of England and Scotland: first by King in 1603 and second by Parliament in 1707. Starkey says England is not a nation. It lacks a ridiculous national dress (since its national dress, of coat and trousers with tie, was given to the world as universal official dress). And the Union was wholly original, as it subjugated Scotland to England’s Parliament, abolishing the Scottish Parliament, while leaving Scottish law, religion, military tradition and heraldry alone. England and Scotland are politically united, but only politically united. Starkey’s point about all this is that it was never about “identity”. There was no such thing as a “Briton”. There was no national system of education. So there was no nonsense of any modern-style post-French Revolution nationalism. Instead, we were natural liberals, able to take in immigrants without difficulty. However, throughout all this England is politically dominant in Great Britain and in the Empire.
3. On the present time. Starkey has two points of reference. One is the 1970s, when things went wrong, with a short reversal under Thatcher, and in the 1990s, when things went even more wrong, and perhaps permanently wrong, because constitutionally wrong. The 1970s was the culmination of the Labour politics of welfare, accepted weakly by Macmillan and Heath, but the 1990s was worse because political and constitutional. Labour took things in the wrong direction by making the Bank of England independent and by enabling a new Scottish Parliament to emerge: also by bringing about the Equality Act of 2010 (actually an innovation of Gordon Brown); also by creating a Supreme Court. Then, finally, Charles III removed Parliament from the Coronation, and there was no mention of politics: whereas, since 1688, the Coronation had been a political act. Political power has been fragmented and dispersed from the King-in-Parliament to the quangos, to the Bank of England, to the lawyers. The principle of balance is lost, as every institution has become an interest group, pursuing single issues: an entire raft of Anti-Corn Law Leagues.
Starkey suggests that England will remain an idea, much as the idea of Rome survived the decline and fall of the Roman Empire. This is pessimistic judgement. His optimistic judgement, or hope, is that some sort of “restoration”, like the Glorious Revolution, can be enacted. As far as I have heard, he has not yet sketched the form of his restoration, though it has been promised.
Is this clear? Henry VIII broke the monasteries, threw out the Papists, built Oxford and Cambridge in new form, fortified the coast and began the story of Greater England. If we fill the gaps, there were difficulties with the consequences, religious and political, through the reigns of Mary, Elizabeth, James and Charles, but these were resolved in 1688 and then 1707. Then Great Britain became a great power. This remarkable creation was politically and constitutionally destroyed by the theorists and politicians of the late 20th century, since they demoted England within Britain, unleashed petty nationalisms in political form, and, in passing, did not do enough to restrain the welfare state or, we might add, enough to prevent English tolerance being twisted to accommodate net immigration of 700,000 people of fairly antagonistic cultures per year. Britain is now ruled not by Government-in-Parliament but by delegated arbitrary powers and influences which offer sops to partial interests and mean that nothing can be done. No one has an adequate conception of the entire state.
December 1, 2024
QotD: Recording and codifying the land that William conquered
I hesitate to recommend academic books to anyone, but I’ll make an exception for James C. Scott’s Seeing Like a State. Subtitled “how certain schemes to improve the human condition have failed”, it’s the best long-form exposition I know of, that explains how process and outcome first deform, then negate each other.
[…]
In brief, Scott argues that the process of making a society “legible” to government officials obscures social reality, to the point where the government’s maps and charts and graphs take on a life of their own. It’s recursive, such that those well-intentioned schemes end up first measuring, then manipulating, the wrong thing in the wrong way, to the point that the social “problem” the process was supposed to address drops out entirely β all you have, at the end, is powerpoint girls critiquing spreadsheet boys because their spreadsheets don’t have enough animation, and vice versa.
Scott doesn’t use the Domesday Book as an example (IIRC from a graduate school class 20-odd years ago, anyway), but it’s one we’re probably all familiar with. The first thing William the Conqueror needed to know is: what, exactly, have I conquered? So he sent out the high-medieval version of spreadsheet boys to take a comprehensive survey of the kingdom. Turns out the Duke of Earl’s demense runs from this creek to that rock. He has five underlings, and their domains run from etc.
The point of all this, of course, was so that Billy C. could call the Duke of Earl on the carpet, point to the spreadsheet, and say “You owe me a cow, three chickens, and two months in the saddle as back taxes.” It worked great, except when β as, it seems, is inevitable β the high-medieval equivalent of the spreadsheet boys did the high-medieval version of “ctrl-c”; just copying and pasting the information over. Eventually the tax situation got way out of whack, as it did for most every pre-modern government running a similar system β one of the reasons declining Chinese dynasties had such fiscal problems, for instance, is that the tax surveys only got updated every two centuries or so, such that a major provincial lord was still only paying 20 silver pieces in taxes, when he should’ve been paying 20,000 (and his peasants were all paying 20 when all they could afford was 2).
In other words: unless the spreadsheet boys periodically go out and check that the numbers on their spreadsheets actually correspond in some systematic, more-or-less representative way to some underlying social reality, government policy is being set by make-believe.
Severian, “The Finger is Not the Moon”, Rotten Chestnuts, 2021-09-14.
October 27, 2024
QotD: Puritans, predestination, and the Ranters
The third problem with Puritan wokeness is that it sinister echoes in the history of predestination. When the creed reached its zenith in the seventeenth century, the logical hole at its centre became insanely obvious. If it does not matter to God how you behave, because your salvation was pre-determined at birth, why not behave however the hell you want to?
The outpourings of radical thought in the English Civil Wars included sects who came to exactly this conclusion. The Ranters, at least by reputation, advocated a lifestyle of Dionysiac excess. If orgies and boozing, gluttony and blasphemy did not have any material impact on whether you were going to heaven or hell, then why not shag, indulge and curse the Lord as much as you want?
The extent of their membership is disputed and the fear of the Ranters was strong among the Puritans, partly, I suspect, because the logical fallacy of the original tenet is so glaringly obvious. Many of the theological arguments espoused by the men who were labelled Ranters were more textured and complicated than a license to loucheness. But the essential point remains: if you are already damned, your actions and intent are irrelevant.
The Puritan response was a horrified recoil. If God has made you one of the elect, you have a responsibility to Him to behave as if you are elect. A rare few came to believe they were not elect, and tortured themselves with it. If this sounds familiar, you have probably met an apologetic white male ally of the woke.
Antonia Senior, “Identity politics is Christianity without the redemption”, UnHerd, 2020-01-20.
October 26, 2024
QotD: Henry VIII
Barbara Tuchman […] said something about medieval nobles once, to the effect of “the reason some of their decisions seems so childish to us is that a lot of them were children”. I don’t think she’s right about that β kids grew up pretty damn fast in the Middle Ages β but if you expand it a bit to “rookies make rookie mistakes”, she’s got a big, important point. No account of the reign of Henry VIII, for instance, can really be complete without considering that when he took the throne he was only 17, and had only been heir apparent for a few years before that. He was most definitely the “spare” in the old “heir and a spare” formula for medieval dynastic success; it’s likely that his father was preparing him for a Church career when his elder brother Arthur died suddenly in 1502, when Henry was 11. What Arthur had been in training his whole life to do, Henry got at most six frantic years of, under an increasingly feeble father.
Leaving all of Henry’s personal quirks aside β and his was a very strong, distinctive personality β that’s got to affect you.
So many of the changes in Henry’s reign, then, must have been driven in part by the fact that it was the same man, reflecting on a lifetime’s experience in a job he was never expected to have, wasn’t really prepared for, and didn’t seem to want (aside from the lifestyle). There’s been lots of pop-historical theorizing about what was “wrong” with the later Henry β senility, syphilis, the madness of power β but more naturalistic explanations of his later actions must take into account simple age. A man nearing the end of his life, knowing that his succession was very much in doubt and fearing for the state of his soul, will do things differently than a young man in the prime of life.
[…]
Life was hard back then, and cheap. When every other child dies before the age of five and the average life expectancy is 35, I imagine, you live your life cranked to 11 every waking moment. Accounts of grown men weeping like little girls at the theater aren’t an exaggeration; the whole age was given to extreme outbursts. And that’s just the baseline! Now consider that a guy like Henry never had a moment to himself, and I do mean never β not once, in his entire life. He even had a guy with him on the crapper, who would wipe his ass for him. The relationship between Henry and a guy like Wolsey, then β to say nothing of his relationship with the Groom of the Stool β must’ve been intimate in a way we can’t possibly grasp. Compared to that, you and your wife are barely on speaking terms. If Henry seemed sometimes to set policy just because he was pissed at Wolsey, we must consider the possibility that that’s exactly what happened.
The best you can do, then, is imagine yourself back there as best you can, and make your interpretations in that light, acknowledging your biases as best you can (I’m not a medievalist, obviously, but I’m a much better read amateur than most, and though Henry VIII is a very hard guy to like, he’s equally hard not to admire). Most of all β and this, I think, is the hardest thing for academic historians, more even than recognizing their presentist biases β you have to keep your humility. Perhaps Henry’s decision about ___ was part of a gay little frenemies spat with Wolsey. That’s sure what it seems like, knowing the man, and having no contrary evidence …
… but contrary evidence might always emerge. It might not have been the optimal decision, but it might’ve been a much better one than you thought, because Henry had information you didn’t, but now do. It makes for some restless nights, knowing that your life’s work could be overturned by some grad student finding some old paper at a yard sale somewhere, but … there it is.
Severian, “Writing Real History”, Rotten Chestnuts, 2021-08-18.
October 6, 2024
The rise of coal as a fuel in England
In the latest instalment of Age of Invention, Anton Howes considers the reasons for the rise of coal and refutes the frequently deployed “just so” story that it was driven by mass deforestation in England:
It’s long bothered me as to why coal became so important in Britain. It had sat in the ground for millennia, often near the surface. Near Newcastle and Sunderland it was often even strewn out on the beaches.1 Yet coal had largely only been used for some very specific, small-scale uses. It was fired in layers with limestone to produce lime, largely used in mortar for stone and brick buildings. And it had long been popular among blacksmiths, heating iron or steel in a forge before shaping it into weapons or tools.2
Although a few places burned coal for heating homes, this was generally only done in places where the coal was an especially pure, hard, and rock-like anthracite, such as in southern Wales and in Lowlands Scotland. Anthracite coal could even be something of a luxury fuel. It was burned in the palaces of the Scottish kings.3 But otherwise, the sulphur in the more crumbly and more common coal, like that found near Newcastle, meant that the smoke reeked, reacting with the moisture of people’s eyes to form sulphurous acid, and so making them sting and burn. The very poorest of the poor might resort to it, but the smoke from sulphurous coal fires was heavy and lingering, its soot tarnishing clothes, furnishings, and even skin, whereas a wood fire could be lit in a central open hearth, its smoke simply rising through the rafters and finding its way out through the various crevices and openings of thatched and airy homes. Coal was generally the inferior fuel.
But despite this inferiority, over the course of the late sixteenth century much of the populated eastern coast of England, including the rapidly-expanding city of London, made the switch to burning the stinking, sulphurous, low-grade coal instead of wood.
By far the most common explanation you’ll hear for this dramatic shift, much of which took place over the course of just a few decades c.1570-1600, is that under the pressures of a growing population, with people requiring ever more fuel both for industry and to heat their homes, England saw dramatic deforestation. With firewood in ever shorter supply, its price rose so high as to make coal a more attractive alternative, which despite its problems was at least cheap. This deforestation story is trotted out constantly in books, on museum displays, in conversation, on social media, and often even by experts on coal and iron. I must see or hear it at least once a week, if not more. And there is a mountain of testimonies from contemporaries to back the story up. Again and again, people in the late sixteenth and the seventeenth centuries complained that the woods were disappearing, and that wood fuel prices were on the rise.
And yet the deforestation thesis simply does not work. In fact it makes no sense at all.
Not out of the Woods Yet
This should immediately be obvious from even just a purely theoretical perspective, because wood was almost never exploited for fuel as a one-off resource. It was not like coal or peat or oil, which once dug out of the ground and burned could only be replaced by finding more. It was not a matter of cutting swathes of forest down and burning every branch, stump and root, leaving the land barren and going off in search of more. Our sixteenth-century ancestors were not like Saruman, destroying Fangorn forest for fuel. Instead, acres of forest, and even just the shrubs and trees that made up the hedges separating fields, were carefully maintained to provide a steady yield. The roots of trees were left living and intact, with the wood extracted by cutting away the trunk at the stump, or even just the branches or twigs β a process known as coppicing, and for branches pollarding β so that new trunks or branches would be able to grow back. Although some trees might be left for longer to grow into longer and thicker wood fit for timber, the underwoods were more regularly cropped.4
Given forests were treated as a renewable resource, claiming that they were cut down to cause the price of firewood to rise is like claiming that if energy became more expensive today, then we’d use all the water behind a hydroelectric dam and then immediately fill in the reservoir with rubble. Or it’s like claiming that rising food prices would result in farmers harvesting a crop and then immediately concreting over their fields. What actually happens is the precise opposite: when the things people make become more valuable, they tend to expand production, not destroy it. High prices would have prompted the English to rely on forests more, not to cut them down.
When London’s medieval population peaked β first in the 1290s before a devastating famine, and again in the 1340s on the eve of the Black Death β prices of wood fuel began to rise out of all proportion to other goods. But London had plenty of nearby woodland β wood is extremely bulky compared to its value, so trees typically had to be grown as close as possible to the city, or else along the banks of the Thames running through it, or along the nearby coasts. With the rising price of fuel, however, the city did not even have to look much farther afield for its wood, and nearby coastal counties even continued to export firewood across the Channel to the Low Countries (present-day Belgium and the Netherlands) and to the northern coast of France.5 A few industries did try to shift to coal, with lime-makers and blacksmiths substituting it for wood more than before, and with brewers and dyers seemingly giving it a try. But the stinking smoke rapidly resulted in the brewers and dyers being banned from using it, and there was certainly no shift to coal being burnt in people’s homes.6
1. Ruth Goodman, The Domestic Revolution (Michael O’Mara Books, 2020), p.91
2. James A. Galloway, Derek Keene, and Margaret Murphy, “Fuelling the City: Production and Distribution of Firewood and Fuel in London’s Region, 1290-1400”, The Economic History Review 49, no. 3 (1996): pp.447β9
3. J. U. Nef, The Rise of the British Coal Industry, Vol. 1 (London: George Routledge and Sons, 1932), p.107, pp.115-8
4. Oliver Rackham, Ancient Woodland: Its History, Vegetation and Uses in England (Edward Arnold, 1980), pp.3-6 is the best and clearest summary I have seen.
5. Galloway et al.
6. John Hatcher, The History of the British Coal Industry: Volume 1: Before 1700: Towards the Age of Coal (Oxford University Press, 1993), p.25
August 22, 2024
QotD: The changing role of the Medieval housewife in England
The transition may also have driven broader cultural shifts. In 1523, Fitzherbert’s Boke of Husbandrie gave a list of a housewife’s jobs (“What warkes a wyfe shulde do in generall”) that included the household’s cooking, cleaning, laundry, and childcare, all of which are typically part of modern housewifery, but also milking cows, taking grain to the miller, malting barley, making butter and cheese, raising pigs and poultry, gardening, growing hemp and flax and then spinning it, weaving, winnowing grain, making hay, cutting grain, selling her produce at market β and, as necessary, helping her husband to fill the dungcart, plow the fields, or load hay. Roles were still highly gendered, but compared to eighteenth and nineteenth century household manuals this is a remarkable amount of time spent out of the house, and the difference holds even when you compare the work hired maids were doing in both periods. Around the time of the advent of coal, though, our descriptions of women’s work increasingly portray it as contained within the walls of the home β or, at most, in the dairy or the poultry yard. Of course social transformations are never monocausal, and the increasing specialization and mechanization that moved some production out of the household probably nudged things along, but Goodman suggests that “the additional demands of running a coal-fired household might have also helped push the idea that a woman’s place is within the home”. After all, if your cleaning takes twice as long, there’s simply less time available for all that agricultural labor and small-scale commerce.
Jane Psmith, “REVIEW: The Domestic Revolution by Ruth Goodman”, Mr. and Mrs. Psmith’s Bookshelf, 2023-05-22.
August 20, 2024
July 26, 2024
QotD: Comparative advantage
To produce wine in Portugal, might require only the labour of 80 men for one year, and to produce the cloth in the same country, might require the labour of 90 men for the same time. It would therefore be advantageous for her to export wine in exchange for cloth. This exchange might even take place, notwithstanding that the commodity imported by Portugal could be produced there with less labour than in England. Though she could make the cloth with the labour of 90 men, she would import it from a country where it required the labour of 100 men to produce it, because it would be advantageous to her rather to employ her capital in the production of wine, for which she would obtain more cloth from England, than she could produce by diverting a portion of her capital from the cultivation of vines to the manufacture of cloth.
David Ricardo, On the Principles of Political Economy and Taxation (1817), quoted on the Library of Economics and Liberty site.
July 9, 2024
What it was like to visit a Medieval Tavern
Tasting History with Max Miller
Published 27 Mar 2024Medieval stew with meat, spices, and verjuice, and thickened with egg yolks
City/Region: England
Time Period: 15th CenturySome medieval taverns may have had what is called a perpetual stew bubbling away. The idea is basically what it sounds like: as stew was taken out, more ingredients would be added in so that the stew kept on stewing. In southern France, there was a perpetual stew that was served from the 15th century (around when this recipe was written) all the way up until WWII, when they couldn’t get the right ingredients.
I have opted to not make this stew perpetual, but it is delicious. The medieval flavor of super tender meat with spices and saffron is so interesting, especially with the added acidity and sweetness from the verjuice.
A note on thickening with egg yolks: if you need to reheat your stew after adding the egg yolks, like I did, they may scramble a bit. The stew is still delicious, it’s just the texture that changes a little and it won’t be quite as thick.
Vele, Kede, or Henne in bokenade
Take Vele, Kyde, or Henne, an boyle hem in fayre Water, or ellys in freysshe brothe, and smyte hem in pecys, and pyke hem clene; an than draw the same brothe thorwe a straynoure, an caste there-to Percely, Swag, Ysope, Maces, Clowys, an let boyle tyl the flesshe be y-now; than sette it from the fyre, and alye it up with raw yolkys of eyroun, and caste ther-to pouder Gyngere, Veriows, Safroun, and Salt, and thanne serve it forth for a gode mete.
β Harleian Manuscript 279, 15th Century
June 28, 2024
Ruling Medieval France
In Quillette, Charlotte Allen reviews House of Lilies: The Dynasty That Made Medieval France by Justine Firnhaber-Baker, a period of history I know mainly from the English point of view:
I’m a PhD medievalist, but the history of medieval French royalty was never my specialty, and my ignorance was vast.
I’d assumed, for example, that the French kings of the Middle Ages were mostly fainΓ©ants whose writ scarcely ran past the Γle-de-France region (encompassing the city of Paris and its environs). The English monarchy across the Channel had been centralised since the days of Alfred the Great (849β899); but the French kings seemed to rule in a more symbolic capacity, being perpetually at the mercy of the powerful dukes and counts of autonomous French regions such as Normandy, Burgundy, Aquitaine, Anjou, Blois, Toulouse, and Languedoc. These regional rulers were technically royal vassals. But, in actuality, they saw themselves as absolute rulers in their own right, and so had no compunction against turning on the crown when they thought it would further their interests.
My impressions had been formed by accounts of the 17-year-old Joan of Arc’s having to personally drag the Dauphin (the future King Charles VII) to Reims for his coronation in 1429, and by Shakespeare’s historical plays, which portrayed the French as fops incapable of defending their territory against the robust and brotherly English during the Hundred Years’ War. Indeed, the whole point of that war (from the English perspective) was that, by dynastic right, large portions of France’s fractured political landscape actually belonged to England.
The one medieval French royal (by marriage) I did know something about, Eleanor of Aquitaine (c. 1122β1204), dumped her French husband, King Louis VII (1120β1180) after he bungled the Second Crusade, a costly and embarrassing adventure on which Eleanor had accompanied him on horseback. (“Never take your wife on a Crusade”, a medievalist friend of mine once sensibly quipped). To top off his disastrous final loss of his Crusader army in 1148 during an ill-considered attack on Damascus β which, although Muslim-ruled, was in fact an ally of Latin-Christian Jerusalem β Louis and Eleanor had failed to produce a son. No sooner was the ink dry on their divorce in 1152 (technically an annulment, since the two were Catholics), than she married Henry Plantagenet, son and heir of the duke of Anjou, who two years later became King Henry II of England. Henry quickly procreated five sons (among fourteen surviving children) with his new bride. Thus began the dynasty that would rule England for more than three centuries.
As everyone who has seen The Lion in Winter knows, Henry II’s relationship with Eleanor was far from tranquil, but two of their sons succeeded him to the English throne: Richard the Lionheart and King John (of Magna Carta fame or infamy, depending on your perspective). Henry was, besides king of England, duke of Normandy and count of Anjou, through his great-grandfather, William the Conqueror, and his mother, Matilda, who’d married Henry’s Anjevin father, Geoffrey, after her first husband, the Holy Roman Emperor Henry V, died in 1125.
Eleanor’s grounds for annulling her marriage to Louis had been that he was her fourth cousin, which violated the Catholic Church’s (selectively applied) consanguinity restrictions. But Henry was even closer kin, being her third cousin. The humiliated and (understandably) rankled Louis demanded that Henry, as his feudal vassal, explain why he’d failed to ask permission to marry (let alone marry his boss’s ex). Henry declined to reply, the feudal equivalent of declaring oneself in rebellion. Louis retaliated by invading Normandy β unsuccessfully β and trying to hold onto Eleanor’s Aquitaine on the claim that he’d become its duke by marriage (Henry II was meanwhile making the same claim) before giving up and remarrying himself in 1154.
I’d assumed that French kings wouldn’t hold much in the way of real royal power until the time of King Louis XIV (1638β1715), who declared (perhaps apocryphally), L’Γtat, c’est moi, and forced French regional nobles to reside in his over-the-top palace at Versailles (where they’d dissipate their incomes via elaborate court ceremonies instead of making trouble from their provincial power bases).
But the scales have now been knocked from my eyes, thanks to Justine Firnhaber-Baker, a professor of French medieval history at the University of St Andrews. The subtitle of her new book, House of Lilies: The Dynasty That Made Medieval France, refers to the Capetian dynasty founded by Hugh Capet (c. 940β996), who took his royal title in 987 A.D. Every French monarch, from Hugh’s reign to the French Revolution and beyond, had Capetian blood running through his veins β including the aforementioned Louis VII, who was a direct descendant of Hugh, and the bookish, dithering King Louis XVI, who was not, but who nevertheless went to the guillotine in 1793 under the derisive sobriquet “Citizen Louis Capet”.
June 25, 2024
QotD: Progress and decline
The past has always interested me more than the future. This backward-looking tendency has only been reinforced by reaching, somewhat unexpectedly, the age of 70. I can’t say that I don’t feel my age because I don’t know what feeling any particular age is like β but one repeatedly hears that 60 is the new 40, 70 is the new 50, and so on; certainly, the human aging process has slowed since I was born. When I look at photos of people who were 50 in the year of my birth, 1949, they look much older and more worn-out than do 50-year-olds now; and if I had lived only to my life expectancy at birth, I would be dead these last four years.
So progress must have occurred in the intervening time, despite the pessimism that infects those who, like me, are of retrospective temperament and hypersensitive to deterioration. It is not hard to enumerate many things that have improved. They relate principally, but not only, to material conditions. My best friend when I was very young was one of the last children in Britain to suffer from polio, which paralyzed him from the waist down. The quickest form of written communication was then the telegram, and anything other than local telephone calls had to go through an operator. To call across the Atlantic required a reservation and was ferociously expensive; the resultant conversation always seemed to take place during a violent storm. In England, the food was generally disgusting, and meals were to be endured as a regrettable necessity instead of enjoyed (it puzzles me still how people could have cooked so badly). Cars broke down frequently, and every November, pollution produced fogs so thick that you couldn’t see the hand in front of your face (I loved them). Rationing continued for eight years after the war, and disused bomb shelters, present in every park, were where illicit sexual fumbles and smoking took place. Incidentally, for an adult male not to smoke was unusual (75 percent did so); we must have lived in a perpetual fog of foul-smelling tobacco, to judge by the distaste caused by even a single lit cigarette in these virtuous times. Poverty, as raw necessity, still existed. Murderers were sometimes hanged β as well as, more rarely, the innocent. Overt racial prejudice was, if not quite the norm, certainly prevalent.
Yet not everything has improved, though the deterioration has been less tangible than the progress. To give one example: by age 11, I was free to roam London, or at least its better areas, by myself or with a friend of the same age. The sight of an 11-year-old child wandering the city on his own did not suggest to anyone that he was neglected or abused. I remember, too, the evening papers piled up at newsstands; people would throw coins on top of the pile and take their copy. It never occurred to anyone that the money might get stolen; nowadays, it would never occur to anyone that the money would not be stolen. The crime statistics bear out this sea change in national character.
Theodore Dalrymple, “What Seventy Years Have Wrought”, New English Review, 2019-10-26.
June 22, 2024
“We can learn a lot about our betters from looking at each exception to their rules”
Julie Burchill isn’t a soccer fan, but she points out that the “exceptions” to the usual “rules” that the kakistocrats allow during international soccer tournaments tell us a lot about them:
Patriotism is not the only “bad” thing weβre suddenly “allowed” to do in the weeks when the national team plays on the world stage. The BBC in particular reminds men that they can disregard the finger-wagging for a few brief weeks. In EastEnders, male characters cringingly ask their mates to “get the beers in for the game”. Alcohol would generally be condemned as a public-health menace by Auntie, but during “The Game”, one more “cheeky” tipple apparently won’t hurt you.
We can learn a lot about our betters from looking at each exception to their rules. Don’t be racist β except against Jews. Believe all women about sexual assault β unless they’re Israeli. Oh, and be careful not to “culturally appropriate” the slightest thing from any other nationality, even to the point of never wearing a sombrero in a Mexican restaurant β but it’s fine to be a cross-dressing man culturally appropriating my sex. Meanwhile, if you’re a woman, be a good little Transmaid and stand by smiling, even if you call yourself a feminist.
Like most other places in the West in these dog days of civilisation, England feels like a nation devoid of hope and pride. Even so, being allowed to take pride in some overpaid ball-kickers, but not in the fact that this country contributed massively to ending slavery β lest we be called out as White Saviours β is a somewhat surreal situation to find ourselves in, after all those centuries of blood, sweat and struggle.
Flying the flag for the duration of the Euros is like being a eunuch who’s permitted to have his nuts back for a couple of weeks β for old times’ sake β and wear them as earrings. But those who indulge must be sure to tear their St George’s down sharpish once the festivities are over, lest they be fingered as a fascist for liking their own flag more than others. Remember, the only flag that can be flown constantly now is the Pride flag. This must be saluted respectfully wherever it pops up β failure to do so may identify you as an unworthy citizen of Soft Play Pit Nation.
June 21, 2024
From “invention” to “tradition”
At Astral Codex Ten, Scott Alexander considers some “traditions” which were clearly invented much more recently than participants might believe:
A: I like Indian food.
B: Oh, so you like a few bites of flavorless rice daily? Because India is a very poor country, and that’s a more realistic depiction of what the average Indian person eats. And India has poor food safety laws – do you like eating in unsanitary restaurants full of rats? And are you condoning Narendra Modi’s fascist policies?
A: I just like paneer tikka.
This is how most arguments about being “trad” sound to me. Someone points out that they like some feature of the past. Then other people object that this feature is idealized, the past wasn’t universally like that, and the past had many other bad things.
But “of the past” is just meant to be a pointer! “Indian food” is a good pointer to paneer tikka even if it’s an idealized view of how Indians actually eat, even if India has lots of other problems!
In the same way, when people say they like Moorish Revival architecture or the 1950s family structure or whatever, I think of these as pointers. It’s fine if the Moors also had some bad buildings, or not all 1950s families were really like that. Everyone knows what they mean!
But there’s another anti-tradition argument which goes deeper than this. It’s something like “ah, but you’re a hypocrite, because the people of the past weren’t trying to return to some idealized history. They just did what made sense in their present environment.”
There were hints of this in Sam Kriss’ otherwise-excellent article about a fertility festival in Hastings, England. A celebrant dressed up as a green agricultural deity figure, paraded through the street, and then got ritually murdered. Then everyone drank and partied and had a good time.
Most of the people involved assumed it derived from the Druids or something. It was popular not just as a good party, but because it felt like a connection to primeval days of magic and mystery. But actually, the Hastings festival dates from 1983. If you really stretch things, it’s loosely based on similar rituals from the 1790s. There’s no connection to anything older than that.
Kriss wrote:
I don’t think the Jack in the Green is worse because it’s not really an ancient fertility rite, but I do think it’s a little worse because it pretends to be … tradition pretends to be a respect for the past, but it refuses to let the past inhabit its own particular time: it turns the past into eternity. The opposite of tradition is invention.
Tradition is fake, and invention is real. Most of the human activity of the past consists of people just doing stuff … they didn’t need a reason. It didn’t need to be part of anything ancient. They were having fun.
I’ve been thinking a lot about [a seagull float in the Hastings parade] … in the procession, the shape of the seagull became totemic. It had the intensity of a symbol, without needing to symbolise anything in particular. Another word for a symbol that burns through any referent is a god. I wasn’t kidding when I said I felt the faint urge to worship it. I don’t think it would be any more meaningful if someone had dug up some thousand-year-old seagull fetishes from a nearby field. It’s powerful simply because of what it is. Invention, just doing stuff, is the nebula that nurses newborn gods.
I’m nervous to ever disagree with Sam Kriss about ancient history, but this strikes me as totally false.
Modern traditionalists look back fondly on Victorian times. But the Victorians didn’t get their culture by just doing stuff without ever thinking of the past. They were writing pseudo-Arthurian poetry, building neo-Gothic palaces, and painting pre-Raphaelite art hearkening back to the early Renaissance. And the Renaissance itself was based on the idea of a re-naissance of Greco-Roman culture. And the Roman Empire at its peak spent half of its cultural energy obsessing over restoring the virtue of the ancient days of the Roman Republic:
Then none was for a party;
Then all were for the state;
Then the great man helped the poor,
And the poor man loved the great:
Then lands were fairly portioned;
Then spoils were fairly sold:
The Romans were like brothers
In the brave days of old.Now Roman is to Roman
More hateful than a foe,
And the Tribunes beard the high,
And the Fathers grind the low.
As we wax hot in faction,
In battle we wax cold:
Wherefore men fight not as they fought
In the brave days of old.(of course, this isn’t from a real Imperial Roman poem — it’s by a Victorian Brit pretending to be a later Roman yearning for the grand old days of Republican Rome. And it’s still better than any poem of the last fifty years, fight me.)
As for the ancient Roman Republic, they spoke fondly of a Golden Age when they were ruled by the god Saturn. As far as anyone knows, Saturn is a wholly mythical figure. But if he did exist, there are good odds he inspired his people (supposedly the fauns and nymphs) through stories of some even Goldener Age that came before.
June 12, 2024
England “is a parochial country doomed to nostalgia and irrelevance by its unwavering belief in a series of grandiose historical myths”
In The Critic, Fred Skulthorp reviews England: Seven Myths That Changed a Country and How to Set Them Straight by Tom Baldwin and Marc Stears:
Should Keir Starmer find himself in Downing Street after the next election, he will have little to play with in terms of zeitgeist. Unlike Blair, there is no Cool Britannia to tap into. There are few unifying cultural figures and despair seems the only discernible national mood. Starmer has only the recent success of the Lionesses and an oft-quoted anecdote about his dad being a toolmaker to inspire the nation.
But there is one nation-renewing narrative on the centre-left that has emerged since 2016. England, unlike the rest of Europe, is a parochial country doomed to nostalgia and irrelevance by its unwavering belief in a series of grandiose historical myths. The real 21st century England is being held back by people singing “Rule Britannia” at the Last Night of the Proms and the fantasies of Daniel Hannan.
In England: Seven Myths That Changed a Country, Starmer’s biographer Tom Baldwin and former Labour Party speechwriter Mike Stears embark on a journey to set us free from such falsehoods. In Hull we find that William Wilberforce has given the nation an unqualified moral superiority. In Plymouth we discover that Sir Francis Drake is the inspiration for “the aggressively macho nationalist idea” that Brexit can “restore the country’s global reach”. In Runnymede we find that Magna Carta has given rise to the idea of an “Anglo-Saxon birthright sealed with the blood of dead kings”.
Whether anyone actually believes these things is beside the point. These national myths, the authors insist, can account for everything from the popularity of Michael Portillo’s railway documentaries to the 2016 vote to leave the European Union.
Journeys in search of England tend to lend themselves more to projection than discovery. This book presents the worst of that sin. Reading Seven Myths is a bit like being stuck on a very long car journey and regretting having asked the driver: “Whatever happened to the legacy of the London 2012 Olympics?”
Unsurprisingly, much of what follows spouts repackaged Blairite clichΓ©s about football, curry and the NHS. Lingering behind their polemic is the tedious psychodrama of the Corbyn years and Labour infighting about how the party should allow itself to feel patriotic. This book is as much about two middle-aged Starmerites trying to work out what it is acceptable to like between their party, the electorate and the limited scope of their inquiry into the England of the 2020s.
And the scope is indeed limited. Reportage and interview, where the book is allowed to breathe away from the grating polemic, is cramped, incomplete and tokenistic. The most memorable soundbite is from Nigel Farage, who tells them β perhaps half-mockingly β that his favourite place in England is London: “It gets faster and more trendy every year that comes”.
Interactions with the public are even more painful. “What do you think of Enoch Powell?” one “brown-skinned man” is asked in Wolverhampton. A refugee from Hong Kong is asked “Does Magna Carta mean anything to you?” Unsurprisingly these conversations don’t return much, but they pave the way for the eye-rollingly mundane conclusion that when it comes to English identity there is “complexity everywhere” (as if anyone’s sense of national identity were ever simple).
For a book that spends nearly 400 pages debunking myths and trying to correct the course of English history, its sources require a lot of reading between the lines. Many can be narrowed down to soundbites from a few politicians and forgotten op-eds in the Telegraph (one quoted is dated as far back as 2004).
All this generates endless false dichotomies, strawmen and reductive statements to account for a grander myth loosely referred to as “English exceptionalism”. At times, attempts to source these myths in the body politic come across as comically desperate. Zulu (1964) becomes a film which kept alive the “British Empire myth” and which “the current generation of politicians would have watched growing up”.
Ironically, the writing itself is laced with the sins of myth-making: boring, trite, incoherent, lazy and unfunny. At times it veers into self-parody. In Runnymede, the “high iron gates” of a housing development near the Magna Carta memorial serve to remind us that national identity myths can “make others feel excluded”. In Plymouth, Greta Thunberg is placed in a pantheon alongside Darwin and Drake who both set sail from the Devon port: “None of these dead Englishmen have as much relevance right now as [the voyage] undertaken from the same city by a Swedish Girl”.