Quotulatiousness

December 20, 2022

A true behind-the-scenes look at George Orwell’s Nineteen Eighty-Four

Filed under: Books, Britain, History — Tags: , — Nicholas @ 05:00

In Spiked, Alexander Adams reports on a new, limited edition of the surviving portion of George Orwell’s manuscript for the novel:

A photo from SP Books’ web page showing the reproduction of Orwell’s manuscript.
SP Books, https://www.spbooks.com/150-1984-9791095457114.html

Published by SP Books, this is Nineteen Eighty-Four as you’ve never seen it before. It reproduces, in colour facsimile, the 197 surviving pages of Orwell’s manuscript, held by the John Hay Library at Brown University, Rhode Island. We see Orwell’s work in fountain pen and ballpoint (complete with ink blots), as well as 14 typewritten sides. We are even given his doodles and pen tests. Readers will remember how Winston also marvels at the beauty of the paper and binding of a blank book he buys from a junk shop.

This edition contains what amounts to 44 per cent of the text of the published novel. It is in a jumbled state, with pages missing and drastic changes made. There are many crossings out and additions. The handwriting can be a little tricky to decipher – Orwell had a habit of using cursive joining lines between words and using abbreviations. Added to that, the script can be somewhat crabbed, especially where Orwell adds text between existing lines. With a little patience, though, the reader can adjust to Orwell’s writing, especially if familiar with the text, and glimpse this most familiar of novels anew.

This version includes an introduction by Orwell scholar DJ Taylor. He tells us that although Orwell usually wrote quickly, he took five years to complete Nineteen Eighty-Four. Taylor details the difficult conditions that explain the novel’s long gestation. The death of Orwell’s first wife in 1945, the effort of raising their young son alone and the toll of tuberculosis all slowed work and drained the author’s energy (tuberculosis would kill him in 1950, only months after the novel’s publication). There are indications that Orwell let the book go to publication even though he thought it was not properly finished.

Looking at this draft, we can see Orwell revising heavily as he wrote. Some revisions are minor, such as Trotsky-figure Goldstein’s description of the workings of the Party and his description of the geopolitics of Oceania, Eurasia and Eastasia. Other changes are more significant. Here, in the propaganda film described by Winston at the start of his diary, there is a graphic passage about the lynching of a pregnant black woman. Orwell seems to have cut these lines on grounds of decency. He also reduced the references to race overall, perhaps uncomfortable about the implications of speaking so generally about groups and types. Orwell’s background as a policeman in Burma no doubt made him sensitive to racial issues.

Coming of the Sea Peoples: Part 2 – The Old and New Chronology of the Bronze Age

seangabb
Published 2 May 2021

The Late Bronze Age is a story of collapse. From New Kingdom Egypt to Hittite Anatolia, from the Assyrian Empire to Babylonia and Mycenaean Greece, the coming of the Sea Peoples is a terror that threatens the end of all things. Between April and July 2021, Sean Gabb explored this collapse with his students. Here is one of his lectures. All student contributions have been removed.
(more…)

The forgotten Thomas Savery

Filed under: Britain, History, Technology — Tags: , , — Nicholas @ 03:00

In the latest Age of Invention newsletter, Anton Howes remembers the work of inventor Thomas Savery:

Screenshot from “Savery’s Miners Friend – 1698”, a YouTube video by Guy Janssen (https://www.youtube.com/watch?v=Dt5VvrEIj8w)

We know surprisingly little about Thomas Savery — the inventor of the first widely-used steam engine. Unfortunately, his achievements were almost immediately overshadowed by the engine of Thomas Newcomen, and so he’s often only mentioned as a sort of afterthought — a loose and rather odd-seeming pebble before the firmer stepping stones of Newcomen, Watt, Trevithick, and other steam engine pioneers in the standard and simple narratives of technological progress that people like to tell. I’ve often seen Savery’s name omitted entirely.

He is even neglected by the experts. The Newcomen Society, of which I am a new member, has an excellent journal — it is the best place to find scholarly detail about all steam pioneers, and about the history of engineering in general. Yet even it only mentions Savery in passing. In over a century, Savery has been named in the titles of just three of its articles, and the last was published in 1986.

I think Savery is extremely under-rated, and deserves to be studied more. Fortunately, we do know quite a bit about the engine he designed, which he intended primarily for raising the water out of mines. Steam was admitted into a chamber, and then sprayed with cold water to condense it. This caused mine water to be sucked up a pipe beneath it, by creating a partial vacuum within the chamber and thus exploiting the relative pressure of the atmosphere on the surface of the mine water. Then, hot steam was readmitted to the chamber, this time pushing the raised water further up through another pipe above. Two chambers, the one sucking while the other pushed, created a continuous flow. (Video here.) We have dozens of images and technical descriptions of Savery’s engine, as it continued to be used for decades, especially in continental Europe.

But we know essentially nothing about Savery’s background, training, inspiration, or profession, and most of the supposedly known biographical details we have for him are simply wrong. There is no evidence that he was a “military engineer” or a “trenchmaster”, for example — mere speculation that has been repeated so often as to take on the appearance of fact. Savery simply appears out of nowhere in the 1690s, with his inventions almost fully formed.

Yet in Savery’s own writings we can see a few tantalising hints of how he thought, including some flashes of brilliance. I kept coming across them by chance, when investigating various energy-related themes with Carbon Upcycling. Take the following aside, from Savery’s 1702 prospectus for his steam engine: “I have only this to urge, that water in its fall from any determinate height, has simply a force answerable and equal to the force that raises it”. Savery here seems to be hinting at some idea of the conservation of energy, and perhaps of a theoretical maximum efficiency — in a phrase that is remarkably similar to that used by the pioneers of water wheel theory half a century later, and to Sadi Carnot when he applied the same ideas to early thermodynamics.

Savery, frustratingly, doesn’t expand any further on the point, except to then casually mention the notions of both mechanical work and horsepower — over eighty years before James Watt. Savery noted that when an engine will raise as much water as two horses can in the same time, “then I say, such an engine will do the work or labour of ten or twelve horses” — ten horsepower, rather than two, because you’d need a much larger team of horses from which to rotate fresh ones while the others rested, to keep raising water as continuously as the force of a stream could turn a water-wheel, or his steam engine could pump. (Incidentally, Watt wasn’t even the second person to use horsepower — the same concept was also mentioned by John Theophilus Desaguliers in the 1720s and John Smeaton in the 1770s. Watt just managed to get all the credit later on. Perhaps watts should really be called saveries, even if he was less precise.)

Eggnog: A Christmas History

Filed under: Food, History, USA — Tags: , , , , , — Nicholas @ 02:00

Tasting History with Max Miller
Published 22 Dec 2020
(more…)

QotD: Myrna Loy

Filed under: Books, History, Media, Quotations, USA — Tags: , , — Nicholas @ 01:00

In the first couple of pages of her 1987 memoir Being and Becoming, Myrna Loy gets down to business. Talking about the sex lives of Hollywood stars such as herself, she tells us that “any business involving so many beautiful and high-strung people working together on such intense and intimate terms is bound to breed an easy promiscuity. God knows I’ve fended off my share of amorous men – attractive, desirable men.”

She goes on to provide a short list: John Barrymore (“just because he felt like a little redhead now and then didn’t incline me to join the club …”), Clark Gable (she shoved him off her back porch one night after he made a pass “and, boy, did he punish me for that!”), Spencer Tracy (“he chased me for years, then sulked adorably when I married someone else …”) and Leslie Howard (despite both of them being married he “wanted to whisk me off to the South Seas, and, believe me, that was tempting …”).

“These days you’re made to feel dull and defensive if you weren’t the Whore of Babylon,” Loy writes. “Well, succumbing isn’t the only interesting aspect of a relationship.”

It’s no surprise that a woman who understands this much was such a natural in screwball comedies, where succumbing is usually held at bay until the last shot, the better to draw out the difficulties, obstacles and improbabilities set up like an obstacle course along the way.

Of the over 120 films she made, most of the first half of her career – largely bit parts, vamps and “exotics” – is forgotten, her reputation based on the fourteen she made with William Powell (six of which were Thin Man pictures), along with titles like The Best Years of Our Lives, The Bachelor and the Bobby Soxer, Mr. Blandings Builds His Dream House and Cheaper by the Dozen.

If she had a type onscreen – and Loy tried hard to avoid becoming a type – she would become Nora Charles, the paragon of wives: supportive but not obsequious, the equal of any spouse, ready with a wisecrack and a bit of fun, and always beautifully turned out. Quite a stretch, she’d admit, for a woman divorced four times, childless and openly dismissive of her domestic skills.

Rick McGinnis, “Do You Take This Woman? Myrna Loy and Third Finger, Left Hand“, Steyn Online, 2022-09-17.

Powered by WordPress