Forgotten Weapons
Published 14 Sep 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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The British went into the 1880s with plans to adopt the Enfield-Martini as its new rifle, a single shot Martini-action rifle with essentially a sidesaddle of ready-access cartridges on the side of the receiver. It would be chambered for a new .402 caliber black powder cartridge. However, the Small Arms Committee begin looking into the possibility of a magazine rifle instead, and trials of 40+ different systems found three worth considering: a Lee rifle with a box magazine, a Lee rifle with a Bethel Burton magazine, and the Owen Jones rifle. As these trials were concluding, the discovery of smokeless powder threw a wrench in the plans.
After study of the Swiss 7.5×53.5mm cartridge, the British opted to develop a small bore .30 caliber round themselves, which would be the .303 British. This round, originally loaded with compressed black powder before the use of cordite, rendered the plans for the .402 caliber Enfield Martini obsolete. What would have been a justifiable territorial and reserve rifle alongside a .402 magazine rifle was now an orphan. With the new rifle in .303 caliber, a .402 single shot Martini was just an added logistical overhead. Instead, existing Martini rifles would eventually be converted to .303 British.
At any rate, the Lee rifle and magazine were chosen as ideal, and in 1888 a batch was made for field trials across the British Empire. Widely positive reports led to its formal adoption and the beginning of production in 1889 as the Magazine Rifle MkI – later retroactively renamed the Lee Metford MkI and colloquially known as the Long Lee. The example we have today has two very rare original features; an intact manual safety and Lewes pattern sights. Both of these would be quickly removed or replaced in service, and a Mk I* and MkII pattern followed shortly after the adoption of the MkI.
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
December 21, 2020
Lee Metford MkI: Great Britain’s First Magazine Rifle
QotD: The evolving style of John Coltrane
No jazz musician incarnates the legend of late style more than the saxophonist John Coltrane. His early style is undistinguished; he was a bluesy sideman whose grasp of the instrument falls short of the reach of his ear. His middle style, stertorous and ambitious, began in his mid-1950s stint with Miles Davis’s quintet. Coltrane in this period is still less melodious than Hank Mobley and less witty than Sonny Rollins, but his chops are catching up with his ear. Only Johnny Griffin has fleeter fingers and only Rollins can beat him for persistence. Coltrane thinks aloud and never stops thinking; he is the perfect foil for Davis, who is also ironic and intellectual, also latent with eroticism and violence, but who never shows his working, only the finished idea. Coltrane’s sound waves are square and heavy, metallic and dark like lead. He is both implacable and lazy, like a bull elephant: You never know where the charge will take him, only that — as he himself admitted to Davis — once he gets going, he doesn’t know how to stop.
Coltrane’s late style emerged in his 1960s quartets. Now leading and writing for his own group, and newly clean of drink and drugs, he was finally able to pursue his vision and the possibilities of the music to the limits of form and expression — and ultimately beyond both. The further he went, the more ambitious and less accessible the music became, until it was incomprehensible to almost all of his audience and even to some of his closest collaborators. In the logic of modernism, further means better. But “faster” and “louder” aren’t necessarily better, so why should “further” be the supreme critical value? To judge Coltrane’s late-style art is, in an important sense, to judge modernism itself, and especially American modernism.
Dominic Green, “John Coltrane and the End of Jazz”, The Weekly Standard, 2018-08-26.
December 20, 2020
The Japanese are unstoppable everywhere – WW2 – 121 – December 19, 1941
World War Two
Published 19 Dec 2020The Japanese make gains in Malaya, Burma, Hong Kong, Borneo, and the Philippines. The Allies also have trouble in the Atlantic and the Mediterranean, where they are beginning to seriously suffer from a lack of capital ships. The Soviet Red Army is advancing, though, and Stalin takes personal control of planning for the upcoming counteroffensive, while Adolf Hitler takes personal control of the German Army.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Dememorabilia – https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucolorizations
Spartacus Olsson
Daniel Weiss
Mikołaj UchmanSources:
Bundesarchiv
IWM MH 26392, WPN 298, K 2204, FL 20432, A 12126, A 9257, FL 1203, E 3469E
Mil.ru
Narodowe Archiwum Cyfrowe
Picture of Mark Young, courtesy of National Portrait GallerySoundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Reynard Seidel – “Deflection”
Skrya – “First Responders”
Hakan Eriksson – “Epic Adventure Theme 4”
Philip Ayers – “The Unexplored”
Max Anson – “Ancient Saga”
Rannar Sillard – “March Of The Brave 9”
Johannes Bornlof – “Death And Glory 2”
Johan Hynynen – “Dark Beginning”
Fabien Tell – “Last Point of Safe Return”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
New Favorite Tool – What is on the End of My Brace?
Wood By Wright How 2
Published 10 Sep 2020WoodOwl Bits I use now: https://lddy.no/oxa7
Adaptor for the bits: https://lddy.no/oxab10% off code: WOODOWL10
receive 10 percent off any/all WoodOwl Ultra Smooth Tri-Cut™ Auger Boring bits or bit setsFree tool roll with bit set: WOODOWLROLL
receive a free Polyester Canvas 14 Pocket tool roll with the purchase of any WoodOwl Ultra Smooth Tri-Cut™ Auger Boring bit set. NOTE: both the tool roll and the set must be in the customer’s cart when they use the code. The code does not put the tool roll in their cart for them. This is a common mistake on our transactions.Auger bit test: https://docs.google.com/document/d/1l…
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https://www.woodbywright.com/tool-sug…—Find Antique tools near you—
http://www.HandToolFinder.comTop Patreon Supporters:
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Poor Man
Travis Reese
Alan Smith – http://www.flourishinggrace.org/listen/
Andrew Wilson
Tomás Kelly
Ken Strohmeyer
Adam Nester
Bryan Fulmer////Help this channel grow\\\\
https://www.woodbywright.com/support/////You Can find me:\\\\
https://www.woodbywright.com/contact-me/Intro music: Tim Sway http://timsway.net/
background music: Udo Stehle https://www.upwork.com/freelancers/~0…
Instagram: @udostehle
QotD: Online literacy
In the various fora and social media circles in which I run, there’s a self-selecting bias toward literacy. Thoughts tend to be expressed in complete sentences with reasonably correct grammar and punctuation.
But sometimes I’ll find myself looking at the posts of a Facebook friend-of-a-friend-of-a-friend and I see these random aggregations of misspelled words. They have the occasional capital letter or punctuation mark thrown in, as though the writer knew they were supposed to include those, but not how or why.
And I find myself wondering “What’s it like inside their head?” I mean, you’d probably be going through life slightly angry, thinking everybody was secretly laughing at you behind their hands, that there was some arcane code of keyboard use you were violating. The whole internet would be like one of those fancy restaurants with too much silverware and you never know which implement to use to eat which dish.
Tamara Keel, “I’ve always wondered…”, view from the porch, 2018-08-24.
December 19, 2020
History-Makers: Ibn Khaldun
Overly Sarcastic Productions
Published 18 Dec 2020Big thanks to our friend Al-Muqaddimah for his help with this video. The look of this video’s maps is an homage to his wonderful mapmaking style. For more Islamic History, check out his channel here: https://www.youtube.com/channel/UCf0O…
From the coast of Tunisia across the Straits of Gibraltar, over the Atlas Mountains, and east to the Nile of Egypt, Ibn Khaldun had certainly seen history at work. That experience came in handy as he wrote The Muqaddimah, a genre-defining masterwork of Historiography — not just retelling the events of the past, but explaining their causes and effects through the lens of human behavior and sociology.
SOURCES & Further Reading: Ibn Khaldun: An Intellectual Biography by Irwin, The Muqaddimah
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.
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Finishing the homemade joinery workstation (dovetailing a drawer)
Stumpy Nubs
Published 9 Sep 2020Turn any work surface into a fully featured joinery workbench!
Project plans and dovetailing guide► http://www.stumpynubs.com/dovetail-wo…
Narex dovetailing chisels► https://taytools.com/pages/search-res…
Watch the workstation build video► https://youtu.be/ADcwKiPD6QQSubscribe (free) to Stumpy Nubs Woodworking Journal e-Magazine► http://www.stumpynubs.com/subscribe.html
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From the comments:
Stumpy Nubs
20 hours ago (edited)
NOTE: While I call this a drawer, it is really just a box that slides into the opening of the workstation. I placed the “tails” on the end pieces because they look better when the box is inside the opening. HOWEVER- if this were a drawer with a pull on the front, such as in a cabinet or other piece of furniture, the tails would go on the SIDE pieces, not the front and back pieces. This is because a drawer with a pull on the front puts all the opening/closing stress on that front panel. The drawer is stronger with the pins on the front and tails on the sides. I should have made this more clear in the video.
QotD: Ego and the A-listers
It’s not that people at the top of their fields are more virtuous. Well … actually I think people at the top of their fields do tend to be more virtuous, for the same reason they tend to be be more intelligent, less neurotic, longer-lived, better-looking, and physically healthier than the B-listers and below. Human capability does not come in [neatly] divisible chunks; almost every individual way that humans can excel is tangled up with other ways at a purely physiological level, with immune-system capability lurking behind a surprisingly large chunk of the surface measures. But I don’t think the mean difference in “virtue”, however you think that can actually be defined, explains what I’m pointing at.
No. It’s more that ego games have a diminishing return. The farther you are up the ability and achievement bell curve, the less psychological gain you get from asserting or demonstrating your superiority over the merely average, and the more prone you are to welcome discovering new peers because there are so damn few of them that it gets lonely. There comes a point past which winning more ego contests becomes so pointless that even the most ambitious, suspicious, external-validation-fixated strivers tend to notice that it’s no fun any more and stop.
[…]
I think there are a couple of different reasons people tend to falsely attribute pathological, oversensitive egos to A-listers. Each reason is in its own way worth taking a look at.
The first and most obvious reason is projection. “Wow, if I were as talented as Terry Pratchett, I know I’d have a huge ego about it, so I guess he must.” Heh. Trust me on this; he doesn’t. This kind of thinking reveals a a lot about somebody’s ego and insecurity, alright, but not Terry’s.
There’s a flip side to projection that I think of as the “Asimov game”. I met Isaac Asimov just a few months before he died. Isaac had long been notorious for broadly egotistical behavior and a kind of cheerful bombast that got up a lot of peoples’ noses. But if you ever met him, and you were at all perceptive, you might see that it was all a sort of joke. Isaac was laughing inside at everyone who took his “egotism” seriously – and, at the same time, watching hungrily for people who could see through the self-parody, because they might – might – actually be among the vanishingly tiny minority that constituted his actual peers. The Asimov game is a constant temptation to extroverted A-listers; I’ve been known to fall into it myself. It’s not really anybody’s fault that a lot of people are fooled by it.
Another confusing fact is that though A-listers may not be about ego or status competition, they will often play such games ruthlessly and effectively when that gets them something they actually want. The something might be more money from a gig, or a night in the hay with an attractive wench, or whatever; the point is, if you catch an A-lister in that mode, you might well mistake for egotism some kinds of display behavior that actually serve much more immediate and instrumental purposes. Your typical A-lister in that situation (and this includes me, now) is blithely unconcerned that a bystander might think he’s egotistical; the money or the wench or the whatever is the goal, not the approval or disapproval of bystanders.
Finally, a lot of people confuse arrogance with ego. A-listers (and I am including myself, again, this time) are, as a rule, colossally arrogant. That is, they have utter confidence in their ability to meet challenges that would humble or break most people. Do not be fooled by the self-deprecating manner that many A-listers cultivate; it is a mask adopted for social purposes, mostly to avoid freaking out the normal monkeys. But this arrogance is not the same as egotism; in fact, in many ways it is the opposite. It is possible to be arrogant about one’s abilities compared to the statistically average human being and the range of challenges one is likely to encounter, but deeply and genuinely humble when dealing with peers or contemplating the vastness of one’s own ignorance and incapability relative to what one could imagine being. In fact, this combination of attitudes is completely typical of the A-listers I have known.
Eric S. Raymond, “Ego is for little people”, Armed and Dangerous, 2009-11-09.
December 18, 2020
The Warlords of the United Nations – WW2 Special
World War Two
Published 17 Dec 2020Following the German declaration of war on America on the 11th of December 1941, Britain gained an invaluable ally. Securing a joint military command between the new partnership will be central to its success, the question is, how can this be achieved?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Markus Linke
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Daniel Weiss
Adrien Fillon – https://www.instagram.com/adrien.colo…
Mikołaj UchmanSources:
IWM A 14040, TR153, H 10306, ME(RAF) 5052, A 16709Soundtracks from Epidemic Sound:
Max Anson – “Ancient Saga”
Johannes Bornlof – “Magnificent March 3”
Howard Harper-Barnes – “London”
Rannar Sillard – “March Of The Brave 4”
Johannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
“Firestorm” – Strategic or Terror Bombing? – Sabaton History 098 [Official]
Sabaton History
Published 17 Dec 2020At the end of July 1943, Hamburg burned. A fleet of British heavy bombers had dropped thousands of incendiaries over the city, turning it into a hearth of unprecedented dimensions. Numerous major fires merged together into a single storm of fire. Structures combusted under the immense heat, as strong winds drove the inferno through the streets at rapid speed. Craving for more oxygen, the firestorm sucked human bodies into the flames and immediately incinerated or mummified them. Thousands of others died slowly of carbon monoxide poisoning in their shelters. By the end of the raid, 60% of Hamburg had been burned out and more than 35,000 of its inhabitants were dead. But while the Germans were shocked to disbelief, for the British the firestorm has worked as intended. And this was just the beginning.
Support Sabaton History on Patreon:
https://www.patreon.com/sabatonhistoryListen to “Firestorm” on the album The Art of War: https://music.sabaton.net/TheArtOfWar
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kamiński
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comColorized by:
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Imperial War Museums: C3677,HU 63075, HU 63089, MH 27517, CL3400, MH 24747,CL3395, MH 24764, CH 6386, CH 6386, CH 6275, CH 15879, C 3371, CH 18371, C 3918, C2367, HU44269, C 4748, PST 14359, C 4973,
Bundesarchiv
National Archives NARA
Icons from the Noun Project: Arrow by 4B Icons, Bomb by P Thanga Vignesh, fire building by dDara, Skull by Muhamad UlumAll music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
When Movies Were Magic (3D glasses recommended)
Atun-Shei Films
Published 8 Sep 2020A brief history of early motion picture technology and artistry, from the magic lantern to Georges Méliès. Presented in glorious 3-D!!!
To fully enjoy this video, you will need a pair of red/blue anaglyph 3-D glasses. They can be acquired cheaply at a number of online vendors, and you can even make them at home by coloring sheets of clear plastic with permanent markers: https://www.wikihow.com/Make-Your-Own…
Support Atun-Shei Films on Patreon ► https://www.patreon.com/atunsheifilms
Leave a Tip via Paypal ► https://www.paypal.me/atunsheifilms (All donations made here will go toward the production of The Sudbury Devil, our historical feature film)
Buy Merch ► https://www.teespring.com/stores/atun…
#FilmHistory #MagicLantern #3D
Reddit ► https://www.reddit.com/r/atunsheifilms
Twitter ► https://twitter.com/atun_shei~REFERENCES~
[1] William Godwin. Lives of the Necromancers (1834). Project Gutenberg https://www.gutenberg.org/cache/epub/…
[2] Paul Clee. Before Hollywood: From Shadow Play to the Silver Screen (2005). Houghton Mifflin, Page 12-21
[3] Chris Bennett. “The Psychedelic Phantasmagoria Shows of the 18th Century” (2018). Cannabis Culture https://www.cannabisculture.com/conte…
[4] Clee, Page 39-47
[5] Clee, Page 84-85
[6] “Dissolving View Magic Lantern Slides.” Magic Lantern World https://magiclanternist.com/2016/09/2…
[7] “A Color Photograph Pioneer Comes to Light” (2018). The European Synchrotron https://www.esrf.eu/home/news/general…
[8] Clee, Page 83
[9] Clee, Page 85-95
[10] “Freeze Frame: Eadweard Muybridge’s Photography of Motion” (2000). National Museum of American History https://americanhistory.si.edu/muybri…
[11] “Sallie Garner at a Gallop.” IMDB https://www.imdb.com/title/tt2221420/…
[12] Laurent Mannoni. “Etienne-Jules Marey: French Physiologist and Chronophotographer.” Who’s Who of Victorian Cinema https://www.victorian-cinema.net/marey
[13] Clee, Page 107-109
[14] Harald Sack. “The Kinetoscope and Edison’s Wrong Way to Invent the Cinema” (2020). SciHi Blog http://scihi.org/kinetoscope-edison/
[15] Clee, Page 127
[16] Clee, Page 139-141
[17] James Travers. “Georges Méliés Biography: Life and Films” (2017). FrenchFilms.org http://www.frenchfilms.org/biography/…
[18] Clee, Page 158-159
QotD: Hunter S. Thompson’s view of humanity
One interesting thing about Thompson […] is that much of his work could almost be assigned to the field of religious literature. This is not just because he suffered occasional demonic hallucinations under the influence of brown acid and ibogaine. Setting the drugs aside (“Not that which goeth into the mouth defileth a man; but that which cometh out of the mouth, this defileth a man”), there is a certain ascetic, unworldly quality to his work. He seems to have had a quasi-Augustinian horror of the greasy, hairy human body, and a strong distaste for squirming, brawling, lumpy, dumb man-apes in all their mass manifestations. His career-making Scanlan’s piece, “The Kentucky Derby Is Decadent and Depraved”, is really an indictment of humanity as decadent and depraved — and that remains true insofar as the subject of the piece is Thompson himself and his Hobbesian preoccupations.
Colby Cosh, “Q: Where’s Cosh?”, ColbyCosh.com, 2005-02-21
December 17, 2020
Make cheap chisels AMAZING with this traditional handle
Rex Krueger
Published 16 Dec 2020Remake your budget chisels with some quick metal-work and a fancy new handle.
More video and exclusive content: http://www.patreon.com/rexkrueger
Get the London Pattern Drawing (FREE): http://www.rexkrueger.com/store
Get these chisels! https://amzn.to/2LtYDeu (affiliate)Other Tools in this Video: (affiliate)
Pony Pipe Clamp: https://amzn.to/37j0laU
Japanese Ryoba Pull Saw: https://amzn.to/389z5uC
Japanese Dozuki saw (small/fine): https://amzn.to/37iJG7h
11/32″ Drill Bit: https://amzn.to/37YG75i
(This isn’t the one I used, but I’ve used these before and they’re good for the price).
Basic File: https://amzn.to/3af1y50
Mora Sloyd Knife: https://amzn.to/3qWbxSF
Wipe-on Poly: https://amzn.to/2K9TJmp
Jorgensen Screw Clamp: https://amzn.to/3acCNq5Other Projects/Videos I Mention:
Sandpaper Sharpening: https://www.youtube.com/watch?v=gY6pO…
Budget Oilstone Sharpening: https://www.youtube.com/watch?v=EmyW8…
Make a scrub plane: https://www.youtube.com/watch?v=bD4CK…
Modern Brace for Drilling: https://www.youtube.com/watch?v=RXIz2…Sign up for Fabrication First, my FREE newsletter: http://eepurl.com/gRhEVT
Wood Work for Humans Tool List (affiliate):
*Cutting*
Gyokucho Ryoba Saw: https://amzn.to/2Z5Wmda
Dewalt Panel Saw: https://amzn.to/2HJqGmO
Suizan Dozuki Handsaw: https://amzn.to/3abRyXB
(Winner of the affordable dovetail-saw shootout.)
Spear and Jackson Tenon Saw: https://amzn.to/2zykhs6
(Needs tune-up to work well.)
Crown Tenon Saw: https://amzn.to/3l89Dut
(Works out of the box)
Carving Knife: https://amzn.to/2DkbsnM
Narex True Imperial Chisels: https://amzn.to/2EX4xls
(My favorite affordable new chisels.)
Blue-Handled Marples Chisels: https://amzn.to/2tVJARY
(I use these to make the DIY specialty planes, but I also like them for general work.)*Sharpening*
Honing Guide: https://amzn.to/2TaJEZM
Norton Coarse/Fine Oil Stone: https://amzn.to/36seh2m
Natural Arkansas Fine Oil Stone: https://amzn.to/3irDQmq
Green buffing compound: https://amzn.to/2XuUBE2*Marking and Measuring*
Stockman Knife: https://amzn.to/2Pp4bWP
(For marking and the built-in awl).
Speed Square: https://amzn.to/3gSi6jK
Stanley Marking Knife: https://amzn.to/2Ewrxo3
(Excellent, inexpensive marking knife.)
Blue Kreg measuring jig: https://amzn.to/2QTnKYd
Round-head Protractor: https://amzn.to/37fJ6oz*Drilling*
Forstner Bits: https://amzn.to/3jpBgPl
Spade Bits: https://amzn.to/2U5kvML*Work-Holding*
Orange F Clamps: https://amzn.to/2u3tp4X
Screw Clamp: https://amzn.to/3gCa5i8Get my woodturning book: http://www.rexkrueger.com/book
Follow me on Instagram: @rexkrueger
Henry Ford and the Mass Marketing of Hatred | BETWEEN 2 WARS: ZEITGEIST! | E.07 – Spring 1920
TimeGhost History
Published 16 Dec 2020Racist conspiracies are on the rise in America. But other hysterias are also lessening. Will there be a return to normalcy?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Indy Neidell and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell and Francis van Berkel
Image Research by: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…
Spartacus Olsson
Mikolaj UchmanSources:
Some images from the Library of Congress
Portrait from Bibliotheque Nationale FrancaiseFrom the Noun Project:
– agreement by Vectors Point
– film camera by Chanut is Industries, TH
– cowboy man by Adrien Coquet
– Protest by Juan Pablo Bravo
– Immigrants by Luis Prado
– pair figure skating by Andrei Yushchenko
– singles figure skating by Andrei Yushchenko
– Letter by Mochammad Kafi
– speech by Juan Pablo Bravo, CL
– universe by Icongeek26
– Arrow by IconTrack
– Galaxy By VictorulerSoundtracks from Epidemic Sound
– One More for the Road – Golden Age Radio
– “First Responders” – Skrya
– “Guilty Shadows 4” – Andreas Jamsheree
– “Slow Discovery” – Cobby Costa
– “Try and Catch Us Now” – David Celeste
– “The Inspector 4” – Johannes Bornlöf
– “Deviation In Time” – Johannes Bornlof
– “Disciples of Sun Tzu” – Christian AndersenArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Fallen Flag — the Ann Arbor Railroad
This month’s Classic Trains featured fallen flag is the Michigan-based Ann Arbor Railroad which operated rail services from Toledo, Ohio to Elberta and Frankfort, Michigan, along with lake ferry service across Lake Michigan to Manitowoc and Kewaunee, Wisconsin and Menominee and Manistique in Michigan’s Upper Peninsula. Robert I. Warrick provides an outline of the history of the line:
The Ann Arbor Railroad was as much a steamship line as a railroad. Built from Toledo, Ohio, northwest to Frankfort, Mich., it existed for one reason — to move freight in car ferries across Lake Michigan to bypass Chicago. From 1910 to 1968, “the Annie” operated 320 car ferry route-miles versus 292 miles of railroad. AA was at the forefront of car ferry design and innovation, from the first wooden-hulled vessels to the most advanced car ferry to ever sail Lake Michigan.
During the 1940s, up to six ferries made the round trip from Boat Landing, as AA called its yard in Elberta on the south side of Frankfort harbor, to two Wisconsin and two Michigan Upper Peninsula ports. The boats ran year-round on a tight schedule, timed to match with three pairs of scheduled Toledo freights, where AA interchanged with five trunk lines. Well-kept 2-8-2s powered those short, fast trains across AA’s rolling profile until 1950, when Alco FA2s took over.
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The Eastern mergers of the 1960s ultimately doomed the old Ann Arbor. As planning for Penn Central went on, the Norfolk & Western merged with Wabash, Nickel Plate, and two smaller roads in 1964. N&W wanted no part of the Ann Arbor and its costly ferries, so AA was foisted off on DT&I, which was profitable by the 1960s.
With ICC approval, DT&I took over the Ann Arbor on August 31, 1963, and soon replaced the tired FA2s with 10 GP35s, riding on Alco trucks and painted in DT&I orange with large “Ann Arbor” lettering. DT&I’s GPs often mixed with the Annie’s.
DT&I had ferry Wabash refitted, changed her name to City of Green Bay, and loaned AA $2.5 million to rebuild Ann Arbor No. 7. The railroad renamed No. 7 Viking, lengthened it, installed four EMD 2,500 h.p. 567 diesels. But even with the bigger boats, capacity remained an issue as car sizes increased. AA was losing money. First the ferry route to Manistique, Mich. (and AA subsidiary Manistique & Lake Superior), was discontinued, then the one to Menominee, Mich.
Ann Arbor’s fate was sealed. A firm was hired to liquidate Pennsylvania Company assets, including AA and DT&I. Ann Arbor defaulted on the loan for the Viking on November 1, 1972, and filed for bankruptcy on October 15, 1973, leading to AA’s inclusion with other bankrupts in the Regional Rail Reorganization Act of 1973 that resulted in Conrail.