The Tank Museum
Published 14 Jun 2019David Willey, Curator at The Tank Museum, presents a Tank Chat on the mighty WW2 German Jagdtiger.
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August 8, 2020
Tank Chats #77 Jagdtiger | The Tank Museum
July 29, 2020
America’s First Assault Rifle: Burton 1917 LMR
Forgotten Weapons
Published 4 Jul 2016http://www.patreon.com/ForgottenWeapons
https://centerofthewest.org/explore/f…America’s first assault rifle? Well, it does meet all the requirements — select-fire, intermediate cartridge, and shoulder-fired. It was never actually fielded, though.
The Burton Light Machine Rifle was developed during World War One, with the firing model completed in 1917. It was intended as an aircraft observer’s weapon for attacking balloons — a role which required incendiary ammunition. With this in mind, Winchester’s Frank Burton adapted the .351 WSL cartridge from his 1905 and 1907 self-loading rifles into the .345 WSL, with a spitzer bullet. He designed an open-bolt, select-fire shoulder rifle to fire it, which became known as the Light Machine Rifle.
Burton’s rifle was to be usable both in an aircraft where it could be fixed to a Scarff mount for a wide field of fire or used by an individual on the ground, fired from the shoulder. It weighed in at just about 10 pounds (4.5kg) and had a pistol grip and straight-line design to bring the recoil impulse directly into the shooter’s shoulder and minimize rise during automatic fire. The barrel was finned for better cooling, and infantry barrels were equipped with bayonet lugs.
The most distinctive elements of the design, of course, are the dual top-mounted magazines. Each one holds 20 rounds, and each has a pair of locking catches. One position locks the magazine into a feeding position, and the other holds it up above the cycling of the bolt. The idea here was to keep a second loaded magazine easily accessible for an aerial observer, so they could reload without having to find another magazine somewhere in the aircraft. Contrary to some speculation, there is no automatic transition between magazines. When one is empty, the shooter must pull it back to the second locking position (or out of the gun entirely) and then push the second magazine down into feeding position.
Despite Burton’s work — which was well ahead of its time — the LMR had been rendered obsolete for its primary role by the time it was ready. Synchronized, forward-mounted Vickers machine guns firing 11mm incendiary ammunition were being mounted on aircraft, and were more effective on balloons and airplanes than Burton’s weapon would have been. Only this single example was ever made, and it was not presented for infantry consideration as far as I can tell. It was lost for many years before being discovered in a Winchester building, and eventually ending up in the Cody Firearms Museum with the rest of the Winchester factory collection.
July 28, 2020
Tank Chats #76 Tetrarch Tank | The Tank Museum
The Tank Museum
Published 31 May 2019Tetrarch tanks were flown over on D-Day, 6th June, 1944, for the invasion of France during WW2. Find out more with David Fletcher.
Originally adopted by the British Army as a light tank it became the first British airborne tank.
Many thanks to Vitaly Kuzmin for providing the image of the Tetrarch at Kubinka https://www.vitalykuzmin.netSupport the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
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July 16, 2020
Curator forced to resign over “toxic white supremacist beliefs”
The San Francisco Museum of Modern Art parted company with a long-time curator for his racist views and white supremacist actions in continuing to pursue works to add to the collection from white male artists:
Until last week, Gary Garrels was senior curator of painting and sculpture at the San Francisco Museum of Modern Art (SFMOMA). He resigned his position after museum employees circulated a petition that accused him of racism and demanded his immediate ouster.
“Gary’s removal from SFMOMA is non-negotiable,” read the petition. “Considering his lengthy tenure at this institution, we ask just how long have his toxic white supremacist beliefs regarding race and equity directed his position curating the content of the museum?”
This accusation — that Garrels’ choices as an art curator are guided by white supremacist beliefs — is a very serious one. Unsurprisingly, it does not stand up to even minimal scrutiny.
The petitioners cite few examples of anything even approaching bad behavior from Garrels. Their sole complaint is that he allegedly concluded a presentation on how to diversify the museum’s holdings by saying, “don’t worry, we will definitely still continue to collect white artists.”
Garrels has apparently articulated this sentiment on more than one occasion. According to artnet.com, he said that it would be impossible to completely shun white artists, because this would constitute “reverse discrimination.” That’s the sum total of his alleged crimes. He made a perfectly benign, wholly inoffensive, obviously true statement that at least some of the museum’s featured artists would continue to be white. The petition lists no other specific grievances.
H/T to Halls of Macademia for the link.
Tank Chats #75 M5A1 Stuart | The Tank Museum
The Tank Museum
Published 17 May 2019David Fletcher on the last in the Stuart series. Known unofficially as “Honeys”, the M5A1 Stuart was an improved version of the American’s M3 light tank. They were used by British armoured regiments and by most other Allied armies during WW2. They were fast, reliable and popular with their crews, but outclassed by the German tanks of 1944.
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June 30, 2020
June 27, 2020
Tank Chats #74 Panzer I | The Tank Museum
The Tank Museum
Published 10 May 2019Panzer I was the first tank mass produced by Germany, as part of their drive to re-arm in the 1930’s before the Second World War.
The Tank Museum’s Panzer IB tank is the only known commander’s model of the Panzer I.
Cradit @10:25 Panzer I from The Arsenalen Museum, Sweden.Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
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June 23, 2020
Defending Britain with a Bayonet | Hobart’s Pike | The Tank Museum
The Tank Museum
Published 24 May 2020Director Richard Smith looks at Percy Hobart and the incredible weapon he was issued on joining the Home Guard at the start of WW2; a bayonet welded to a pole. Major General Percy Hobart commanded the 79th Armoured Division and gave the revolutionary, specialised tanks used on D-Day their nickname “Hobart’s Funnies”.
https://tankmuseumshop.org/
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June 17, 2020
Tank Chats #73 Sentinel | The Tank Museum
The Tank Museum
Published 26 Apr 2019As Australia and New Zealand mark ANZAC day this week, The Tank Museum presents a Tank Chat on the Australian Sentinel tank.
The AC1 Sentinel cruiser tank was designed by Australia during the Second World War. Only 65 of these tanks were produced during WW2, as the Australians were eventually supplied with Allied tanks.
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June 15, 2020
The Battle that Saved an Army | Arras 1940 | The Tank Museum
The Tank Museum
Published 17 May 2020Encircled by the Germans in North-West France, the Battle of Arras, 21st May 1940, was a successful Allied counter-attack which allowed French and British troops to be evacuated at Dunkirk. Curator David Willey, presents his talk on the WW2 Battle of Arras from home.
For more on the Blitzkrieg see David’s Tank Story Hall tour https://www.youtube.com/watch?v=eysQa…
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June 10, 2020
Tank Chats #72 M3A1 Stuart | The Tank Museum
The Tank Museum
Published 13 Apr 2019David Fletcher talks through the next Stuart in the series and explains the differences between the variants.
The Stuart is an Second World War American light tank and was supplied to Britain and other Commonwealth countries during WW2 under lend-lease.Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
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June 9, 2020
Hiding your Army | Military Camouflage | The Tank Museum
The Tank Museum
Published 10 May 2020Curator David Willey talks to you about military camouflage, from home! He takes a look at military uniform and vehicles.
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June 4, 2020
Tank Chats #71 M3 Stuart Hybrid | The Tank Museum
The Tank Museum
Published 29 Mar 2019David Fletcher talks about the Second World War M3 Stuart and why this particular version is a hybrid.
The M3 Stuart was built by the USA for WW2 and went into service in 1941. The tank in this video was gifted to The Tank Museum by the Brazilian Army.
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May 28, 2020
Why Halftracks? Why limited to WW2 only? (Featuring Tank Fest 2018)
Military History not Visualized
Published 6 Jul 2018Disclaimer: I was invited to Tank Fest by the Tank Museum.
Why were half-tracks used in the first place? Why not trucks, fully-tracked vehicles or something else? Also, why after the Second World War did the half-track disappear? Why were there no new types produced by major powers?
Big thank you to green_goblin_z for sending me 2 books from my amazon wishlist!
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» SOURCES «
Spielberger, Walter; Doyle, Hilary Lous, Jentz, Thomas L.: Halbkettenfahrzeuge des deutschen Heeres
Spielberger: Halftracked Vehicles of the German Army 1909-1945 (Spielberger German Armor and Military Vehicle)Zaloga, Steven J.: M3 Infantry Half-Track. 1940-73. Osprey Publishing: Oxford, UK (1992 / 2002).
Citino, Robert M.: The German Way of War. From the Thirty Years’ War to the Third Reich. University Press of Kansas: USA, 2005.
Krapke, Paul-Werner: Armor, in: Margiotta, Franklin D. (Executive Editor): Brassey’s Encyclopedia of Land Forces and Warfare. Brassey’s: Washington, USA (1996), p. 42-53
Pöhlmann, Markus: Der Panzer und die Mechanisierung des Krieges: Eine deutsche Geschichte 1890 bis 1945 (Zeitalter der Weltkriege)
Munzel, Oskar: Die deutschen gepanzerten Truppen bis 1945
Fleischer, Wolfgang: Die motorisierten Schützen und Panzergrenadiere des deutschen Heeres: 1935-1945 – Waffen, Fahrzeuge, Gliederung, Einsätze
Felberbauer, Franz: Waffentechnik I – Band 2: Geschütze, Waffen in Entwicklung, Nichttödliche Waffensysteme, Ballistik, Physikalische Grundlagen (Truppendienst)
https://www.truppendienst.com/td-buec…
May 21, 2020
The Great Exhibition of 1851 also served (for some) as the 19th century equivalent of the “Missile Gap” controversy
In the latest edition of his Age of Invention newsletter, Anton Howes discusses the changing role of the British government and how the Great Exhibition was also useful as subtle domestic propaganda for a more active role for government in the British economy:

The Crystal Palace from the northeast during the Great Exhibition of 1851, image from the 1852 book Dickinsons’ comprehensive pictures of the Great Exhibition of 1851
Wikimedia Commons.
… a whole new opportunity for reform was provided by the Great Exhibition of 1851. As I explained in the previous newsletter, an international exhibition of industry functioned as an audit of the world’s industries. It, and its successors, the world’s fairs, gave some indication of how Britain stood relative to rival nations, especially France, Prussia, and the United States. And whereas some people saw the Great Exhibition as a clear mark of Britain’s superiority, for would-be reformers it was a chance to expose worrying weaknesses. Thus, Henry Cole and the other original organisers of the exhibition at the Society of Arts exacerbated fears of Britain’s impending decline, giving them an excuse to create the systems they desired.
They identified two areas of worry: science and design. Britain of course had many eminent scientists and artists — some of the best in the world — but other countries seemed to have become better at diffusing scientific training and superior taste throughout the workforce as a whole. Design skills were an issue because France appeared to be catching up with Britain when it came to the mechanisation of industry; if it caught up on machinery while maintaining its lead in fashion, then Britain would not be able to compete. And scientific training appeared more useful than ever, with the latest scientific advances “influencing production to an extent never before dreamt of”. Visitors to the Great Exhibition had marvelled at the recent inventions of artificial dyes, a method of processing beetroot sugar, and the latest improvements to photography and the electric telegraph. Thus, for Britain to maintain its lead, it would need to improve the education of its workers.
The reformers’ scare tactics worked. The aftermath of the Great Exhibition saw the creation of a government Department of Science and Art under the direction of Henry Cole, who in turn oversaw the agglomeration of various museums, design schools, and other cultural institutions to what is now the “Museum Mile” in South Kensington. (Curiously, the area was originally called Brompton, but when Cole opened a museum of design and industry there, he named it the South Kensington Museum. Kensington was a much more aristocratic area nearby, though it had no “south” at the time. The museum evolved, rather complicatedly, into what is now the Victoria & Albert Museum. But unlike so many top-down area re-brands, the name South Kensington stuck.)
And that was just the beginning. Cole and his allies then oversaw a dramatic expansion of the state into education, largely through the use of examinations. Although state-funding for education had initially centred on building new schools, getting any more involved was a highly contentious issue. Most schools were controlled and funded by religious organisations, but were split between the established Anglican church and dissenters. When the government first became involved in schools, it was thus bitterly opposed by many dissenters as they feared that their children might become indoctrinated to Anglicanism. And naturally, the government could not teach dissenting religions. Yet the proposed compromise of teaching no religion at all was unacceptable to both sides. Schools were crucial, the groups believed, to keeping religion alive.
So the utilitarians came up with a workaround. Rather than getting the state too involved directly in managing the schools themselves, it would instead influence the curriculum. By holding examinations, and then paying teachers based on the outcomes of the tests, they could incentivise the teaching of certain subjects and leave the schools free to teach whatever religious beliefs they pleased. Indeed, by diverting more and more time towards teaching particular subjects, the reformers saw it as a secularising blow “against parsonic influence”. The tactic was initially applied to adult education. The Society of Arts would first trial out examinations without payments, to test their viability. Then Cole would have his department take over the examinations, first for drawing, and later for science, using his budget to fund payment-by-results. The effects were dramatic. The Society’s relatively popular examinations in chemistry, for example, rarely had more than a hundred candidates a year. But when the department instituted its payments, it soon drew in thousands. By 1862, when the government wanted to improve the teaching of reading, writing, and arithmetic in schools, they adopted Cole’s suggestion that they also use payment-by-results.

















