LMS4767
Published on 27 Mar 2019
September 24, 2019
1963 – The Beeching Report
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September 2, 2019
What You Didn’t Know About the 1968 Machine Gun Amnesty
Forgotten Weapons
Published on 11 Oct 2017Sold for $23,000.
When the 1968 machine gun amnesty was announced in the US, it was treated with widespread suspicion among gun collectors. Some thought it would merely a pretense to find and arrest owners of unregistered machine guns. Others though it was just the first step in a prohibition and confiscation of machine guns. Both of these groups would prove to be wrong, however and the amnesty was in fact a true amnesty.
In fact, the amnesty was even more substantial than people recognize even today. It was not just an amnesty for possession of an unregistered machine gun, but also pretty much any crime associated with the gun. For example, it would legalize guns that had been stolen from military property rooms, and guns with defaced serial numbers. In fact, it even allowed felons to register machine guns, and retain the legal right to own them to this very day.
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September 1, 2019
Gene Roddenberry was his own worst enemy
Ed Driscoll reviews the first of three volumes by Marc Cushman, relating the story behind the legendary original Star Trek TV series. Much of the first volume is apparently about the problems of getting NBC to let Gene Roddenberry back into their good graces after he humiliated the network over an earlier TV show:
Nichelle Nichols was born in Robbins, Illinois on December 29, 1936. She played Lieutenant Uhura the Communications Officer on the U.S.S. Enterprise in the original series, Star Trek. Nichols stayed with the show and has appeared in six Star Trek movies. Her portrayal of Uhura on Star Trek marked one of the first non-stereotypical roles assigned to an African-American actress. Before joining the crew on Star Trek, she sang and danced with Duke Ellington’s band.
NASA photo via Wikimedia Commons.
Gene Roddenberry (1921-1991) was a religious agnostic and left-leaning Texan who became a WWII Army Air Force B-17 pilot, then an LA policeman who wrote numerous scripts for the burgeoning television industry in the 1950s. Eventually, he graduated to producing his own TV show in 1963, The Lieutenant, purchased by NBC and built around Gary Lockwood, the future guest star of Star Trek‘s second pilot, and the co-star of another landmark 1960s science fiction achievement, Stanley Kubrick’s 2001: A Space Odyssey.
The Lieutenant was for the most part a formulaic “military procedural” about life at Camp Pendleton, and featured numerous future Star Trek guest stars and cast members. However, Roddenberry, as was his wont, eventually decided to push the envelope, and put into production an episode on racism in the Marines called “To Set It Right,” with guest stars Dennis Hopper, future Star Trek regular Nichelle Nichols and future Trek guest star Don Marshall. The episode lost the support of the Marines, and the good will of NBC. As Roddenberry later recounted, “My problem was not the Marine Corps; it was NBC, who turned down the show flat … There was only one thing I could do, I went to the NAACP and they lowered the boom on NBC.”
As Cushman writes, this did not endear himself with NBC’s executive suit. “Roddenberry had won the battle … but lost the war. Despite satisfactory ratings, The Lieutenant was cancelled.” And NBC’s executives would not forget being hung out to dry by one of their product suppliers.
Even before The Lieutenant‘s only season of production was complete, Roddenberry began crafting a television show he called Star Trek. He had somehow stumbled into the perfect format for an hour-long network television series. While he admired shows such as Rod Serling’s The Twilight Zone and its recombinant network rival The Outer Limits for their ability to comment on American society through the metaphors of science fiction and horror, these were anthology shows, introducing a new cast each week. He knew the most successful network series were those with a recurring cast, such the many westerns that aired during the 1950s and ’60s, such as the long-running Bonanza and Gunsmoke. Viewers treated these archetypal characters almost as their own family members, which in turn encouraged them to tune in each week.
Given the networks’ love of westerns in the 1960s, it’s no coincidence that Roddenberry’s first pitch to the networks used the phrase “Wagon Train to the stars” as a metaphor to describe the show. (As Cushman writes, veteran western and science fiction writer Samuel Peeples actually coined that phrase, the first of many bits of Star Trek lore that Roddenberry would eventually co-opt and take credit for.)
It’s also no coincidence that the show’s second in command was written by Roddenberry as “a mysterious female, slim and dark, expressionless, cool, one of those women who will always look the same between years 20 and 50.” As Cushman deadpans, “To be more specific: actress Majel Barrett, Roddenberry’s lover.” (Roddenberry was also having a tryst with Nichelle Nichols; she would find her way into Star Trek‘s regular cast as well.) While the pointed-eared alien Mr. Spock was also present, he was much more in the background in Roddenberry’s first draft of Star Trek.
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August 23, 2019
Sterling S11: Donkey in a Thoroughbred Race
Forgotten Weapons
Published on 26 Jun 2019http://www.patreon.com/ForgottenWeapons
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
In the 1960s, the Sterling company began to worry about the prospects of continued sales of the Sterling (Patchett) SMG, especially in light of new competitors like the H&K MP5. Its chief design engineer, Frank Waters, created the S11 as a gun to replace the classic Sterling. The S11 was based on a simple stamped/folded steel receiver, and was intended to have a lower unit cost than the Sterling. It kept the excellent Patchett magazine, but had a barrel and sights offset to the left side, and offered two separate bayonet lugs – one for the No5 rifle and one for the L1A1/FAL.
Unfortunately for Sterling, it was determined that the tooling cost would have made the S11 actually more expensive than the existing guns, whose tooling costs had been long since covered. Also, the S11 was just not a very good or very reliable design – a “donkey in a thoroughbred race” to quote one Sterling manager. This one prototype was the only example ever made, and the project was shelved in 1967 in favor of expanding into more civilian models of the original Sterling.
Many thanks to the Royal Armouries for allowing me to film and disassemble this one of a kind submachine gun! The NFC collection there – perhaps the best military small arms collection in Western Europe – is available by appointment to researchers:
https://royalarmouries.org/research/n…
You can browse the various Armouries collections online here:
https://royalarmouries.org/collection/
Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754
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August 3, 2019
QotD: The 1968 election and the schizoid break of the American media
… in hindsight 1968 was obviously the country’s schizoid break. The Democratic Party didn’t go completely off the rails — cf. all the candidates they ran, 1972-2004, who were the definition of anodyne — but The Media sure as hell did. 1968 was also the year of the Tet Offensive, you’ll recall, with Walter Cronkite proclaiming the war unwinnable. It doesn’t matter if Cronkite was right or not (of course he wasn’t); nor does it matter if his proclamation actually made everyday Americans lose faith in the war. What matters is that The Media believed it, with all their hearts and souls. No profession is dumber, or more addicted to singing hosannas to itself, than journalism. And then they “got” Richard Nixon, and that’s all she wrote — from there on out, The Media decided they were the country’s real rulers, and what they want, they get.
Fortunately for the Democrats, what The Media wanted and what the Democratic Party wanted were in the same ballpark for most of the next three decades. But then Bill Clinton happened, as my students would write. He played The Media’s Messiah fantasies for all they were worth, such that every bobblehead in the country was still defending him as Liberalism’s avatar even as he was governing (in the few odd moments he bothered) as Newt Gingrich’s mini-me and acting like a frat boy on nickel beer night at the strip club.
You just don’t get over something like that.
Which brings us to the elections of 2000 and 2004. Boy do these look different in hindsight! […] I knew The Media was all-in on the Democrat, like they always are. But at the time, I thought that was a tactical decision. That is, I really believed that their attacks on W. were calculated political moves, designed to drag Gore and especially Kerry over the finish line. I thought that only the Mother Jones types were delusional, Iranian mullah-style fanatics.
Nope. The Media — ALL of them — really did see W. as the antichrist, the Twelfth Invisible Hitler (as the Z Man likes to put it) come to destroy the world. So when despite all their sacrifices to Moloch the Chimperor won, The Media went full retard. Like UFO cultists who keep the faith by telling themselves only their fervent prayers staved off the apocalypse, The Media convinced themselves that only more Social Justice would do …
Severian, “The Spirit of ’68”, Rotten Chestnuts, 2019-07-01.
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July 31, 2019
The Jaguar E-Type / XK-E Story
Big Car
Published on 10 May 2019To help me continue producing great content, please consider supporting me: https://www.patreon.com/bigcar
The Jaguar XK-E or E-Type may be the most beautiful car in history. It’s certainly one of the most sought after, with cars fetching crazy prices at auction. It’s a car born out of a Le Mans-winning heritage, delivering looks with speed and handling to match, all at an affordable price. Yet somehow it had a top speed over 150mph, while also not having a top speed over 150mph!
#JaguarEType #JaguarXKE #EType
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July 14, 2019
QotD: The legacy of the original hippies
Not now I’m older and wiser, I don’t. Beneath the kaftan of every other hippie beats the heart of a fascist — the intolerance, the zeal, the control-freakery — and it all stems from that moment, pinpointed in the documentary, when a left-wing activist and Berkeley drop-out named Jerry Rubin had a sudden insight: that there were more hippies than there were radicals.
The unfortunate result of this was that Rubin and his ilk realised that they could prey like vampires on these fluffy-headed flower children and turn their innocent yearning for peace, love and drug-addled sex into something much more dangerous, whose effects we are ruing to this day.
All that long hair, those beads, the patchouli, the starry eyes, the psychedelic sounds of the Grateful Dead; they were really just a kandy-kolored, tangerine-flake Trojan Horse for the values — or rather the anti-values — that have gone on to make our culture so weak, decadent and vulnerable to destruction by more iron-willed invaders.
This was, of course, exactly what influential campus thinkers of the time such as German-born cultural Marxist philosopher Herbert Marcuse wanted. For them, free love, female emancipation, black empowerment, the groovy rejection of authority and pursuit of the self — all sugar-coated with a great soundtrack and lashings of lovely psychotropics — were really just a means to an end: the death of the family, the dismantling of the system, and, ultimately the destruction of western civilisation.
James Delingpole, “Hippies gave us wonderful things, but they left an evil legacy too”, The Spectator, 2017-06-10.
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July 4, 2019
Gyrojet Carbine, Mark 1 Model B
Forgotten Weapons
Published on 27 Aug 2015http://www.patreon.com/ForgottenWeapons
Hammer price: $3,000
The Gyrojet was one of the more creative and one of the most futuristic firearms innovations of the last few decades – unfortunately it wasn’t able to prove sustainable on the market.
The idea was to use burning rocket fuel to launch projectiles, instead of pressurized gas. The advantage was that without the huge pressure of standard cartridges, a rocket-firing gun could be made far lighter and cheaper, as it had no need to contain pressure. The rockets would accelerate down the barrel as their fuel burned (and the 4 rocket jets would be angled to put a spin on the projectile for accuracy), and the weapon would actually have the most kinetic energy at something like 20 yards downrange, when the fuel was expended.
A decent number of Gyrojet handguns were made and sold (mostly as curiosities), but intrinsic accuracy problems prevented them from ever being taken seriously as weapons. The company behind the guns (MB Associates) went out of business shortly, unable to fully exploit their full range of ideas. One of those ideas was a carbine variant of the gun. A few hundred were made in two different models, and we have the chance today to take a look at one of the Mark 1 Model B sporter-style carbines.
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June 30, 2019
Chipping away at Martin Luther King’s reputation with new FBI surveillance revelations
Stephen Smith discusses the struggle of scholars specializing in the life and works of Martin Luther King, Jr. to cope with new revelations about the civil rights leader:
President Lyndon B. Johnson meets with Martin Luther King, Jr. in the White House Cabinet Room, 18 March 1966.
Photo by Yoichi Okamoto via Wikimedia Commons.
These are difficult days for students of Martin Luther King, Jr. The man many of us have dedicated long months and years to researching, often out of a profound sense of respect, is facing an allegation of laughing and even offering advice while a fellow Baptist minister raped a woman in a Washington, D.C. hotel room in January 1964.
The source of this explosive claim is a trove of newly released FBI surveillance documents unearthed by the dean of MLK historians himself, David J. Garrow, author of The FBI and Martin Luther King: From “Solo” to Memphis and the Pulitzer Prize-winning biography on King, Bearing the Cross.
Since the article detailing Garrow’s new findings came out at the end of May in the British magazine Standpoint, Garrow has taken more of a pounding in the press than King. No surprises there, perhaps. Like those now criticizing Garrow, I desperately want to believe that the 55-year-old allegation is a trumped-up product of the FBI’s “viciously negative attitude” toward King, as Garrow described it in “Solo” to Memphis — a book that earned him the Bureau’s enmity prior to its publication in 1981.
The record, however, is also pretty clear that King relieved the crushing stress of daily death threats and the insatiable demands of the civil rights movement with women and liquor. To his credit, King was the first to admit he was far from perfect as America’s “moral leader” — but this far?
Much of the criticism that Garrow is now facing over the article is focused on the validity of FBI evidence concerning King’s sexual activities, namely the bombshell assertion made by FBI agents spying on King in 1964 that he “looked on, laughed and offered advice” during the reported sexual assault (which, as Garrow has since underscored, the agents listening in did nothing to stop). This allegedly took place in two Washington, D.C. hotel rooms rented to King and four other Baptist ministers, although the controversial claim is made in a handwritten note appended to a summary of the FBI’s microphone surveillance.
Garrow argues that “without question” the handwritten annotation would have been added with both the original surveillance recording and a full transcript of the recording at hand. He adds that Justice Department investigators who reviewed both the tapes and transcripts in 1977 confirmed the accuracy of the FBI’s claims. The tapes and transcripts, along with the rest of the fruits of the FBI’s intensive electronic surveillance of King, were subsequently sealed by a court order until Jan. 31, 2027.
I know Garrow and I know his respect for the man he calls “Doc” runs deep, and this is not an allegation he would carelessly report. Some of his detractors have called him “irresponsible” for running with it without access to the original tapes and transcripts, but Garrow has at least 40 years of experience working with primary sources produced by the FBI’s intensive surveillance of King. If anyone can tell what smells off and what doesn’t, it’s him.
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June 22, 2019
Gyrojet Rocket Pistol
Forgotten Weapons
Published on 8 Sep 2014http://www.forgottenweapons.com
The Gyrojet was the closest thing to a commercially successful rocket pistol, although not many were sold before the company went out of business. This is the 13mm pistol version (the most common type of Gyrojet), and fires a 180 grain rocket projectile. It was for sale – with 15 rounds of live ammunition – at the Rock Island Premier Auction in September. Hammer price on it was $5500.
Theme music by Dylan Benson – http://dbproductioncompany.webs.com
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June 20, 2019
A Clockwork Orange – Dystopias and Apocalypses – Extra Sci Fi
Extra Credits
Published on 18 Jun 2019Go to https://NordVPN.com/ExtraCredits to get 75% off a 3 year plan and use code
ExtraCreditsto get an extra month free. Protect yourself online today!A Clockwork Orange reflects a cultural fear of society’s moral decay in the 1960s. Its usage of a mashup slang language known as “nadsat” illustrates the complexities of rebellious youth culture. Ultimately, Anthony Burgess’s work asks us to think about if or when free will should ever be suppressed, but the major differences between the book and the film version of this story present contrasting takeaways.
Where the dystopias of Brave New World and 1984 warned against the easy slide into totalitarianism, and painted for us worlds in which freedom is nearly a forgotten thing… A Clockwork Orange presents us with a protagonist who has almost an excess of freedom, and in doing so it shows us the shift in societal fears.
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June 18, 2019
What Happened to the Giant Hovercraft SR-N4? – The Concorde of the Seas
Curious Droid
Published on 8 Sep 2017They were once known as the “Concorde of the Seas”: mighty flying boats that ferried their passengers with speed and style. Hovercraft was a symbol of national innovation and represented the future of transport in the 20th Century.
And yet, like the Concorde, the huge iconic “Mountbatten-class” hovercraft that once traversed the 22-mile English Channel from England to France carrying hundreds or passengers and cars are no longer with us.
So what happened to the giant hovercraft SN-R4?
Patreon : https://www.patreon.com/curiousdroid
Paypal.me : https://www.paypal.me/curiousdroidSponsors: Symon Hamer, Florian Hesse, Georgi Dobrev, Douglas Gustafson, Marcus Chiado, Mitchell Payce, Skalgrin, Jorn Karlsen, John Roscoe.
This episode’s shirt was the Trip Paisley Surf Retro by Madcap England and is available from http://www.atomretro.com/madcap_england
Get 10% discount with the code DROID10Presented By Paul Shillito
Written & Researched by Andy Munzer
Additional Material by Paul Shillito
Images and Footage : retepbleck, MAD Hovercraft, http://www.hovercraft-museum.org, Griffon Hoverwork, kentishmanvideo
Music by Mike Mullen, http://www.positrosmic.com
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May 17, 2019
Convincing Children That Airfix Is Still Fun | James May’s Toy Stories | Spark
Spark
Published on 6 Apr 2019James May subjects traditional toys to spectacular, supersize challenges. Children have taken their attention by video games and mobile phones since they became heavily accesible, can they be convinced that outdated Airfix’s models are still fun?
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Content licensed from Plum Pictures to Little Dot Studios. Any queries, please contact us at: owned-enquiries@littledotstudios.com
#toys #Airfix #JamesMay #spark #sparkdocumentary #sciencedocumentary
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April 7, 2019
Rubin “Hurricane” Carter and the murders at the Lafayette Bar and Grill in Paterson, New Jersey
I was too young to know anything about Rubin “Hurricane” Carter except what I “learned” from listening to Bob Dylan’s “Hurricane” long after the events. In Quillette, Lona Manning recounts the story, which doesn’t agree with Dylan’s interpretation (but Dylan was far from the only journalist or celebrity to be fooled):
How many people who followed the BBC Radio 4 podcast series about Rubin “Hurricane” Carter were startled — or even outraged — when Carter was not triumphantly vindicated in the final episode?
In the small hours of June 17, 1966, two black men walked into a late-night Bar and Grill in Paterson, New Jersey and opened fire on the occupants. They left bartender James Oliver and patron Fred Nauyoks dead at the scene and mortally wounded a woman named Hazel Tanis, who would succumb to her injuries a month later. Another customer named Willie Marins lost an eye in the shooting but survived. Neighbors Patty Valentine and Ronald Ruggiero told police that they had seen two black males flee the scene in a white vehicle. This testimony was corroborated by petty thief Alfred Bello who walked past the dead and the dying to empty the cash register after the shooters had fled.
Half an hour later, Paterson police stopped middleweight boxer Rubin Carter and his companion John Artis in a car bearing out-of-state plates that matched the eyewitnesses’ description. A search of the car yielded a .32 and a 12 gauge shotgun, the weapons police later determined had been used in the shooting. Carter and Artis were eventually indicted by a grand jury and convicted of the Lafayette murders in 1967. Carter vehemently protested his innocence and his case became a cause célèbre after his 1975 autobiography found its way into the hands of Bob Dylan. Carter was retried in 1976, after the New Jersey Supreme Court ruled that the first conviction had been unsafe. Despite support from Dylan, Muhammad Ali and the New York Times, the two were convicted again. John Artis was paroled in 1981, and Carter was finally released in 1985 after the second conviction was overturned and prosecutors declined to try him a third time.
Sports reporters Joel Hammer and Steve Crossman spent 18 months researching and reinvestigating the case and promised listeners of the BBC’s podcast that they would provide the “full” and “true” story. Their in-depth look at the crime provides far more detail about the murders than can be gleaned from Bob Dylan’s 1975 protest song or the hagiographic 1999 Norman Jewison film starring Denzel Washington. Dylan accused the prosecution team of framing Carter for the slayings and called them “criminals in their coats and their ties” who were “free to drink martinis and watch the sun rise.” Crossman and Hammer are likewise very critical of the prosecution; for example, they think that Alfred Bello should never have been allowed to testify. How could the life of such a man, be in the palm of some fool’s hand? And they argue that the prosecution ignored — or perhaps even suppressed — an investigation into a very plausible suspect, Eddie Rawls (who is now deceased). But they stop short of calling it a frame-up and an attempt at judicial murder.
On the other hand, Crossman and Hammer think the “racial revenge motive” was a reasonable one. The very first newspaper accounts of the slaughter at the Lafayette Grill included the speculation that the murders were committed in revenge for the slaying, earlier that night, of black bartender Roy Holloway and this would also be the prosecution’s contention. That Crossman and Hammer now accept the plausibility of this theory is a significant concession to the prosecution’s version of events, not least because it was Judge Lee Sarokin’s rejection of this motive which led him to overturn the second conviction—the prosecution’s case, he ruled, had been based on “racism rather than reason.”
Coincidentally, on the front page of the East Bergen Record, under the murder story, there was a wire service article about Stokely Carmichael proclaiming “Black Power” at a rally in Mississippi, an event which marked the transition from the peaceful civil rights tactics of Dr. Martin Luther King to the radical activism of the Black Panthers. These two articles encapsulated all the elements of the Lafayette Grill case that continue to be debated over 50 years later. Why did someone walk into a working-class bar and slaughter the occupants? Was the black community in Paterson in a ferment that night because a white man blew off Holloway’s head with a shotgun? And what, if anything, did this have to do with the state of race relations in America at the time?
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March 19, 2019
Last German Panzer Battle – Six Day War 1967
Mark Felton Productions
Published on 9 Feb 2019WW2-era German Panzers last saw combat during the Six Day War in 1967, when Syria used them against Israel on the Golan Heights. Discover how Syria was able to acquire so many WW2 German vehicles and how they fared in combat against IDF Shermans and Centurions.
Credits: Bukvoed, Mark Felton Productions, YouTube Creative Commons, Google Commons, Panzers in the Golan Heights – wwiiafterwwii
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