Quotulatiousness

November 16, 2011

Don’t expect China to save your economy

Filed under: China, Economics, Government, Media — Tags: , , , , , — Nicholas @ 09:19

Jon, my former virtual landlord, sent along this link which should pour cold water on the notion that China will step in to save the economies of other countries:

China’s economy has a reputation for being strong and prosperous, but according to a well-known Chinese television personality the country’s Gross Domestic Product is going in reverse.

Larry Lang, chair professor of Finance at the Chinese University of Hong Kong, said in a lecture that he didn’t think was being recorded that the Chinese regime is in a serious economic crisis — on the brink of bankruptcy. In his memorable formulation: every province in China is Greece.

The restrictions Lang placed on the Oct. 22 speech in Shenyang City, in northern China’s Liaoning Province, included no audio or video recording, and no media. He can be heard saying that people should not post his speech online, or “everyone will look bad,” in the audio that is now on Youtube.

In the unusual, closed-door lecture, Lang gave a frank analysis of the Chinese economy and the censorship that is placed on intellectuals and public figures. “What I’m about to say is all true. But under this system, we are not allowed to speak the truth,” he said.

Despite Lang’s polished appearance on his high-profile TV shows, he said: “Don’t think that we are living in a peaceful time now. Actually the media cannot report anything at all. Those of us who do TV shows are so miserable and frustrated, because we cannot do any programs. As long as something is related to the government, we cannot report about it.”

China, for all its amazing growth and rising economic prospects for (some of) its population, is still not a modern economy. The government — specifically the military — is too deeply involved at far deeper levels than other governments and the reported economic figures may or may not have any relationship with reality. When your boss is a general, he has ways of ensuring that you report the “right” results that a civilian CEO cannot match. It’s not just your job you risk by reporting unwelcome results.

I’ve ridden this hobby horse, as Jon calls it, many times over the years.

August 17, 2011

The source of all those kitten videos

Filed under: Humour, Media, Technology — Tags: , , , — Nicholas @ 16:40

H/T to Ace.

July 12, 2011

An amusing copyright tale (for a change)

Filed under: Cancon, Law, Media, Technology — Tags: , , , , , , — Nicholas @ 16:06

Jesse Brown has the most entertaining copyright story I’ve read in quite a while:

But some of the hooligans exposed on Youtube found a clever way to get the video removed—copyright claims. Under Youtube’s “Notice and Takedown” policy, all you need to do is claim you own the rights to a video and demand that it be removed, and Youtube will remove it. The video’s uploader will be informed of the allegation and then have a chance to challenge it.

But here’s the rub: in order to claim ownership of a video’s copyright, you have to identify yourself. And when Youtube informs the uploader that they’re being accused of a copyright violation, they have to tell them who their accuser is. So rioters are indirectly handing their names over to the very people who were trying to identify them.

May 25, 2011

Netflix now the 500lb gorilla sitting on your internet bandwidth

Filed under: Economics, Media, Technology — Tags: , , , — Nicholas @ 07:41

In a shocking display that if you make something legally accessible, people are willing to pay for it (who’d ever have expected that?), Netflix has supplanted Bittorrent as the largest user of peak-time internet traffic:

Is solving the copyright “wars” really so difficult? New traffic research shows that Netflix has overtaken Bittorrent as America’s favourite internet application, knocking http into third place. “P2P is here to stay,” note the authors in Sandvine’s Global Internet Report, Spring 2011 edition, which shows that demand for legal, paid-for stuff is the single biggest internet traffic trend.

Copyright-holders who are slow to bless legal services, by contrast, find themselves being swamped by pirates.

Netflix now accounts for 24.71 per cent of peak time aggregate traffic in the US, pushing Bittorrent into second place with 17.23 per cent. By contrast, the Sandvine numbers show that in markets where there are no legal services, pirate services flourish. In Latin America, file-sharing program Ares grabs 15.48 per cent of peak-time (fixed line) internet traffic, behind http. In Europe, Bittorent rules, with 28.4 per cent of peak-time traffic, ahead of http. Here, YouTube grabs third place, with almost 12 per cent of peak-time traffic.

We signed up for a month-long trial of Netflix (on the recommendation of Dark Water Muse) and have been quite happy with the service. In fact, it was a major factor in our buying a PS3 over the weekend, as our existing Blu-Ray player was incompatible with Netflix.

May 18, 2011

Reminder: check state law before videotaping the police

Filed under: Law, Liberty, Media — Tags: , , , , , — Nicholas @ 00:02

Clive sent me this Wendy McElroy post from last year, but it’s still (mostly) valid today:

In response to a flood of Facebook and YouTube videos that depict police abuse, a new trend in law enforcement is gaining popularity. In at least three states, it is now illegal to record any on-duty police officer.

Even if the encounter involves you and may be necessary to your defense, and even if the recording is on a public street where no expectation of privacy exists.

The legal justification for arresting the “shooter” rests on existing wiretapping or eavesdropping laws, with statutes against obstructing law enforcement sometimes cited. Illinois, Massachusetts, and Maryland are among the 12 states in which all parties must consent for a recording to be legal unless, as with TV news crews, it is obvious to all that recording is underway. Since the police do not consent, the camera-wielder can be arrested. Most all-party-consent states also include an exception for recording in public places where “no expectation of privacy exists” (Illinois does not) but in practice this exception is not being recognized.

It shouldn’t need to be said that the police and the courts who’ve backed the police on this issue are wrong. But they appear to be running scared, at least in a few states:

Carlos Miller at the Photography Is Not A Crime website offers an explanation: “For the second time in less than a month, a police officer was convicted from evidence obtained from a videotape. The first officer to be convicted was New York City Police Officer Patrick Pogan, who would never have stood trial had it not been for a video posted on Youtube showing him body slamming a bicyclist before charging him with assault on an officer. The second officer to be convicted was Ottawa Hills (Ohio) Police Officer Thomas White, who shot a motorcyclist in the back after a traffic stop, permanently paralyzing the 24-year-old man.”

When the police act as though cameras were the equivalent of guns pointed at them, there is a sense in which they are correct. Cameras have become the most effective weapon that ordinary people have to protect against and to expose police abuse. And the police want it to stop.

April 13, 2011

“Using the principle of ‘demonstrated preference,’ this music video ranks as the most popular in human history”

Filed under: Economics, Education, Liberty, Media — Tags: , , — Nicholas @ 10:22

Jon sent me this article by Jeffrey Tucker which re-interprets Rebecca Black’s “Friday” as a libertarian allegory:

Far more significant is the underlying celebration of liberation that the day Friday represents. The kids featured in the video are of junior-high age, a time when adulthood is beginning to dawn and, with it, the realization of the captive state that the public school represents.

From the time that children are first institutionalized in these tax-funded cement structures, they are told the rules. Show up, obey the rules, accept the grades you are given, and never even think of escaping until you hear the bell. If you do escape, even peacefully of your own choice, you will be declared “truant,” which is the intentional and unauthorized absence from compulsory school.

This prison-like environment runs from Monday through Friday, from 8 a.m. to late afternoon, for at least ten years of every child’s life. It’s been called the “twelve-year sentence” for good reason. At some point, every kid in public school gains consciousness of the strange reality. You can acquiesce as the civic order demands, or you can protest and be declared a bum and a loser by society.

“Friday” beautifully illustrates the sheer banality of a life spent in this prison-like system, and the prospect of liberation that the weekend means. Partying, in this case, is just another word for freedom from state authority.

The largest segment of the video then deals with what this window of liberty, the weekend, means in the life of someone otherwise ensnared in a thicket of statism. Keep in mind here that the celebration of Friday in this context means more than it would for a worker in a factory, for example: for the worker is free to come and go, to apply for a job or quit, to negotiate terms of a contract, or whatever. All of this is denied to the kid in public school.

March 18, 2011

Old Spice Man – marketing hits and misses

Filed under: Media, USA — Tags: , , , , — Nicholas @ 10:04

Gary Vaynerchuk reviews the Old Spice Man campaign:

Unless you were living under a rock, you probably saw at least one of the Old Spice commercials starring Isaiah Mustafa that began airing the day after the 2010 Super Bowl. With this campaign, Procter & Gamble, Old Spice’s parent company, showed the world how a brand can play a kick-ass game of media Ping-Pong.

First, it started with outstanding content, spoofing every stereotype of masculinity they could come up with through clever writing and picture-perfect casting. As soon as a bare-chested Mustafa finished gliding around from one paperback-romance scenario to another, reassuring women that even if their man didn’t look like him, they could smell like him if they stopped using lady-scented body wash, millions of people rewound their DVRs and watched the ad again. And again. Then they started talking about it on Facebook and Twitter and making spoof videos on YouTube.

[. . .]

Did the Campaign Work?
It depends on whom you ask. For example, sales of Old Spice Body Wash, which were already on the rise, rose sharply — by 55 percent — over the three months following the first aired TV commercial, then soared by 107 percent (a statistic that included me, because I bought my first stick of Old Spice during that time) around the time the response videos began showing, but some seem to question whether the uptick might have been due to a two-for-one coupon promotion rather than a well-integrated social media campaign.

[. . .]

The Huge Miss
The Old Spice campaign is considered a huge social media win, one that hundreds of social media experts have praised, but here’s where the story takes a bit of a surprising turn. I was sure that Old Spice planned to use the information it has on its almost 120,000 Twitter followers to start engaging with each and every one of them on a personal, meaningful level. Every one of those people should have received an email, thanking the followers for watching the videos and offering them a reason to keep checking in. I’d love to be proven wrong, but I don’t think that happened. As of September 2010, almost two months after Old Spice ambushed Twitter, the Old Spice account has tweeted only twenty-three times, and not one of the tweets talks or interacts with an actual person or user of the brand. Ad Age published an article that begins “Old Spice Fades Into History . . .”

October 16, 2010

“Officer Bubbles” sues YouTube for defamation

Filed under: Cancon, Law, Liberty, Technology — Tags: , , , , , — Nicholas @ 11:15

The Globe and Mail reports that police constable Adam Josephs has launched a suit against YouTube in an attempt to force them to divulge the identities of posters and commenters:

A Toronto police officer whose stiff upper lip made him an inadvertent YouTube sensation and a symbol of police heavy-handedness at the G20 protests has launched a $1.2-million defamation lawsuit against the website.

Constable Adam Josephs was nicknamed “Officer Bubbles” after a video surfaced of him online admonishing a young protester during the summit for blowing bubbles.

[. . .]

The original video shows Constable Josephs and a number of other officers holding a police line near Queen Street West in front of a crowd of protesters, when a young woman begins blowing bubbles in front of them.

“If the bubble touches me, you’re going to be arrested for assault,” he tells her sternly. When she questions him about the warning, he continues to warn her.

“You want to bait the police. You get that on me or that other officer and it gets in her eyes, it’s a detergent. You’ll be going into custody.”

The video of “Officer Bubbles” intimidating the dangerous bubble-blower:

Update, 18 October: By way of the Twitter feed of Colby Cosh, here’s the link to the actual document.

April 29, 2010

Did Bruno Ganz do too good a job playing Adolf Hitler?

Filed under: History, Media, Technology — Tags: , , , , , , — Nicholas @ 12:11

Now that you actually have to work at it to find some of the Downfall parodies on YouTube, John Naughton looks at the cultural power of remix culture, which has been most recently popularized by Bruno Ganz in his mesmerizing performance as Adolf Hitler:

Ganz’s performance is a real tour de force, so much so that the New Yorker critic wondered aloud if it would have the effect of humanising Hitler. But the scene had another, equally extraordinary, side-effect. It became the basis for a wildly successful and entertaining comic virus, in which people used everyday video-editing software to remix the scene in modern contexts (politics, sports, technology, popular culture). The German soundtrack was left unchanged, but new subtitles were added and then the results were posted on YouTube.

[. . .]

Some of these parodies are tiresome. But many are side-splittingly funny, a testimony to the power of remixing as a way of enlivening cultural life. Nevertheless, not everyone is delighted by this new art form. Jewish organisations have been understandably disturbed by the way the architect of the Holocaust has been turned into a comic turn. “Hitler,” said the director of the Anti-Defamation League, “is not a cartoon character”.

[. . .]

The YouTube remix culture is thus a new take on a venerable tradition. I wouldn’t argue that the Downfall spoofs are high art, but they are evidence of bottom-up creativity and intelligence in a new medium. And if we allow narrow considerations of intellectual property to stifle this creativity, then we may all, except for the lawyers, live to regret it.

March 15, 2010

Minor irritations

Filed under: Administrivia, Technology — Tags: , , — Nicholas @ 11:49

I realize it’s a positive sign that all I’ve got to complain about is a trivial thing, but damn it’s annoying.

“It”, specifically, is the latest update to Firefox (now at version 3.6). There’s now a problem with my mouse scrolling wheel in Firefox, but only in my Rogers/Yahoo webmail client. You don’t realize how often you use a feature until it stops working unexpectedly. I noticed it on my desktop last week, but didn’t directly attribute it to Firefox until this morning when I updated the browser on my laptop and it started displaying the same symptoms (also, YouTube videos lose their sound, but that’s only on the laptop).

February 2, 2010

There’s more than one 3:54 length clip in Downfall?

Filed under: Germany, History, Humour, Media — Tags: , , , — Nicholas @ 07:43

Elsewhere, the Guardian wonders why the Hitler-in-the-bunker scene from Downfall has become such a popular meme.

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