Quotulatiousness

September 13, 2020

Tank Chats #79 Cruiser Mark II A10 | The Tank Museum

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , , , — Nicholas @ 02:00

The Tank Museum
Published 29 Jun 2019

The Cruiser Mark II A10 was developed alongside the A9 and was intended to be a heavier version of the tank.

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September 6, 2020

Tank Chats #78 Cruiser Mark I A9 | The Tank Museum

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 02:00

The Tank Museum
Published 21 Jun 2019

The Tank Cruiser Mark I A9 is an interwar British tank. Tank Historian David Fletcher talks through the very first cruiser tank to go into service.

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August 18, 2020

Modern art insults me

Filed under: Media — Tags: , , , — Nicholas @ 04:00

Lindybeige
Published 4 Apr 2015

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Modern art has been shown to be a fraud many times. Again and again people fool so-called “expert” with works done by novices, toddlers, or even chimpanzees. The Baltic in Newcastle is a fine gallery, Unfortunately, they very seldom find anything to put in it worth looking at, let alone journeying any distance to see.

People appreciate effort, skill, and an attempt to please or at least be understood. Works of art that clearly have taken no skill, time, effort, or care to create are an insult to the gallery viewer.

Clearly, I am not saying that ALL modern (or “contemporary” if you prefer) art is insulting. I am just explaining why much of it is. Great art in the past was not all understood by everybody, but it didn’t insult those who didn’t understand it.

Similarly, I am not saying that any art that took ages to make is good. Boris Vallejo is an amazing draughtsman, but his works are not good art.

Lindybeige: a channel of archaeology, ancient and medieval warfare, rants, swing dance, travelogues, evolution, and whatever else occurs to me to make.

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I must admit, I’m often amused at tales of modern art “installations” being mistaken for rubbish and cleaned up by the janitorial staff after hours. In most reported cases, the cleaners have demonstrably higher artistic judgement than the curators who bring in the “art”.

August 8, 2020

Tank Chats #77 Jagdtiger | The Tank Museum

Filed under: Germany, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

The Tank Museum
Published 14 Jun 2019

David Willey, Curator at The Tank Museum, presents a Tank Chat on the mighty WW2 German Jagdtiger.

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July 29, 2020

America’s First Assault Rifle: Burton 1917 LMR

Filed under: History, Military, USA, Weapons, WW1 — Tags: , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 4 Jul 2016

http://www.patreon.com/ForgottenWeapons
https://centerofthewest.org/explore/f…

America’s first assault rifle? Well, it does meet all the requirements — select-fire, intermediate cartridge, and shoulder-fired. It was never actually fielded, though.

The Burton Light Machine Rifle was developed during World War One, with the firing model completed in 1917. It was intended as an aircraft observer’s weapon for attacking balloons — a role which required incendiary ammunition. With this in mind, Winchester’s Frank Burton adapted the .351 WSL cartridge from his 1905 and 1907 self-loading rifles into the .345 WSL, with a spitzer bullet. He designed an open-bolt, select-fire shoulder rifle to fire it, which became known as the Light Machine Rifle.

Burton’s rifle was to be usable both in an aircraft where it could be fixed to a Scarff mount for a wide field of fire or used by an individual on the ground, fired from the shoulder. It weighed in at just about 10 pounds (4.5kg) and had a pistol grip and straight-line design to bring the recoil impulse directly into the shooter’s shoulder and minimize rise during automatic fire. The barrel was finned for better cooling, and infantry barrels were equipped with bayonet lugs.

The most distinctive elements of the design, of course, are the dual top-mounted magazines. Each one holds 20 rounds, and each has a pair of locking catches. One position locks the magazine into a feeding position, and the other holds it up above the cycling of the bolt. The idea here was to keep a second loaded magazine easily accessible for an aerial observer, so they could reload without having to find another magazine somewhere in the aircraft. Contrary to some speculation, there is no automatic transition between magazines. When one is empty, the shooter must pull it back to the second locking position (or out of the gun entirely) and then push the second magazine down into feeding position.

Despite Burton’s work — which was well ahead of its time — the LMR had been rendered obsolete for its primary role by the time it was ready. Synchronized, forward-mounted Vickers machine guns firing 11mm incendiary ammunition were being mounted on aircraft, and were more effective on balloons and airplanes than Burton’s weapon would have been. Only this single example was ever made, and it was not presented for infantry consideration as far as I can tell. It was lost for many years before being discovered in a Winchester building, and eventually ending up in the Cody Firearms Museum with the rest of the Winchester factory collection.

July 28, 2020

Tank Chats #76 Tetrarch Tank | The Tank Museum

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

The Tank Museum
Published 31 May 2019

Tetrarch tanks were flown over on D-Day, 6th June, 1944, for the invasion of France during WW2. Find out more with David Fletcher.

Originally adopted by the British Army as a light tank it became the first British airborne tank.
Many thanks to Vitaly Kuzmin for providing the image of the Tetrarch at Kubinka https://www.vitalykuzmin.net

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July 16, 2020

Curator forced to resign over “toxic white supremacist beliefs”

Filed under: Media, Politics, USA — Tags: , , , , — Nicholas @ 05:00

The San Francisco Museum of Modern Art parted company with a long-time curator for his racist views and white supremacist actions in continuing to pursue works to add to the collection from white male artists:

San Francisco Museum of Modern Art, 1 September, 2008.
Photo by WolfmanSF via Wikimedia Commons.

Until last week, Gary Garrels was senior curator of painting and sculpture at the San Francisco Museum of Modern Art (SFMOMA). He resigned his position after museum employees circulated a petition that accused him of racism and demanded his immediate ouster.

“Gary’s removal from SFMOMA is non-negotiable,” read the petition. “Considering his lengthy tenure at this institution, we ask just how long have his toxic white supremacist beliefs regarding race and equity directed his position curating the content of the museum?”

This accusation — that Garrels’ choices as an art curator are guided by white supremacist beliefs — is a very serious one. Unsurprisingly, it does not stand up to even minimal scrutiny.

The petitioners cite few examples of anything even approaching bad behavior from Garrels. Their sole complaint is that he allegedly concluded a presentation on how to diversify the museum’s holdings by saying, “don’t worry, we will definitely still continue to collect white artists.”

Garrels has apparently articulated this sentiment on more than one occasion. According to artnet.com, he said that it would be impossible to completely shun white artists, because this would constitute “reverse discrimination.” That’s the sum total of his alleged crimes. He made a perfectly benign, wholly inoffensive, obviously true statement that at least some of the museum’s featured artists would continue to be white. The petition lists no other specific grievances.

H/T to Halls of Macademia for the link.

Tank Chats #75 M5A1 Stuart | The Tank Museum

Filed under: History, Military, USA, Weapons, WW2 — Tags: , — Nicholas @ 02:00

The Tank Museum
Published 17 May 2019

David Fletcher on the last in the Stuart series. Known unofficially as “Honeys”, the M5A1 Stuart was an improved version of the American’s M3 light tank. They were used by British armoured regiments and by most other Allied armies during WW2. They were fast, reliable and popular with their crews, but outclassed by the German tanks of 1944.

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June 30, 2020

“It all counts for nothing, because the Conservatives themselves are useless”

Most Canadians, reading that headline, will assume that Sean Gabb is talking about the Conservative Party of Canada (and he’d be 100% correct in that case), but he’s actually talking about Britain’s equally useless equivalent under Boris Johnson:

Prime Minister Boris Johnson at his first Cabinet meeting in Downing Street, 25 July 2019.
Official photograph via Wikimedia Commons.

According to The Daily Mail, Madeline Odent is the Curator of the Royston Museum in Hertfordshire. This museum is funded by Royston Council. In the past few days, Mrs Odent has taken to Twitter, giving expert advice on how to use household chemicals to cause irreparable harm to statues she dislikes.

It is, she says, “extremely difficult” to remove the chemicals once they have been applied. She adds that “it can be done, but the chemical needed is super carcinogenic, so it rarely is.” Again, she says: “We haven’t found a way to restore artefacts that this happens to.” Her last reported tweet features a picture of Winton Churchill’s defaced statue in Parliament Square, and says: “Stay tuned for our next edition, where we’ll be talking about marble memorials of racists.”

The newspaper and various people are calling for the woman to be sacked. It is, I allow, surprising for someone to hold a job that involves conserving the past, and then to advise an insurrectionary mob on how to destroy the past. This being said, and assuming the story is substantially true, Mrs Odent is less to be blamed for giving her advice than those who employed her as an expert on conservation and its opposite.

We have had a Conservative Government since 2010. We have had a Conservative Government with a working majority since 2015. For the past six months, we have had a Conservative Government with a crushing majority. It all counts for nothing, because the Conservatives themselves are useless.

Political power is not purely, nor mainly, a matter of being able to make laws. It is far more a matter of choosing reliable servants. Before 1997, we could suppose, within reason, that these servants were politically neutral. They often had their own agenda. They could use their status as experts to influence, and sometimes to frustrate, laws and policies with which they disagreed. But there were not self-consciously an order of people devoted to a transformative revolution. The Blair Government broke with convention by stuffing the public sector with its own creatures, loyal only to itself. This is to be deplored. On the other hand, the Blair Government did have a mandate for sweeping change, and it is reasonable that it should have given preference to employing those who could be trusted to further both the letter and spirit of this mandate. The Conservatives have had enough time to make the public sector into at least an obedient servant of those the people keep electing. Instead of this, they have spent this time employing and promoting people whom Tony Blair would have sacked on the spot as malicious lunatics.

June 27, 2020

Tank Chats #74 Panzer I | The Tank Museum

Filed under: Germany, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

The Tank Museum
Published 10 May 2019

Panzer I was the first tank mass produced by Germany, as part of their drive to re-arm in the 1930’s before the Second World War.

The Tank Museum’s Panzer IB tank is the only known commander’s model of the Panzer I.
Cradit @10:25 Panzer I from The Arsenalen Museum, Sweden.

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June 23, 2020

Defending Britain with a Bayonet | Hobart’s Pike | The Tank Museum

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 06:00

The Tank Museum
Published 24 May 2020

Director Richard Smith looks at Percy Hobart and the incredible weapon he was issued on joining the Home Guard at the start of WW2; a bayonet welded to a pole. Major General Percy Hobart commanded the 79th Armoured Division and gave the revolutionary, specialised tanks used on D-Day their nickname “Hobart’s Funnies”.

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June 17, 2020

Tank Chats #73 Sentinel | The Tank Museum

Filed under: Australia, History, Military, Weapons, WW2 — Tags: , , — Nicholas @ 02:00

The Tank Museum
Published 26 Apr 2019

As Australia and New Zealand mark ANZAC day this week, The Tank Museum presents a Tank Chat on the Australian Sentinel tank.

The AC1 Sentinel cruiser tank was designed by Australia during the Second World War. Only 65 of these tanks were produced during WW2, as the Australians were eventually supplied with Allied tanks.

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June 15, 2020

The Battle that Saved an Army | Arras 1940 | The Tank Museum

Filed under: Britain, Economics, France, Germany, History, Military, Weapons, WW2 — Tags: , , , , , , — Nicholas @ 04:00

The Tank Museum
Published 17 May 2020

Encircled by the Germans in North-West France, the Battle of Arras, 21st May 1940, was a successful Allied counter-attack which allowed French and British troops to be evacuated at Dunkirk. Curator David Willey, presents his talk on the WW2 Battle of Arras from home.

For more on the Blitzkrieg see David’s Tank Story Hall tour https://www.youtube.com/watch?v=eysQa…

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June 10, 2020

Tank Chats #72 M3A1 Stuart | The Tank Museum

Filed under: Britain, History, Military, USA, Weapons, WW2 — Tags: , — Nicholas @ 02:00

The Tank Museum
Published 13 Apr 2019

David Fletcher talks through the next Stuart in the series and explains the differences between the variants.
The Stuart is an Second World War American light tank and was supplied to Britain and other Commonwealth countries during WW2 under lend-lease.

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June 9, 2020

Hiding your Army | Military Camouflage | The Tank Museum

Filed under: Britain, France, Germany, History, Military, Russia, USA, WW1, WW2 — Tags: , , , , , , — Nicholas @ 04:00

The Tank Museum
Published 10 May 2020

Curator David Willey talks to you about military camouflage, from home! He takes a look at military uniform and vehicles.

https://tankmuseumshop.org/

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