The 11th Light Dragoons at this time were newly back from India, where they had been serving since before I was born. They were a fighting regiment, and — I say it without regimental pride, for I never had any, but as a plain matter of fact — probably the finest mounted troops in England, if not in the world. Yet they had been losing officers, since coming home, hand over fist. The reason was James Brudenell, Earl of Cardigan.
You have heard all about him, no doubt. The regimental scandals, the Charge of the Light Brigade, the vanity, stupidity, and extravagance of the man — these things are history. Like most history, they have a fair basis of fact. But I knew him, probably as few other officers knew him, and in turn I found him amusing, frightening, vindictive, charming, and downright dangerous. He was God’s own original fool, there’s no doubt of that — although he was not to blame for the fiasco at Balaclava; that was Raglan and Airey between them. And he was arrogant as no other man I’ve ever met, and as sure of his own unshakeable rightness as any man could be — even when his wrongheadedness was there for all to see. That was his great point, the key to his character: he could never be wrong.
They say that at least he was brave. He was not. He was just stupid, too stupid ever to be afraid. Fear is an emotion, and his emotions were all between his knees and his breastbone; they never touched his reason, and he had little enough of that.
For all that, he could never be called a bad soldier. Some human faults are military virtues, like stupidity, and arrogance, and narrow-mindedness. Cardigan blended all three with a passion for detail and accuracy; he was a perfectionist, and the manual of cavalry drill was his Bible. Whatever rested between the covers of that book he could perform, or cause to be performed, with marvellous efficiency, and God help anyone who marred that performance. He would have made a first-class drill sergeant — only a man with a mind capable of such depths of folly could have led six regiments into the Valley at Balaclava.
However, I devote some space to him because he played a not unimportant part in the career of Harry Flashman, and since it is my purpose to show how the Flashman of Tom Brown became the glorious Flashman with four inches in Who’s Who and grew markedly worse in the process, I must say that he was a good friend to me. He never understood me, of course, which is not surprising. I took good care not to let him.
George MacDonald Fraser, Flashman, 1969.