Quotulatiousness

October 4, 2024

Star Trek – “From Quoting Shakespeare to Diversity Woman’s Hour”

Filed under: Media, Politics — Tags: , , , , — Nicholas @ 04:00

Every week, Substack helpfully compiles a list of posts that might be of interest to me, like this one by Isaac Young, discusses the fading phenomenon of Star Trek. (Disclaimer: I was a huge fan of the original TV series, but stopped watching the various Star Trek TV shows late in the Next Generation era and haven’t seen much after that … this essay covers parts of the canon that are largely terra incognita for me.)

In order to understand what a thing is, I believe you must first understand how it dies. Endings are the most important part of a story because they are the culmination of everything that came before. They dictate the legacy and the memory. It is through the ending that we can finally put the body of work in its proper context. What is Romeo and Juliet if we cut the final act out, and can you really understand the play if you stop just before their suicide? So therefore, in order to understand this franchise, I have to begin this essay with Star Trek‘s suicide.

Whatever we make of the heroism of James T. Kirk, the high-minded principles of Jean-Luc Picard, and the reactionary realism of Benjamin Sisko, we have to come to grips with the tragic reality that those things did not last. They were discarded for feminism, queerness, and diversity. And what do those things mean? Modern Star Trek has been quite clear about that. It’s about emasculated men and raging girlbosses. It’s about celebrating every sexual appetite except the one that produces functional families. It’s about fetishizing racial revenge and elevating mediocrity at the expense of excellence.

You’ll find Star Trek has never been more vulgar, more profane, more debauched. It’s small-minded in everything from the cast to production values to the storytelling. It’s about lecturing to the untouchables about their privilege and holding victimhood as the highest virtue. All those tiny elements which we ignored or snickered at in previous shows became the substance of their successors, while those parts we loved about Star Trek — the parts that made it great — were left behind or turned into nostalgia-bait.

The awkward reality of being a normal person from twenty years ago is that every franchise and IP has stabbed you in the back — viciously. And yet despite this, I still harbor a great love for the films and tv series of yesteryear. If I hadn’t, I wouldn’t be writing this essay. It is out of a great sense of love and admiration that I am dedicating this piece, and that is how I want readers to understand my review. I’m not here to tell you Star Trek was evil or anything like that. I’m here to tell you that Star Trek was great — brilliant even, but the rot was there from the beginning.

Looking back, what should I say was the core of Star Trek? Or rather, what was the nature of Star Trek? Was it in those ephemeral elements which turned out to only be in passing? Or was it those elements which had been there from the beginning, and are only now being noticed, like flesh peeling away to reveal the bones of a rotting corpse? And to continue this metaphor, what should I make of this bloated, festering body when its soul has clearly long departed?

But how can I judge old Trek for the new? How can I possibly analyze this franchise with this lens when it has clearly fallen to ideologically captured writers? Surely this once beloved series will course correct once Hollywood hears all the negative feedback from fans.

I don’t know who still believes that anymore, but I feel obligated to address this criticism for that one person who still doesn’t understand how we got here. The world didn’t suddenly turn crazy in 2016. Wokeness is not an aberration or an anomaly, but the logical endpoint of liberalism. It is egalitarianism, personal freedom, and materialism taken to their natural conclusions. It is Star Trek‘s values as they actually operate in the real world.

I can look at franchise, see it as a product of the Left, and reliably chart its degeneration through understanding those values and their decline. Star Trek isn’t bad because it fell to a bad writer’s room or predatory corporate interests. It’s bad because we’re currently in a culture-wide crisis that is affecting every form of media entertainment.

If there is one thing I want to get across in this essay, it’s that what we’re witnessing is the real Star Trek as it springs from its stated values. This is the most honest the series has ever been. Once you strip away the Shakespeare, the heroic characters, the sci-fi concepts, the witty banter, and all the moral framing, this rot is what you’ll find underneath. It’s always been there. The bad news is that Star Trek as the political propaganda it has always been is quite ugly. The good news is that those things which made Star Trek great, those things which reached for the good, the true, and the beautiful—those things are eternal. And they aren’t going to die with Star Trek.

August 14, 2024

Madsen M50: From the Korean War to Star Trek

Filed under: Europe, History, Media, Military, Weapons — Tags: , , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published May 1, 2024

During World War Two, Madsen (DISA) manufactured a licensed copy of the Finnish Suomi (see: Danish M1941 Suomi SMG). When the war ended, they wanted to replace this with a more modern, inexpensive design of their own. The result was the Model 1946 Madsen, a creative clamshell design of stamped parts. It is a very simple blowback, open-bolt 9x19mm SMG that perfectly fit the post-war era. The M46 version was sold to a few countries, and after some continued development and refinement the M50 version was demonstrated to a public audience in November 1950. This pattern was even simpler than before, and proved a popular gun for many unaligned countries in Central and South America and Southeast Asia — so much so that it remained in production until the 1980s. A bunch were imported into the US in the 1950s and 1960s, and they found a home in the movie industry, where they were often used in fantasy/sci-fi films to avoid having guns that would be recognized by American movie audiences.
(more…)

December 7, 2023

Canada is great at gesturing on the international stage … far less so in doing anything substantive, especially militarily

Filed under: Cancon, Government, Military — Tags: , , , — Nicholas @ 05:00

In The Line, Harrison Ruess channels his inner Star Trek geekiness to illustrate the Kobayashi Maru situation the Royal Canadian Navy (and the rest of the armed forces) find themselves in:

Canada is, and has been for some time, caught between two irreconcilable positions. We don’t want to spend any money on the military but also continue to prioritize how important and influential we want to be in the world (“Canada is back”, etc).

Friends, either of these things is possible. We just can’t do both at the same time.

So let’s have an honest conversation and decide which road we want to go down, commit to it, and then do the best we can in whichever adventure we choose. Talking, domestically and internationally, about how determined Canada is to make a positive impact in the world, while not investing in the systems to give our words weight, sets both Canadians and our allies up for disappointment. The old adage that it’s best not to over-promise and under-deliver should be remembered. We seem to aspire to the reverse.

If Canadians really don’t want to invest in our military, then we need to be honest about the consequences of those decisions. It means a more inwardly focused Canada, less able to support our allies, with fewer seats at big tables, less able to respond to emergencies or disasters, and likely less able to help our own. Given our unstable world, I would not personally advocate for this road, but there is a case to be made for it. So if you are someone who thinks this is the right path, then make your case honestly. Explain why you think it’s swell that our navy will need to launch under-equipped vessels, or not launch them at all. Defend your ground. But stop trying to sell Canadians a fable that we can have a shell of an armed forces while at the same time having increased global influence and impact.

On the other hand, if we do think Canada has a positive role to play — and even a responsibility — in trying to bring some order to the world, help those who need it, and ultimately protect our own interests, then we need a military, and a military budget, strong enough to meet the demands of the task. This includes procurement budgets, maintenance budgets, budgets to offer competitive wages, and budgets to sustain missions, both training and the real deal.

Proponents of this position need to do a much better job of explaining why this is the best path to both improving the lives of Canadians and stabilizing our destabilized world. Then our governments must pursue and defend this road, even when defence isn’t top of the polling priority list — which it never is.

The current status-quo doesn’t work. It’s dishonest. And most importantly, it hurts Canadians and our awareness of what our country is — or isn’t — capable of doing. Kudos to V.Adm. Topshee for, in not so many words, trying to explain the impact of this reality on the navy.

Having a capable, equipped military costs money — starting with perhaps the NATO-agreed upon two per cent of GDP. That’s the cost of doing business as a serious, mature, supposedly globally oriented country. Are we that? Do we even want to be?

July 6, 2021

GALAXY QUEST – WTF Happened To This Movie?

Filed under: Humour, Media, USA — Tags: , , , , — Nicholas @ 04:00

JoBlo Videos
Published 7 Feb 2020

Hollywood has had its fair share of historically troubled productions. Whether it was casting changes, actor deaths, fired directors, in-production rewrites, constant delays, budget cuts or studio edits, these films had every intention to be a blockbuster, but were beset with unforeseen disasters. Sometimes huge hits, sometimes box office bombs.

In our latest episode we explore the 1999 surprise hit GALAXY QUEST, which had a long road to making it to the big screen. Starring Tim Allen, Sigourney Weaver, Alan Rickman, Sam Rockwell, Tony Shalhoub, Daryl Mitchell, Enrico Colantoni, Justin Long and Missi Pyle, this riff on Star Trek, directed by Dean Parisot, eventually got over its hurdles and made a galactic splash at the box office. Now, if we could just get that sequel …

For more MOVIE NEWS, visit: http://www.joblo.com

#GalaxyQuest #TimAllen #WTFHappenedToThisMovie

November 10, 2020

QotD: The Smartphone, the Eater-of-Gadgets

Filed under: Economics, Quotations, Technology — Tags: , , , , , — Nicholas @ 01:00

I’ve been thinking for some time now that the smartphone has achieved a kind of singularity, becoming a black hole that sucks all portable electronics into itself. PDAs – absorbed. Music players – consumed. Handset GPSes – eaten. Travel-alarm clocks, not to mention ordinary watches – subsumed. Calculators – history. E-readers under serious pressure, and surviving only because e-paper displays have lower battery drain and are a bit larger. Compasses – munched. Pocket flashlights – crunched. Fobs for keyless locks – being scarfed down as we speak, though not gone yet.

[…]

But in an entertaining inversion, one device of the future actually works on smartphones now. Because I thought it would be funny, I searched for “tricorder” in the Android market. For those of you who have been living in a hole since 1965, a tricorder is a fictional gadget from the Star Trek universe, an all-purpose sensor package carried by planetary survey parties. I expected a geek joke, a fancy mock-up with mildly impressive visuals and no actual function. I was utterly gobsmacked to discover instead that I had an arguably real tricorder in my hand.

Consider. My Nexus One includes a GPS, an accelerometer, a microphone, and a magnetometer. That is, sensors for location, magnetic field, gravitational fields, and acoustic energy. Hook a bit of visualization and spectral analysis to these sensors, and bugger me with a chainsaw if you don’t have a tricorder. A quad- or quintcorder, actually.

And these sensors are already completely stock on smartphones because sensor electronics is like any other kind; amortized over a large enough production run, their incremental cost approaches epsilon because most of their content is actually design information (cue the shade of Bucky Fuller talking about ephemeralization). Which in turn points at the fundamental reason the smartphone is Eater-of-Gadgets; because, as the tricorder app deftly illustrates, the sum of a computer and a bunch of sensors costing epsilon is so synergistically powerful that it can emulate not just real single-purpose gadgets but gadgets that previously existed only as science fiction!

[…]

I specified “personal” radios because radios have something in common with personal computers; their main design constraints are actually constraints on a peripheral stage. For a computer you’ll be using for hours at a time you really want a full-sized hard keyboard and a display bigger than a smartphone’s; for a really good radio, the kind you supply sound for a party with, you need speakers with resonant cavities that won’t fit in a smartphone enclosure.

Digital cameras are another diagnostic case. The low-end camera with small lenses is already looking like a goner; the survivors will be DSLRs and more generally those with precision optics too large and too expensive to fit in a phone case.

These two examples suggest Raymond’s Rule of Smartphone Subsumption: if neither the physics nor the ergonomics of a gadget’s function require peripherals larger than will fit in a smartphone case, the smartphone will eat it!

Eric S. Raymond, “Smartphone, the Eater-of-Gadgets”, Armed and Dangerous, 2010-07-16.

December 26, 2019

Top 12 Fictional Pseudo-Christmases

Filed under: Books, Gaming, Media — Tags: , , , , , , , — Nicholas @ 04:00

Overly Sarcastic Productions
Published 24 Dec 2019

Happy holidays, one and all – even those of us from fictional universes where Christmas isn’t celebrated! Let’s celebrate by comparing twelve fictional Definitely Not Christmases and ranking them from lamest to best!

Our content is intended for teenage audiences and up.

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September 1, 2019

Gene Roddenberry was his own worst enemy

Filed under: History, Media, Space, USA — Tags: , , , , — Nicholas @ 03:00

Ed Driscoll reviews the first of three volumes by Marc Cushman, relating the story behind the legendary original Star Trek TV series. Much of the first volume is apparently about the problems of getting NBC to let Gene Roddenberry back into their good graces after he humiliated the network over an earlier TV show:

Nichelle Nichols was born in Robbins, Illinois on December 29, 1936. She played Lieutenant Uhura the Communications Officer on the U.S.S. Enterprise in the original series, Star Trek. Nichols stayed with the show and has appeared in six Star Trek movies. Her portrayal of Uhura on Star Trek marked one of the first non-stereotypical roles assigned to an African-American actress. Before joining the crew on Star Trek, she sang and danced with Duke Ellington’s band.
NASA photo via Wikimedia Commons.

Gene Roddenberry (1921-1991) was a religious agnostic and left-leaning Texan who became a WWII Army Air Force B-17 pilot, then an LA policeman who wrote numerous scripts for the burgeoning television industry in the 1950s. Eventually, he graduated to producing his own TV show in 1963, The Lieutenant, purchased by NBC and built around Gary Lockwood, the future guest star of Star Trek‘s second pilot, and the co-star of another landmark 1960s science fiction achievement, Stanley Kubrick’s 2001: A Space Odyssey.

The Lieutenant was for the most part a formulaic “military procedural” about life at Camp Pendleton, and featured numerous future Star Trek guest stars and cast members. However, Roddenberry, as was his wont, eventually decided to push the envelope, and put into production an episode on racism in the Marines called “To Set It Right,” with guest stars Dennis Hopper, future Star Trek regular Nichelle Nichols and future Trek guest star Don Marshall. The episode lost the support of the Marines, and the good will of NBC. As Roddenberry later recounted, “My problem was not the Marine Corps; it was NBC, who turned down the show flat … There was only one thing I could do, I went to the NAACP and they lowered the boom on NBC.”

As Cushman writes, this did not endear himself with NBC’s executive suit. “Roddenberry had won the battle … but lost the war. Despite satisfactory ratings, The Lieutenant was cancelled.” And NBC’s executives would not forget being hung out to dry by one of their product suppliers.

Even before The Lieutenant‘s only season of production was complete, Roddenberry began crafting a television show he called Star Trek. He had somehow stumbled into the perfect format for an hour-long network television series. While he admired shows such as Rod Serling’s The Twilight Zone and its recombinant network rival The Outer Limits for their ability to comment on American society through the metaphors of science fiction and horror, these were anthology shows, introducing a new cast each week. He knew the most successful network series were those with a recurring cast, such the many westerns that aired during the 1950s and ’60s, such as the long-running Bonanza and Gunsmoke. Viewers treated these archetypal characters almost as their own family members, which in turn encouraged them to tune in each week.

Given the networks’ love of westerns in the 1960s, it’s no coincidence that Roddenberry’s first pitch to the networks used the phrase “Wagon Train to the stars” as a metaphor to describe the show. (As Cushman writes, veteran western and science fiction writer Samuel Peeples actually coined that phrase, the first of many bits of Star Trek lore that Roddenberry would eventually co-opt and take credit for.)

It’s also no coincidence that the show’s second in command was written by Roddenberry as “a mysterious female, slim and dark, expressionless, cool, one of those women who will always look the same between years 20 and 50.” As Cushman deadpans, “To be more specific: actress Majel Barrett, Roddenberry’s lover.” (Roddenberry was also having a tryst with Nichelle Nichols; she would find her way into Star Trek‘s regular cast as well.) While the pointed-eared alien Mr. Spock was also present, he was much more in the background in Roddenberry’s first draft of Star Trek.

July 15, 2019

Galaxy Quest – still the best Star Trek movie ever made

Filed under: Humour, Media — Tags: , , , , — Nicholas @ 03:00

At Mark Steyn’s site, guest movie reviewer Kathy Shaidle lovingly reviews the cult classic — and one of my all-time favourite movies — Galaxy Quest:

In a just world, O.J. Simpson would currently be serving the 24th year of a double life sentence; Ronald Reagan would have been president during America’s bicentennial instead of Jimmy Carter — and Galaxy Quest would’ve earned half-a-billion bucks at the box office when it came out in 1999.

But inept and indifferent studio marketing (plus competition from another “sci-fi” comedy, Ghostbusters) relegated Galaxy Quest to semi-cult status. Which is ironically appropriate, given its plot:

At a science fiction convention, fans await an appearance by the cast of Galaxy Quest, a hokey interstellar TV adventure series unceremoniously cancelled in the early 1980s. The show’s fatally typecast has-been “stars” (played by Tim Allen, Alan Rickman, Sigourney Weaver, Tony Shalhoub and Daryl Mitchell) are reduced to reluctantly signing autographs at tacky gatherings like this one, when they’re not cutting ribbons (in full costume) at supermarket openings.

That is, until genuine aliens — who, in cargo cult fashion, have based their civilization on Galaxy Quest re-runs transmitted through space — touch down and beg “the crew of the NSEA-Protector” to help them defeat the villain bent on destroying their planet. The adorable Thermians innocently believe the program’s “crew” are fearless, intrepid space warriors and technological geniuses, not just washed-up actors in laughable uniforms. Their language has no word for “pretend”…

Lazily calling this movie “a Star Trek spoof” unfairly slots it alongside broad, coarse parodies like Blazing Saddles or the soulless Mars Attacks! In truth, Galaxy Quest is a tender, big hearted valentine — more My Favorite Year than Airplane.

That the film’s jokes and, more incredibly, its special effects, hold up so well twenty years later is a testament to the loving care with which Galaxy Quest was crafted. Obeying the first (yet often ignored) commandment of movie comedy, all the actors “play it straight”

November 9, 2017

Lois McMaster Bujold interview

Filed under: Books — Tags: , , , — Nicholas @ 03:00

It’s apparently a reprint, but since I missed it the first time, it’s a new one to me:

Ellen Cheeseman-Meyer: You published a Star Trek fanzine in the 1960s, while the series was still on the air. It’s the fiftieth anniversary of Star Trek, so I can’t resist asking you about it. What was it like to be a fan writer in the 1960s?

Lois McMaster Bujold: It was a lonelier enterprise back then than it is now. I go into it a little in this recent interview.

Other than that, I expect it was like being a newbie writer at any time, all those pictures and feelings churning around in one’s head and latching on to whatever models one could find to try to figure out how to get them down on a page. Besides the professional fiction I was reading, my models included Devra Langsam’s very early ST fanzine Spockanalia, and Columbus, Ohio fan John Ayotte’s general zine Kallikanzaros. It was John who guided Lillian and me through the mechanics of producing a zine, everything from how to type stencils (ah, the smell of Corflu in the morning! and afternoon, and late into the night), where to go to get electrostencils produced, how to run off and collate the pages — John lent us the use of his mimeograph machine in his parents’ basement. (And I just now had to look up the name of that technology on the internet — I had forgotten and all I could think of was “ditto”, a predecessor which had a different smell entirely.)

Fan writing, at the time, was assumed to be writing more about SF and fandom, what people would use blogs to do today, than writing fanfiction. So an all-fiction zine seemed a novelty to some of our fellow fans in Columbus.

[…]

ECM: Miles Vorkosigan is an amazingly resilient kid (and then an amazingly resilient adult), but it sometimes seems like moving to Escobar or Beta Colony, or staying with the Dendarii, would make his life much easier. His attachment to his home planet is a little mysterious. What are Miles’s favorite things about Barrayar?

LMB: I actually put off this question for last, as it was strangely hard to answer. (I may be overthinking it.) Partly it’s that it requires me to reboot a character I haven’t written in some years, and hold his whole 43-years-book-time character development in my head at once. Why does anyone love their childhood home, or their family, if they do? (Not a universal given among F&SF readers, I observe; it’s a very anti-domestic genre. Don Sakers’s Analog review of Gentleman Jole and the Red Queen touched on this.)

Miles’s favorite place on Barrayar is easy to tag: the lakeside retreat at Vorkosigan Surleau, and the wild Dendarii mountain range backing up behind it. Actually including its obstreperous people. As ever, Miles is a conflicted hybrid, half city boy and half country, half Betan and half Barrayaran, half future and half past, stretched between in a moving present. Family, friends, landscapes; all made him and all hold him. And from his very beginning, with all those painful medical treatments as a barely comprehending child, he’s been taught that he can’t run away when things get hard. But which also taught him that painful things can get better. It’s a lesson he’s taken to heart, and not only because it validates his own questioned and criticized existence.

(Miles being Miles, he may also take this a step too far, and confuse pain with hope, which would make him not at all the first human to stray down such a path.)

September 15, 2017

QotD: The sexist TV shows of the 1960s

Filed under: History, Media, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

Speaking of a different world, there was one big barrier to entry into [the original Star Trek]: its ladies. I’m still not quite sure how to deal with the way women were treated in the show. I’ve found that when watching many movies or shows from the ’60s and ’70s, it’s incredibly hard to relate the characters — not just because plot pacing was slower and diction was different than it is on TV today, but because I’m almost guaranteed to be disappointed by the way the story treats women. Generally, one just has to accept that there is going to be out-and-out sexism in a lot of old movies and TV, and you can either toss out the whole thing or watch it from afar like you’re in a museum, analyzing an ancient culture.

Megan Geuss, “I watched Star Trek: The Original Series in order; you can too, Or: Filling the gaps in your cultural knowledge is equal parts boring and fun”, Ars Technica, 2015-09-05.

August 28, 2017

Sexism in the original Star Trek

Filed under: Media, USA — Tags: , , , — Nicholas @ 05:00

Dave Leigh stands up for Gene Roddenberry:

… the most infamous case is in part a running gag throughout the series. It’s dictated in the Guide, runs the length of the series, and culminates in the final episode. And I’m pretty sure that very few people other than Gene Roddenberry himself knew that it was a running gag.

It’s sexism.

First… history. And this part is well-known. When the first pilot (“The Cage”) was delivered, Roddenberry cast his future wife, Majel Barrett, as “Number One”, the coldly logical second-in-command of the Enterprise. When the studio rejected that pilot and commissioned a second one, they made a few demands. They wanted to “get rid of the guy with the ears” (as Roddenberry told it). They also wanted to axe Number One, because they claimed that their test audiences didn’t like a woman as executive officer. For decades, Roddenberry told the joke that he kept the alien and married the woman because the other way ’round wouldn’t be legal. He also transferred Number One’s coldly logical nature to Mister Spock.

In the years that followed, many fans and critics completely forgot this story when examining the rest of the series. For instance, there’s the fact that the captain’s yeoman is always a pretty female. This is by decree. In fact, the Guide describes the character as follows:

    YEOMAN — Played by a succession of young actresses, always lovely. One such character has been well established in the first year, “YEOMAN JANICE RAND”, played by the lovely Grace Lee Whitney. Whether Yeoman Rand or a new character provided by the writer, this female Yeoman serves Kirk as his combination Executive Secretary-Valet-Military Aide. As such, she is always capable, a highly professional career girl. As with all female Crewman aboard, during duty hours she is treated co-equal with males of the same rank, and the same level of efficient performance is expected. The Yeoman often carries a small over-the-shoulder case, a TRICORDER, about the size of a small handbag, which is also an electronic recorder-camera-sensor combination, immediately available to the Captain should he be away from his Command Console.

In the real-world Navy, a yeoman is simply a clerk. Most of them are men. But in Star Fleet, this is women’s work, at least superficially. Note that in other respects these women were to be treated co-equally. What isn’t women’s work — ever (in the original series) — is the Captaincy. And this is stated explicitly in the very last episode of the series, “The Turnabout Intruder”.

Now, this has been retconned over and over, but this episode was deliberate, and it was conceived and outlined by Gene Roddenberry. By now you probably know that I don’t like retcons because they suck. They’re poor explanations that say, “it didn’t happen”. It’s better to explain why it did happen. And to do that, we have to start with an understanding of what Star Trek was for. It was first and foremost a platform for storytelling. Fantastic elements were readily employed whenever they served a storytelling need. It’s one of the strengths of science fiction:

    “I was working in a medium, television, which is heavily censored, and in contemporary shows I found I couldn’t talk about sex, religion, politics and all or the other things I wanted to talk about. It seemed to me that if I had things happen to little polka-dotted people on a far-off planet I might get past the network censors, as Swift did in his day. And indeed that’s what we did.”

    — Gene Roddenberry

February 14, 2017

Fanfic – from grubby, subversive literary backwater to big bucks and recognition

Filed under: Books, Business, Media — Tags: , , , , , — Nicholas @ 02:00

In Forbes, Hayley C. Cuccinello traces the early beginnings of the fan fiction community from Kirk-slash-Spock to Fifty Shades and beyond:

For the uninitiated, fanfiction is fiction written by a fan that features characters from a particular mythical universe such as a TV show or book. Its cousin, real person fiction (RPF), portrays actual individuals — typically celebrities — such as Harry Styles from One Direction.

Though the Fifty Shades itself has been dismissed by many as “mommy porn” and “the Great Idiot American Novel,” James is the most commercially successful fanfiction author of all time. After removing references to Twilight from Master of the Universe, a practice known as “filing off the serial numbers,” E.L. James published the renamed Fifty Shades of Grey with Writer’s Coffee Shop, an independent Australian publisher that was created by fans to commercially publish their work.

The results were astonishing. To date, James has sold over 70 million copies worldwide, including print, e-books and audiobooks. In 2013, Forbes named E.L. James the highest-paid author in the world, with $95 million in earnings, thanks to her massive book sales and a seven-figure paycheck for the first movie adaptation. In 2016, E.L. James was the eighth highest-paid author in the world, earning $14 million in 12 months, which brings her four-year total earnings to a whopping $131 million. With Fifty Shades Darker now showing in U.S. theaters – and hitting the international box office on Valentine’s Day – James’ fortunes will only continue to grow.

[…]

“Kirk and Spock are the granddaddies of slash fanfic, which goes all the way back to when fans were writing it out and handing it to each other at conventions,” says Andi VanderKolk, co-host of the Women At Warp podcast. Some authors collected their works into fanzines that were typically sold at cost.

Many fanzine authors would later find professional careers. Lois McMaster Bujold, writer of sci-fi series the Vorkosian Saga, contributed to numerous Star Trek fanzines in the late 1960s. Sci-fi and fantasy author Diane Duane, who has authored over 10 Star Trek novels, previously wrote fanfiction.

There are many other examples outside the Star Trek universe. Darkover author Marion Zimmer Bradley not only allowed fanworks but published a few of them in official Darkover anthologies. Television writer and producer Stephen Moffat, a former Doctor Who showrunner and current showrunner for Sherlock, previously wrote fanfiction. “I refuse to mock [fanfiction], because I’m a man who writes Sherlock Holmes fanfiction for a living,” Moffat told Entertainment Weekly last year.

January 8, 2017

The worship of NASA

Filed under: Bureaucracy, Science, Space, USA — Tags: , , , , , — Nicholas @ 03:00

James Miller is more than a bit skeptical of those who unabashedly sing the praises of NASA and more generally the “I love science sexually” crowd:

I’ve never understood the slobbering love affair many have with outer space and, more specifically, NASA. Sure, the moon landing was an incredible feat demonstrating American strength at time of conflict with a competing superpower. But I’m in agreement with Gary North: It was the “most expensive PR stunt in American history,” with little other benefit. We have yet to put a man on another moon, let alone another planet. It’s been a half century since Neil Armstrong made history, and the federal government still fails at running a simple website.

The saccharine lengths some go to to express their admiration for NASA has always made me queasy. Like all government bureaucracies, it wastes an incredible amount of money. Yet conservative lawmakers like Ted Cruz never miss an opportunity to remind us that conquering new galaxies is paramount to our national survival.

If the windbags in Washington can’t put a stop to the caliphate of killers in the Middle East, what hope is there for putting a colony on Kepler-186f?

My antipathy for space travel goes hand in hand with my overall distaste for science worshipping. The celebrification of the study of the natural world has been as infantilizing and degrading as Richard Nixon’s clownish appearance on Rowan & Martin’s Laugh-In. “I fucking love science”? I’d much rather string celebrity science guy Neil deGrasse Tyson up by his thumbs.

H/T to Kathy Shaidle for the link. Kathy also throws shade at Star Wars and praises the heck out of Star Trek:

If Star Trek was actually set on Antarctica (and here, it is) I would watch the hell out of that (and have.)

But I also love how this fictional universe (which I would HATE to live in because they’ve abolished money, wear ugly clothes, and pretend to believe in peace and love and shit) has inspired real world, well, enterprises.

Yes, space travel is stupid. But it’s amazing that a black woman decided she could and would become an astronaut because she saw an actress do it on her TV when she was a kid.

I totally get that, and just get off on the phenomenon of people taking a sliver of fiction, and having seen this fake, plastic, non-functional prop, worked to create a functional version (and a multi-billion dollar industry.)

It’s like cargo culting, except by, well, smart people with way more resources who actually want shit to work.

Star WARS on the other hand is just life-wasting masturbatory etc EXCLUSIVELY.

Star Wars is nothing but escapism.

It has had no real world impact except that negative one. Star Wars has been a net negative on society while Star Trek has been a net positive:

September 10, 2016

Star Trek: The Libertarian Edition

Filed under: Humour, Liberty, Media — Tags: , — Nicholas @ 02:00

Published on 7 Sep 2016

Their mission: to seek out new life and new civilizations, and leave them alone. Trade with them if they want, but mostly leave them the hell alone.

In honor of Star Trek‘s 50th Anniversary, Reason presents the Libertarian parody of the final frontier, with appearances by Gary Johnson and Remy.

Written and produced by Austin Bragg, Meredith Bragg, and Andrew Heaton. Shot and edited by Bragg and Bragg.

March 10, 2016

The Trouble with Transporters

Filed under: Humour, Media, Science — Tags: , , — Nicholas @ 02:00

Published on 7 Mar 2016

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