Quotulatiousness

March 25, 2012

Time Capsule: Red Mike’s review of Starship Troopers

Filed under: Humour, Media, Military — Tags: , , , — Nicholas @ 11:51

Robert A. Heinlein’s Starship Troopers is still one of my all-time favourite science fiction books. For that reason alone, I avoided going to see Verhoeven’s film “adaptation”. To more than make up for that, here’s a great review of the film … by that, I mean the review is great, not the film:

We start off with a news report from the surface of the planet Klendathu, the bugs’ home world, where you will instantaneously flash on that Korean-war era song,

    “Hear the sound of runnin’ feet
    It’s the old First Cav in full retreat
    They’re haulin’ ass,
    Not savin’ gas,
    They’ll soon be gone.”

Things are bad and getting worse, as a mob of Mobile Infantry types mill about, getting in each others’ lines of fire, screaming things like “Run for your life!” or words to that effect. It isn’t until later in the film that you discover that milling about is the only formation they practice regularly, and aimless running is their chief tactical mode.

[. . .]

Our heroes head to the surface, where they mill about some more. The concepts of formation, organization, and command and control appear to have been lost. They top a rise and stand in dumb amazement, one thumb in their mouth and one in their ass playing switch, as they see giant bugs expand with gas, then lift tail toward the sky and blast a blue-white fart of anti-spaceship gas up to where the fleet is in orbit.

Our guys stand shoulder to shoulder, firing at the mass of bugs, using a set of tactics that hasn’t worked well since Gettysburg. Actually, the guys at Gettysburg were a bit better better equipped for what they were doing, since they had artillery (a concept that has been lost, apparently) and weapons with an accurate range of over eight feet. Other lost concepts that would have proved Really Helpful here include close air support, mortars, air-dropped mines, barbed wire, fire, maneuver, cover, concealment, objectives, and useful orders. (I mean, “Kill everything that has more than two legs” is really neat, but “Go to coordinates XXYY, and set up a perimeter. Your covered arc runs from AA through CC. You’ll be linking up with Unit Name on your left and Other Unit Name on your right. Hold the position until you’re relieved by Unit Name. At that time go to YYZZ and await further orders” would have actually been helpful.) Nor, for that matter, do we have armored fighting vehicles, heavy machineguns, shoulder-launched missiles, or other stuff (a spray can of Raid?) that might have come in handy.

[. . .]

We go bug hunting again. And after an engagement that proves that a British Square from Waterloo would have done better than the MI at fighting bugs, we win anyway. We have a party! Dizzy and Johnny finally get it on. (I have to comment that I really liked the Special Effects in this film. Especially Dizzy’s left special effect and her right special effect. Carmen has even bigger special effects, but she never whips her shirt off so it’s hard to be sure.)

January 13, 2012

Continuators: heroes or villains?

Filed under: Media — Tags: , , , , — Nicholas @ 09:58

“What’s a continuator?” I pretend to hear you ask. Those are the folks who pick up the fallen pen of other (almost always greater) authors to write endings for unfinished works:

There’s a long list of great authors who have left work unfinished, often because of illness or death. Jane Austen, the Bronte sisters, Albert Camus, Franz Kafka, to name but a few. An industry has grown up around them, of so-called “continuators” — writers eager to finish the stories that they began.

There have been a number of continuations of Austen’s Sanditon, including efforts by Juliette Shapiro and Reginald Hill, author of the Dalziel and Pascoe series. Austen had only got 11 chapters in when she stopped, enough to establish the characters, but leaving the continuators plenty of room for manoeuvre.

But why would a writer choose to finish the work of another author, rather than create original work? Surely that leads to pastiche?

It’s dangerous territory, suggests Prof John Mullan, who is currently writing a book on Austen. “What we expect when we read the work of Austen, or Dickens, or Laurence Sterne, is a particular voice, and that’s terribly difficult to bring off.”

It’s a risky strategy for an author, but perhaps it speaks to a profound need in all of us. The literary critic Frank Kermode wrote in his book Sense of an Ending about our deep-rooted need to be rewarded with conclusions.

John Sutherland, emeritus professor at University College London, agrees. “Kermode famously observed that when we hear a clock go tick tick tick, what we hear is tick tock tick tock, because we like beginnings and endings. We’re hardwired, like lemmings going over a cliff.”

My experiences with continuators has been quite mixed. I’ve never been able to read anything by Spider Robinson since he “finished” a novel from Robert A. Heinlein’s very early period. I hated it so much that it actually diminished my admiration for Heinlein’s entire body of work (I eventually recovered). On the other hand, I quite enjoyed Great King’s War which was a sequel to H. Beam Piper’s Kalvan of Otherwhen. John F. Carr and Roland J. Green did an excellent job of writing in the same voice as Piper and took his characters in believable directions.

October 1, 2011

The inspirational power of science fiction

Filed under: Media, Technology — Tags: , , , , , , — Nicholas @ 10:36

Neal Stephenson on the ability of science fiction to inspire:

In early 2011, I participated in a conference called Future Tense, where I lamented the decline of the manned space program, then pivoted to energy, indicating that the real issue isn’t about rockets. It’s our far broader inability as a society to execute on the big stuff. I had, through some kind of blind luck, struck a nerve. The audience at Future Tense was more confident than I that science fiction [SF] had relevance — even utility — in addressing the problem. I heard two theories as to why:

1. The Inspiration Theory. SF inspires people to choose science and engineering as careers. This much is undoubtedly true, and somewhat obvious.

2. The Hieroglyph Theory. Good SF supplies a plausible, fully thought-out picture of an alternate reality in which some sort of compelling innovation has taken place. A good SF universe has a coherence and internal logic that makes sense to scientists and engineers. Examples include Isaac Asimov’s robots, Robert Heinlein’s rocket ships, and William Gibson’s cyberspace. As Jim Karkanias of Microsoft Research puts it, such icons serve as hieroglyphs — simple, recognizable symbols on whose significance everyone agrees.

Researchers and engineers have found themselves concentrating on more and more narrowly focused topics as science and technology have become more complex. A large technology company or lab might employ hundreds or thousands of persons, each of whom can address only a thin slice of the overall problem. Communication among them can become a mare’s nest of email threads and Powerpoints. The fondness that many such people have for SF reflects, in part, the usefulness of an over-arching narrative that supplies them and their colleagues with a shared vision. Coordinating their efforts through a command-and-control management system is a little like trying to run a modern economy out of a Politburo. Letting them work toward an agreed-on goal is something more like a free and largely self-coordinated market of ideas.

July 20, 2011

Heinlein’s influence on the evolution of the libertarian movement

Filed under: Liberty, Media — Tags: , , , — Nicholas @ 14:14

In a post to correct an assertion by SF author David Brin, Eric S. Raymond shows just how influential the writings of Robert Heinlein were to the early libertarian movement:

Robert Heinlein was a complex man whose views evolved greatly over time. The Heinlein of 1942, who put into the mouth of one of his characters the line “Naturally food is free! What kind of people do you take us for?” was only five years on from having been enchanted by social credit theory, which underpins his “lost” novel For Us, The Living; in later years he was so embarrassed by this enthusiasm that he allowed that manuscript to molder in a drawer somewhere, and it was only published after his death.

Between 1942 and 1966 Heinlein’s politics evolved from New Deal left-liberalism towards what after 1971 would come to be called libertarianism. But that way of putting it is actually misleading, because Heinlein did not merely approach libertarianism, he played a significant part in defining it. His 1966 novel The Moon Is A Harsh Mistress was formative of the movement, with the “rational anarchist” Bernardo de la Paz becoming a role model for later libertarians. By 1978, we have direct evidence (from an interview in Samuel Edward Konkin’s New Libertarian magazine, among other sources) that Heinlein self-identified as a libertarian and regretted his earlier statism.

But if Heinlein’s overall politics changed considerably and wandered down some odd byways during his lifetime, his uncompromising support of civilian firearms rights was a constant on display throughout his life. Brin observes that was already true in 1942, but attempts to attribute this position to John W. Campbell. Multiple lines of evidence refute this claim.

[. . .]

(When time has given us perspective to write really good cultural histories of the 20th century, Heinlein is going to look implausibly gigantic. His achievements didn’t stop with co-inventing science fiction and all its consequences, framing post-1960s libertarianism, energizing the firearms-rights movement, or even merely inspiring me to become the kind of person who not only could write The Cathedral and the Bazaar but had to. No. Heinlein also invented much of the zeitgeist of the 1960s counterculture through his novel Stranger In A Strange Land; it has been aptly noted that he was the only human being ever to become a culture hero both to the hippies of Woodstock and the U.S. Marine Corps. I am told that to this day most Marine noncoms carry a well-thumbed copy of Starship Troopers in their rucksacks.)

January 31, 2011

QotD: A hopeful view of Egypt’s way forward

Filed under: Liberty, Middle East, Quotations — Tags: , , , , — Nicholas @ 17:32

The Old Media — not to mention Hillary Clinton’s comic relief State Department — apparently don’t have a clue what’s really going on. Conservative talk radio already assumes that the whole thing has been orchestrated by militant “Islamists”, in particular, the 80-year-old Muslim Brotherhood. Whenever you see that word, mentally remove the first R to get a clearer picture if what they’re really up to.

The Botherhood of Man is gonna gitcha if you don’t look out.

But I digress.

America’s home grown would-be dictators clearly believe “It can’t happen here”, as demonstrated by their reactions — dazed at first, then hysterical — to the far gentler rise of the Tea Parties and the results of the 2010 election, which they are trying to believe never happened. They’ve spent all of their time since, not changing so that they won’t be despised any more, but trying to shut their critics up by destroying talk radio and requiring individuals to have Internet permits.

[. . .]

Out of sheer habit, if nothing else, it is very difficult not make the same mistake as the pundits and politicians. As Robert A. Heinlein observed, every revolution is a freak. By definition there can be no rules to govern or even understand them, and we must avoid thinking collectively about them. There are as many reasons to rebel as there are rebels, and that’s the only important truth we’ll ever glean from them.

It’s also very difficult to say from what we know now, and I could easily be wrong (I have been before), but it seems to me that this is not a fundamentalist uprising like we saw in Iran a generation ago — although the fundamentalists are desperately trying to coopt it — but an essentially secular revolt by the productive class against both fundamentalism and the fascist management states that dominate the region.

L. Neil Smith, “Egyptian Tea Party”, Libertarian Enterprise, 2011-01-30

August 16, 2010

Cory Doctorow on the new Robert Heinlein biography

Filed under: History, Media, Military, USA — Tags: , , , , , , — Nicholas @ 12:33

I finished reading the first volume last night, and I can’t wait for volume two. Cory Doctorow summarizes John Clute’s review with his own observations (Clute compared Heinlein’s work to Doctorow’s):

Heinlein was notoriously recalcitrant about his early life and the two wives he was married to before his epic marriage to Virginia Heinlein. He repeatedly burned correspondence and other writings that related to that period. Clute suggests that this is partly driven by Heinlein’s desire to be Robert A Heinlein, titan of the field, without having to cope with his youthful embarrassments. It’s a good bet — lots of the stuff that drives young people to write science fiction also makes them a pain in the ass to be around until they work some of the kinks out of their system (I wholeheartedly include myself in this generalization).

It’s interesting to see his own growth, from his early priggishness (he was nicknamed “the boy general” as a plebe at the Naval Academy) which undoubtedly was not helped by his health issues and tendency to stammer. He was in the shadow of his older brother Rex Ivar for most of his youth, even following him to the Academy three two years later. Rex Ivar was the favourite child in the family and Robert never seemed to be able to do as well in his parents’ eyes as the older boy.

Robert Heinlein was probably a pretty toxic individual as a teenager, based on the evidence Patterson presents — it’s pretty clear even after most of the information was sanitized by Heinlein’s third wife Virginia. Patterson never met Heinlein, and by the time he took on the biography, most of the people who knew Heinlein were fading from the scene. I think he did a very good job with the information available to him, but the biography definitely improves after the Academy years.

Patterson also puts forward a pretty comprehensive case for the idea that Heinlein’s fiction generally conveys Heinlein’s own political beliefs. This is widely acknowledged among Heinlein fans, save for a few who seem distressed by the idea that the blatant racism and sexism (especially in the earlier works) are the true beliefs of the writer at the time of writing and would prefer to believe that Heinlein didn’t write himself into his works. I got into a pretty heated debate with one such person at the Heinlein panel at the 2007 Comicon, who maintained the absurd position that Heinlein’s views could never be divined by reading his fiction — after all, his characters espouse all manner of contradictory beliefs! (To which I replied: “Yes, but the convincing arguments are always for the same set of beliefs, and the characters who challenge those beliefs are beaten in the argument.”) Not that I fault Heinlein for this — it’s an honorable tradition in SF and the mainstream of literature, and I find Heinlein’s beliefs to be nuanced and complex, anything but the reactionary caricature with which he is often dismissed.

It should be no surprise to anyone over 30 that Robert Heinlein’s political and philosophical views changed over his lifetime. This is discussed in some depth in the book, frequently from Heinlein’s own letters to friends at various points. He lost his religious views very early on (if he ever really had them, other than for conforming to familial expectations), and after leaving the Navy he was deeply involved in Upton Sinclair’s EPIC movement.

His belief in world government must have been hard to sustain, given that he had a great deal of experience of the political process, both in Kansas City during the Pendergast years, and in California with EPIC. Corruption, dirty dealing, and backroom bargaining were the way things got done, and it would be hard to believe that things would be better with a single world-wide government.

What seems to have gotten him involved in EPIC was his first-hand experience of poverty and seeing the plight of the “Okies” who’d come to California after the dust bowl wiped out so many farms in the central states. There were not enough jobs for them, even displacing the Mexican migrant labourers, and they were ineligible for state assistance until after they’d been in California for a year. Sinclair appeared to be the only politician with any plan other than oppressing the Okies enough to force them to move on.

August 13, 2010

Weekend reading material

Filed under: History, Media — Tags: , , — Nicholas @ 13:47

When I got back from lunch today, the UPS truck had delivered my weekend reading material:

Update: The first fifty pages have been excellent. It’s interesting how many characters in his fiction are recognizably people from his early life in Missouri.

February 1, 2010

Cookie Monster after visiting Room 101

Filed under: Bureaucracy, Health, Humour — Tags: , , , — Nicholas @ 09:41

L. Neil Smith looks at the sad remains of a once-great Muppet:

My only child turned twenty years of age early last month, so it has been some time since I kept daily track with her of the various comings and goings of the diverse and colorful inhabitants of Sesame Street.

Thus it was with considerable dismay that I recently learned that my favorite of these denizens had been abducted, tortured, brainwashed by the vile forces of political correctness, and returned to society a broken, pitiable shadow of his former self, rather like Winston Smith in 1984, after rats had been used to force him to scream “Do it to Julia!”

A product of merciless North Korean-style mind-conditioning, the great blue googly-eyed Cookie Monster now mouths mindless, robotic platitudes and slogans like “cookies are a sometimes snack”. He even eats broccoli — the Green Death — in public, like a circus geek consuming broken lightbulbs and handsful of worms. Gone is the joyous hedonist we knew who was a living exemplar of Robert Heinlein’s famous dicta, “Dum vivamus, vivamus!” and “Anything worth doing is worth overdoing!”

He has become just another “progressive” icon, different-looking on the outside, yes, but filled up on the inside with the same bland, gray, unappetizing pablum as Smokey the Bear, Bono, and Janeane Garofalo.

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